Ragnhild Brøvig-Hanssen

Førsteamanuensis - Institutt for musikkvitenskap
Bilde av Ragnhild Brøvig-Hanssen
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Telefon +47-22844409
Rom 340
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Brukernavn
Besøksadresse Institutt for musikkvitenskap ZEB-bygningen 3. etasje Sem Sælands vei 2 0371 OSLO
Postadresse Postboks 1017 Blindern 0315 OSLO

Bakgrunn

Ph.D. i musikkvitenskap, Universitetet i Oslo

MA i musikkvitenskap, Universitetet i Oslo

BA i musikkvitenskap og kunsthistorie, Universitetet i Oslo

 

Undervisnings- og veiledningsområder

Populærmusikk

Sampling, remix, copyright, User Generated (musical) Content

Musikkproduksjon (analyse og historie)

Hip-hop, mashups, EDM

Musikk og musikkultur i vår digitale alder

 

Kompetanseområder       

Populærmusikk

Sampling og copyright

Musikkproduksjon

Musikkanalyse

Musikkultur

 

Member of the Editorial Board of Music Theory Online

Emneord: Populærmusikk, Musikkteknologi, Samfunn og musikk, Medier og musikk, Musikkanalyse, teknologihistorie

Publikasjoner

Books:

Brøvig-Hanssen, Ragnhild, and Anne Danielsen, 2016. Digital Signatures: The Impact of Digitization on Popular Music Sound. MIT Press.

 

Articles and Book Chapters:

Brøvig-Hanssen, Ragnhild, forthcoming. “Musical Exploration of Incongruity and its Humorous Effects.” In Blurring the Lines: Contemporary Approaches to Studying Popular Music, eds. Nick Brae and Kai Arne Hansen. Palegrave Macmillan. 

Brøvig-Hanssen, Ragnhild, forthcoming. “Mashups and Remixes.” In The Bloomsbury Handbook of Music Production, eds. Simon Zagorski-Thomas and Andrew Bourbon. Bloomsbury Publishing. 

Brøvig-Hanssen, Ragnhild, forthcoming 2018. “Mixing with Quotation Marks: Mashups and Contextual Transformation.” In Creative Practice in the Studio, ed. Katia Isakoff, Serge Lacasse, Sophie Stévance, and Simon Zagorski-Thomas. Routledge.

Brøvig-Hanssen, Ragnhild, forthcoming 2018. "Listening To or Through Technology: Opaque and Transparent Mediation in Popular Music." In Critical Approaches to the Production of Music and Sound, eds. Samantha Bennett and Eliot Bates. New York: Bloomsbury Academic.

Brøvig-Hanssen, Ragnhild, and Anne Danielsen, 2017. "Music Production: Recording Technologies and Acousmatic Lisetning." In Routledge Companion to Music Cognition, eds. Richard Ashley and Renee Timmers. New York: Routledge.

Brøvig-Hanssen, Ragnhild, 2016. “Justin Bieber featuring Slipknot: Consumption as Mode of Production.” In Music and Virtuality, eds. Sheila Whiteley and Shara Rambarran. Oxford: Oxford University Press.

Brøvig-Hanssen, Ragnhild, 2013. Music in Bits and Bits of Music: Signatures of Digital Mediation in Popular Music Recordings. PhD diss., University of Oslo.

Brøvig-Hanssen, Ragnhild, and Anne Danielsen, 2013. “The Naturalised and the Surreal: Changes in the Perception of Popular Music Sound.” Organised Sound 18/1, pp. 72–81.

Brøvig-Hanssen, Ragnhild, 2013. “The Magnetic Tape Recorder: Recording Aesthetics in the New Era of Schizophonia.” In Material Culture and Electronic Sound, eds. Frode Weium and Tim Boon, pp. 131–57. Washington, D.C.: Smithsonian Institution Scholarly Press/Rowman and Littlefield Publishers.

Brøvig-Hanssen, Ragnhild, and Paul Harkins, 2012. “Contextual Incongruity and Musical Congruity: The Aesthetics and Humour in Mash-Ups.” Popular Music 31/1, pp. 87–104.

Brøvig-Hanssen, Ragnhild, 2010. “Opaque Mediation. The Cut-and-Paste Groove in DJ Food’s ‘Break.’” In Musical Rhythm in the Age of Digital Reproduction, ed. Anne Danielsen, pp. 159–75. Farnham, Surrey: Ashgate.

