Anne Danielsen

Professor
Image of Anne Danielsen
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Phone +47 22 85 47 51
Mobile phone +47 482 14 002
Fax +47 22 85 47 63
Room 336
Available hours By appointment
Username
Visiting address Department of Musicology ZEB Building 2nd floor Sem Sælands vei 2 0371 OSLO
Postal address Department of Musicology P.O. Box 1017 Blindern 0315 Oslo

Specialisms/Tutoring

  • Popular Music
  • African-American Music
  • Rhythm and Groove
  • Music Production
  • Music and Media
  • Musical Aesthetics
  • Music Sociology

Current Research Activities

TIME: Timing and Sound in Musical Microrhythm. (RCN-TOPPFORSK)

RITMO Center for Interdisciplinary Studies of Rhythm Time and Motion (RCN Centre of Excellence)

Tags: Popular Music, African-American Music, Music Analysis, Rhythm and Groove, Music and Media

Publications

 

  • Danielsen A. (2018, in press). Time and Time Again: Repetition and Difference in Repetitive Music. Over and Over. Exploring Repetition in Popular Music. Eds. O Julien and C Levaux (New York: Bloomsbury Academics).
  • Brøvig-Hanssen R & Danielsen A. (2017, in press). Music Production: Recording Technologies and Acousmatic Listening. The Routledge Companion to Music Cognition. Eds. R Ashley and R Timmers. (Routledge). 
  • Brøvig-Hanssen R & Danielsen A. (2016). Digital Signatures: The Impact of Digitization on Popular Music Sound (Cambridge, Mass.: MIT Press).
  • Kjus Y & Danielsen A. (2016). Live Mediation. Performing Concerts Using Studio Technology. Popular Music 35(3), 320-37. doi: 10.1017/S0261143016000568
  • Danielsen A & Helseth I. 2016. Mediated Immediacy. The Relationship between Auditory and Visual Dimensions of Live Performance in Contemporary Technology-Based Popular Music. Rock Music Studies 3(1), 24-40. doi: 10.1080/19401159.2015.1126986
  • Danielsen A, Waadeland CH, Sundt HG & Witek M. 2015. Effects of instructed timing and tempo on snare drum sound in drum kit performance. Journal of the Acoustical Society of America 138(4). doi: 10.1121/1.4930950
  • Danielsen A. 2015. Metrical ambiguity or microrhythmic flexibility? Analysing groove in ‘Nasty Girl’ by Destiny’s Child. In Song Interpretation in 21st-Century Pop Music, 53-72. Ed. R. Appen, A. Doehring, D. Helms and A. F. Moore (Farnham, Surrey: Ashgate), pp. 53-72.
  • Danielsen A, Haugen MR & Jensenius, AR. 2015. Moving to the Beat: Studying Entrainment to Micro-Rhythmic Changes in Pulse by Motion Capture. Timing & Time Perception 3, 1-22. doi: 10.1163/22134468-00002043
  • Kjus Y & Danielsen A. 2014. Live Islands in the Seas of Recordings: The Music Experience of Visitors at the Øya Festival. Popular Music and Society 37(5), 660-679. doi: 10.1080/03007766.2014.929322
  • Danielsen A, Otnæs MK, Jensen JK, Williams S & Østberg BC. 2014. Investigating repetition and change in musical rhythm by functional MRI. Neuroscience 275, 469-476.
  • Brøvig-Hanssen R. and Danielsen A. 2013. The Naturalised and the Surreal: Changes in the Perception of Popular Music Sound. Organised Sound 18/1, 71-80.

  • Danielsen A. 2012. The Sound of Crossover: Microrhythm and Sonic Pleasure in Michael Jackson’s ‘Don’t Stop Till You Get Enough’. Popular Music and Society 35/2, 151-168.

  • Danielsen A. 2010. Here, There, and Everywhere. Three Accounts of Pulse in D'Angelo's 'Left and Right'. In Musical Rhythm in the Age of Digital ReproductionEd. A Danielsen (Ashgate/Routledge), pp. 19-36.

