"Music and Identity in Norway and Beyond"
Hans Weisethaunet har skrevet en artikkel om Griegs ambivalente forhold til norsk og skandinavisk musikk og kultur.
Artikkelen diskuterer Griegs anvendelse av norsk folkemusikk og detaljer omkring begivenhetene som ledet fram til hans Opus 72.
Susan McClary beskriver i artikkelen "Playing the Identity Card" hvordan Griegs musikalske identitet har hatt musikkhistorisk innflytelse på mange ulike nivåer – inklusive for hennes egen og andres marginaliserte identiteter.
Thomas Solomon (ed.): "The papers in this interdisciplinary volume explore the theme of music and identity from the perspectives of ethnomusicology, musicology, sociology, performance and music therapy in case studies employing approaches focused through the specific lenses of nation, race, religion, gender, diaspora, and health.
The contents are organized in two sections. The first section critiques various ways in which the music of Edvard Grieg has been appropriated in projects of national identity construction in Norway. This perspective is extended beyond Norway in the second section into studies of racial, religious and diasporic musical identities."
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