Ibsen, Scandinavia and the Making of a World Drama
This book brings to light new perspectives on Ibsen as a maker of world drama.
About the book
Henrik Ibsen's drama is the most prominent and lasting contribution of the cultural surge seen in Scandinavian literature in the later nineteenth century. When he made his debut in Norway in 1850, the nation's literary presence was negligible, yet by 1890 Ibsen had become one of Europe's most famous authors. Contrary to the standard narrative of his move from restrictive provincial origins to liberating European exile, Narve Fulsås and Tore Rem show how Ibsen's trajectory was preconditioned on his continued embeddedness in Scandinavian society and culture, and that he experienced great success in his home markets. This volume traces how Ibsen's works first travelled outside Scandinavia and studies the mechanisms of his appropriation in Germany, Britain and France. Engaging with theories of book dissemination and world literature, and re-assessing the emergence of 'peripheral' literary nations, this book provides new perspectives on the work of this major figure of European literature and theatre.
Brings to light new perspectives on Ibsen's origins in Scandinavia and his reception at home and across Europe
Introduces readers to new Scandinavian research and primary sources, and addresses underexplored areas of Ibsen studies including economy, markets, copyright, mediation and translation
Engages with wider questions about the literature of 'peripheries' and the emergence of Ibsen's drama into world theatre and literature
About the authors