Anne Danielsen

Professor
Image of Anne Danielsen
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Phone +47 22 85 47 51
Mobile phone +47 482 14 002
Fax +47 22 85 47 63
Room 336
Available hours By appointment
Username
Visiting address Department of Musicology ZEB Building 2nd floor Sem Sælands vei 2 0371 OSLO
Postal address Department of Musicology P.O. Box 1017 Blindern 0315 Oslo

Specialisms/Tutoring

  • Popular Music
  • African-American Music
  • Rhythm and Groove
  • Music Production
  • Music and Media
  • Musical Aesthetics
  • Music Sociology

Current Research Activities

Rhythm in the Age of Digital Reproduction. Micro-rhythmic relationships in computer based, groove oriented music (completed)

Clouds and Concerts. Mediation and Mobility in Contemporary Music Culture, in collaboration with Arnt Maasø, Department of Media and Communication. Exploring new technologies for music sharing in relation to concerts and festivals in co-operation with Telenor's Future Media project and Aspiro/WIMP.

Tags: Popular Music, African-American Music, Music Analysis, Rhythm and Groove, Music and Media

Publications

 

  • Brøvig-Hanssen R & Danielsen A. (2016). Digital Signatures: The Impact of Digitization on Popular Music Sound (Cambridge, Mass.: MIT Press).
  • Kjus Y & Danielsen A. (2016). Live Mediation. Performing Concerts Using Studio Technology. Popular Music 35(3), 320-37. doi: 10.1017/S0261143016000568
  • Danielsen A & Helseth I. 2016. Mediated Immediacy. The Relationship between Auditory and Visual Dimensions of Live Performance in Contemporary Technology-Based Popular Music. Rock Music Studies 3(1), 24-40. doi: 10.1080/19401159.2015.1126986
  • Danielsen A, Waadeland CH, Sundt HG & Witek M. 2015. Effects of instructed timing and tempo on snare drum sound in drum kit performance. Journal of the Acoustical Society of America 138(4). doi: 10.1121/1.4930950
  • Danielsen A. 2015. Metrical ambiguity or microrhythmic flexibility? Analysing groove in ‘Nasty Girl’ by Destiny’s Child. In Song Interpretation in 21st-Century Pop Music, 53-72. Ed. R. Appen, A. Doehring, D. Helms and A. F. Moore (Farnham, Surrey: Ashgate), pp. 53-72.
  • Danielsen A, Haugen MR & Jensenius, AR. 2015. Moving to the Beat: Studying Entrainment to Micro-Rhythmic Changes in Pulse by Motion Capture. Timing & Time Perception 3, 1-22. doi: 10.1163/22134468-00002043
  • Kjus Y & Danielsen A. 2014. Live Islands in the Seas of Recordings: The Music Experience of Visitors at the Øya Festival. Popular Music and Society 37(5), 660-679. doi: 10.1080/03007766.2014.929322
  • Danielsen A, Otnæs MK, Jensen JK, Williams S & Østberg BC. 2014. Investigating repetition and change in musical rhythm by functional MRI. Neuroscience 275, 469-476.
  • Brøvig-Hanssen R. and Danielsen A. 2013. The Naturalised and the Surreal: Changes in the Perception of Popular Music Sound. Organised Sound 18/1, 71-80.

  • Danielsen A. 2012. The Sound of Crossover: Microrhythm and Sonic Pleasure in Michael Jackson’s ‘Don’t Stop Till You Get Enough’. Popular Music and Society 35/2, 151-168.

  • Danielsen A. 2010. Here, There, and Everywhere. Three Accounts of Pulse in D'Angelo's 'Left and Right'. In Musical Rhythm in the Age of Digital ReproductionEd. A Danielsen (Farnham, Surrey: Ashgate), pp. 19-36.