  • Danielsen A. (ed.) 2010.  Musical Rhythm in the Age of Digital Reproduction. (Ashgate/Routledge)
  • Danielsen A. og A Maasø. 2009. Mediating Music. Materiality and Silence in Madonna’s ‘Don’t tell me’. Popular Music 28(2), 127-42. Re-printed in Pop Music and Easy Listening, Part II: Groove, Sampling and Production (Ashgate, 2011). 
  • Danielsen A. 2008. The Musicalization of 'Reality'. Reality Rap and Rap Reality on Public Enemy's Fear of a Black Planet. European Journal of Cultural Studies 11(4), 405-21.
  • Danielsen A. 2006. Presence and Pleasure - the funk grooves of James Brown and Parliament. (Middletown, Connecticut: Wesleyan University Press)
  • Danielsen A. 2005. Repetition and Revision in African-American Music. Dyndahl, P.; Kulbrandstad L.A. (ed.): High fidelity eller rein jalla? Purisme som problem i kultur, språk og estetikk. (Vallset: Oplandske Bokforlag)
  • Danielsen A. 1999. Black and White on Black and White: Notions of Difference in the Discourses on African-American Music. Kulturstudier nr. 8 Aesthetic Theory, Art and Popular culture. (Kristiansand: Høyskoleforlaget)
  • Danielsen, A.1997.  'His name was Prince' - a study of DIAMONDS AND PEARLS. Popular Music 16(3).
  • Danielsen, Anne (2017). "Hot rhythms": Rytmisk musikk som den vestlige rasjonalitetens andre., I: Karette Stensæth; Gro Trondalen & Øivind Varkøy (red.),  Musikk, handlinger, muligheter. Festskrift til Even Ruud.  Norges musikkhøgskole.  ISBN 978-82-7853-225-6.  kapittel.  s 197 - 206
  • Danielsen, Anne & Kjus, Yngvar (2017). The Mediated Festival: Live Music as Trigger of Music Streaming and Social Media Engagement. Convergence. The International Journal of Research into New Media Technologies.  ISSN 1354-8565.
  • Nymoen, Kristian; Danielsen, Anne & London, Justin (2017). Validating Attack Phase Descriptors Obtained by the Timbre Toolbox and MIRtoolbox , In Tapio Lokki; Jukka Pätynen & Vesa Välimäki (ed.),  Proceedings of the 14th Sound and Music Computing Conference 2017.  Aalto University.  ISBN 978-952-60-3729-5.  KAPITTEL.  s 214 - 219 Full text in Research Archive
  • Danielsen, Anne (2016). Nyskapende, sterkt og kompetent! Kvalitetsforståelser i musikkfeltet i lys av tre poulærmusikalske sjangre, I: Knut Ove Eliassen & Øyvind Prytz (red.),  Kvalitetsforståelser. Kvalitetsbegrepet i samtidens kunst og kultur..  Fagbokforlaget.  ISBN 978-82-7081-179-3.  kapittel nr. 7.  s 104 - 119
  • Danielsen, Anne & Helseth, Inger (2016). Mediated Immediacy: The Relationship between Auditory and Visual Dimensions of Live Performance in Contemporary Technology-Based Popular Music. Rock Music Studies.  ISSN 1940-1159.  3(1), s 24- 40 . doi: 10.1080/19401159.2015.1126986
  • Kjus, Yngvar & Danielsen, Anne (2016). Live Mediation. Performing Concerts Using Studio Technology . Popular Music.  ISSN 0261-1430.  35(3), s 320- 337 . doi: 10.1017/S0261143016000568
  • Danielsen, Anne (2015). Metrical Ambiguity or Microrhythmic Flexibility? Analysing Groove in ‘Nasty Girl’ by Destiny’s Child, In Ralf von Appen; André Doehring; Dietrich Helms & Allan F. Moore (ed.),  Song Interpretation in 21st-century Pop Music.  Ashgate.  ISBN 978-1-4724-2800-4.  chapter 3.  s 53 - 72
  • Danielsen, Anne; Haugen, Mari Romarheim & Jensenius, Alexander Refsum (2015). Moving to the Beat: Studying Entrainment to Micro-Rhythmic Changes in Pulse by Motion Capture. Timing & Time Perception.  ISSN 2213-445X.  3(1-2), s 133- 154 . doi: 10.1163/22134468-00002043 Full text in Research Archive
