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Siste publikasjoner

Oversikt over våre siste publikasjoner registrert i Cristin.

  • Weber, Jan; Solbakk, Anne-Kristin; Blenkmann, Alejandro Omar; Anais, Llorens; Funderud, Ingrid & Leske, Sabine Liliana [Vis alle 11 forfattere av denne artikkelen] (2024). Ramping dynamics and theta oscillations reflect dissociable signatures during rule-guided human behavior. Nature Communications. ISSN 2041-1723. 15(1). doi: 10.1038/s41467-023-44571-7.
  • Martin, Remy Richard & Nielsen, Nanette (2024). Enacting Musical Aesthetics: The Embodied Experience of Live Music. Music & Science. ISSN 2059-2043. 7. doi: 10.1177/20592043231225732.
  • Danielsen, Anne; Brøvig, Ragnhild; Bøhler, Kjetil Klette; Câmara, Guilherme Schmidt; Haugen, Mari Romarheim & Jacobsen, Eirik [Vis alle 13 forfattere av denne artikkelen] (2024). There’s More to Timing than Time: Investigating Musical Microrhythm Across Disciplines and Cultures. Music Perception. ISSN 0730-7829. 41(3), s. 176–198. doi: 10.1525/mp.2024.41.3.176. Fulltekst i vitenarkiv
  • Mangaoang, Áine Ryan (2024). Embodied Music: Interpreting Songs and Sounds through Irish Sign Language. Journal of the Society for Musicology in Ireland. ISSN 1649-7341. doi: 10.35561/JSMI19.6. Fulltekst i vitenarkiv
  • Brøvig, Ragnhild & Aareskjold-Drecker, Jon Marius (2024). Vocal Chops: Another Human/Machine Hybrid . I Gullö, Jan-Olof; Hepworth-Sawyer, Russ; Paterson, Justin & Toulson, Rob (Red.), Innovation in Music: Cultures and Contexts. Routledge. ISSN 9781032611167.
  • Bresler, Zack; Hawkins, Stan & Holte, Lisa Karolyn (2023). Lil Nas X's Hedonistic Travels of Earthly Delights . I Jirsa, Tomáš & Korsgaard, Mathias Bonde (Red.), Traveling Music Videos. Bloomsbury Academic. ISSN 9781501398001. s. 153–168. doi: 10.5040/9781501398025.ch-9.
  • von Arnim, Hugh Alexander; Fasciani, Stefano & Erdem, Cagri (2023). The Feedback Mop Cello: An Instrument for Interacting with Acoustic Feedback Loops. I Ortiz, Miguel & Marquez-Borbon, Adnan (Red.), Proceedings of the International Conference on New Interfaces for Musical Expression. Universidad Autónoma Metropolitana. ISSN 2220-4792. doi: http:/hdl.handle.net/10852/104236. Fulltekst i vitenarkiv
  • Karbasi, Seyed Mojtaba; Jensenius, Alexander Refsum; Godøy, Rolf Inge & Tørresen, Jim (2023). Exploring Emerging Drumming Patterns in a Chaotic Dynamical System using ZRob. I Ortiz, Miguel & Marquez-Borbon, Adnan (Red.), Proceedings of the International Conference on New Interfaces for Musical Expression. Universidad Autónoma Metropolitana. ISSN 2220-4792. Fulltekst i vitenarkiv
  • Ruud, Even & Trondalen, Gro (2023). En utdanning i musikkterapi – en sentral del av Norges musikkhøgskoles samfunnsansvar. I Varkøy, Øivind; Stabell, Ellen Mikalsen & Utne-Reitan, Bjørnar (Red.), Høyere musikkutdanning: Historiske perspektiver. Cappelen Damm Akademisk. ISSN 9788202825690. s. 173–200.
  • Nielsen, Nanette; Høffding, Simon & Laeng, Bruno (2023). Mind surfing: attention in musical absorption. Cognitive Systems Research. ISSN 2214-4366. doi: 10.1016/j.cogsys.2023.101180.
  • Høffding, Simon; Yi, Wenbo; Lippert, Eigil; Gonzalez Sanchez, Victor Evaristo; Bishop, Laura & Laeng, Bruno [Vis alle 9 forfattere av denne artikkelen] (2023). Into the Hive-Mind: Shared Absorption and Cardiac Interrelations in Expert and Student String Quartets. Music & Science. ISSN 2059-2043. 6. doi: 10.1177/20592043231168597. Fulltekst i vitenarkiv
  • Edwards, Peter & Sailer, Uta (2023). Death in Music and Music in Death: Reflections on Mortality and Listening in the Performances of Marino Formenti. I Marx, Wolfgang (Red.), Music and Death. Funeral Music, Memory and Re-Evaluating Life.. Boydell & Brewer. ISSN 9781837650644. s. 155–169.
  • Akca, Merve; Vuoskoski, Jonna Katariina; Laeng, Bruno & Bishop, Laura (2023). Recognition of brief sounds in rapid serial auditory presentation. PLOS ONE. ISSN 1932-6203. 18(4). doi: 10.1371/journal.pone.0284396. Fulltekst i vitenarkiv
  • Gram-Nilsen, Elias & Vuoskoski, Jonna Katariina (2023). The Influence of the Moving Image on Music-Induced Emotions. Psihologijske Teme. ISSN 1332-0742. 32(1), s. 57–80. doi: 10.31820/pt.32.1.4. Fulltekst i vitenarkiv
  • Hawkins, Stan & Bresler, Zack (2023). Masking: Queer Aesthetics and Production Tricks in Orville Peck's "Hope to Die" (2019). I Moylan, William; Burns, Lori & Alleyne, Mike (Red.), Analyzing Recorded Music: Collected Perspectives on Popular Music Tracks. Routledge. ISSN 9780367546328. s. 339–357. doi: 10.4324/9781003089926-28.
  • Mangaoang, Áine (2023). (Be)Longing: Irish Musicking and Place-Making in Oslo, Norway. I Pardue, Derek; Kenny, Ailbhe & Young, Katie (Red.), Sonic Signatures: Music, Migration and the City at Night. University of Chicago Press. ISSN 9781789386998. s. 159–179. Fulltekst i vitenarkiv
  • Danielsen, Anne; Johansson, Mats Sigvard; Brøvig, Ragnhild; Sandvik, Bjørnar Ersland & Bøhler, Kjetil Klette (2023). Shaping rhythm: timing and sound in five groove-based genres. Popular Music. ISSN 0261-1430. 39(1). doi: 10.1017/S0261143023000041. Fulltekst i vitenarkiv
  • Godøy, Rolf Inge (2022). Intermittent Motor Control in Volitional Musical Imagery. I Küssner, Mats B.; Taruffi, Liila & Floridou, Georgia A. (Red.), Music and Mental Imagery. Routledge. ISSN 9780367352165. doi: 10.4324/9780429330070-5. Fulltekst i vitenarkiv
  • Brøvig, Ragnhild (2022). "It ain't but one kind of Blues": Kid Koala's Bluesy Embrace of the Fragmented ("1 bit Blues," 2012). I Moylan, William; Burns, Lori & Mike, Alleyne (Red.), Analyzing Recorded Music: Collected Perspectives on Popular Music Tracks (1st ed.). Routledge. ISSN 9781003089926. s. 248–258. doi: https:/doi.org/10.4324/9781003089926.
  • Foldal, Maja Dyhre; Leske, Sabine Liliana; Blenkmann, Alejandro Omar; Endestad, Tor & Solbakk, Anne-Kristin (2022). Attentional modulation of beta-power aligns with the timing of behaviorally relevant rhythmic sounds. Cerebral Cortex. ISSN 1047-3211. 33(5), s. 1876–1894. doi: 10.1093/cercor/bhac179.
  • Kwak, Dongho; Krzyzaniak, Michael Joseph; Danielsen, Anne & Jensenius, Alexander Refsum (2022). A mini acoustic chamber for small-scale sound experiments. I Iber, Michael & Enge, Kajetan (Red.), Audio Mostly 2022: What you hear is what you see? Perspectives on modalities in sound and music interaction. ACM Publications. ISSN 978-1-4503-9701-8. s. 143–146. doi: 10.1145/3561212.3561223.
  • Lesteberg, Mari & Jensenius, Alexander Refsum (2022). MICRO and MACRO - Developing New Accessible Musicking Technologies. I Iber, Michael & Enge, Kajetan (Red.), Audio Mostly 2022: What you hear is what you see? Perspectives on modalities in sound and music interaction. ACM Publications. ISSN 978-1-4503-9701-8. s. 147–150. doi: 10.1145/3561212.3561231. Fulltekst i vitenarkiv
  • Støckert, Robin & Tidemann, Aleksander (2022). Hybrid Learning Spaces with Spatial Audio. International Conference on Systems, Signals, and Image Processing. ISSN 2157-8672. CFP2255E-ART, s. 1–4. doi: 10.1109/IWSSIP55020.2022.9854439. Fulltekst i vitenarkiv
  • Edwards, Peter (2022). Analysing the Concerto for Violin and Orchestra: Apparitions of the Past and Future. I Marx, Wolfgang (Red.), I Don’t Belong Anywhere: György Ligeti at 100. Brepols. ISSN 978-2-503-60240-0. s. 93–109.
  • Bresler, Zachary & Hawkins, Stan (2022). ‘A Swarm of Sound’: Audiovisual Immersion in Björk’s VR Video ‘Family’. Music, Sound, and the Moving Image. ISSN 1753-0768. 16(1), s. 29–52. doi: 10.3828/msmi.2022.2. Fulltekst i vitenarkiv
  • Godøy, Rolf Inge (2022). Thinking rhythm objects. Frontiers in Psychology. ISSN 1664-1078. 13. doi: 10.3389/fpsyg.2022.906479. Fulltekst i vitenarkiv
  • Spiech, Connor; Sioros, Georgios; Endestad, Tor; Danielsen, Anne & Laeng, Bruno (2022). Pupil drift rate indexes groove ratings. Scientific Reports. ISSN 2045-2322. 12(1). doi: 10.1038/s41598-022-15763-w. Fulltekst i vitenarkiv
  • Bentsen, Lars Ødegaard; Simionato, Riccardo; Wallace, Benedikte & Krzyzaniak, Michael Joseph (2022). Transformer and LSTM Models for Automatic Counterpoint Generation using Raw Audio. Proceedings of the SMC Conferences. ISSN 2518-3672. doi: 10.5281/zenodo.6572847. Fulltekst i vitenarkiv
  • Kjus, Yngvar; Spilker, Hendrik Storstein & Kiberg, Håvard (2022). Liveness online in deadly times: How artists explored the expressive potential of live-streamed concerts at the face of COVID-19 in Norway. First Monday. ISSN 1396-0466. 27(6). doi: 10.5210/fm.v27i6.12398. Fulltekst i vitenarkiv
  • Kjus, Yngvar & Jacobsen, Roy Aulie (2022). Will the EU’s directive on copyright in the digital market change the power balance of the music industry? Views from Norway. . Nordisk kulturpolitisk tidsskrift. ISSN 1403-3216. 25(1), s. 28–42. doi: 10.18261/nkt.25.1.3. Fulltekst i vitenarkiv
  • Kwak, Dongho; Combriat, Thomas Michel Daniel; Wang, Chencheng; Scholz, Hanne; Danielsen, Anne & Jensenius, Alexander Refsum (2022). Music for Cells? A Systematic Review of Studies Investigating the Effects of Audible Sound Played Through Speaker-Based Systems on Cell Cultures . Music & Science. ISSN 2059-2043. 5. doi: 10.1177/20592043221080965. Fulltekst i vitenarkiv
  • Mangaoang, Áine (2022). Shakespear's Sister, "Stay"(1992). I Hill, Sarah (Red.), One-Hit Wonders: An Oblique History of Popular Music. Bloomsbury Academic. ISSN 9781501368417.
