Annie Fee

Postdoctoral Fellow
Image of Annie Fee
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Visiting address Gaustadalléen 21 Forskningsparken 0349 OSLO
Postal address Postboks 1093 Blindern 0317

Academic interests

Annie Fee is part of the Media Aesthetics research group at the University of Oslo, Department of Media and Communication. During her four-year postdoctoral research fellowship she will explore the historical emergence of photogénie as a film-theoretic discourse in 1920s France. The project aims to reconstruct the complex set of circumstances out of which photogénie emerged and came to serve as a key tool in the conceptual apparatus of cinephilia.

Background

Before joining IMK in August 2017, Annie Fee was a British Academy Postdoctoral Fellow in the History Department at University College London. She holds a PhD in Comparative Literature, Cinema & Media from the University of Washington (2015). She also gained an MA in Cinema History from Université Paris 1 Panthéon-Sorbonne (2012), an MA in Comparative Literature from the University of Geneva (2008) and a BA in French Studies from the University of London, Institute in Paris (2006).

Awards

  • HEFCE Urban Research Award in Innovation and Leadership (2016)
  • British Academy Postdoctoral Fellowship (2015-2017)
  • Annette Kuhn Essay Award - Highly Commended (2015)
  • Dean's Graduate Medal in the Humanities, University of Washington, College of Arts and Sciences (2015)
  • Simpson Center Digital Humanities Commons Dissertation Fellowship (2014)
  • Oxford Bibliographies Graduate Student Award (2014)
  • Chester A. Fritz Fellowship (2014)
  • Entente Cordiale Scholarship (2011)
  • Cinémathèque Française Annual Research Fellowship (2011)

 

 

Tags: Film history, silent film, feminist film history, media aesthetics, visual culture, film theory, French film, American film history, Cinephilia

Publications

  • Fee, Anna (2017). Les Midinettes Révolutionnaires: The Activist Cinema Girl in 1920s Montmartre. Feminist Media Histories.  ISSN 2373-7492.  3(4), s 162- 194 . doi: 10.1525/fmh.2017.3.4.162
  • Fee, Annie (2017). Cinephiles, Children and Communists: Discourses and Practices of Cinema Education in 1920s Paris. Framework.  ISSN 0306-7661.  58(1 & 2), s 38- 51 . doi: 48201-1309
  • Fee, Anna (2014). “‘Gaumont Offers “La Russie Rouge” and All Paris Takes Sides’: Working-Class Activism in Paris Cinemas, 1921–1922.”. Early Popular Visual Culture.  ISSN 1746-0654.  12(2), s 238- 259 . doi: http://dx.doi.org/10.1080/17460654.2014.923161
  • Fee, Annie (2017). “Aller au cinéma à Paris pendant les années 1920: Une approche spatiale de l’histoire des salles de cinema”.
  • Fee, Annie (2017). Cinephilia. Oxford Bibliographies Online. . doi: 10.1093/obo/9780199791286-0278
  • Fee, Annie (2017). “Silent Women: Pioneers of Cinema”. Early Popular Visual Culture.  ISSN 1746-0654.  15(1), s 101- 104 . doi: http://dx.doi.org/10.1080/17460654.2016.1270459
  • Fee, Annie (2016). “Activism and Admiration: Mapping Working-Class Cinema Culture in 1920s Paris”.
  • Fee, Annie (2016). “Give Me Shelter: Cinemas and Working-Class Life in Inter-war Paris”.
  • Fee, Annie (2016). “The Local Cinema as Place Publique: The Working Class of Parisian Inter-war Cinemas”.
  • Fee, Annie (2016). “Une approche cartographique à l’histoire des cinémas parisiens”.
  • Fee, Annie (2016). “Une approche spatiale pour l’histoire du cinéma à Paris”.
Published Aug. 3, 2017 1:32 PM - Last modified Sep. 13, 2017 7:20 PM