  • Danielsen, Anne; Waadeland, Carl Haakon; Sundt, Henrik G. & Witek, Maria (2015). Effects of instructed timing and tempo on snare drum sound in drum kit performance. Journal of the Acoustical Society of America.  ISSN 0001-4966.  138(4), s 2301- 2316 . doi: 10.1121/1.4930950
  • Danielsen, Anne; Otnæss, Mona Kolstø; Jensen, Jimmy Kristian; Williams, Steven Charles Rees & Østberg, B.C. (2014). Investigating repetition and change in musical rhythm by functional MRI. Neuroscience.  ISSN 0306-4522.  275, s 469- 476 . doi: 10.1016/j.neuroscience.2014.06.029
  • Kjus, Yngvar & Danielsen, Anne (2014). Live Islands in the Seas of Recordings: The Music Experience of Visitors at the Øya Festival . Popular music and society.  ISSN 0300-7766.  38(5), s 660- 679 . doi: 10.1080/03007766.2014.929322
  • Brøvig-Hanssen, Ragnhild & Danielsen, Anne (2013). The Naturalised and the Surreal: changes in the perception of popular music sound. Organised Sound.  ISSN 1355-7718.  18(1), s 71- 80 . doi: 10.1017/S1355771812000258
  • Danielsen, Anne (2012). Afroamerikansk populærmusikk etter 1960, I:  Vestens musikkhistorie: Fra 1600 til vår tid.  Cappelen Damm AS.  ISBN 9788202277284.  Kapittel 10, del 2.  s 379 - 398
  • Danielsen, Anne (2012). The Sound of Crossover: Micro-rhythm and Sonic Pleasure in Michael Jackson's "Don't Stop 'Til You Get Enough". Popular music and society.  ISSN 0300-7766.  35(2), s 151- 168 . doi: 10.1080/03007766.2011.616298
  • Danielsen, Anne & Skårberg, Odd Sjønne (2012). Fra rhythm'n'blues til rock'n'roll, I:  Vestens musikkhistorie: Fra 1600 til vår tid.  Cappelen Damm AS.  ISBN 9788202277284.  Kapittel 10, del 1.  s 368 - 378
  • Danielsen, Anne & Maasø, Arnt (2011). Mediating Music: Materiality and Silence in Madonna's "Don't Tell Me", In Stan Hawkins (ed.),  Pop Music and Easy Listening: The Library of Essays on Popular Music.  Ashgate.  ISBN 9780754629528.  Kapittel 9.  s 127 - 169
  • Danielsen, Anne (2010). Here, there and everywhere: three accounts of pulse in D'Angelo's 'Left and Right', In Anne Danielsen (ed.),  Musical Rhythm in the Age of Digital Reproduction.  Ashgate.  ISBN 9781409403401.  kapittel 2.  s 19 - 35
  • Danielsen, Anne (2010). Introduction: Rhythm in the Age of Digital Reproduction, In Anne Danielsen (ed.),  Musical Rhythm in the Age of Digital Reproduction.  Ashgate.  ISBN 9781409403401.  kapittel 1.  s 1 - 16
  • Danielsen, Anne & Maasø, Arnt (2009). Mediating Music: materiality and silence in Madonna's 'Don't Tell Me' . Popular Music.  ISSN 0261-1430.  28(2), s 127- 142 . doi: 10.1017/S0261143009001743
  • Danielsen, Anne (2008). Aesthetic Value, Cultural Significance and Canon Formation in Popular Music, In Christian Bielefeldt; Udo Dahmen & Rolf Grossmann (ed.),  PopMusicology. Perspektiven der Popmusikwissenschaft.  Transcript Verlag.  ISBN 978-3-89942-603-8.  kapittel 1.  s 17 - 37
  • Danielsen, Anne (2008). Iscenesatt marginalitet? Regional identitet i nordnorsk rap, I: Birgitte Stougaard Pedersen & Mads Krogh (red.),  Hip Hop i Skandinavien.  Aarhus Universitetsforlag.  ISBN 87-7934-396-1.  kapittel nr. 9.
  • Danielsen, Anne (2008). The Musicalization of 'Reality'. Reality Rap and Rap Reality on Public Enemy's Fear of a Black Planet. European Journal of Cultural Studies.  ISSN 1367-5494.  11(4), s 405- 421