  • Vuoskoski, Jonna Katariina; Zickfeld, Janis Heinrich; Alluri, Vinoo; Moorthigari, Vishnu & Seibt, Beate (2022). Feeling moved by music: Investigating continuous ratings and acoustic correlates. PLOS ONE. ISSN 1932-6203. 17(1). doi: 10.1371/journal.pone.0261151. Fulltekst i vitenarkiv
  • Madaghiele, Vincenzo; Lisena, Pasquale & Troncy, Raphaël (2021). MINGUS: Melodic Improvisation Neural Generator Using Seq2Seq, Proceedings of the 22nd International Society for Music Information Retrieval Conference, Online, Nov 7-12, 2021. International Society for Music Information Retrieval. ISSN 978-1-7327299-0-2. doi: 10.5281/zenodo.5625684.
  • Louviot, Manon (2021). UNCOVERING the DOUAI FRAGMENT: COMPOSING POLYPHONY and ENCODING A COMPOSER in the LATE FOURTEENTH CENTURY. Early Music History. ISSN 0261-1279. 40, s. 85–166. doi: 10.1017/S0261127920000121.
  • Gasper, Giles E.M.; Tanner, Brian K.; Sønnesyn, Sigbjørn Olsen & El-Bizri, Nader (2021). Travelling Optics: Robert Grosseteste and the Optics behind the Rainbow. I Etheridge, Christian & Campopiano, Michele (Red.), Medieval Science in the North: Travelling Wisdom, 1000–1500. Brepols. ISSN 978-2-503-58804-9. s. 45–76.
  • Mangaoang, Áine (2021). “A reward rather than a right”: Facilitators’ perspectives on the place of music in Norwegian prison exceptionalism. Musicae Scientiae. ISSN 1029-8649. Fulltekst i vitenarkiv
  • Godøy, Rolf Inge (2021). Constraint-Based Sound-Motion Objects in Music Performance. Frontiers in Psychology. ISSN 1664-1078. 12, s. 1–17. doi: 10.3389/fpsyg.2021.732729. Fulltekst i vitenarkiv
  • Danielsen, Anne; Nymoen, Kristian; Langerød, Martin Torvik; Jacobsen, Eirik; Johansson, Mats Sigvard & London, Justin (2021). Sounds familiar(?): Expertise with specific musical genres modulates timing perception and micro-level synchronization to auditory stimuli. Attention, Perception & Psychophysics. ISSN 1943-3921. doi: 10.3758/s13414-021-02393-z. Fulltekst i vitenarkiv
  • Kelkar, Tejaswinee (2021). Body Data for Music Information Retrieval Tasks . I Wieczorkowska, Alicja & Tsumoto, Shusaku (Red.), Recommender Systems for Medicine and Music . Springer Nature Switzerland AG 2021. ISSN 978-3-030-66448-0. s. 153–165. doi: https:/doi.org/10.1007/978-3-030-66450-3_10.
  • Eriksen, Asbjørn Øfsthus (2021). A ‘completion’ of Liszt’s transcendental studies with a Russian imprint: Modality and topics in Sergey Lyapunov’s 12 Études d’exécution transcendante (1897–1905) . Svensk tidskrift för musikforskning. ISSN 2002-021X. 103, s. 61–88. Fulltekst i vitenarkiv
  • Hagen, Anja Nylund (2021). Datafication, Literacy, and Democratization in the Music Industry. Popular music and society. ISSN 0300-7766. s. 1–19. doi: 10.1080/03007766.2021.1989558. Fulltekst i vitenarkiv
  • Laeng, Bruno; Kuyateh, Sarjo & Kelkar, Tejaswinee (2021). Substituting facial movements in singers changes the sounds of musical intervals. Scientific Reports. ISSN 2045-2322. 11(1). doi: 10.1038/s41598-021-01797-z. Fulltekst i vitenarkiv
  • Hui, Alan (2021). Mashup music as expression displaced and expression foregone. Internet Policy Review. ISSN 2197-6775. 10(4). doi: 10.14763/2021.4.1604. Fulltekst i vitenarkiv
  • Edwards, Peter (2021). Ideology, Performance, and Ironic Distance in Musical Slapstick. I Malakaj, Ervin & Lyons, Alena E. (Red.), Slapstick: An Interdisciplinary Companion. Walter de Gruyter (De Gruyter). ISSN 9783110570793. s. 37–52. doi: 10.1515/9783110571981-004. Fulltekst i vitenarkiv
  • Aubinet, Stéphane (2021). The Problem of Universals in Cross-Cultural Studies: Insights from Sámi Animal Melodies (Yoik). Psychology of Music. ISSN 0305-7356. 49(3). doi: 10.1177/03057356211024346. Fulltekst i vitenarkiv
  • Aubinet, Stephane Vincent B & Malay, Olivier E. (2021). Transition and Resilience in Music: Insights from Folk Bals. International Review of the Aesthetics and Sociology of Music. ISSN 0351-5796. 52(1), s. 147–164.
  • Kjus, Yngvar (2021). Twists and turns in the 360 deal: Spinning the risks and rewards of artist–label relations in the streaming era. European Journal of Cultural Studies. ISSN 1367-5494. 25(2), s. 463–478. doi: 10.1177/13675494211044731.
  • Weisethaunet, Hans (2021). «Jazz som konservatoriefag i Norge – en (u)mulig historie?». Studia Musicologica Norvegica. ISSN 0332-5024. 47(1), s. 27–44. doi: 10.18261/issn.1504-2960-2021-01-03.
  • Weisethaunet, Hans (2021). «Å høre hjemme i verden. Om «jazzutdanning» og lytting som kunnskap». I Bostad, Inga (Red.), Å høre hjemme i verden. Introduksjon til en pedagogisk hjemstedsfilosofi.. Spartacus. ISSN 978-82-304-0291-7. s. 251–284.
  • Eerola, Tuomas; Vuoskoski, Jonna K.; Kautiainen, Hannu; Peltola, Henna-Riikka; Putkinen, Vesa & Schäfer, Katharina (2021). Being moved by listening to unfamiliar sad music induces reward-related hormonal changes in empathic listeners. Annals of the New York Academy of Sciences. ISSN 0077-8923. 1502(1), s. 121–131. doi: 10.1111/nyas.14660. Fulltekst i vitenarkiv
  • Colbjørnsen, Terje; Hui, Alan & Solstad, Benedikte (2021). What do you pay for all you can eat? Pricing practices and strategies in streaming media services. Journal of Media Business Studies. ISSN 1652-2354. doi: 10.1080/16522354.2021.1949568. Fulltekst i vitenarkiv
  • Fasciani, Stefano & Goode, Jackson Montgomery (2021). 20 NIMEs: Twenty Years of New Interfaces for Musical Expression. I Dannenberg, Roger & Xiao, Xiao (Red.), Proceedings of the International Conference on New Interfaces for Musical Expression. The International Conference on New Interfaces for Musical Expression. ISSN 2220-4792. doi: 10.21428/92fbeb44.b368bcd5. Fulltekst i vitenarkiv
  • Copiaco, Abigail; Ritz, Christian; Abdulaziz, Nidhal & Fasciani, Stefano (2021). A Study of Features and Deep Neural Network Architectures and Hyper-Parameters for Domestic Audio Classification. Applied Sciences. ISSN 2076-3417. 11(11). doi: 10.3390/app11114880.
  • Dybsand, Øyvin (2021). Johan Halvorsen as Young Violin Student in Leipzig, “The City of Music”, in the Late 1880s. I Dinslage, Patrick & Keym, Stefan (Red.), Edvard Grieg und seine skandinavischen Kollegen in ihren Beziehungen zu Leipzig: 8. Deutscher Edvard-Grieg-Kongress vom 15. bis 17. Oktober 2020 in Leipzig. Gudrun Schröder Verlag. ISSN 9783926196828. s. 243–261.
  • Copiaco, Abigail; Ritz, Christian; Fasciani, Stefano & AbdulAziz, Nidhal (2021). Identifying Sound Source Node Locations Using Neural Networks Trained with Phasograms. Proceedings of IEEE International Symposium on Signal Processing and Information Technology (ISSPIT). ISSN 2641-5542. doi: 10.1109/ISSPIT51521.2020.9408643.
  • Zickfeld, Janis Heinrich; van de Ven, Niels; Pich, Olivia; Schubert, Thomas; Vuoskoski, Jonna Katariina & Vingerhoets, Ad J.J.M. (2021). Tears evoke the intention to offer social support: A systematic investigation of the interpersonal effects of emotional crying across 41 countries. Journal of Experimental Social Psychology. ISSN 0022-1031. doi: 10.1016/j.jesp.2021.104137. Fulltekst i vitenarkiv
  • Kjus, Yngvar (2021). License to stream? A study of how rights-holders have responded to music streaming services in Norway. International Journal of Cultural Policy. ISSN 1028-6632. 28(1), s. 61–73. doi: 10.1080/10286632.2021.1908276.
  • White, Rebekah C.; Gasper, Giles E. M.; McLeish, Tom C. B.; Tanner, Brian K.; Harvey, Joshua S & Sønnesyn, Sigbjørn Olsen [Vis alle 8 forfattere av denne artikkelen] (2021). Magnifying Grains of Sand, Seeds, and Blades of Grass: Optical Effects in Robert Grosseteste’s De iride (On the Rainbow) (circa 1228–1230). Isis. ISSN 0021-1753. 112(1), s. 93–107. doi: 10.1086/713724.
  • Peltola, Henna-Riikka & Vuoskoski, Jonna Katariina (2021). “I hate this part right here”: Embodied, subjective experiences of listening to aversive music. Psychology of Music. ISSN 0305-7356. 50(1), s. 159–174. doi: 10.1177/0305735620988596. Fulltekst i vitenarkiv
  • Weisethaunet, Hans (2021). “Creating Maps, Generating Meanings: Music Criticism.” Chapter 8, 169-188. I Nathaus, Klaus & Rempe, Martin (Red.), Musicking in Twentieth-Century Europe. A Handbook. Walter de Gruyter (De Gruyter). ISSN 978-3-11-064808-9. s. 169–188.
  • Sønnesyn, Sigbjørn Olsen (2020). Word, Example, and Practice: Learning and the Learner in Twelfth-Century Thought. Journal of Medieval History. ISSN 0304-4181. 46, s. 513–535.
  • Copiaco, Abigail; Ritz, Christian; Fasciani, Stefano & Abdulaziz, Nidhal (2020). An Application for Dementia Patient Monitoring with Sound Level Assessment Tool. I IEEE, . (Red.), 2020 3rd International Conference on Signal Processing and Information Security (ICSPIS). IEEE (Institute of Electrical and Electronics Engineers). ISSN 978-1-7281-8998-7.