Brøvig-Andersen, Ragnhild, 2007. “Musikk og mediering: Teknologi relatert til sound og groove i trip-hop-musikk.” MA thesis, Department of Musicology, University of Oslo.

 

Selected Presentations:

“Dynamic Range Compression’s Influence on Perceived Timing in EDM music,” peer-reviewed paper at the international Art of Record Production (ARP) conference, Stockholm Univ., Sweden, Dec 2017

“Does Compression Influence Timing? A Case Study in EDM Music,” invited plenary presentation at the international conference Interacting in and with Music (Interact), Rennes 2 Univ., France, Oct 2017

“Mashups, Politics, and Humor Theories,” invited guest lecture at School of Communication, American Univ., Washington, D.C., April 2017

Invited contribution to plenary panel “Music and Virtuality” at the international Art of Record Production (ARP) conference, Aalborg Univ., Denmark, Dec 2016                           

Plenary presentation of the book Digital Signatures at the international Art of Record Production (ARP) conference, Aalborg Univ., Denmark, Dec. 2016

“Music Production: Recording Technologies and Acousmatic Listening,” peer-reviewed paper, in cooperation with Anne Danielsen,  at the international Art of Record Production (ARP) conference, Aalborg Univ., Denmark, Dec 2016

“Musical Recycling: Mashup Aesthetics and Authorship.” Paper delivered at the international Association of Internet Research (AoIR) conference, Humboldt-Universität zu Berlin, Germany, October 2016.

"Mashups as Interpretative Musical Comments." Paper delivered at the 10th international Art of Record Production (ARP) conference, Drexel University, Philadelphila, November 2015.

“Consumption as Mode of Production.” Paper delivered at the 8th international Art of Record Production (ARP) conference, Université Laval, Quebéc, July 2013.

“Recording as Virtual Environments: Towards a Framework for Analysing the Sound of Popular Music.” Paper delivered in collaboration with Anne Danielsen at the 6th international Art of Record Production (ARP) conference, Leeds Metropolitan University, December 2010.

“The Strange Delights of ‘The Whipped Cream Mixes’: The aesthetics, humour and tradition of mash-ups.” Paper delivered in collaboration with Paul Harkins at the 6th international Art of Record Production (ARP) conference, Leeds Metropolitan University, December 2010.

“Opaque Mediation as an Aesthetic Ideal.” Paper delivered at the annual International Association for the Study of Popular Music (IASPM) conference, Liverpool, July 2009.

“Opaque Mediation: An exposure of cut-and-paste in Electronica.” Paper delivered at the 4th international Art of Record Production (ARP) conference, University of Lowell (Boston), November 2008.

“Opaque Mediation as Part of the Composition - a study of Portishead’s music.” Paper delivered at the international Rhythm in the Age of Digital Reproduction (RDR) conference, University of Oslo, October 2006.

“Groove in Trip-hop Music.” Papaer delivered at the international Rhythm in the Age of Digital Reproduction (RDR) conference, University of Oslo, September 2005.

  • Brøvig-Hanssen, Ragnhild & Danielsen, Anne (2017). Music Production: Recording Technology and Acousmatic Listening, In Richard D Ashley & Renee Timmers (ed.),  The Routledge Companion to Music Cognition.  Routledge.  ISBN 9781138721050.  kapittel 16.
  • Brøvig-Hanssen, Ragnhild (2016). Justin Bieber Featuring Slipknot: Consumption as Mode of Production, In Sheila Whiteley & Shara Rambarran (ed.),  The Oxford Handbook of Music and Virtuality.  Oxford University Press.  ISBN 9780199321285.  15.  s 266 - 281
  • Brøvig-Hanssen, Ragnhild (2013). "The Magnetic Tape Recorder: Recording Aesthetics in the New Era of Schizophonia", In Frode Weium & Tim Boon (ed.),  Material culture and electronic sound.  Smithsonian Institution Press.  ISBN 978-1-935623-10-6.  Chapter 5.  s 135 - 161
  • Brøvig-Hanssen, Ragnhild & Danielsen, Anne (2013). The Naturalised and the Surreal: changes in the perception of popular music sound. Organised Sound.  ISSN 1355-7718.  18(1), s 71- 80 . doi: 10.1017/S1355771812000258 Fulltekst i vitenarkiv. Vis sammendrag
  • Brøvig-Hanssen, Ragnhild & Harkins, Paul (2012). Contextual incongruity and musical congruity: the aesthetics and humour of mash-ups. Popular Music.  ISSN 0261-1430.  31(1), s 87- 104 . doi: 10.1017/S026114301100047X
  • Brøvig-Hanssen, Ragnhild (2010). Opaque Mediation: The Cut-and-Paste Groove in DJ Food’s “Break”, In Anne Danielsen (ed.),  Musical Rhythm in the Age of Digital Reproduction.  Ashgate.  ISBN 9781409403401.  Kapittel 10.  s 159 - 175

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  • Brøvig-Hanssen, Ragnhild & Danielsen, Anne (2016). Digital Signatures: The Impact of Digitization on Popular Music Sound. MIT Press.  ISBN 9780262034142.  188 s.

