Stan Hawkins

Professor
Bilde av Stan Hawkins
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Telefon +47 22 85 40 63
Mobiltelefon +47 984 14 159
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Brukernavn
Besøksadresse Institutt for musikkvitenskap Sem Sælands vei 2 ZEB-bygningen 2. etasje 0371 OSLO
Postadresse Institutt for musikkvitenskap Postboks 1017 Blindern 0315 OSLO

Short biography

Stan Hawkins is a musicologist researching within the field of popular music studies. He has a background in musicology, composition, and analysis, with a main focus on interdisciplinary research. He started the first popular music and recording courses at Salford University, Machester in 1990, where he was Director of the Popular Music Research Unit from 1992-1995. He took up his current post at Oslo University in 1995, where he started up courses in popular music. Stan has long experience as a teacher, researcher, and editor and is series editor for Rouledge's Folk and Popular Music Series (Ashgate). In addition to leading various national and international projects, he has been guest researcher at City University London and Humboldt-Universität, Berlin. He is a leading scholar in gender and audiovisual research, with four international monographs six edited collections, and numerous chapter contributions and articles to his name. He was leader of a Norwegian Research Council state funded project (2010-2014) Popular Music and Gender in a Transcultural Context and a key researcher behind the development of the Centre of Excellence RITMO. Home pages: http://www.stanhawkins.net

Education, Employment, and Residencies

  • Bachelor of Music (4 years), University of Kwazulu-Natal, South Africa
  • Postgraduate/MA (2 years), State Academy of Music, Frankfurt, Germany
  • Doctor of Philosophy in Music Composition (3 years), University of York, England
  • Senior Lecturer, University of Salford, Manchester (1989-95)
  • Director of Popular Music Research Unit, University of Salford (1992-95)
  • Professor of Popular Music, University of Oslo (since 1995)
  • Guest residency (2002), City University, London
  • Guest residency (2012), Humboldt University, Germany
  • Adjunct professor, University of Agder, Norway (since 2006)

Areas of teaching and supervision

  • Popular Musicology
  • Music Analysis and Recording Aesthetics
  • Cultural Studies and Music Sociology
  • LGBTQ and Queer Studies
  • Music Analysis
  • Audiovisual Interpretation
  • Film and TV Theory

Current academic activities

Co-authored article (with Kai Arne Hansen), 'Azealia Banks: "Chasing Time," Erotics, and Body Politics', Popular Music, 37/2 (2018).

Guest editor for 'David Bowie in Retrospect', Contemporary Music Review. Publication year: 2018.

Contributor to The Pop Palimpsest: Intertextuality in Recorded Popular Music, eds. Lori Burns and Serge Lacasse, University of Michigan Press. Publication year: 2018.

Co-guest editor (with Anne Danielsen) for 'Prince', Popular Music & Society. Publication year: 2019.

Co-editor (with Lori Burns), The Bloomsbury Handbook to Popular Music Video Analysis. Publication year: 2019.

Commissioned chapter (with Mikkel Ålvik) for The Routledge Companion to Popular Music Analysis: Expanding Approaches, eds. Scotto, Smith & Brackett. Publication year: 2019.

Commissioned chapter for 'Rock Music and Queer Identities' - chapter commission for Global Encyclopedia of Gay, Lesbian, Bisexual, Transgender, and Queer History. Publication year: 2018.

Commissioned chapter for 'Rock Personas' (Chapter 10) - chapter commission for The Bloomsbury Handbook of Rock Music Research, ed. Allan F. Moore. Publication year: 2019.

 

Emneord: Musikkanalyse, Performativity, Populærmusikk, Samfunn og musikk, Medier og musikk

Publikasjoner

Selected Publications:


The Routledge Research Companion to Popular Music and Gender (New York: Routledge, 2017) ISBN 9781472456830.

Queerness in Pop Music: Aesthetics, gender Norms, and Temporality (New York: Routledge, 2016) ISBN: 978-1-138-82087-6.

Critical Musicological Reflections (Farnham: Ashgate, 2012) ISBN 978-1-4094-2560-1

Prince: The Making of a Pop Music Phenomenon (Farnham: Ashgate, 2011) - co-authored with Sarah Niblock  ISBN 978-0-7546-68763

The British Pop Dandy: Masculinity, Popular Music and Culture (Farnham: Ashgate, 2009)  ISBN 978-0-7546-5858-0

Music, Space and Place: Popular Music and Cultural Identity S.Hawkins, A. Bennett & S. Whiteley (eds.) (Aldershot: Ashgate, 2004)  ISBN 0-7546-3737-9

Settling the Pop Score: Pop texts and identity politics (Aldershot: Ashgate, 2002)  ISBN 0-7546-0352-0