  • Hawkins, Stan & Nielsen, Nina (2020). Gaahl—Monster or Postmodern Prometheus? Masculinity, Class, and Norwegian Black Metal. I Peddie, Ian (Red.), The Bloomsbury Handbook of Popular Music and Social Class. Bloomsbury Academic. ISSN 978-1-5013-4536-4. s. 185–204. doi: 10.5040/9781501345395.ch-010.
  • Mangaoang, Áine (2020). "I See Music": Beyoncé, YouTube, and the Question of Signed-Songs. I Marshall, Melanie L. & Iddon, Martin (Red.), Beyoncé: At Work, On Screen, and Online. Indiana University Press. ISSN 9780253052841. s. 189–225.
  • Zelechowska, Agata; Gonzalez Sanchez, Victor Evaristo; Laeng, Bruno; Vuoskoski, Jonna Katariina & Jensenius, Alexander Refsum (2020). Who Moves to Music? Empathic Concern Predicts Spontaneous Movement Responses to Rhythm and Music. Music & Science. ISSN 2059-2043. 3. doi: 10.1177/2059204320974216. Fulltekst i vitenarkiv
  • Aksnes, Hallgjerd (2020). Making Sense. Studi di estetica. ISSN 0585-4733. anno XLVIII(IV serie, 1/2020), s. 299–306. doi: 10.7413/18258646122. Fulltekst i vitenarkiv
  • Thompson, Marc Richard & Vuoskoski, Jonna Katariina (2020). Music as embodied experience. Human Technology. ISSN 1795-6889. 16(3), s. 227–232. doi: 10.17011/ht/urn.202011256763. Fulltekst i vitenarkiv
  • Weisethaunet, Hans (2020). «Keeping time» vs. «making time»: Jon Christensen (1943–2020), Studia Musicologica Norvegica 46, 77-93. Studia Musicologica Norvegica. ISSN 0332-5024. 46(1), s. 77–93. doi: 10.18261/issn.1504-2960-2020-01-07. Fulltekst i vitenarkiv
  • Mangaoang, Áine (2020). Scenes and Networks. I Mangaoang, Áine; O'Flynn, John & Ó Briain, Lonán (Red.), Made in Ireland: Studies in Popular Music. Routledge. ISSN 9781138336032. s. 169–172.
  • Mangaoang, Áine (2020). Songs of Love: A Conversation with Neil Hannon (The Divine Comedy). I Mangaoang, Áine; O'Flynn, John & Ó Briain, Lonán (Red.), Made in Ireland: Studies in Popular Music. Routledge. ISSN 9781138336032. s. 248–262.
  • Mangaoang, Áine; O'Flynn, John & Ó Briain, Lonán (2020). Popular Music in Ireland: Mapping the Field. I Mangaoang, Áine; O'Flynn, John & Ó Briain, Lonán (Red.), Made in Ireland: Studies in Popular Music. Routledge. ISSN 9781138336032. s. 1–16.
  • Hawkins, Stan (2020). Personas in Rock: "We Will, We Will Rock You". I Moore, Allan & Carr, Paul (Red.), The Bloomsbury Handbook of Rock Music Research. Bloomsbury Academic. ISSN 978-1-5013-3045-2. s. 239–254.
  • Størvold, Tore (2020). Musical aesthetics below ground: volcanic action and the geosocial in Sigur Rós’s “Brennisteinn”. Journal of Aesthetics and Culture. ISSN 2000-4214. 12(1). doi: 10.1080/20004214.2020.1761060. Fulltekst i vitenarkiv
  • Stupacher, Jan; Witek, Maria; Vuoskoski, Jonna Katariina & Vuust, Peter (2020). Cultural familiarity and individual musical taste differently affect social bonding when moving to music. Scientific Reports. ISSN 2045-2322. 10. doi: 10.1038/s41598-020-66529-1. Fulltekst i vitenarkiv
  • Zelechowska, Agata; Gonzalez-Sanchez, Victor E.; Laeng, Bruno & Jensenius, Alexander Refsum (2020). Headphones or Speakers? An Exploratory Study of Their Effects on Spontaneous Body Movement to Rhythmic Music. Frontiers in Psychology. ISSN 1664-1078. 11(698). doi: 10.3389/fpsyg.2020.00698. Fulltekst i vitenarkiv
  • Danielsen, Anne & Hawkins, Stan (2020). The Quest of Princian Research. Popular music and society. ISSN 0300-7766. 43(3), s. 231–236. doi: 10.1080/03007766.2020.1757811.
  • Towse, Ruth (2020). Dealing with digital: the economic organisation of streamed music. Media, Culture and Society. ISSN 0163-4437. doi: 10.1177/0163443720919376. Fulltekst i vitenarkiv
  • Huron, David & Vuoskoski, Jonna Katariina (2020). On the enjoyment of sad music: Pleasurable Compassion Theory and the role of trait empathy. Frontiers in Psychology. ISSN 1664-1078. doi: 10.3389/fpsyg.2020.01060. Fulltekst i vitenarkiv
  • Støckert, Robin; Bergsland, Andreas; Fasciani, Stefano & Jensenius, Alexander Refsum (2020). Student active learning in a two campus organisation. eLearning and Software for Education. ISSN 2066-026X. 1, s. 612–620. doi: 10.12753/2066-026X-20-080.
  • Danielsen, Anne & Hawkins, Edgar Stanley (2020). “The Right Amount of Odd”: Vocal Compulsion, Structure, and Groove in Two Love Songs from Around the World in a Day. Popular music and society. ISSN 0300-7766. 43(3). doi: 10.1080/03007766.2020.1757814. Fulltekst i vitenarkiv
  • Hagen, Anja Nylund (2020). Music in Streams: Communicating Music in the Streaming Paradigm . I Filimowicz, Michael & Tzankova, Veronika (Red.), Reimagining Communication: Mediation (1st Edition). Routledge. ISSN 9781138498914. s. 210–225. Fulltekst i vitenarkiv
  • Brennan, Matt & Devine, Kyle (2020). The cost of music. Popular Music. ISSN 0261-1430. 39(1), s. 43–65. doi: 10.1017/S0261143019000552.
  • Eriksen, Asbjørn Øfsthus (2020). Benötigen wir eine weitere Durchsicht von Edvard Griegs Gesamtausgabe? Über zwei verschwundene Takte in Lualåt, Op. 73 Nr. 7. Die Musikforschung. ISSN 0027-4801. 73(1), s. 47–54.
  • Alarcón Diaz, Ximena; Bojorquez, Lucia Nikolaia López; Lartillot, Olivier & Flamtermesky, Helga (2019). From collecting an archive to artistic practice in the intimal project lessons learned from listening to a colombian migrant women’s oral history archive. Acervo. ISSN 0102-700X. 32(3), s. 48–63.
  • Harvey, Joshua S; Smithson, Hannah E.; Siviour, Clive R.; Gasper, Giles E. M.; Sønnesyn, Sigbjørn Olsen & McLeish, Tom C. B. [Vis alle 7 forfattere av denne artikkelen] (2019). A Thirteenth-Century Theory of Speech. Journal of the Acoustical Society of America. ISSN 0001-4966. 146, s. 937–947.
  • Copiaco, Abigail; Ritz, Christian; Abdulaziz, Nidhal & Fasciani, Stefano (2019). Identifying Optimal Features for Multi-channel Acoustic Scene Classification. I Bastaki, Eesa M & Mukhtar, Husameldin (Red.), 2019 2nd International Conference on Signal Processing and Information Security (ICSPIS). IEEE (Institute of Electrical and Electronics Engineers). ISSN 978-1-7281-3873-2. doi: 10.1109/ICSPIS48135.2019.9045907.
  • Maasø, Arnt & Hagen, Anja Nylund (2019). Metrics and decision-making in music streaming. Popular Communication - The International Journal of Media and Culture. ISSN 1540-5702. doi: 10.1080/15405702.2019.1701675. Fulltekst i vitenarkiv
  • Vohra, Manohar & Fasciani, Stefano (2019). PYNQ-Torch: a framework to develop PyTorch accelerators on the PYNQ platform. IEEE International Symposium on Signal Processing and Information Technology (ISSPIT). ISSN 2162-7843. doi: 10.1109/ISSPIT47144.2019.9001806.
  • Copiaco, Abigail; Ritz, Christian H; Fasciani, Stefano & Abdulaziz, Nidhal (2019). Scalogram Neural Network Activations with Machine Learning for Domestic Multi-channel Audio Classification. IEEE International Symposium on Signal Processing and Information Technology (ISSPIT). ISSN 2162-7843. doi: 10.1109/ISSPIT47144.2019.9001814.
  • Kjus, Yngvar (2019). The Use of Copyright in Digital Times: A Study of How Artists Exercise Their Rights in Norway. Popular music and society. ISSN 0300-7766. doi: 10.1080/03007766.2019.1698206. Fulltekst i vitenarkiv
  • Devine, Kyle (2019). Musicology Without Music. I Braae, Nick & Hansen, Kai Arne (Red.), On Popular Music and Its Unruly Entanglements. Palgrave Macmillan. ISSN 978-3-030-18099-7. s. 15–37. doi: 10.1007/978-3-030-18099-7_2.
  • Eriksen, Asbjørn Øfsthus (2019). Fra pessimisme til sosialistisk realisme. Symfonikeren Nikolaj Mjaskovskij (1881–1950), del 2. Studia Musicologica Norvegica. ISSN 0332-5024. 45(1), s. 75–94. doi: 10.18261/issn.1504-2960-2019-01-07. Fulltekst i vitenarkiv
  • Mangaoang, Áine (2019). Music and Tourism. I Buckley, John & O'Flynn, John (Red.), Ceol Phádraig: Music at St Patrick's College Drumcondra, 1875-2016. Peter Lang Publishing Group. ISSN 978-1-78997-622-9. s. 205–222. doi: https:/doi.org/10.3726/b16407.
  • Weisethaunet, Hans (2019). Escaping Nordic musical exoticism? Chapter 2. The Nature of Nordic Music. I Howell, Tim (Red.), The Nature of Nordic Music. Routledge. ISSN 978-1-138-20718-9. s. 20–47. doi: 10.4324/9781315462851-2.
  • O'Flynn, John & Mangaoang, Áine (2019). Sounding Dublin: Mapping Popular Music Experience in the City. Journal of World Popular Music. ISSN 2052-4900. 6(1), s. 32–61. doi: 10.1558/jwpm.34372.
  • Hawkins, Stan & Størvold, Tore (2019). Justin Timberlake's "Man of the Woods": Lumbersexuality, Nature, and Larking Around. I Hawkins, Stan & Burns, Lori A. (Red.), The Bloomsbury Handbook of Popular Music Video Analysis. Bloomsbury Academic. ISSN 978-1-5013-4233-2. s. 317–336. doi: 10.5040/9781501342363.ch-018.

Se alle arbeider i Cristin

  • Sandøy, Victoria; Storrusten, Kristin Hamran & Guldbrandsen, Erling Eliseus (2023). Jeg elsker pinner – og minst 89 grunner til at du også burde gjøre det. Vigmostad Bjørke. ISBN 978-82-419-5967-7. 72 s.