  • Danielsen A. (ed.) 2010.  Musical Rhythm in the Age of Digital Reproduction. (Farnham, Surrey: Ashgate)
  • Danielsen A. og A Maasø. 2009. Mediating Music. Materiality and Silence in Madonna’s ‘Don’t tell me’. Popular Music 28(2), 127-42. Re-printed in Pop Music and Easy Listening, Part II: Groove, Sampling and Production (Ashgate, 2011). 
  • Danielsen A. 2008. The Musicalization of 'Reality'. Reality Rap and Rap Reality on Public Enemy's Fear of a Black Planet. European Journal of Cultural Studies 11(4), 405-21.
  • Danielsen A. 2006. Presence and Pleasure - the funk grooves of James Brown and Parliament. (Middletown, Connecticut: Wesleyan University Press)
  • Danielsen A. 2005. Repetition and Revision in African-American Music. Dyndahl, P.; Kulbrandstad L.A. (ed.): High fidelity eller rein jalla? Purisme som problem i kultur, språk og estetikk. (Vallset: Oplandske Bokforlag)
  • Danielsen A. 1999. Black and White on Black and White: Notions of Difference in the Discourses on African-American Music. Kulturstudier nr. 8 Aesthetic Theory, Art and Popular culture. (Kristiansand: Høyskoleforlaget)
  • Danielsen, A.1997.  'His name was Prince' - a study of DIAMONDS AND PEARLS. Popular Music 16(3).
  • Danielsen, Anne (2016). Nyskapende, sterkt og kompetent! Kvalitetsforståelser i musikkfeltet i lys av tre poulærmusikalske sjangre, I: Knut Ove Eliassen & Øyvind Prytz (red.),  Kvalitetsforståelser. Kvalitetsbegrepet i samtidens kunst og kultur..  Fagbokforlaget.  ISBN 978-82-7081-179-3.  kapittel nr. 7.  s 104 - 119
  • Danielsen, Anne & Helseth, Inger (2016). Mediated Immediacy: The Relationship between Auditory and Visual Dimensions of Live Performance in Contemporary Technology-Based Popular Music. Rock Music Studies.  ISSN 1940-1159.  3(1), s 24- 40 . doi: 10.1080/19401159.2015.1126986
  • Kjus, Yngvar & Danielsen, Anne (2016). Live Mediation. Performing Concerts Using Studio Technology . Popular Music.  ISSN 0261-1430.  35(3), s 320- 337 . doi: 10.1017/S0261143016000568
  • Danielsen, Anne (2015). Metrical Ambiguity or Microrhythmic Flexibility? Analysing Groove in ‘Nasty Girl’ by Destiny’s Child, In Ralf von Appen; André Doehring; Dietrich Helms & Allan F. Moore (ed.),  Song Interpretation in 21st-century Pop Music.  Ashgate.  ISBN 978-1-4724-2800-4.  chapter 3.  s 53 - 72
  • Danielsen, Anne; Haugen, Mari Romarheim & Jensenius, Alexander Refsum (2015). Moving to the Beat: Studying Entrainment to Micro-Rhythmic Changes in Pulse by Motion Capture. Timing & Time Perception.  ISSN 2213-445X.  3, s 133- 154 . doi: 10.1163/22134468-00002043
  • Danielsen, Anne; Waadeland, Carl Haakon; Sundt, Henrik G. & Witek, Maria (2015). Effects of instructed timing and tempo on snare drum sound in drum kit performance. Journal of the Acoustical Society of America.  ISSN 0001-4966.  138(4), s 2301- 2316 . doi: 10.1121/1.4930950
  • Danielsen, Anne; Otnæss, Mona Kolstø; Jensen, Jimmy Kristian; Williams, Steven Charles Rees & Østberg, B.C. (2014). Investigating repetition and change in musical rhythm by functional MRI. Neuroscience.  ISSN 0306-4522.  275, s 469- 476 . doi: 10.1016/j.neuroscience.2014.06.029