Se alle arbeider i Cristin

  • Brøvig-Hanssen, Ragnhild (2017). Digitale signaturer: Digitaliseringens påvirkning på populærmusikk-estetikken.
  • Brøvig-Hanssen, Ragnhild & Sandvik, Bjørnar (2017). Does Compression Influence Timing? A Case Study in EDM Music.
  • Brøvig-Hanssen, Ragnhild & Sandvik, Bjørnar (2017). Dynamic Range Compression’s Influence on Perceived Timing.
  • Brøvig-Hanssen, Ragnhild & Sandvik, Bjørnar (2017). Dynamic Range Compression’s Influence on Perceived Timing in EDM Music.
  • Brøvig-Hanssen, Ragnhild & Sandvik, Bjørnar (2017). Dynamic Range Processing’s Influence on Perceived Timing.
  • Jensenius, Alexander Refsum; Kvifte, Tellef; Innervik, Kjell Tore; Martin, Charles Patrick; Brøvig-Hanssen, Ragnhild; Lossius, Trond & Diaz, Ximena Alarcón (2017). Panel: New Interfaces for Musical Expression.
  • Brøvig-Hanssen, Ragnhild (2016). Music and Virtuality.
  • Brøvig-Hanssen, Ragnhild (2016). Musical Recycling: Mashup Aesthetics and Authorship.
  • Brøvig-Hanssen, Ragnhild & Danielsen, Anne (2016). Book launch: Digital Signatures.
  • Brøvig-Hanssen, Ragnhild & Danielsen, Anne (2016). Book presentation: Digital Signatures.
  • Brøvig-Hanssen, Ragnhild & Danielsen, Anne (2016). Listening to Recordings: Ecological Constraints and the Tuning of the Ear.
  • Brøvig-Hanssen, Ragnhild & Hope, Tora (2016, 13. mars). Slipknot + Justin Bieber = Sant?. [Internett].  Framtida.no.
  • Brøvig-Hanssen, Ragnhild & Klausen, Aslaug Olette (2016, 07. april). Er kvinner interessert i å bli produsent?. [Fagblad].  Ballade.
  • Brøvig-Hanssen, Ragnhild & Øgrim, Tellef (2016, 01. desember). Ikke helt topp for laptop ennå. [Fagblad].  Ballade.
  • klausen, aslaug olette & Brøvig-Hanssen, Ragnhild (2016, 05. oktober). Hva vil dø med Soundcloud?. [Fagblad].  Ballade.
  • Rognerød, Embret & Brøvig-Hanssen, Ragnhild (2016, 12. september). Avslører digitale øyeblikk. [Fagblad].  Ballade.
  • Bjerke, Marte & Brøvig-Hanssen, Ragnhild (2015, 01. september). Det perfekte motsetningsforhold. [Fagblad].  MusikkKultur.
  • Brøvig-Hanssen, Ragnhild (2015). Mashups as Interpretative Musical Comments.
  • Brøvig-Hanssen, Ragnhild & Hartvin, Jo Morgan (2015, 24. juni). Artister frykter for å skape noe nytt, nå er det det gamle som gjelder. [Internett].  NRK.
  • Brøvig-Hanssen, Ragnhild & Klausen, Aslaug Olette (2015, 07. desember). Hva forsvinner med DJ Friendly?. [Internett].  Ballade.
  • Veka, Camilla & Brøvig-Hanssen, Ragnhild (2015, 20. april). "-Å lage russelåter var egentlig ikke min intensjon". [Internett].  Dagbladet.
  • Brøvig-Hanssen, Ragnhild (2013). Justin Bieber Featuring Slipknot: Consumption as Mode of Production.
  • Brøvig-Hanssen, Ragnhild (2013). Music in Bits and Bits of Music: Signatures of Digital Mediation in Popular Music Recordings. Vis sammendrag
  • Brøvig-Hanssen, Ragnhild (2013, 12. august). Påvirkes av digital teknologi.  Agderposten.
  • Brøvig-Hanssen, Ragnhild (2013, 12. august). Slik påvirkes musikkbildet av digital teknologi.  Nordlys.
  • Brøvig-Hanssen, Ragnhild & NTB, Norsk telegrambyrå (2013, 11. august). Alt involverer teknologi. [Internett].  Nordlys.