  • Brøvig, Ragnhild (2023). Parody in the Age of Remix: Mashup Creativity vs. the Takedown. MIT Press. ISBN 9780262374125. 328 s.
  • Aubinet, Stephane Vincent B (2023). Why Sámi Sing: Knowing through Melodies in Northern Norway. Routledge. ISBN 9781032328690. 183 s.
  • Jensenius, Alexander Refsum (2022). Sound Actions: Conceptualizing Musical Instruments. MIT Press. ISBN 9780262544634. 304 s. Fulltekst i vitenarkiv
  • Bradley, Catherine Anne (2022). Authorship and Identity in Late Thirteenth-Century Motets. Routledge. ISBN 9781032194578. Fulltekst i vitenarkiv
  • Hagen, Anja Nylund; Heian, Mari Torvik; Kleppe, Bård & Jacobsen, Roy Aulie (2021). Fra Plate til Plattform: Norsk musikk ut i verden. Cappelen Damm Akademisk. ISBN 9788202738525. 191 s. Fulltekst i vitenarkiv
  • Devine, Kyle & Boudreault-Fournier, Alexandrine (2021). Audible Infrastructures: Music, Sound, Media. Oxford University Press. ISBN 9780190932640. 304 s.
  • Mangaoang, Áine; O'Flynn, John & Ó Briain, Lonán (2020). Made in Ireland: Studies in Popular Music. Routledge. ISBN 9781138336032. 296 s.
  • Bradley, Catherine (2020). 'Motet. Thirteenth-Century Origins'. In Grove Music Online. Oxford University Press. ISBN 1561592390. 10 s.
  • Gasper, Giles E. M.; Sønnesyn, Sigbjørn Olsen; Panti, Cecilia; McLeish, Tom C. B.; Smithson, Hannah E. & Lewis, Neil [Vis alle 17 forfattere av denne artikkelen] (2019). Knowing and Speaking: Robert Grosseteste's De Artibus Liberalibus, 'On the Liberal Arts', and De Generatione Sonorum, 'On the Generation of Sounds'. Oxford University Press. ISBN 978-0-19-880551-9. 535 s.
  • Mangaoang, Áine (2019). Dangerous Mediations: Pop Music in a Philippine Prison Video. Bloomsbury Academic. ISBN 9781501331541. 256 s.
  • Hawkins, Stan & Burns, Lori A. (2019). The Bloomsbury Handbook of Popular Music Video Analysis. Bloomsbury Academic. ISBN 978-1-5013-4233-2. 445 s.

Se alle arbeider i Cristin

  • Godøy, Rolf Inge (2023). Exploring sound-motion links in motormimetic cognition.
  • Edwards, Peter & Nielsen, Nanette (2023). Kunstmusikken lever! Også på Universitetet i Oslo. Scenekunst.no.
  • Brøvig, Ragnhild (2023). My way to becoming a full professor.
  • Brøvig, Ragnhild & Furunes, Marit Johanne (2023). Karriereløpsprogrammet på RITMO med mentorordning.
  • Roberts, Rachel; Brøvig, Ragnhild & Aareskjold-Drecker, Jon Marius (2023). Scientific research uncovers why Seeb’s I Took A Pill In Ibiza remix is hugely popular. [Internett]. MusicTech.com.
  • Kraugerud, Emil; Devine, Kyle; Størvold, Tore & Jones, Ellis Nathaniel (2023). Konsert med Podcasts, London.
  • Kraugerud, Emil; Devine, Kyle; Størvold, Tore & Jones, Ellis Nathaniel (2023). Konsert med Podcasts, Manchester.
  • Kraugerud, Emil; Devine, Kyle; Størvold, Tore & Jones, Ellis Nathaniel (2023). Konsert med Podcasts, Oxford.
  • Kraugerud, Emil; Devine, Kyle; Størvold, Tore & Jones, Ellis Nathaniel (2023). Konsert med Podcasts, Sheffield.
  • Kraugerud, Emil (2023). Konsert med Tusen Takk og Hanne Fjeldstad.
  • Kraugerud, Emil (2023). Konsert med Hanne Fjeldstad.
  • Guldbrandsen, Erling Eliseus (2023). Årets beste 2023. Morgenbladet. ISSN 0805-3847.
  • Guldbrandsen, Erling Eliseus (2023). Kunstmusikken og Universitetet. Scenekunst.no.
  • Guldbrandsen, Erling Eliseus (2023). Poesi og musikk: Om Boulez' tonesetting av Mallarmés sonetter i Pli selon pli - Improvisation I-III sur Mallarmé .
  • Guldbrandsen, Erling Eliseus (2023). Dødsforkynnelsesscenen – Wagners 'Die Walküre'.
  • Guldbrandsen, Erling Eliseus (2023). Mahlers Tredje symfoni – en presentasjon og gjennomgang.
  • Guldbrandsen, Erling Eliseus (2023). Gustav Mahlers Symfoni nr 3 – konsertinnledning .
  • Guldbrandsen, Erling Eliseus (2023). Et europeisk opplysningsarbeid – rapport fra EARLS 2023 (European Alliance for Restless Legs Syndrome).
  • Guldbrandsen, Erling Eliseus (2023). Katja Kabanova på Bergen nasjonale Opera. Morgenbladet. ISSN 0805-3847.
  • Guldbrandsen, Erling Eliseus (2023). Synnes Skouens opera 'Fram' – urpremiere: Vakkert og vellykket. Morgenbladet. ISSN 0805-3847.
  • Guldbrandsen, Erling Eliseus (2023). Johannes Brahms og hans Rekviem i dag.
  • Guldbrandsen, Erling Eliseus (2023). Om Brahms' Ein deutsches Requiem.
  • Guldbrandsen, Erling Eliseus (2023). Nibelungens Ring som teater – Ole Anders Tandbergs regi på Nationaltheatret. [Tidsskrift]. Samtiden.no.
  • Guldbrandsen, Erling Eliseus (2023). https://www.kontekst.no/tar-bestillingsverk-for-stor-plass-i-norsk-jazz/ . [Tidsskrift]. Kontekst.no.
  • Mangaoang, Áine Ryan (2023). Sounding Dissent: Rebel Songs, Resistance, and Irish Republicanism. By Stephen R. Millar. Ann Arbor, MI: University of Michigan Press, 2020. 264 pp. ISBN 978-0-472-13194-5. Popular Music. ISSN 0261-1430. 42(2), s. 211–214. doi: 10.1017/S0261143023000077.
  • Brøvig, Ragnhild (2023). Arousal, Expectancy Violation, and Pleasure.
  • Brøvig, Ragnhild (2023). Machine Rhythms.
  • Brøvig, Ragnhild (2023). Different approaches to qualitative methods.
  • Brøvig, Ragnhild (2023). Digitalisering i musikkutdanningen.
  • Brøvig, Ragnhild & Furunes, Marit Johanne (2023). Presentasjon av RITMOs karriereprogram for UiO sentralt (Seksjon for kompetanse- og organisasjonsutvikling, Avdeling for organisasjon og personal).
  • Brøvig, Ragnhild (2023). RITMOs Mentorprogram.
  • Karbasi, Seyed Mojtaba; Jensenius, Alexander Refsum; Godøy, Rolf Inge & Tørresen, Jim (2023). Exploring Emerging Drumming Patterns in a Chaotic Dynamical System using ZRob.
  • Danielsen, Anne; Brøvig, Ragnhild; Câmara, Guilherme Schmidt; Haugen, Mari Romarheim; Johansson, Mats Sigvard & London, Justin (2023). There’s more to timing than time: Investigating sound–timing interaction across disciplines and cultures .
  • Brøvig, Ragnhild (2023). Crises affecting the economy, production, and consumption of music: Perspectives from remixers.
  • Brøvig, Ragnhild (2023). Presentation of the book Parody in the Age of Remix.
  • Brøvig, Ragnhild & Stevenson, Alex (2023). Machine Aesthetics: An Analytical Framework .
  • Brøvig, Ragnhild (2023). Publishing Panel (on the publishing of Parody in the Age of Remix).
  • Brøvig, Ragnhild (2023). You’re not supposed to sample and rely on copyright exceptions.
  • Brøvig, Ragnhild (2023). Crisis in the Flow of Remixes and in the Maintenance of Copyright Exceptions.
  • Brøvig, Ragnhild (2023). Users’ Freedom of Expression in the Digital Era .
  • Brøvig, Ragnhild (2023). Wakeful Sleep and Sleepy wakefulness in EDM.
  • Danielsen, Anne; Brøvig, Ragnhild; Câmara, Guilherme Schmidt; Haugen, Mari Romarheim; Johansson, Mats Sigvard & London, Justin (2023). Microrhythm depends on sound qualities: Investigating sound–timing interaction across disciplines and cultures.
  • Edwards, Peter (2023). Musikk og opphavsrett.
  • Jones, Ellis Nathaniel; Devine, Kyle; Størvold, Tore & Kraugerud, Emil (2023). Podcasts.
  • Kraugerud, Emil; Devine, Kyle; Jones, Ellis Nathaniel & Størvold, Tore (2023). Cockatoos.
  • Kraugerud, Emil (2023). Spatial mediation of music production in DAWs.
  • Guldbrandsen, Erling Eliseus (2023). Musorgskij, Rakhmaninov og Ørjan Matre – musikalsk og historisk presentasjon.
  • Guldbrandsen, Erling Eliseus (2023). Lully, Mozart og Beethoven – musikalsk og historisk presentasjon.
  • Guldbrandsen, Erling Eliseus (2023). Richard Wagners musikkdramatiske fortellermåte i alderdomsverket "Parsifal".
  • Guldbrandsen, Erling Eliseus; Ehnes, James; Hagen, Julia; Morris, Tom & Andsnes, Leif Ove (2023). Johannes Brahms and the music of our time.
  • Guldbrandsen, Erling Eliseus; Tandberg, Ole Anders & Stalsberg, Linn (2023). Salong: Myter og advarsler i vår tid. En samtale om "Nibelungens Ring" av Richard Wagner.
  • Guldbrandsen, Erling Eliseus (2023). Johannes Brahms, hans musikk og hans verden – kammermusikken i historisk kontekst.
  • Guldbrandsen, Erling Eliseus (2023). György Ligeti, Brahms, and Clara Schumann – their chamber music.
  • Guldbrandsen, Erling Eliseus (2023). Brahms' instrumentalverker i lys av romantikkens musikkestetikk.
  • Guldbrandsen, Erling Eliseus (2023). Brahms, His Music and His World. Rosendal Chamber Music Festival. 1.
  • Edwards, Peter (2023). Talk and concert with asamisimasa.
  • Kjus, Yngvar (2023). The rise of music production platforms.
  • Kjus, Yngvar (2023). Working on the (value) chain: A study of how technology companies intervene in music production in the online era.
  • Devine, Kyle; Jones, Ellis Nathaniel; Størvold, Tore & Kraugerud, Emil (2023). Summerland, 1992.
  • Kraugerud, Emil & Coughlan-Allen, Joseph (2023). Framing intimacy: Reimagining noise as a signifier of silence and intimacy.