  • Kjus, Yngvar & Danielsen, Anne (2014). Live Islands in the Seas of Recordings: The Music Experience of Visitors at the Øya Festival . Popular music and society.  ISSN 0300-7766.  38(5), s 660- 679 . doi: 10.1080/03007766.2014.929322
  • Brøvig-Hanssen, Ragnhild & Danielsen, Anne (2013). The Naturalised and the Surreal: changes in the perception of popular music sound. Organised Sound.  ISSN 1355-7718.  18(1), s 71- 80 . doi: 10.1017/S1355771812000258
  • Danielsen, Anne (2012). Afroamerikansk populærmusikk etter 1960, I:  Vestens musikkhistorie: Fra 1600 til vår tid.  Cappelen Damm AS.  ISBN 9788202277284.  Kapittel 10, del 2.  s 379 - 398
  • Danielsen, Anne (2012). The Sound of Crossover: Micro-rhythm and Sonic Pleasure in Michael Jackson's "Don't Stop 'Til You Get Enough". Popular music and society.  ISSN 0300-7766.  35(2), s 151- 168 . doi: 10.1080/03007766.2011.616298
  • Danielsen, Anne & Skårberg, Odd Sjønne (2012). Fra rhythm'n'blues til rock'n'roll, I:  Vestens musikkhistorie: Fra 1600 til vår tid.  Cappelen Damm AS.  ISBN 9788202277284.  Kapittel 10, del 1.  s 368 - 378
  • Danielsen, Anne & Maasø, Arnt (2011). Mediating Music: Materiality and Silence in Madonna's "Don't Tell Me", In Stan Hawkins (ed.),  Pop Music and Easy Listening: The Library of Essays on Popular Music.  Ashgate.  ISBN 9780754629528.  Kapittel 9.  s 127 - 169
  • Danielsen, Anne (2010). Here, there and everywhere: three accounts of pulse in D'Angelo's 'Left and Right', In Anne Danielsen (ed.),  Musical Rhythm in the Age of Digital Reproduction.  Ashgate.  ISBN 9781409403401.  kapittel 2.  s 19 - 35
  • Danielsen, Anne (2010). Introduction: Rhythm in the Age of Digital Reproduction, In Anne Danielsen (ed.),  Musical Rhythm in the Age of Digital Reproduction.  Ashgate.  ISBN 9781409403401.  kapittel 1.  s 1 - 16
  • Danielsen, Anne & Maasø, Arnt (2009). Mediating Music: materiality and silence in Madonna's 'Don't Tell Me' . Popular Music.  ISSN 0261-1430.  28(2), s 127- 142 . doi: 10.1017/S0261143009001743
  • Danielsen, Anne (2008). Aesthetic Value, Cultural Significance and Canon Formation in Popular Music, In Christian Bielefeldt; Udo Dahmen & Rolf Grossmann (ed.),  PopMusicology. Perspektiven der Popmusikwissenschaft.  Transcript Verlag.  ISBN 978-3-89942-603-8.  kapittel 1.  s 17 - 37
  • Danielsen, Anne (2008). Iscenesatt marginalitet? Regional identitet i nordnorsk rap, I: Birgitte Stougaard Pedersen & Mads Krogh (red.),  Hip Hop i Skandinavien.  Aarhus Universitetsforlag.  ISBN 87-7934-396-1.  kapittel nr. 9.
  • Danielsen, Anne (2008). The Musicalization of 'Reality'. Reality Rap and Rap Reality on Public Enemy's Fear of a Black Planet. European Journal of Cultural Studies.  ISSN 1367-5494.  11(4), s 405- 421
  • Danielsen, Anne (2006). Aesthetic value, cultural significance, and canon formation in popular music. Studia Musicologica Norvegica.  ISSN 0332-5024.  (32), s 55- 72