  • Hansen, Kai Arne & Hawkins, Stan (2018). Azealia Banks: 'Chasing Time', erotics, and body politics. Popular Music.  ISSN 0261-1430.  37(2), s 157- 174
  • Hawkins, Stan (2018). Performative Strategies and Musical Markers in the Eurythmics’ Album Savage, In Lori Burns & Serge Lacasse (ed.),  The Pop Palimpsest: Intertextuality in Recxorded Popular Music.  University of Michigan Press.  ISBN 978-0-472-13067-2.  Chapter 9.  s 252 - 272
  • Hawkins, Stan (2017). Introduction chapters: Part1: Masculinities, femininities, community and transcultural practice Part 2: Audiovisuality, sex(uality), women, and the politics of looking Part 3: Vernacular soundworlds, narratives and stardom Part 4: Gender, race, and the female celebrity Part 5: Challenging hegemonic practices: new masculinities, queerness, and transgenderism, In Stan Hawkins (ed.),  The Routledge Research Companion to Popular Music and Gender.  Routledge.  ISBN 9781472456830.  Parts 1, 2, 3, 4, 5..
  • Hawkins, Stan (2017). Introduction: Sensing gender in popular music, In  The Routledge Research Companion to Popular Music and Gender.  Routledge.  ISBN 9781472456830.  1.  s 1 - 12
  • Hawkins, Stan (2017). Masculinity, Race, and Transculturalism in a Norwegian Context, In Fabian Holt & Antti-Ville Kärje (ed.),  The Oxford Handbook of Popular Music in the Nordic Countries.  Oxford University Press.  ISBN 9780190603908.  Chapter 15.  s 295 - 310
  • Hawkins, Stan (2017). The Sun, the Moon and Stars: Prince Roger Nelson, 1958-2016. Popular music and society.  ISSN 0300-7766.  40(1), s 124- 128 . doi: https://doi.org/10.1080/03007766.2016.1245482
  • Hawkins, Stan (2016). 'Remembering Sheila Whiteley'. Popular Music.  ISSN 0261-1430.  35(1), s 118- 121 . doi: /10.1017/S0261143015000847
  • Bjorøy, Karl-Magnus & Hawkins, Stan (2014). "When Light turns into darkness:" Inscriptions of music and terror in Oslo 22 July 2011, In Jan Sverre Knudsen; Marie Strand Skånland & Gro Trondalen (ed.),  Musikk etter 22. juli.  Norges musikkhøgskole.  7.  s 139 - 162
  • Hawkins, Stan (2014). 'I'll Bring You Down, Down, Down': Lady Gaga's Performance in 'Judas', In Martin Iddon & Melanie L. Marshall (ed.),  Lady Gaga and Popular Music: Performing Gender, Fashion, and Culture.  Routledge.  ISBN 978-0-415-82452-1.  1.  s 9 - 26
  • Hawkins, Stan (2013). 'Aesthetics and Hyperembodiment in Pop Videos: Rihanna's "Umbrella", In John Richardson; Claudia Gorbman & Carol Vernallis (ed.),  The Oxford Handbook of New Audiovisual Aesthetics.  Oxford University Press.  ISBN 978-0-19-973386-6.  Chapter 26.  s 466 - 482
  • Hawkins, Stan (2012). Great, Scott!, In Stan Hawkins (ed.),  Critical Musicological Reflections: Essays in Honour of Derek B. Scott.  Ashgate.  ISBN 978-1-4094-2560-1.  Kapittel 1.
  • Hawkins, Stan (2012). You rocked our world, Michael: your moves, your look, your music, everything!. Popular music and society.  ISSN 0300-7766.  35(2), s 145- 149 . doi: 10.1080/03007766.2011.616295
  • Hawkins, Stan (2011). Essay Review: Composing Apartheid: Music for and against Apartheid (ed. G. Olwage). Journal of the Musical Arts in Africa.  ISSN 1812-1004.  8, s 117- 120
  • Hawkins, Stan & Richardson, John (2011). 'Remodeling Britney Spears: Matters of Intoxication and Mediation', In Stan Hawkins (ed.),  Pop Music and Easy Listening: The Library of Essays on Popular Music.  Ashgate.  ISBN 9780754629528.  4.  s 57 - 81
  • Hawkins, Stan (2010). Unsettling Differences: Music and Laddism in Britpop, In Andy Bennett & Jon Stratton (ed.),  Britpop and the English Music Tradition.  Ashgate.  ISBN 978075466805-3.  Kapittel 9.  s 145 - 162
  • Hawkins, Stan (2009). 'Chelsea Rodgers' was a model - Vocality in Prince of the Twenty-first Century, In Derek Scott (ed.),  The Ashgate Research Companion to Popular Musicology.  Ashgate.  ISBN 978-0754664765.  Kapittel.
  • Hawkins, Stan (2008). Temporal Turntables: On Temporality and Corporeality in Dance Music, In S. Baur; R. Knapp & J. Warwick (ed.),  Musicological Identities: Essays in Honour of Susan McClary.  Ashgate.  ISBN 9780754663027.  Kapittel.