  • Kraugerud, Emil (2023). Impact of software design on creative diversity, or the production and reproduction of space in DAWs.
  • Kjus, Yngvar; Kraugerud, Emil & Skjerdal, Øyvind (2023). Frokostseminar på Popsenteret om musikk, kreativitet og teknologi .
  • Edwards, Peter (2023). Sakkyndig rapport og vitneforklaring. Borgarting Lagmannsrett (expert testimony and report: Court of Appeals).
  • Johnson, Victoria Christine Årang (2022). Musikalsk framførelse på Earfest i Duisburg, Tyskland.
  • Bjørhovde, Hilde & Guldbrandsen, Erling Eliseus (2022). Er Mozart like moderne i dag – når han spilles radikalt. [Avis]. Aftenposten.
  • Guldbrandsen, Erling Eliseus (2022). Om VOT-rapporten – The Value of Treatment (EARLS).
  • Aksnes, Hallgjerd (2022). Sonic Objects and Motor-Mimetic Cognition: Insights, Tensions, and Emotive Affordances.
  • Godøy, Rolf Inge & Hestholm, Marion (2022). Spillerom Ernst Simon Glaser og Rolf Inge Godøy. [Radio]. radio.nrk.no.
  • Guldbrandsen, Erling Eliseus (2022). Bruckners symfonier – utspent mellom Bach og Beethoven, Wagner og Mahler, i plateinnspillinger fra de siste 100 år.
  • Guldbrandsen, Erling Eliseus (2022). Fra Chausson til Sibelius – senromantisk sjelegransking og gryende nasjonalisme.
  • Guldbrandsen, Erling Eliseus (2022). Stravinskij og Ravel – neoklassiske ambivalenser.
  • Kraugerud, Emil (2022). Getting intimate with recorded music.
  • Mangaoang, Áine (2022). Music and Incarceration.
  • Mangaoang, Áine (2022). Prisons of Note: Music in the Age of Mass Incarceration.
  • Mangaoang, Áine (2022). Music connects inmates in Norwegian prisons to the outside world (News Article). [Internett]. Journalism.
  • Mangaoang, Áine (2022). Musikk knyt innsette i norske fengsel til verda utanfor (Av Silje Pileberg).
  • Mangaoang, Áine (2022). Björk, Homogenic (1997). I McGuirk, Niall & Murphy, Michael M. (Red.), Punks Listen. Hope Publications. ISSN 9780995547520.
  • Özgen, Zafer (2022). "Analyzing Hans Werner Henze’s Early Operas – Case Studies." Symposium: Musik, Netzwerke, Selbstzeugnisse: Aktuelle forschung zu Hans Werner Henze - Paderborn University .
  • Eriksen, Asbjørn Øfsthus (2022). Innledning: Perspektiver fra Norges musikkhøgskoles historieprosjekt. Studia Musicologica Norvegica. ISSN 0332-5024. 48(1), s. 38–40.
  • Guldbrandsen, Erling Eliseus (2022). Wagners Parsifal - musikalsk fortolkning.
  • Guldbrandsen, Erling Eliseus (2022). Wagners Parsifal - idéhistoriske røtter.
  • Guldbrandsen, Erling Eliseus & Høgåsen Hallesby, Hedda (2022). Wagners Parsifal - opera eller religiøst mysteriespill? En podkast for Den Norske Opera & Ballett. [Internett]. Podkast dno.no.
  • Guldbrandsen, Erling Eliseus (2022). Wagners Parsifal - opera eller religiøst mysteriespill? En samtale.
  • Kjus, Yngvar (2022). Is music production undergoing platformization? If so, how, and with what effects?
  • Edwards, Peter (2022). Frode Olsen – om å synge Fin de partie. Scenekunst.no.
  • Edwards, Peter (2022). Frode Olsen – en karriere i sang. Scenekunst.no.
  • Kwak, Dongho; Krzyzaniak, Michael Joseph; Danielsen, Anne & Jensenius, Alexander Refsum (2022). A mini acoustic chamber for small-scale sound experiments.
  • Lesteberg, Mari & Jensenius, Alexander Refsum (2022). MICRO and MACRO - Developing New Accessible Musicking Technologies.
  • Jensenius, Alexander Refsum; Furmyr, Frida; Poutaraud, Joachim; Widmer, Marcus & Laczko, Balint (2022). The Musical Gestures Toolbox for Python.
  • Swarbrick, Dana; Upham, Finn; Erdem, Cagri; Jensenius, Alexander Refsum & Vuoskoski, Jonna Katariina (2022). Measuring Virtual Audiences with The MusicLab App: Proof of Concept.
  • Karbasi, Seyed Mojtaba; Jensenius, Alexander Refsum; Godøy, Rolf Inge & Tørresen, Jim (2022). A Robotic Drummer with a Flexible Joint: the Effect of Passive Impedance on Drumming.
  • Guldbrandsen, Erling Eliseus (2022). Gustav Mahlers aktualitet. [Radio]. Oslo Filharmoniske Orkester, Lytteklubben.
  • Kraugerud, Emil (2022). Closeness beyond closeness: The technological facilitation of acousmatic hyperintimacy.
  • Özgen, Zafer (2022). Passion of Man, Rule of Law: Hans Werner Henze’s Autobiographical Opera Der Prinz von Homburg. 12th Biennial Conference on Music Since 1900 - Royal Birmingham Conservatoire. .
  • Kjus, Yngvar; Brøvig, Ragnhild & Wang, Solveig Margrethe (2022). Encountering new technology: A study of how female creators explore DAWs.
  • Kjus, Yngvar; Brøvig-Hanssen, Ragnhild & Wang, Solveig Margrethe (2022). Getting onto the platforms of music production: How women negotiate the creative opportunities of digital audio workstations.
  • Knævelsrud, Helene; Tjønndal, Anne & Hansen, Kai Arne (2022). #sommerkroppen2022: Hva bør jeg gjøre? . Morgenbladet. ISSN 0805-3847.
  • Oddekalv, Kjell Andreas (2022). On Being a White Norwegian Analysing Rap. Dansk Musikforskning Online. ISSN 1904-237X. DMO Special Issue 2022, s. 115–122.
  • Edwards, Peter (2022). Pønkebadet.
  • Edwards, Peter (2022). Marino Formenti and the transformative concert recital .
  • Danielsen, Anne & Leske, Sabine Liliana (2022). How the brain tracks the precision of a beat bin - musical, behavioral and neurophysiological perspectives.
  • Bradley, Catherine Anne (2022). Perspectives for lost polyphony and red notation around 1300: Medieval motet and organum fragments in Stockholm.
  • Bradley, Catherine Anne (2022). La musique et la liturgie à Notre-Dame.
  • Danielsen, Anne; Câmara, Guilherme Schmidt; Lartillot, Olivier; Leske, Sabine Liliana & Spiech, Connor (2022). Musical rhythm. Behavioural, computational and neurophysiological perspectives.
  • Danielsen, Anne & Jensenius, Alexander Refsum (2022). Presentation of RITMO Research.
  • Danielsen, Anne (2022). Utvikling og ledelse av tverrfaglige forskningssentre - erfaringer fra RITMO SFF.
  • Brøvig-Hanssen, Ragnhild; Johansson, Mats Sigvard; Sandvik, Bjørnar; Jacobsen, Eirik; Aareskjold-Drecker, Jon Marius & Danielsen, Anne (2022). Musical rhythm. Qualitative investigations.
  • Brøvig-Hanssen, Ragnhild (2022). Formidlingsformer i forskning.
  • Edwards, Peter (2022). György Ligeti’s Concerto for Violin and Orchestra: Conceiving Rhythm and Form by Association.
  • al Outa, Amani; Knævelsrud, Helene; Laczko, Balint & Jensenius, Alexander Refsum (2022). Winner of RRI-inspired transdisciplinary side quest call. [Internett]. Centre for Digital Life Norway.
  • Jensenius, Alexander Refsum & Platou, Jeanette (2022). Kan kunstig intelligens være kreativ? [Radio]. NRK P2 Arena.
  • Høffding, Simon & Jensenius, Alexander Refsum (2022). MusicLab Copenhagen - en forskningskonsert.
  • Jensenius, Alexander Refsum & Ashley, Kevin (2022). FAIR in Higher Education.
  • Mangaoang, Áine (2022). Prisons of Note: Mapping music in prisons from the periphery (Keynote address).
  • Nielsen, Nina Urholt; Guldbrandsen, Erling Eliseus; Hellstenius, Henrik & Kverndokk, Kristin (2021). Blikk på Arne Nordheim – før og nå (panelsamtale).
  • Mangaoang, Áine (2021). Episode 5: Made in Ireland with Áine Mangaoang and John O'Flynn. Lines On Music: Conversations on the Study and Performance of Music (podcast hosted by Jeremiah Spillane). [Internett]. Podcast.
  • Guldbrandsen, Erling Eliseus (2021). Jordens sang av Rolf Gupta - et mesterverk. Ballade. ISSN 0332-5148.
  • Jensenius, Alexander Refsum & Fasciani, Stefano (2021). University of Oslo - RITMO Centre for Interdisciplinary Studies in Rhythm, Time and Motion. Proceedings of the SMC Conferences. ISSN 2518-3672. 2021-.
  • Funderud, Ingrid; Danielsen, Anne; Endestad, Tor; Jensenius, Alexander Refsum; Leske, Sabine Liliana & Solbakk, Anne-Kristin (2021). Improving working memory in patents with epilepsy by rhythmic sounds.
  • Krzyzaniak, Michael Joseph; Gerry, Jennifer; Kwak, Dongho; Erdem, Cagri; Lan, Qichao & Glette, Kyrre (2021). Fibres Out of Line.
  • Kwak, Dongho; Danielsen, Anne & Jensenius, Alexander Refsum (2021). Music for cells: The human body as a rhythm machine.
  • Lan, Qichao & Jensenius, Alexander Refsum (2021). Collaborative Live Coding with Glicol Music Programming Language.
  • Lan, Qichao & Jensenius, Alexander Refsum (2021). Glicol: A Graph-oriented Live Coding Language Developed with Rust, WebAssembly and AudioWorklet.
  • Bishop, Laura; Gonzalez Sanchez, Victor Evaristo; Laeng, Bruno; Jensenius, Alexander Refsum & Høffding, Simon (2021). Social context affects head motion and gaze in string quartet rehearsal and concert performance.
  • Weisethaunet, Hans (2021). «Samtale med Stian Carstensen – om lytting som kilde til musikalsk kunnskap.» Lanseringsseminar: Å høre hjemme i verden, Litteraturhuset, Oslo.
  • Patel-Grosz, Pritty; Katz, Jonah; Grosz, Patrick Georg; Kelkar, Tejaswinee & Jensenius, Alexander Refsum (2021). From music to dance: the inheritance of semantic inferences.
  • Mangaoang, Áine (2021). Mapping music and nuances in penal exceptionalism from the periphery.
  • Mangaoang, Áine (2021). Singing Restorative Justice: Norwegian Prison Music Exceptionalism?
  • Godøy, Rolf Inge (2021). Impulse-driven rhythm objects.
  • Kraugerud, Emil (2021). Acousmatic intimacy in popular music sound.