  • Brøvig-Hanssen, Ragnhild & NTB, Norsk telegrambyrå (2013, 11. august). Alt involverer teknologi. [Internett].  Opdalingen.
  • Brøvig-Hanssen, Ragnhild & NTB, Norsk telegrambyrå (2013, 11. august). Alt involverer teknologi. [Internett].  Avisa Nordland.
  • Brøvig-Hanssen, Ragnhild & NTB, Norsk telegrambyrå (2013, 11. august). Alt involverer teknologi. [Internett].  Smaalenenes Avis.
  • Brøvig-Hanssen, Ragnhild & NTB, Norsk telegrambyrå (2013, 11. august). Alt involverer teknologi. [Internett].  Sarpsborg Arbeiderblad.
  • Brøvig-Hanssen, Ragnhild & NTB, Norsk telegrambyrå (2013, 11. august). Alt involverer teknologi. [Internett].  Enebakk Avis.
  • Brøvig-Hanssen, Ragnhild & NTB, Norsk telegrambyrå (2013, 11. august). Alt involverer teknologi. [Internett].  Indre Akershus Blad.
  • Brøvig-Hanssen, Ragnhild & NTB, Norsk telegrambyrå (2013, 11. august). Alt involverer teknologi. [Internett].  Malvikbladet.
  • Brøvig-Hanssen, Ragnhild & NTB, Norsk telegrambyrå (2013, 11. august). Alt involverer teknologi. [Internett].  Tvedestrandposten.
  • Brøvig-Hanssen, Ragnhild & NTB, Norsk telegrambyrå (2013, 11. august). Alt involverer teknologi. [Internett].  Vestby Avis.
  • Brøvig-Hanssen, Ragnhild & NTB, Norsk telegrambyrå (2013, 11. august). Alt involverer teknologi. [Internett].  Finnmark Dagblad.
  • Brøvig-Hanssen, Ragnhild & NTB, Norsk telegrambyrå (2013, 11. august). Alt involverer teknologi. [Internett].  Porsgrunns Dagblad.
  • Brøvig-Hanssen, Ragnhild & NTB, Norsk telegrambyrå (2013, 11. august). Alt involverer teknologi. [Internett].  Hadeland.
  • Brøvig-Hanssen, Ragnhild & NTB, Norsk telegrambyrå (2013, 11. august). Alt involverer teknologi. [Internett].  Bygdeposten.
  • Brøvig-Hanssen, Ragnhild & NTB, Norsk telegrambyrå (2013, 11. august). Alt involverer teknologi. [Internett].  Romerikes Blad.
  • Brøvig-Hanssen, Ragnhild & NTB, Norsk telegrambyrå (2013, 11. august). Alt involverer teknologi. [Internett].  Finnmarken.
  • Brøvig-Hanssen, Ragnhild & NTB, Norsk telegrambyrå (2013, 11. august). Alt involverer teknologi. [Internett].  Namdalsavisa.
  • Brøvig-Hanssen, Ragnhild & NTB, Norsk telegrambyrå (2013, 11. august). Alt involverer teknologi. [Internett].  Helgelendingen.
  • Brøvig-Hanssen, Ragnhild & NTB, Norsk telegrambyrå (2013, 11. august). Alt involverer teknologi. [Internett].  Lofotposten.
  • Brøvig-Hanssen, Ragnhild & NTB, Norsk telegrambyrå (2013, 11. august). Alt involverer teknologi. [Internett].  Stjørdalens Blad.
  • Brøvig-Hanssen, Ragnhild & NTB, Norsk telegrambyrå (2013, 11. august). Alt involverer teknologi. [Internett].  Arbeidets Rett.
  • Brøvig-Hanssen, Ragnhild & NTB, Norsk telegrambyrå (2013, 11. august). Alt involverer teknologi. [Internett].  Tidens Krav.
  • Brøvig-Hanssen, Ragnhild & NTB, Norsk telegrambyrå (2013, 11. august). Alt involverer teknologi. [Internett].  Telemarkavisa.
  • Brøvig-Hanssen, Ragnhild & NTB, Norsk telegrambyrå (2013, 11. august). Alt involverer teknologi. [Internett].  Avisa Nordhordaland.