View all works in Cristin

  • Brøvig-Hanssen, Ragnhild & Danielsen, Anne (2016). Digital Signatures: The Impact of Digitization on Popular Music Sound. MIT Press.  ISBN 9780262034142.  188 s.
  • Danielsen, Anne (ed.) (2010). Musical Rhythm in the Age of Digital Reproduction. Ashgate.  ISBN 9781409403401.  265 s.

View all works in Cristin

  • Danielsen, Anne (2017). Digital Signatures. The Impact of Digitization on Popular Music Sound.
  • Danielsen, Anne (2017). Experimental hip-hop and the meanings of glitched grooves.
  • Danielsen, Anne (2017). Music production research in Norway.
  • Danielsen, Anne (2017). Populærmusikk og mediering i den digitale tidsalder.
  • Danielsen, Anne (2017). Rhythm and Groove in African-American Popular Music.
  • Danielsen, Anne & Jensenius, Alexander Refsum (2017, 15. mars). Centre for Interdisciplinary Studies in Rhythm, Time and Motion får status som Senter for fremragende forskning . [Internett].  Ballade.
  • Danielsen, Anne; Nymoen, Kristian; Haugen, Mari Romarheim & Câmara, Guilherme Schmidt (2017). Project presentation: Timing and Sound in Musical Microrhythm (TIME).
  • Nymoen, Kristian; Danielsen, Anne & London, Justin (2017). Validating Attack Phase Descriptors Obtained by the Timbre Toolbox and MIRtoolbox.
  • Brøvig-Hanssen, Ragnhild & Danielsen, Anne (2016). Book launch: Digital Signatures.
  • Brøvig-Hanssen, Ragnhild & Danielsen, Anne (2016). Book presentation: Digital Signatures.
  • Brøvig-Hanssen, Ragnhild & Danielsen, Anne (2016). Listening to Recordings: Ecological Constraints and the Tuning of the Ear.
  • Danielsen, Anne (2016). Investigating the perception of sound-timing relationships in recorded (real) music.
  • Danielsen, Anne (2016). Mediatised liveness: Music and media on and off stage.
  • Danielsen, Anne (2016). Music, media and technology in the digital age (keynote) .
  • Danielsen, Anne (2016). Ung Pike Forsvant.
  • Danielsen, Anne (2016). Ung Pike Forsvunnet, konsert på Rock mot kreft.
  • Danielsen, Anne; Maasø, Arnt; Hagen, Anja Nylund & Kjus, Yngvar (2016). Clouds & Concerts summarised.
  • Danielsen, Anne (2015). Auto-Tune as Hyper-Nature: Bon Iver's Visit to the Woods.
  • Danielsen, Anne (2015). Konsert med Ung Pike Forsvunnet.
  • Danielsen, Anne (2015). Musikk, kvalitet og kontekst.
  • Danielsen, Anne (2015). Popular Music Analysis: Rhythm and Groove..
  • Danielsen, Anne (2015). Presentasjon av prosjektet Sky&Scene.
  • Danielsen, Anne (2015). Scannell, John. 2012. James Brown. Sheffield: Equinox. ISBN 978-1-84553-743-2 (pbk). 168 pp. Perfect Beat.  ISSN 1038-2909.  15(2), s 177- 179
  • Danielsen, Anne (2015). Soul-groovens frelser vender tilbake . nrk.no/ytring.
  • Danielsen, Anne (2015). The Musicalization of Reality. Sonic Spaces in Hip-Hop.
  • Danielsen, Anne (2015). Time and Time Again.
  • Hawkins, Stan; Zeiner-Henriksen, Hans T. & Danielsen, Anne (2015). Record Production in the Internet Age. Journal on the Art of Record Production.  ISSN 1754-9892.  (10)
  • Danielsen, Anne (2014). En analyse av musikken: Jeg vil være fantasien din, I: Christer Falck & Petter Aagaard (red.),  Prince: Shockadelica.  Falck Forlag.  ISBN 9788293039532.  Del 2, kapittel 3.  s 187 - 196
  • Danielsen, Anne (2014). Kongen av pop. Nærlesning av Michael Jacksons rytme..
  • Danielsen, Anne (2014). Konsert med Ung Pike Forsvunnet.
  • Danielsen, Anne (2014). Prince: Kiss .
  • Danielsen, Anne (2014). Structure and Flexibility: Microrhythm in Groove-based Music .
  • Danielsen, Anne (2014). The digital groove: Prince’s Kiss .
  • Danielsen, Anne (2013). Authorship in the Age of Digital Reproduction.
  • Danielsen, Anne (2013, 23. januar). Ekspertkommentator i Norsk Melodi Grand Prix. [TV].  NRK TV.
  • Danielsen, Anne (2013, 12. februar). Intervju om kvinnesyn i rap.  Dagsavisen.
  • Danielsen, Anne (2013). Konsert med Ung Pike Forsvunnet.
