Regular meetings and other events

Rehding, Alexander (2016) "Three Music-Theory Lessons." Journal of the Royal Musical Association 141(2): 251–282.

Ochoa Gautier, Ana María. (2016) "Acoustic Multinaturalism, the Value of Nature, and the Nature of Music in Ecomusicology." Boundary 2 43(1): 107–41.

Steingo, Gavin (2015). "Sound and Circulation: Immobility and Obduracy in South African Electronic Music." Ethnomusicology Forum 24(1): 102-123.

Faulkner, Robert R. (1973). “Career Concerns and Mobility Motivations of Orchestra Musicians.” Sociological Quarterly 14: 147–57.

Tschmuck, Peter (2003). 'How Creative are the Creative Industries? A Case of the Music Industry.' The Journal of Arts Management, Law, and Society 33(2): 127-141.

*A special session, attended by Professor Georgina Born, featuring:

Radano, Ronald Michael. and Bohlman, Philip. V. (2000). “Introduction: Music and Race, Their Past, Their Presence”. In Radano and Bohlman (eds) Music and the Racial Imagination. Chicago: University of Chicago Press: 1-44.

Tomlinson, Gary (2013). “Evolutionary Studies in the Humanities: The Case of Music”. Critical Inquiry 39(4): 647-675.

The next Nordic Sounds Meeting will be an informal workshop where research group participants can come together and discuss critical themes and issues related to on-going research on music in the Nordic countries.

Unfortunately this event has been cancelled. We will meet again in September.

Siegert, Bernhard. 2015. "Introduction: Cultural Techniques" and "Chapter 10: Door Logic, or the Materiality of the Symbolic". Cultural Techniques. New York: Fordham University Press: 1–17 & 192–205 (PDF requires login).

Stevens, Catherine J.. 2012. “Music Perception and Cognition: A Review of Recent Cross Cultural Research.” Topics in Cognitive Science, 4: 653–667 (PDF requires login).

Fornäs, Johan. 2012. "Post-Anti-Hermeneutics" in Jan Fredrik Hovden & Karl Knapskog (eds.) Hunting high and low: Skriftfest til Jostein Gripsrud på 60-årsdagen. Oslo: Scandinavian Academic Press: 490–518 (PDF requires login).

Brackett, David. 2016. "Introduction", "Crossover Dreams", and "Notes Toward a Conclusion." Categorizing Sound: Genre and Twentieth-Century Popular Music. Berkeley: University of California Press: 1–40, 280–323, 324–333 (PDF requires login).

Kerman, Joseph. 1980. "How We Got into Analysis, and How to Get out". Critical Inquiry 7(2): 311–331 (PDF requires login).

Cronon, William. 1995. “The Trouble with Wilderness; or, Getting Back to the Wrong Nature.” in William Cronon (ed.). Uncommon Ground: Rethinking the Human Place in Nature. New York: W. W. Norton & Co: 69–90 (PDF requires login).

Tenzer, Michael. 2006. “Introduction: Analysis, Categorization, and Theory Musics of the World.” in Michael Tenzer (ed.) Analytical Studies in World Music. Oxford: Oxford University Press: 3–38 (PDF requires login).

Shank. B. (2015) “Introduction: A Prelude” & “Chapter One: Listening to the Political”. In The Political Force of Musical Beauty. Durham: Duke University Press, pp. 1-9 & 11-37 (PDF, requires login).

Goehr, L. (2007). “Introduction” & “After 1800: The Beethoven Paradigm”. In The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music [revised ed.]. Oxford: Oxford University Press, pp. 1-9 & 205-242 (PDF, requires login).

Kittler, F. A. (1999). “Gramophone”. In Gramophone, Film, Typewriter. Trans. Geoffrey Winthrop-Young and Michael Wutz. Stanford: Stanford University Press, pp. 21-114 (PDF, requires login). 

Reid-Bowen, P (2011). “Vital new matters: the speculative turn in the study of religion and gender.” In Religion and Gender, 1(1), pp. 44-65. (PDF, requires login)

Piekut, B. (2011). “What Was Experimentalism?” & “Murder By Cello: Charlotte Moorman Meets John Cage”. In Experimentalism Otherwise: The New York Avant-Garde and its Limits. Berkeley: University of California Press, pp. 1-19 & 140-176 (PDF, requires login).

Miller, K. H. (2010). “Talking Machine World: Discovering Local Music in the Global Phonograph Industry” In Segregating Sound: Inventing Folk and Pop Music in the Age of Jim Crow. Durham: Duke University Press, pp. 157-186 (PDF, requires login). 

*A special session, attended by the author, featuring*

Born, G. (2015) “Making Time: Temporality, History, and the Cultural Object”. In New Literary History, 46(3), pp. 361-386 (PDF, requires login).