  • Brøvig-Hanssen, Ragnhild & NTB, Norsk telegrambyrå (2013, 11. august). Alt involverer teknologi. [Internett].  Ringerikets blad.
  • Brøvig-Hanssen, Ragnhild & NTB, Norsk telegrambyrå (2013, 11. august). Alt involverer teknologi. [Internett].  Rana Blad.
  • Brøvig-Hanssen, Ragnhild & NTB, Norsk telegrambyrå (2013, 11. august). Alt involverer teknologi. [Internett].  Rakkestad Avis.
  • Brøvig-Hanssen, Ragnhild & NTB, Norsk telegrambyrå (2013, 11. august). Alt involverer teknologi. [Internett].  Jarlsberg.
  • Brøvig-Hanssen, Ragnhild & NTB, Norsk telegrambyrå (2013, 11. august). Alt involverer teknologi. [Internett].  Aura Avis.
  • Brøvig-Hanssen, Ragnhild & NTB, Norsk telegrambyrå (2013, 11. august). Alt involverer teknologi. [Internett].  Halden Arbeiderblad.
  • Brøvig-Hanssen, Ragnhild & NTB, Norsk telegrambyrå (2013, 12. august). Digital teknologi påvirker hele musikkbildet.  Tønsbergs blad.
  • Brøvig-Hanssen, Ragnhild & NTB, Norsk telegrambyrå (2013, 12. august). Digital teknologi påvirker musikkbildet.  Aftenposten.
  • Eriksen, Stein S. & Brøvig-Hanssen, Ragnhild (2013, 07. august). Doktorgrad.  Bergens Tidende.
  • NTB, Norsk telegrambyrå & Brøvig-Hanssen, Ragnhild (2013, 11. august). Alt involverer teknologi. [Internett].  Akershus Amtstidende.
  • NTB, Norsk telegrambyrå & Brøvig-Hanssen, Ragnhild (2013, 11. august). Alt involverer teknologi. [Internett].  Østlands-Posten.
  • Brøvig-Hanssen, Ragnhild & Wesnes, Ancha (2011, 29. januar). Maskiner skaper ny musikk. [Internett].  Forskning.no.
  • Brøvig-Hanssen, Ragnhild (2010). Recording Aesthetics in the New Era of Schizophonia.
  • Brøvig-Hanssen, Ragnhild (2010). The Strange Delights of The Whipped Cream Mixes: The aesthetics, humour and roots of mash-ups.
  • Brøvig-Hanssen, Ragnhild & Danielsen, Anne (2010). Sound as Environments: Toward a Framework for Analysing Sound in Popular Music Recordings.
  • Brøvig-Hanssen, Ragnhild & Harkins, Paul (2010). The Strange Delights of 'The Whipped Cream Mixes': The aesthetics, humour and tradition of mash-ups.
  • Brøvig-Hanssen, Ragnhild (2009). 'Aesthetics of Opaque Mediation'.
  • Brøvig-Hanssen, Ragnhild (2009). ‘Opaque Mediation as an Aesthetic Ideal’.
  • Brøvig-Hanssen, Ragnhild (2009). ‘The Concept of Mediation’.
  • Brøvig-Hanssen, Ragnhild (2009). ‘Transparent Mediation and Representation’.
  • Brøvig-Hanssen, Ragnhild & Harkins, Paul (2009). ‘Mash-up Masterpiece? The Aesthetics of Danger Mouse’s Grey Album’.
  • Brøvig-Hanssen, Ragnhild (2008). ‘Opaque Mediation: An exposure of cut-and-paste in Electronica’.
  • Brøvig-Hanssen, Ragnhild (2008). 'The Aesthetic Ideal of Opaque Mediation'.
  • Brøvig-Hanssen, Ragnhild & Danielsen, Anne (2007). Musikk og mediering. Teknologi relatert til sound og groove i trip-hop musikk.
  • Brøvig-Hanssen, Ragnhild (2006). ‘Opaque Mediation as Part of the Composition – a study of Portishead’s music’.
  • Brøvig-Hanssen, Ragnhild (2005). ‘Groove in Trip-Hop Music’.

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Publisert 16. nov. 2017 09:11 - Sist endret 16. nov. 2017 11:18