Noëlle Lynn Wenger Streeton
Streeton, N.L.W., Perspectives on the Painting Technique of Jan van Eyck: Beyond the Ghent Altarpiece, Archetype Publications, London, 2013, forthcoming.
Streeton, N., and Wadum, J., ‘Northern European panel paintings’, in Conservation of Easel Paintings, eds. J. Hill Stoner and R. Rushfield, Elsevier Butterworth-Heinemann, Oxford, 2012: 86‒97.
Wadum, J., and Streeton, N., eds., ‘History and use of panels or other rigid supports for easel paintings’, in Conservation of Easel Paintings, eds. J. Hill Stoner and R. Rushfield, Elsevier Butterworth-Heinemann, Oxford, 2012: 51‒115.
Streeton, N.L.W., ‘Jan van Eyck’s Dresden Triptych: new evidence for the Giustiniani of Genoa in the Borromei ledger for Bruges, 1438’, Journal of Historians of Netherlandish Art 3(1), 2011, http://jhna.staging.studiosonic.com/images/pdfs/janvaneycksdresden.pdf.
Streeton, N., ‘The impact of the pigment trade on the palette of Jan van Eyck’, Object. Graduate Research and Reviews in the History of Art and Visual Culture, 2007/2008: 81–108.
Streeton, N., ‘The altered picture’, in Idea to Object – Painting Practices Observed, eds. L. Sheldon, R. Cook and N. Streeton, University College London, 2007: 20–24.
Sheldon, L., Cook, R., and Streeton, N., eds., Idea to Object – Painting Practices Observed (exhibition catalogue), University College London, 2007.
Streeton, N., ‘Review: Pigment Compendium (Eastaugh et al., Elsevier Butterworth-Heinemann, 2004)’, Object. Graduate Research and Reviews in the History of Art and Visual Culture, 2005/2006: 122-125.
Streeton, N.L., ‘The consequences of cleaning the mummy portraits from the Petrie Museum of Egyptian Archaeology’, in Painting Specialty Group Postprints, AIC 32nd Annual Meeting, June 9-14, 2004, Portland, Oregon, American Institute for Conservation, Washington, D.C., 2005: 43-55.
Recent conference papers
'Questioning the technical paradigm of the Ghent Altarpiece: Jan van Eyck after 1432', presented 21 September 2012 at the Van Eyck Studies Colloquium (19-21 September), Symposium XVIII for the Study of Underdrawing and Technology in Painting, Royal Institute for Cultural Heritage and the Centre for the Study of the Flemish Primitives, Brussels.
'Sitting between stools: conservation research between the Humanities and the Physical Sciences', presented 13 September 2012 at the conference Academic Demarcations: Disciplines and Interdisciplinarity (13-14 September), University of Oslo.
'Emulating Jan van Eyck. The significance of grisaille', presented 21 May 2012 at the conference Copying, Replicating and Emulating Paintings in the 15th‒18th Century, National Gallery of Denmark, Copenhagen.
'Gaining intellectual access to late-medieval altarpieces and polychrome sculpture in Norway', presented 26 November 2010 to the Oslo forum: Painting and polychrome sculpture, 1100–1600. Interpretation, Material Histories and Conservation, held at the University of Oslo (organised by Noëlle Streeton, Kaja Kollandsrud and Hildagunn Gullåsen).
‘Importing colour: merchants, painters and the status of imported pigments in the late-medieval North’, presented 18 February 2010 at the conference Revealing Medieval and Renaissance Europe: Makers and Markets 1100–1600, Victoria & Albert Museum, London.
‘Stasis or evolution? The painting technique of Jan van Eyck’, presented at the 34th Annual Conference of the Association of Art Historians, London, 3 April 2008, in ‘Locating the Renaissance: the Position and Meaning of Renaissance Studies within Art-Historical Scholarship’ (session co-convened by Samuel Bibby and Noëlle Streeton).
‘The influence of technical analyses on the study of Jan van Eyck’, presented at the 96th Annual Conference of the College Art Association, Dallas, Texas, 20 February 2008.
- Streeton, Noëlle Lynn Wenger & Wadum, Jørgen (2012). Northern European panel paintings, In Joyce Hill Stoner & Rebecca Anne Rushfield (ed.), Conservation of Easel Paintings. Routledge. ISBN 9780750681995. Del av kapittel. s 86 - 97
- Wadum, Jørgen & Streeton, Noëlle Lynn Wenger (2012). History and use of panels or other rigid supports for easel paintings, In Joyce Hill Stoner & Rebecca Anne Rushfield (ed.), Conservation of Easel Paintings. Routledge. ISBN 9780750681995. Kapittel. s 51 - 115
- Streeton, Noëlle Lynn Wenger (2011). Jan van Eyck's Dresden Triptych: new evidence for the Giustiniani of Genoa in the Borromei ledger for Bruges, 1438. Journal of Historians Netherlandish Art (JHNA). ISSN 1949-9833. 3(1)