  • Hawkins, Stan (2007). Aphex Twin: monstrous hermaphrodites, madness and the strain of independent dance music, In Stan Hawkins & John Richardson (ed.),  Essays on Sound and Vision.  Helsinki University Press.  ISBN 978-951-570-726-0.  Part 1 Avant-garde aesthetics - Chapter 1.  s 27 - 53
  • Hawkins, Stan (2007). Introduction, In Stan Hawkins & John Richardson (ed.),  Essays on Sound and Vision.  Helsinki University Press.  ISBN 978-951-570-726-0.  Introduction.  s 13 - 23
  • Hawkins, Stan (2007). Those Norwegians: Deconstructing the Nation-State in Europe through Fixity and Indifference in Norwegian Club Music, In Ian Biddle & Vanessa Knights (ed.),  Music, National Identity and the Politics of Location: Between the Global and the Local.  Ashgate.  ISBN 978-0-7546-4055-4.  9.  s 179 - 189 Vis sammendrag
  • Hawkins, Stan (2007). [Un]Justified: Gestures of Straight-Talk in Justin Timberlake's Songs, In Freya Jarman-Ivens (ed.),  Oh Boy! Masculinities and Popular Music.  Routledge.  ISBN 0415978211.  10.  s 197 - 212
  • Hawkins, Stan & Richardson, John (2007). 'Remodeling Britney Spears: Matters of Intoxication and Mediation'. Popular music and society.  ISSN 0300-7766.  30(5), s 605- 629 Vis sammendrag
  • Hawkins, Stan (2006). Normalitet og musikk i norsk reklame i 2006, I: Thomas Hylland Eriksen & Jan-Kåre Breivik (red.),  Normalitet.  Universitetsforlaget.  ISBN 82-15-01062-8.  11.  s 253 - 274
  • Hawkins, Stan (2006). On Male Queering in Mainstream Pop, In Sheila Whiteley et al (ed.),  Queering the Popular Pitch.  Routledge.  ISBN 0-415-97805-X.  18.  s 279 - 294 Vis sammendrag
  • Hawkins, Stan (2005). Overskridende maskulinitet i popmusikken. Arr. Idéhistorisk tidsskrift.  ISSN 0802-7005.  (3), s 55- 67
  • Hawkins, Stan (2004). Dragging out camp: narrative agendas in Madonna's musical production, In Santiago Fouz-Hernández & Freya Jarmen-Ivens (ed.),  Madonna's Drowned Worlds: New Approaches to her Cultural Transformations, 1983-2003.  Ashgate.  ISBN 0-7546-3371-3.  Kapittel 1.  s 3 - 21 Vis sammendrag
  • Hawkins, Stan (2004). On performativity and production in Madonna's 'Music', In Stan Hawkins (ed.),  Music, Space and Place: Popular Music and Cultural Identity.  Ashgate.  ISBN 0-7546-3737-9.  10.  s 180 - 190
  • Hawkins, Stan; Whiteley, Sheila & Bennett, Andy (2004). Introduction: Musical production and the Politics of Desire, In Stan Hawkins (ed.),  Music, Space and Place: Popular Music and Cultural Identity.  Ashgate.  ISBN 0-7546-3737-9.  Introduction.  s 16 - 22
  • Hawkins, Edgar Stanley (2002). Review article: Women and Popular Music: Sexuality, Identity and Subjectivity by Sheila Whiteley (New York: Routledge 2000). Notes.  ISSN 0027-4380.  s 815- 817 Vis sammendrag
  • Hawkins, Stan (2002). Erlkönig revisited - musical modelling, appropriation, and reconfiguration in Norways Wunderkammer. Studia Musicologica Norvegica.  ISSN 0332-5024.  28, s 63- 81 Vis sammendrag
  • Hawkins, Edgar Stanley (2001). Joy in Repetition!. Studia Musicologica Norvegica.  ISSN 0332-5024.  27, s 53- 78 Vis sammendrag
  • Hawkins, Edgar Stanley (2001). Musicological Quagmires in Popular Music: Seeds of Detailed Conflict. Popular Musicology Online.  ISSN 1357-0951. Vis sammendrag
  • Hawkins, Edgar Stanley (2001). Review article: Expression in Pop-Rock Music: A Collection of Critical and Analytical Essays. Edited by Walter Everett. Notes.  ISSN 0027-4380.  s 919- 921 Vis sammendrag
  • Hawkins, Stan (2000). Chapter "Prince: Harmonic Analysis of 'Anna Stesia', In Richard Middleton (ed.),  Reading Pop.  Oxford University Press.  ISBN 0-19-816611-7.  2.  s 58 - 70 Vis sammendrag
  • Hawkins, Edgar Stanley (1999). Musical Excess and Postmodern Identity. Musikin Suunta.  2/1999, s 43- 54 Vis sammendrag
  • Hawkins, Edgar Stanley (1998). Symphonic Threads in Contemporary Popular Music. Memory, History and Critique: European Identity at the Millenium. Vis sammendrag
  • Hawkins, Stan (1998). Article in "The Icon Critical Dictionary of Postmodern Thought" - edited by Stuart Sim, In Stuart Sim (ed.),  Postmodern Thought.  Icon Books, Cambridge.  ISBN 1-874166-65-X.  1.  s 342 - 343 Vis sammendrag