  • Devine, Kyle (2021). Den ekologeschen Impakt vum Museklauschteren. [Radio]. radio 100,7 Luxembourg.
  • Devine, Kyle (2021). Streams and Clouds: The Political Ecology of Music in a Digital Era.
  • Devine, Kyle (2021). Decomposed: Political Ecologies of Music — Past, Present, Future.
  • Devine, Kyle (2021). Digital Transformations and Environmental Challenges in Music.
  • Devine, Kyle (2021). Decomposed: Political Ecologies of Music — Past, Present, Future.
  • Devine, Kyle (2021). Political Ecology of Music Workshop.
  • Devine, Kyle (2021). Music and the Green Economy: What Do We Want to Sustain?
  • Devine, Kyle (2021). Recomposed: Sustainability and Musical Culture.
  • Devine, Kyle (2021). Decomposed: The Political Ecology of Music.
  • Devine, Kyle (2021). Decomposed: The Political Ecology of Music.
  • Devine, Kyle (2021). Decomposed: The Political Ecology of Music.
  • Devine, Kyle (2021). How Environmentally Damaging is Music Streaming? [Avis]. The New Statesman.
  • Devine, Kyle (2021). NACHHALTIGKEIT IN MUSIKWELT: Music for Future. [Avis]. Frankfurter Allgemeine Zeitung.
  • Devine, Kyle (2021). Can Listening to Music Ever Really Be Sustainable? [Avis]. Vulture.
  • Devine, Kyle (2021). Decaying Sound, Sounding Decay. Flash Art. ISSN 0394-1493.
  • Devine, Kyle (2021). Pop on a Perilous Planet. [Internett]. Switched on Pop.
  • Devine, Kyle (2021). Is Listening to Music Bad for the Environment? [TV]. Sky News (UK).
  • Kjus, Yngvar (2021). Collective musicking on DAW platforms?
  • Weisethaunet, Hans (2021). “World Music and the World’s Musics”. Seminar lecture, UiA.
  • Kjus, Yngvar (2021). Transformations in the creative roles and modes of music production.
  • Sørbø, Solveig; Solberg, Live Miranda & Kraugerud, Emil (2021). Louien Og Emil Kraugerud Om Musikk Og Nærhet. [Radio]. radiOrakel.
  • Weisethaunet, Hans (2021). Theory and history of Popular Music Studies: Hans Weisethaunet in dialogue with Professor Simon Frith, UK. .
  • Vuoskoski, Jonna Katariina (2021). From compassion to being moved: Social emotions evoked by music.
  • Danielsen, Anne; Langerød, Martin Torvik; Nymoen, Kristian & London, Justin (2021). Genre expertise modulates timing perception and micro-level synchronization to auditory stimuli.
  • Dalgard, Joachim; Lartillot, Olivier; Vuoskoski, Jonna Katariina & Guldbrandsen, Erling Eliseus (2021). Absorption - Somewhere between the heart and the brain.
  • Subramanian, Sidhant; Mittal, Anant; Vuoskoski, Jonna Katariina & Alluri, Vinoo (2021). Music or Lyrics? Individual differences associated with listening strategies.
  • Gram-Nilsen, Elias & Vuoskoski, Jonna Katariina (2021). The influence of the moving image on musical emotions.
  • Vuoskoski, Jonna Katariina (2021). Ny forskningsstudie: Musikk demper korona-fortvilelsen best. [Avis]. Aftenposten.
  • Vuoskoski, Jonna Katariina (2021). Episode 89: How Music Can Bridge Cultures. [Internett]. The Science of Happiness Podcast.
  • Weisethaunet, Hans (2021). Sound Studies, seminar presentation/dialogue with professor Jocelyne Guilbault, University of California, Berkeley, digital.
  • Weisethaunet, Hans (2021). Hva er musikkvitenskap? Lecture/dialogue with professor em. Even Ruud.
  • Kjus, Yngvar & Brøvig-Hanssen, Ragnhild (2021). Møter med teknologi: Kvinnelige skaperes utforsking av DAWs.
  • Kjus, Yngvar (2021). Comparing the platforms of cultural production: Music, film, game.
  • Kjus, Yngvar & Spilker, Hendrik Storstein (2021). Liveness in deadly times: How artists in Norway explored the expressive potential of live-streamed concerts at the face of Covid-19 .
  • Weisethaunet, Hans (2021). «Improvisasjon II, lecture. Dialog med Knut Reiersrud.».
  • Weisethaunet, Hans (2021). “Challenges in ethnomusicological fieldwork”.
  • Weisethaunet, Hans (2021). «Jazz og sjangermangfold i høyere norsk musikkutdanning». Musikkhistorieprosjektet ved Norges musikkhøgskole.
  • Zelechowska, Agata; Gonzalez, Victor & Jensenius, Alexander Refsum (2021). Championship of Standstill: A paradigm to study involuntary responses to music with the use of motion capture.
  • Upham, Finn; Zelechowska, Agata; Gonzalez, Victor & Jensenius, Alexander Refsum (2021). Quiet Breathing to Heard Music.
  • Vuoskoski, Jonna Katariina (2021). Deeply Human: Sad Songs. [Radio]. BBC World Service .
  • Hawkins, Stan (2021). Popular Music Books in Process Series - "In Concert: Performing Musical Persona" with Phil Auslander and Stan Hawkins.
  • Bradley, Catherine (2021). Red Notes and New Motets: Fragments from a Medieval Music Book in Stockholm.
  • Bradley, Catherine (2021). Fragments from a Medieval Motet Manuscript in Stockholm: Musical Notation and Lost Polyphony around 1300.
  • Bradley, Catherine (2021). Authorship in the Late Thirteenth-Century Motet: Adam de la Halle and Petrus de Cruce.
  • Kjus, Yngvar (2021). Har internett gjort det vanskeligere å lykkes i musikkbransjen? [Radio]. NRK P2 - Studio 2.
  • Kjus, Yngvar; Hagen, Anja Nylund; Torvund, Olav & Maasø, Arnt (2021). Musikk, opphavsrett og internett.
  • Devine, Kyle (2021). Greening the Net. [TV]. https://www.channelnewsasia.com/news/video-on-demand/greenin.
  • Devine, Kyle (2021). Cloud Illusions. CTM Magazine.
  • Devine, Kyle (2021). Building Back Better. The Wire. 443.
  • Kjus, Yngvar (2021). Strømming gjør det vanskeligere å lykkes i musikkbransjen enn noensinne. [Internett]. www.hf.uio.no/imv/forskning/aktuelt.
  • Bradley, Catherine (2021). Fragments from A Medieval Motet Manuscript in Stockholm: Perspectives for Theory and Analysis.
  • Devine, Kyle (2020). La musique et l'écologie. [Radio]. Radio Télévision Suisse (RTS).
  • Sønnesyn, Sigbjørn Olsen (2020). Egil Kraggerud, De antiquitate regum Norwagiensium (On the Old Norwegian Kings). Edited with translation and commentary (Oslo: Novus Press, 2018). Historisk Tidsskrift (Norge). ISSN 0018-263X. 99(2), s. 160–163.
  • Sønnesyn, Sigbjørn Olsen (2020). Laura Cleaver, Illuminated History Books in the Anglo-Norman World, 1066–1272 (Oxford: Oxford University Press, 2018). Journal of British Studies. ISSN 0021-9371. 59(2), s. 410–411.
  • Sønnesyn, Sigbjørn Olsen (2020). Kven skal vakte etikken til etikkvaktarane sjølve? Khrono.no. ISSN 1894-8995.
  • Swarbrick, Dana; Grinspun, Noemi; Seibt, Beate & Vuoskoski, Jonna Katariina (2020). Food & Paper: Virtually Together: Concerts during the Coronavirus.
  • Devine, Kyle (2020). The Hidden Costs of Streaming Music. [Radio]. Radio New Zealand: Sunday Morning.
  • Devine, Kyle (2020). Classical Music and Climate Change. [Radio]. BBC Radio 3: Music Matters.
  • Devine, Kyle (2020). Decomposed: Political Ecologies of Music.
  • Devine, Kyle (2020). Renewable Heritage: Footprints of the Future.
  • Devine, Kyle (2020). Decomposed: Political Ecologies of Musical Culture.
  • Dybsand, Øyvin (2020). Johan Halvorsen in Leipzig: His Study Time and Later Contacts with C. F. Peters.
  • Smedsrud, Morten Skipenes; Nordmark, Kristin Nagy & Aksnes, Hallgjerd (2020). En reise til musikkens indre. Apollon : Forskningsmagasin for Universitetet i Oslo. ISSN 0803-6926. 30. årgang(3/2020), s. 18–21.
  • Aksnes, Hallgjerd; Fuglestad, Svein & Koksvik, Ingvild (2020). «...alt går så fort og skal være flinkt...»: Affordanser i GIM-programmet The Romantic Piano.
  • Backe Madsen, Lars & Kraugerud, Emil (2020). Holder Bøhler og Northug musikkfaglig mål? Vi har spurt ekspertene. [Avis]. Dagens Næringsliv.
  • Vuoskoski, Jonna Katariina (2020). Vad lyssnar folk på i Borgå, Karis och Jakobstad? [Internett]. https://svenska.yle.fi/artikel/2020/12/04/vad-lyssnar-folk-p.
  • Bradley, Catherine (2020). A New Type of Musical Notation ca. 1300: Decoding Red Notes in a Fragment from Stockholm.
  • Hagen, Anja Nylund; Molde, Audun; Nathaus, Klaus & Mitrovic, Minja (2020). Panel: “The Impacts of the Covid-19 crisis on the cultural and creative sectors” .
  • Hagen, Anja Nylund (2020). Kan datamaskiner lage hitmusikk? . [TV]. NRK Nyhetsmorgen.
  • Hagen, Anja Nylund (2020). DDE med direktestrøyma julemusikal. [TV]. Dagsrevyen, NRK1.
  • Weisethaunet, Hans (2020). “Music & Cultural Theory: Ph.d. Seminar-lecture”.
  • Weisethaunet, Hans (2020). «Musikkritikken som felt».
  • Weisethaunet, Hans (2020). «Populærmusikkens historiografi – Norge».
  • Hawkins, Stan (2020). Approaching queerness in popular music.
  • Swarbrick, Dana; Seibt, Beate; Grinspun, Noemi & Vuoskoski, Jonna Katariina (2020). Virtually together: Concerts during the coronavirus.
  • Hawkins, Stan & Stuen, Eivend Augst Westad (2020). Stan Hawkins: Fra samtidskomponist til popforsker. [Avis]. KILDEN.
  • Swarbrick, Dana; Seibt, Beate; Grinspun, Noemi & Vuoskoski, Jonna Katariina (2020). Virtually Together: Concerts during the Coronavirus.
  • Swarbrick, Dana; Grinspun, Noemi; Seibt, Beate & Vuoskoski, Jonna Katariina (2020). Quarantine Concerts.
  • Hawkins, Stan (2020). Keynote address: On a Journey to the End of Playfulness: Queerness and Music.
  • Mangaoang, Áine; O'Flynn, John & Ó Briain, Lonán (2020). Made in Ireland booklaunch.
  • Mangaoang, Áine (2020). Creative freedom? The place of music in Norwegian prisons.
