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Musikk og mikrorytmikk (TIME)

Hvilke aspekter ved musikalsk lyd er viktig for hvordan vi persiperer timing og rytme på mikronivå? Og hvordan varierer dette med kulturell bakgrunn og læring?

Om prosjektet

Prosjektet Timing and Sound in Musical Micro-rhythm (TIME) skal undersøke mikrorytmiske forhold i fire rytmiske sjangre - jazz, elektronisk dansemusikk, R&B/hip-hop og skandinavisk folkemusikk. Vil du lese mer? Prosjektbeskrivelsen (engelsk) kan lastes ned her.

Finansiering

TIME er et TOPPFORSK-prosjekt finansiert av Norges forskningsråd og Universitetet i Oslo.

Varighet

Oktober 2016 - mars 2022.

 

Publikasjoner

  • Kristian Nymoen; Anne Danielsen & Justin London (2017). Validating Attack Phase Descriptors Obtained by the Timbre Toolbox and MIRtoolbox, I: Tapio Lokki; Vesa Välimäki & Jukka Pätynen (red.),  Proceedings of the 14th Sound and Music Computing Conference 2017.  Aalto University.  ISBN 978-952-60-3729-5.  KAPITTEL.  s 214 - 219
  • Mari Romarheim Haugen (2017). Investigating Musical Meter as Shape: Two Case Studies of Brazilian Samba and Norwegian Telespringar, I: Edith Van Dyck (red.),  Proceedings of the 25th Anniversary Conference of the European Society for the Cognitive Sciences of Music.  IPEM, University of Ghent, Belgium.  Article in proceedings.  s 67 - 74

Se alle arbeider i Cristin

  • Anne Danielsen (2017). Kvalitet i rytmisk musikk.
  • Anne Danielsen (2017). Paneldeltakelse i serien Musikklære på Nasjonalbiblioteket, tema "Rytme".
  • Anne Danielsen; Justin London & Kristian Nymoen (2017). Mapping the Beat Bin: The Effects of Rise Time, Duration, and Frequency Range on the Perceived Timing of Musical Sounds.
  • Anne Danielsen (2017). Experimental hip-hop and the meanings of glitched grooves.
  • Anne Danielsen (2017). Rhythm and Groove in African-American Popular Music.
  • Anne Danielsen; Kristian Nymoen; Mari Romarheim Haugen & Guilherme Schmidt Câmara (2017). Project presentation: Timing and Sound in Musical Microrhythm (TIME).
  • Kristian Nymoen; Anne Danielsen & Justin London (2017). Validating Attack Phase Descriptors Obtained by the Timbre Toolbox and MIRtoolbox.
  • Mari Romarheim Haugen (2017). Investigating Musical Meter as Shape: Two Case Studies of Brazilian Samba and Norwegian Telespringar.
  • Anne Danielsen; Justin London & Kristian Nymoen (2017). Mapping the beat bin: Effects of rise time, duration and frequency range on the perceived timing (P-center) of musical sounds.
  • Justin London; Kristian Nymoen; Marc Thompson; David Loberg Code & Anne Danielsen (2017). Where is the beat in that note? Comparing methods for identifying the p-center of musical sounds.
  • Justin London; Kristian Nymoen; Marc Thompson; David Loberg Code & Anne Danielsen (2017). Where is the beat in that note? Comparing methods for identifying the p-center of musical sounds..
  • Anne Danielsen (2017). Timing and Sound in Musical Microrhythm: Theoretical, Aesthetic and Empirical Aspects.
  • Ragnhild Brøvig-Hanssen & Bjørnar Sandvik (2017). Does Compression Influence Timing? A Case Study in EDM Music.
  • Ragnhild Brøvig-Hanssen & Bjørnar Sandvik (2017). Dynamic Range Compression’s Influence on Perceived Timing in EDM Music.
  • Ragnhild Brøvig-Hanssen & Bjørnar Sandvik (2017). Dynamic Range Processing’s Influence on Perceived Timing.
  • Ragnhild Brøvig-Hanssen & Bjørnar Sandvik (2017). Dynamic Range Compression’s Influence on Perceived Timing.
  • Anne Danielsen (2016). Investigating the perception of sound-timing relationships in recorded (real) music.

Se alle arbeider i Cristin

Publisert 24. aug. 2016 10:13 - Sist endret 16. nov. 2017 11:37