View all works in Cristin

  • Brøvig-Hanssen, Ragnhild & Danielsen, Anne (2016). Digital Signatures: The Impact of Digitization on Popular Music Sound. MIT Press.  ISBN 9780262034142.  188 s.
  • Danielsen, Anne (ed.) (2010). Musical Rhythm in the Age of Digital Reproduction. Ashgate.  ISBN 9781409403401.  265 s.
  • Danielsen, Anne (2006). Presence and Pleasure. The Funk Grooves of James Brown and Parliament. University Press of New England.  ISBN 978-0-8195-6822-9.  262 s.

View all works in Cristin

  • Brøvig-Hanssen, Ragnhild & Danielsen, Anne (2016). Book launch: Digital Signatures.
  • Brøvig-Hanssen, Ragnhild & Danielsen, Anne (2016). Book presentation: Digital Signatures.
  • Brøvig-Hanssen, Ragnhild & Danielsen, Anne (2016). Listening to Recordings: Ecological Constraints and the Tuning of the Ear.
  • Danielsen, Anne (2016). Mediatised liveness: Music and media on and off stage.
  • Danielsen, Anne (2016). Music, media and technology in the digital age (keynote) .
  • Danielsen, Anne (2016). Ung Pike Forsvant.
  • Danielsen, Anne (2016). Ung Pike Forsvunnet, konsert på Rock mot kreft.
  • Danielsen, Anne; Maasø, Arnt; Hagen, Anja Nylund & Kjus, Yngvar (2016). Clouds & Concerts summarised.
  • Danielsen, Anne (2015). Auto-Tune as Hyper-Nature: Bon Iver's Visit to the Woods.
  • Danielsen, Anne (2015). Konsert med Ung Pike Forsvunnet.
  • Danielsen, Anne (2015). Musikk, kvalitet og kontekst.
  • Danielsen, Anne (2015). Popular Music Analysis: Rhythm and Groove..
  • Danielsen, Anne (2015). Presentasjon av prosjektet Sky&Scene.
  • Danielsen, Anne (2015). Scannell, John. 2012. James Brown. Sheffield: Equinox. ISBN 978-1-84553-743-2 (pbk). 168 pp. Perfect Beat.  ISSN 1038-2909.  15(2), s 177- 179
  • Danielsen, Anne (2015). Soul-groovens frelser vender tilbake . nrk.no/ytring.
  • Danielsen, Anne (2015). The Musicalization of Reality. Sonic Spaces in Hip-Hop.
  • Danielsen, Anne (2015). Time and Time Again.
  • Hawkins, Stan; Zeiner-Henriksen, Hans T. & Danielsen, Anne (2015). Record Production in the Internet Age. Journal on the Art of Record Production.  ISSN 1754-9892.  (10)
  • Danielsen, Anne (2014). En analyse av musikken: Jeg vil være fantasien din, I: Christer Falck & Petter Aagaard (red.),  Prince: Shockadelica.  Falck Forlag.  ISBN 9788293039532.  Del 2, kapittel 3.  s 187 - 196
  • Danielsen, Anne (2014). Kongen av pop. Nærlesning av Michael Jacksons rytme..
  • Danielsen, Anne (2014). Konsert med Ung Pike Forsvunnet.
  • Danielsen, Anne (2014). Prince: Kiss .
  • Danielsen, Anne (2014). Structure and Flexibility: Microrhythm in Groove-based Music .
  • Danielsen, Anne (2014). The digital groove: Prince’s Kiss .
  • Danielsen, Anne (2013). Authorship in the Age of Digital Reproduction.
  • Danielsen, Anne (2013, 23. januar). Ekspertkommentator i Norsk Melodi Grand Prix. [TV].  NRK TV.
  • Danielsen, Anne (2013, 12. februar). Intervju om kvinnesyn i rap.  Dagsavisen.
  • Danielsen, Anne (2013). Konsert med Ung Pike Forsvunnet.
  • Danielsen, Anne (2013). Konsert med Ung Pike Forsvunnet.
  • Danielsen, Anne (2013). Microrhythm in Groove-Based Music.
  • Danielsen, Anne (2013). New forms of live music? Artists' creativity and communication when performing in the digital age.
  • Danielsen, Anne (2013). "Once Upon a Time Called Now" – the experience of time in groove-directed music.
  • Danielsen, Anne (2013). Repetition and change in groove-based music – an fMRI study.
  • Danielsen, Anne (2013). Sjangerhælvete!.
  • Danielsen, Anne (2013). Sky og Scene: om lyttemønstre, strømming og live-musikk i den digitale tidsalder.
  • Danielsen, Anne (2013). Temporality and Microrhythm in Groove-Based Musics. Analytical Perspectives.
  • Danielsen, Anne (2013). The Feel of the Machine.
  • Danielsen, Anne (2013). The perfect take.
  • Danielsen, Anne (2012). BIG DATA (paneldebatt).