  • Mangaoang, Áine & Western, Thomas James (2020). Music, Sound, and Power in Contemporary Places of Detention .
  • Mangaoang, Áine (2020). Music, Sound, and Power in Contemporary Places of Detention: Ethno-Activist Approaches in Ireland, Greece, Norway (panel).
  • Mangaoang, Áine; O'Flynn, John; Ó Briain, Lonán; Jones, Jaime & Dillane, Aileen (2020). Made in Ireland: Notes from a small island (panel).
  • Mangaoang, Áine (2020). Retromania? Problematizing Popular Music Heritage Futures.
  • Mangaoang, Áine (2020). Music video on the margins: Performing citizenship on YouTube.
  • Mangaoang, Áine (2020). "Listen to the song here in my heart”: Beyoncé, YouTube and Signed Songs.
  • Hagen, Anja Nylund (2020). Det store skillet mellom digitale vinnere og tapere. [Internett]. ballade.no.
  • Hagen, Anja Nylund (2020). Ny rapport: - Digitaliseringen i musikkbransjen må profesjonaliseres. [Internett]. KulturPlot.
  • Hagen, Anja Nylund (2020). – Vi kunne vært verdensledende . [Internett]. ballade.no.
  • Hawkins, Stan (2020). "Made in Ireland" book launch - keynote address.
  • Hagen, Anja Nylund; Heian, Mari Torvik; Jacobsen, Roy Aulie & Kleppe, Bård (2020). Norsk musikkbransje – digitale pionerer i ambivalens. Ballade. ISSN 0332-5148.
  • Hagen, Anja Nylund (2020). Topper lister: - Helt vilt Norske Delara rager på hitlistene i Tyskland, Sveits og Østerrike. [Avis]. Dagbladet.
  • Spilker, Hendrik Storstein; Kjus, Yngvar & Kiberg, Håvard (2020). Nødløsninger med langtidsvirkninger? Artisters og konsertarrangørers erfaringer med strømmekonserter.
  • Kjus, Yngvar (2020). The record contract in flux: Developments in the agreements of artist and label in the time of music streaming.
  • Kraugerud, Emil & Dæhlen, Marte (2020). Hvorfor føles Stein Torleif Bjellas musikk så nær? [Internett]. forskning.no.
  • Bradley, Catherine (2020). Review of Musical Culture in the World of Adam de la Halle. Ed. Jennifer Saltzstein. Revue de musicologie. ISSN 0035-1601. 106(2), s. 491–494.
  • Bradley, Catherine (2020). Scattered Songs in Scandinavia: Fragments from A Medieval Motet Manuscript​ in Stockholm.
  • Bradley, Catherine (2020). New Fragments from a Medieval Motet Manuscript in Stockholm.
  • Bradley, Catherine (2020). Scattered Songs in Stockholm: New Fragments from A Medieval Motet Manuscript.
  • Gonzalez Sanchez, Victor Evaristo; Zelechowska, Agata & Jensenius, Alexander Refsum (2020). MICRO Motion capture data from groups of participants standing still to auditory stimuli (2012).
  • Kjus, Yngvar & Spilker, Hendrik Storstein (2020). Redaktører for spesialnummer om musikk og medier. Norsk Medietidsskrift. ISSN 0804-8452. 27(3). doi: 10.18261/ISSN.0805-9535-2020-03-01.
  • Spilker, Hendrik Storstein; Kjus, Yngvar & Kiberg, Håvard (2020). Nødløsninger med langtidsvirkninger? Artisters og konsertarrangørers erfaringer med direktestrømmete "koronakonserter".
  • Kjus, Yngvar & Spilker, Hendrik Storstein (2020). Lyden av digitalisering: Preludium om musikk og medier. Norsk Medietidsskrift. ISSN 0804-8452. 27(3), s. 1–10.
  • Jensenius, Alexander Refsum; Erdem, Cagri; Kwak, Dongho Daniel; Rahman, Habibur; Glette, Kyrre & Krzyzaniak, Michael Joseph [Vis alle 7 forfattere av denne artikkelen] (2020). Strings On-Line.
  • Jensenius, Alexander Refsum; Danielsen, Anne & Edwards, Peter (2020). Vi trenger kort og godt mer automagi i Cristin. Khrono.no. ISSN 1894-8995.
  • Jones, Ellis Nathaniel; Mangaoang, Áine & de Boise, Sam (2020). Panel discussion: online participatory music cultures today.
  • Jensenius, Alexander Refsum; Danielsen, Anne & Edwards, Peter (2020). Vi trenger kort og godt mer automagi i Cristin. Uniforum. ISSN 1891-5825.
  • Hagen, Anja Nylund (2020). Krise og kreativitet - musikkbransjen og koronapandemien 2020 .
  • Hagen, Anja Nylund (2020). Artister slipper låter i forkant av album. [Radio]. Nyhetsmorgen, P2.
  • Hagen, Anja Nylund (2020). Strømmetjenestene former hvordan musikk slippes. [TV]. Dagsrevyen, NRK1.
  • Hagen, Anja Nylund (2020). Derfor kommer ny musikk i mye større grad som enkeltsingler. [Internett]. nrk.no.
  • Hagen, Anja Nylund (2020). Festivalsjef: – Strømmekonsertene er kommet for å bli . [Avis]. Aftenposten.
  • Kraugerud, Emil (2020). Musikkens intimitet. Ballade. ISSN 0332-5148.
  • Hagen, Anja Nylund (2020). Artister sprer musikken sin på TikTok. [TV]. Dagsrevyen, NRK1.
  • Hagen, Anja Nylund (2020). Fra TikTok til strømmetoppen. [Radio]. Nyhetsmorgen, P2.
  • Hagen, Anja Nylund (2020). Forsker tror man vil se flere artister på TikTok . [Internett]. nrk.no.
  • Støckert, Robin (2020). Learning and teaching in a distributed environment.
  • Hawkins, Stan (2020). Keynote IASPM Conference: Staging the Spectacle: The Dandyist Theatrics of Jacques Dutronc.
  • Hagen, Anja Nylund (2020). Krise i musikkbransjen. [Fagblad]. musikknyheter.no.
  • Kjus, Yngvar & Hagen, Anja Nylund (2020). Music on (and in) demand: Negotiating and competing in streaming.
  • Hagen, Anja Nylund (2020). De som får folk til å danse sammen. [Internett]. ballade.no.
  • Hagen, Anja Nylund (2020). Norske artister bruker TikTok for å spre musikken sin. [Radio]. NRK P1, Dagens .
  • Hagen, Anja Nylund (2020). TikTok som maktfaktor i musikkbransjen. [Radio]. Studio 2, NRK P2.
  • Støckert, Robin; Bergsland, Andreas; Fasciani, Stefano & Jensenius, Alexander Refsum (2020). Student active learning in a two campus organisation.
  • Weisethaunet, Hans (2020). IMPROVISASJONS-PRAKSIS med Knut Reiersrud. Interview lecture.
  • Weisethaunet, Hans (2020). Writing Music Criticism: A dialogue with Rob Young, editor of Wire magazine.
  • Weisethaunet, Hans (2020). «Georg «Jojje» Wadenius: Blod, svette og tårer». Jazznytt. ISSN 0332-7248. 253(1), s. 42–49.
  • Hawkins, Stan (2020). Maskulinitet er i endring i norsk black metal. [Avis]. KILDEN.
  • Hagen, Anja Nylund (2020). Spotifys makt vokser i takt med nye lyttevaner . [Internett]. forskning.no.
  • Hagen, Anja Nylund (2020). Hvilken musikk hører vi på i karantene? [Radio]. NRK P2.
  • Hagen, Anja Nylund (2020). Hva gjør musikere når de ikke kan spille konserter? [Internett]. UiO: Det humanistiske fakultet. Sosiel medier.
  • Hagen, Anja Nylund (2020). Spotifys makt vokser i takt med nye lyttevaner. [Internett]. UiO: Det Humanistiske Fakultet.
  • Hagen, Anja Nylund (2020). Norske musikkforlag: Muligheter og utfordringer.
  • Hagen, Anja Nylund (2020). Bylarm: Å utvikle en artistkarriere i en digital økonomi.
  • Devine, Kyle (2020). Drecksmusik. [Tidsskrift]. enorm—Magazin für gesellschaftlichen Wandel.
  • Devine, Kyle (2020). Emissions Possible: Streaming Music Swells Carbon Footprints. [Avis]. Al Jazeera.
  • Devine, Kyle (2020). Disco Downer. The Guardian Weekly. ISSN 0958-9996. 202(8), s. 24–25.
  • Devine, Kyle (2020). Carbon Footprints of Music.
  • Devine, Kyle (2020). Rethinking Music Ecosystems.
  • Devine, Kyle (2020). What is the Human and Environmental Cost of Music? [Internett]. New Books in Critical Theory Podcast.
  • Devine, Kyle (2020). The Vinyl Revival is Hurting the Environment, says Canadian Musicologist. [Radio]. Q (CBC Radio One).
  • Devine, Kyle (2020). Nightmares on Wax: The Environmental Impact of the Vinyl Revival. The Guardian. ISSN 0261-3077.
  • Kjus, Yngvar & Spilker, Hendrik Storstein (2020). Introduksjon til seminar om musikk og medier i den digitale tiden.
  • Hawkins, Stan (2020). Keynote Paper: Dandified Personas in Pop Music.
  • Fasciani, Stefano; Jensenius, Alexander Refsum; Støckert, Robin & Xambó, Anna (2020). The MCT Portal: an infrastructure, a laboratory and a pedagogical tool.
  • Kjus, Yngvar (2020). Vil ha opphavsretten ut av lukkede rom. [Fagblad]. Ballade.no.
  • Eerola, Tuomas & Vuoskoski, Jonna Katariina (2020). Personality and listeners, The Science and Psychology of Music: From Beethoven at the Office to Beyoncé at the Gym. ABC-CLIO. ISSN 978-1-4408-5771-3.
  • Vuoskoski, Jonna Katariina & Eerola, Tuomas (2020). Personality and musicians, The Science and Psychology of Music: From Beethoven at the Office to Beyoncé at the Gym. ABC-CLIO. ISSN 978-1-4408-5771-3.
  • Winterthun, Elise & Guldbrandsen, Erling Eliseus (2019). Varsler om svekket musikkfag. Klassekampen. ISSN 0805-3839.
  • Guldbrandsen, Erling Eliseus & Bamle, Pelle (2019). Tryllesynthen. Bruk av synthesizer i Tryllefløyten av Mozart. Intervju. Morgenbladet. ISSN 0805-3847. s. 28–30.
  • Westeng, Kjersti & Guldbrandsen, Erling Eliseus (2019). En av ti nordmenn lider av rastløse bein. . [Avis]. Nettavisen.no.
  • Edwards, Peter (2019). VOeX Festival 2019.
  • Zeiner-Henriksen, Hans T. (2019). Analysing the Popular: Corporeal Engagement in the Experience of Music.
  • Mangaoang, Áine (2019). Soundscapes of Utopia: The Place of Music in Norwegian Prisons.
  • Mangaoang, Áine (2019). Hearing Halden: A Case Against Nordic Prison Exceptionalism.
