2010
Steven Feld (University of New Mexico og IMV) og Annemette Kirkegaard(Universitetet i København) har publisert en artikkel om "verdensmusikkens" forhistorie:
Les artikkelen i Popular Music Online: Entangled Complicities in the Prehistory of "World Music": Poul Rovsing Olsen and Jean Jenkins Encounter Brian Eno and David Byrne in the Bush of Ghosts
Ed. Anne Danielsen
Musical Rhythm in the Age of Digital Reproduction presents new insights into the study of musical rhythm through investigations of the micro-rhythmic design of groove-based music.
The main purpose of the book is to investigate how technological mediation - in the age of digital music production tools - has influenced the design of rhythm at the micro level.
A number of researchers and master students from the Department of Musicology have contributed to the publication: Kristoffer Yddal Bjerke, Ragnhild Brøvig-Hanssen, Kristoffer Carlsen, Anne Danielsen, Mats Johansson, Tellef Kvifte, Maria A.G. Witek and Hans Zeiner-Henriksen. The book is edited by Anne Danielsen.
This book is based on contributions to the project Rhythm in the Age of Digital Reproduction (RADR), a five-year research project running from 2004 to 2009 that was funded by the Norwegian Research Council.
The book is published in Ashgate Popular and Folk Music Series. More about the publication.
Redaktører S. Yildirim og A. Kofod-Petersen, Tapir Akademisk Forlag, Trondheim
IMV-forskere bidrar med to artikler i Proceedings of Norwegian Artificial Intelligence Symposium.
Det er første gang det utgis et samlet, omfattende verk om norsk opera- og balletthistorie. Boken tar for seg opera og ballettens fødsel og utvikling i Europa, og Norges opera- og balletthistorie fra Kong Fredriks italienske operaselskap i 1749 til det nye Operahuset.
Les mer om utgivelsen på Opera forlags nettsider.
Arvid Vollsnes er redaktør for utgivelsen.
Sammen med oboisten Brynjar Hoff, spiller Anne Eline Riisnæs W. Pistons Suite for oboe and piano.
CDen er en samling med tidligere opptak i NRK fra 1975 til 1987.
Stan Hawkins is one of the scholars contributing to this new international anthology of essays edited by Andy Bennett and Jon Stratton, with a chapter called 'Unsettling Differences: Music and Laddism in Britpop' (Chapter 9).
This is the first study devoted exclusively to the Britpop phenomenon and its contexts, and Hawkins' chapter deals with an analysis of vocal performance alongside the normative rules of gendered practice. Read more about the publication.
Ed. Svein Aage Christoffersen
Rolf Bader, Christiane Neuhaus og Ulrich Morgenstern (red.)