  • Danielsen, Anne (2013). Konsert med Ung Pike Forsvunnet.
  • Danielsen, Anne (2013). Microrhythm in Groove-Based Music.
  • Danielsen, Anne (2013). New forms of live music? Artists' creativity and communication when performing in the digital age.
  • Danielsen, Anne (2013). "Once Upon a Time Called Now" – the experience of time in groove-directed music.
  • Danielsen, Anne (2013). Repetition and change in groove-based music – an fMRI study.
  • Danielsen, Anne (2013). Sjangerhælvete!.
  • Danielsen, Anne (2013). Sky og Scene: om lyttemønstre, strømming og live-musikk i den digitale tidsalder.
  • Danielsen, Anne (2013). Temporality and Microrhythm in Groove-Based Musics. Analytical Perspectives.
  • Danielsen, Anne (2013). The Feel of the Machine.
  • Danielsen, Anne (2013). The perfect take.
  • Danielsen, Anne (2012). BIG DATA (paneldebatt).
  • Danielsen, Anne (2012). Konsert med Ung Pike Forsvunnet.
  • Danielsen, Anne (2012). Music in the Age of Digital Reproduction: digital signatures and new distribution platforms.
  • Danielsen, Anne (2012). Musikk og tolkning.
  • Danielsen, Anne (2012). Musikk, mediering og mobilitet. Den digitale vending i musikkulturen.
  • Danielsen, Anne (2012, 01. desember). Om melankolsk popmusikk. [Radio].  NRK P2, Spillerom Søndag.
  • Danielsen, Anne (2012). Presentasjon av prosjektet Sky & Scene.
  • Danielsen, Anne & Jensenius, Alexander Refsum (2012). Entrainment and Pulse in Groove-Based Music: A motion capture study.
  • Zeiner-Henriksen, Hans T. & Danielsen, Anne (2012). Pulse and microrhythm in contemporary groove-based music.
  • Danielsen, Anne (2011). Once Upon a Time Called Now – Temporality, Structure and Microrythm in Groove-Based Music.
  • Danielsen, Anne (2011). Power, Mediation, and Aesthetics in the Music of Public Enemy.
  • Danielsen, Anne (2011). Samspillet mellom live-musikk og digitale musikktjenester: Streaming-mønstre under Øya-festivalen.
  • Danielsen, Anne (2011). What is liveness?.
  • Danielsen, Anne; Maasø, Arnt & Due, Beathe (2011). Samspillet mellom live-musikk og digitale musikktjenester: Streaming-mønstre under Øya-festivalen 2010.
  • Danielsen, Anne; Otnæss, Mona Kolstø; Brun, M; Gasston, D; Høiseth, A; Williams, SCR & Østberg, BC (2011). Investigating continuity versus breaks in groove-based music by way of fMRI.
  • Brøvig-Hanssen, Ragnhild & Danielsen, Anne (2010). Sound as Environments: Toward a Framework for Analysing Sound in Popular Music Recordings.
  • Danielsen, Anne (2010). Meter and pulse in groove-based music.
  • Danielsen, Anne (2010). Music and Authorship in the Age of Digital Reproduction.
  • Danielsen, Anne (2010). Musical Identity, Authorship and Copyright in the Age of Digital Reproduction.
  • Danielsen, Anne (2009). Deltakelse i paneldebatt: Children of the revolution. Musikkbransjen som katalysator for store endringer i den vestlige verden.
  • Danielsen, Anne (2009). Entrainment and pulse in contemporary groove-based music.
  • Danielsen, Anne (2009). Kunsten forgår, musikken består - om popmusikk og kunst i globaliseringens tidsalder. Nytt Norsk Tidsskrift.  ISSN 0800-336X.  26(3/4), s 457- 460
  • Danielsen, Anne (2009). "Once Upon a Time Called Now" - The Experience of Time in Groove-Based Music.
  • Danielsen, Anne (2009). Sang-låt-produksjon. Forskyvninger i det populærmusikalske autorskapet.
  • Danielsen, Anne (2008). A Brand New Bag. Musical and cultural perspectives on the funk grooves of James Brown.
  • Danielsen, Anne (2008). Beats and bytes – the role of digital media for the rhythmic design of contemporary popular music.
  • Danielsen, Anne (2008). Jazz and the globalisation of groove music.
  • Danielsen, Anne (2008). Media Signatures and Digital Technology in Contemporary Popular Music.

View all works in Cristin

Published May 19, 2006 12:00 AM - Last modified June 7, 2017 7:51 PM

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