  • Mangaoang, Áine (2019). Book Presentation.
  • Mangaoang, Áine (2019). Dangerous Mediations.
  • Brøvig-Hanssen, Ragnhild & Aareskjold, Jon Marius (2019). Vocal Chops and it's aesthetics.
  • Danielsen, Anne & Nymoen, Kristian (2019). Where is the beat in that note?
  • Halmrast, Tor (2019). Cepstrum for Rhythm Detection.
  • Devine, Kyle; Kraugerud, Emil; Jones, Ellis Nathaniel & Størvold, Tore (2019). First Things First.
  • Jones, Ellis Nathaniel; Kraugerud, Emil; Størvold, Tore & Devine, Kyle (2019). Dragging the Lake.
  • Halmrast, Tor (2019). THE TIMBRE OF FLUTTER ECHOES, AND THE COMPOSITION “FLUTR”.
  • Halmrast, Tor (2019). Oslo I Smug-trioen.
  • Halmrast, Tor (2019). FLUTR.
  • Halmrast, Tor (2019). FLUTR for 24 ch Audio (4 quadro + 20 Ambisonics loudspeakers).
  • Halmrast, Tor (2019). Reverberation Influences the Attack.
  • Weisethaunet, Hans (2019). “Is fieldwork about doing interviews?” NMH (Norwegian Academy of Music) ph.d. seminar, guest lecture.
  • Weisethaunet, Hans (2019). Opponent, ph.d. avhandling, Smith, Erica: Collective Management Organisations (CMOs), Digital Disruption and Small Developing Economies: The Case of the Caribbean Music Industry, UiA.
  • Watne, Åshild & Baur, Eckhard (2019). Jubileumskonsert i Oslo Konserthus med Kampen Janistjar, Wenche Myhre, IMV Vokalensemble m.fl.
  • Hagen, Anja Nylund (2019). Norsk musikkbransje og eksport.
  • Devine, Kyle (2019). Ohne Energie und Arbeit könnte es Streaming nicht geben. [Avis]. SPEX—Magazin für Popkultur.
  • Devine, Kyle (2019). Derfor er strømming en miljøversting. [Avis]. Dagbladet.
  • Kraugerud, Emil (2019). The acousmatic intimacy of domestic spatialities.
  • Hagen, Anja Nylund (2019). Hva definerer musikken på 2010-tallet? [Radio]. NRK, P2.
  • Hagen, Anja Nylund (2019). Digitalisering som utfordring for kulturindustriene .
  • Hagen, Anja Nylund (2019). Norsk musikk og globale selskaper.
  • Hawkins, Stan (2019). Black Poesis III: What Makes a Hiphop Classic? Panel debate.
  • Devine, Kyle & Brennan, Matt (2019). The Terrifying Miracle of Recorded Sound.
  • Devine, Kyle (2019). Decomposed: Political Ecologies of Jazz and Popular Music.
  • Devine, Kyle & Brennan, Matt (2019). The Terrifying Miracle of Recorded Sound.
  • Devine, Kyle (2019). Decomposed: The Political Ecology of Music.
  • Devine, Kyle (2019). Political Ecologies of Music (and Dance?).
  • Devine, Kyle (2019). Decomposed: The Political Ecology of Music.
  • Devine, Kyle (2019). Decomposed: The Political Ecology of Music.
  • Devine, Kyle (2019). Vinyl: More Sustainable Than You Think?
  • Hagen, Anja Nylund (2019). Norsk musikk i internasjonale markeder. Frokostseminar, Kulturdepartementet: Musikkeksport .
  • Kraugerud, Emil (2019). Intimitet i innspilt musikk.
  • Hagen, Anja Nylund (2019). Superstar economy and the digitalised music industry .
  • Eriksen, Asbjørn Øfsthus (2019). Grieg in Rachmaninoff's music: similarities and influences.
  • Weisethaunet, Hans (2019). ‘Roots’ and ‘Routes’ of Scandinavian Music—Dialogue/lecture with Hallvard T. Bjørgum.
  • Weisethaunet, Hans (2019). The Art Ensemble of Chicago, ECM. Jazznytt. ISSN 0332-7248. 250, s. 58–59.
  • Weisethaunet, Hans (2019). Music Studies and Fieldwork, "World Music Workshop", Agder University.
  • Hawkins, Stan (2019). Introduction: Nordic Study Day.
  • Kraugerud, Emil (2019). Producing intimacy: Siv Jakobsen's Nordic Mellow (2017).
  • Hagen, Anja Nylund (2019). Napster. Store Norske Leksikon (Nettutgaven).
  • Holbrook, Ulf A. S. & Kraugerud, Emil (2019). Distances and proximities in acousmatic spatiality .
  • Vuoskoski, Jonna Katariina & Heid, Markham (2019). Why Listening to Sad Music Makes You Feel Better. [Internett]. https://elemental.medium.com/why-listening-to-sad-music-make.
  • Vuoskoski, Jonna Katariina (2019). Parallels between the cognition of rhythm in sports and music.
  • Vuoskoski, Jonna Katariina (2019). Accounting for inter-individual variance in perceived and felt emotions.
  • Vuoskoski, Jonna Katariina & Layton, Christine (2019). Saturday Breakfast: There is a reason you get pleasure from sad songs. [Radio]. ABC Radio Perth, Australia.
  • Weisethaunet, Hans (2019). Musikk som praksisfelt, musikk som vitenskap og som kulturelt felt.
  • Weisethaunet, Hans (2019). Platepoetikk. ECM 50 år. Bobo Stenson i samtale med Hans Weisethaunet. Nasjonalbiblioteket Seminar.
  • Weisethaunet, Hans (2019). Musikk som kunnskap og dannelse – endringer i det nordiske feltet? Fra blokkfløyte til Chick Corea. Nord-Ed Seminar, UiO.
  • Hagen, Anja Nylund (2019). Tidal. Store Norske Leksikon (Nettutgaven).
  • Hagen, Anja Nylund (2019). Spotify. Store Norske Leksikon (Nettutgaven).
  • Hagen, Anja Nylund (2019). strømmetjenester. Store Norske Leksikon (Nettutgaven).
  • Hagen, Anja Nylund; Sandvik, Eystein; Witek, Julia; Nedrelid, Alma & Hovland, Torkjell (2019). Å bygge en karriere i musikklivet.
  • Kjus, Yngvar; Brøvig-Hanssen, Ragnhild; Askerøi, Eirik; Hartung, Mike; Wergeland Juell, Magnus & Karoliussen, Sara (2019). Musikkprodusentens rolle.
  • Kjus, Yngvar & Brøvig-Hanssen, Ragnhild (2019). Med opphavsrett på studieplanen. [Fagblad]. Ballade.no.
  • Eriksen, Asbjørn Øfsthus (2019). Foredrag om Rachmaninov.
  • Hagen, Anja Nylund (2019). Music streaming and data literacy.
  • Bradley, Catherine (2019). Invited Seminar at Conservatoire national supérieur de musique et de danse de Lyon.
  • Weisethaunet, Hans (2019). ‘Criticism and canonisation’, presentation for “Musicking in Twentieth-Century Europe”, De Gruyter’s Verlagshaus, Berlin.
  • Weisethaunet, Hans (2019). “Musical Sound, Place, and Listening,” Invited lecture, “Anthropology of Sound, Acoustemology, and Sensory Transformations Conference”, University of Eastern Finland .
  • Eriksen, Asbjørn Øfsthus (2019). Skazki. Nikolaj Medtner. Gunnar Sama, piano. (Liner notes til CD med klavermusikk av Nikolaj Medtner. 2L-156-SACD. Lindberg Lyd AS).
  • Devine, Kyle (2019). The World Remade. [Internett]. Reasonably Sound (podcast).
  • Hagen, Anja Nylund (2019). Thomas Hayes har signert med Sony, skal gi ut musikk. [Avis]. Aftenposten.
  • Vuoskoski, Jonna Katariina & Bjurström, Eelis (2019). Hautaa ystäväsi – Me kuuntelemme kuolemaa ja surkeutta romantisoivia kappaleita ymmärtämättä, että ne voivat vahingoittaa meitä syvästi. [Internett]. https://yle.fi/uutiset/3-10875178.
  • Vuoskoski, Jonna Katariina & Eerola, Tuomas (2019). Trait empathy contributes to the intensity of music-induced emotions: Evidence from self-reports and psychophysiology.
  • Thompson, Marc Richard & Vuoskoski, Jonna Katariina (2019). Everything but the sound: Investigating the relationships between movement features and perceptual ratings of silent music performances.
  • Vuoskoski, Jonna Katariina & Thompson, Marc Richard (2019). The contribution of visual and auditory cues to the perception of emotion in musical performance.
  • Huron, David & Vuoskoski, Jonna Katariina (2019). On the enjoyment of sad music: Pleasurable compassion theory and the role of trait empathy.
  • Edwards, Peter (2023). Tilleggskommentarer og oppsummering av sakkyndig rapport for høyesterett. Høyesterett.
  • Hawkins, Edgar Stanley & Tønsberg, Knut (2023). Developing Practices and Approaches to Electronic Popular Music in Education. Universitetet i Agder.
  • Edwards, Peter (2022). Musikkfaglig sakkyndig vitne rapport. Oslo tingrett og Borgarting lagmannsrett. https://lovdata.no/dokument/LBSIV/avgjorelse/lb-2022-26097?q=.
  • Zelechowska, Agata (2020). Irresistible Movement: The Role of Musical Sound, Individual Differences and Listening Context in Movement Responses to Music. 07 Gruppen.
  • Kraugerud, Emil (2020). Come Closer: Acousmatic Intimacy in Popular Music Sound. 07 Gruppen. Fulltekst i vitenarkiv
  • Zelechowska, Agata; Jensenius, Alexander Refsum; Laeng, Bruno & Vuoskoski, Jonna Katariina (2020). Irresistible Movement: The Role of Musical Sound, Individual Differences and Listening Context in Movement Responses to Music. Universitetet i Oslo. Fulltekst i vitenarkiv
  • Hagen, Anja Nylund; Heian, Mari Torvik; Jacobsen, Roy Aulie & Kleppe, Bård (2020). Digital ambivalens. Norsk musikk i internasjonale markeder. Universitetet i Oslo. ISSN 978-82-336-0342-7.
  • Eriksen, Asbjørn Øfsthus (2020). Rapport om gjennomgåelse av Edvard Grieg: Samlede verker, bind 1 (1977) og del av bind 2 (1986) . Universitetet i Bergen.
  • Gran, Anne-Britt; Linn-Birgit, Kampen Kristensen; Molde, Audun; Hagen, Anja Nylund & Booth, Peter (2020). Krise og kreativitet i musikkbransjen – koronapandemien 2020. BI Centre for Creative Industries.
  • Aubinet, Stéphane (2020). The Craft of Yoiking: Philosophical Variations on Sámi Chants. Nauka. Fulltekst i vitenarkiv
  • Størvold, Tore (2019). Dissonant Landscapes: Nature and the Musical Imagination of Iceland. 07 Gruppen.
  • Kelkar, Tejaswinee (2019). Computational Analysis of Melodic Contour and Body Movement. 07 Gruppen. Fulltekst i vitenarkiv

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