  • Danielsen, Anne (2012). Konsert med Ung Pike Forsvunnet.
  • Danielsen, Anne (2012). Music in the Age of Digital Reproduction: digital signatures and new distribution platforms.
  • Danielsen, Anne (2012). Musikk og tolkning.
  • Danielsen, Anne (2012). Musikk, mediering og mobilitet. Den digitale vending i musikkulturen.
  • Danielsen, Anne (2012, 01. desember). Om melankolsk popmusikk. [Radio].  NRK P2, Spillerom Søndag.
  • Danielsen, Anne (2012). Presentasjon av prosjektet Sky & Scene.
  • Danielsen, Anne & Jensenius, Alexander Refsum (2012). Entrainment and Pulse in Groove-Based Music: A motion capture study.
  • Zeiner-Henriksen, Hans T. & Danielsen, Anne (2012). Pulse and microrhythm in contemporary groove-based music.
  • Danielsen, Anne (2011). Once Upon a Time Called Now – Temporality, Structure and Microrythm in Groove-Based Music.
  • Danielsen, Anne (2011). Power, Mediation, and Aesthetics in the Music of Public Enemy.
  • Danielsen, Anne (2011). Samspillet mellom live-musikk og digitale musikktjenester: Streaming-mønstre under Øya-festivalen.
  • Danielsen, Anne (2011). What is liveness?.
  • Danielsen, Anne; Maasø, Arnt & Due, Beathe (2011). Samspillet mellom live-musikk og digitale musikktjenester: Streaming-mønstre under Øya-festivalen 2010.
  • Danielsen, Anne; Otnæss, Mona Kolstø; Brun, M; Gasston, D; Høiseth, A; Williams, SCR & Østberg, BC (2011). Investigating continuity versus breaks in groove-based music by way of fMRI.
  • Brøvig-Hanssen, Ragnhild & Danielsen, Anne (2010). Sound as Environments: Toward a Framework for Analysing Sound in Popular Music Recordings.
  • Danielsen, Anne (2010). Meter and pulse in groove-based music.
  • Danielsen, Anne (2010). Music and Authorship in the Age of Digital Reproduction.
  • Danielsen, Anne (2010). Musical Identity, Authorship and Copyright in the Age of Digital Reproduction.
  • Danielsen, Anne (2009). Deltakelse i paneldebatt: Children of the revolution. Musikkbransjen som katalysator for store endringer i den vestlige verden.
  • Danielsen, Anne (2009). Entrainment and pulse in contemporary groove-based music.
  • Danielsen, Anne (2009). Kunsten forgår, musikken består - om popmusikk og kunst i globaliseringens tidsalder. Nytt Norsk Tidsskrift.  ISSN 0800-336X.  26(3/4), s 457- 460
  • Danielsen, Anne (2009). "Once Upon a Time Called Now" - The Experience of Time in Groove-Based Music.
  • Danielsen, Anne (2009). Sang-låt-produksjon. Forskyvninger i det populærmusikalske autorskapet.
  • Danielsen, Anne (2008). A Brand New Bag. Musical and cultural perspectives on the funk grooves of James Brown.
  • Danielsen, Anne (2008). Beats and bytes – the role of digital media for the rhythmic design of contemporary popular music.
  • Danielsen, Anne (2008). Jazz and the globalisation of groove music.
  • Danielsen, Anne (2008). Media Signatures and Digital Technology in Contemporary Popular Music.
  • Danielsen, Anne; Waadeland, Carl Haakon & Sundt, Henrik (2008). Identifying Timing by Sound? Timbral Qualities of Microrhythm.
  • Brøvig-Hanssen, Ragnhild & Danielsen, Anne (2007). Musikk og mediering. Teknologi relatert til sound og groove i trip-hop musikk.
  • Danielsen, Anne (2007). Kvalitet, kunst og nyskaping i populærmusikkfeltet.
  • Danielsen, Anne (2007). Mediation, Movement and Microrhythm.
  • Danielsen, Anne (2007). Microrhythm and Pulse in Groove-based Music.
  • Danielsen, Anne (2007). Music, Motion and Performance.
  • Danielsen, Anne (2007). Musikk, identitet, historie.
  • Danielsen, Anne (2006). Indexical signification in music.
  • Danielsen, Anne (2006). Interaction of Rhythm and Sound in Contemporary Dance Music.
  • Danielsen, Anne (2006). Om mikrorytmiske forhold i D'Angelo's 'Left and Right'.

View all works in Cristin

Published May 19, 2006 12:00 AM - Last modified Dec. 13, 2016 01:16 PM

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