Se alle arbeider i Cristin

  • Hawkins, Stan (ed.) (2017). The Routledge Research Companion to Popular Music and Gender. Routledge.  ISBN 9781472456830.  382 s.
  • Hawkins, Stan (2017). The Routledge Research Companion to Popular Music and Gender. Routledge.  ISBN 9781472456830.  382 s.
  • Hawkins, Stan (2016). Queerness in Pop Music: Aesthetics, Gender Norms, and Temporality. Routledge.  ISBN 978-1-138-82087-6.  243 s.
  • Hawkins, Stan (ed.) (2012). Critical Musicological Reflections: Essays in Honour of Derek B. Scott. Ashgate.  ISBN 978-1-4094-2560-1.  257 s.
  • Hawkins, Stan (ed.) (2011). Pop Music and Easy Listening: The Library of Essays on Popular Music. Ashgate.  ISBN 9780754629528.  523 s.
  • Hawkins, Stan & Niblock, Sarah (2011). Prince: The Making of a Pop Music Phenomenon. Ashgate.  ISBN 978-0-7546-6876-3.  195 s. Vis sammendrag
  • Hawkins, Stan (2009). The British pop dandy : masculinity, popular music and culture. Ashgate.  ISBN 978-0-7546-5858-0.  222 s. Vis sammendrag
  • Hawkins, Stan & Richardson, John (ed.) (2007). Essays on Sound and Vision. Helsinki University Press.  ISBN 978-951-570-726-0.  452 s.
  • Hawkins, Stan (ed.) (2004). Music, Space and Place: Popular Music and Cultural Identity. Ashgate.  ISBN 0-7546-3737-9.  224 s.
  • Hawkins, Stan (2003). Feel the beat come down: house music as rhetoric. Cambridge University Press.  ISBN 052177120X.  270 s. Vis sammendrag
  • Hawkins, Edgar Stanley (2002). Settling the Pop Score: Pop texts and identity politics. Ashgate.  ISBN 0-7546-0352-0.  220 s. Vis sammendrag
  • Hawkins, Stan (red.) (2002). Commissioned articles on popular music. Gadsforlag.  15 s. Vis sammendrag

Se alle arbeider i Cristin

  • Hawkins, Stan (2018). Countless Ways to Study and Research Into Pop Music, In Thomas Kitts (ed.),  Celebrity for the Curious: Why Study Celebrity, Music, and Film Studies?.  Curious Academic Publishing.  ISBN 978-1-925128-59-8.  13.
  • Hawkins, Stan (2018). Institutionalizing Cosmopolitanism and White Masculinity: Dandyism in Popular Music.
  • Hawkins, Stan (2017). Dance Music Research Today.
  • Hawkins, Stan (2017). Nordic Popular Music Today.
  • Hawkins, Stan (2017, 25. januar). Ny bølge med protest musikk under Trump ((interview by Matunda Bigirimana) https://www.nrk.no/kultur/ekspert-tror-pa-ny-bolge-med-protestmusikk-under-trump-1.13339643. [Internett].  NRK Kultur og Underholdning.
  • Hawkins, Stan (2017). The Routledge Companion to Popular Music and Gender.
  • Hawkins, Stan (2016). Book Launch: 'Queerness in Pop' (New York: Routledge) with guest response by Dr Freya Jarman (University of Liverpool, UK).
  • Hawkins, Stan (2016, 24. februar). Hip Hop vert skeiva.  Universitas - Forskerintervju med Runer B. Mæland.
  • Hawkins, Stan (2016). Introduction at book launch: Peter Edward's book launch: György Ligeti's Le Grand Macabre: Postmodernism, Musico-Dramatic Form and the Grotesque.
  • Hawkins, Stan (2016, 23. april). Jente eller gutt?Kjønn og seksualitet gjorde Prince til en superstjerne.  Aftenposten (Journalist: Joacim Lund).
  • Hawkins, Stan (2016). Keynote Address: New trends in Hip Hop.
  • Hawkins, Stan (2016). Masculinity and Gender Norms in Popular Music.
  • Hawkins, Stan (2016). Moderator at Book launch: 'Digital Signatures'. Vis sammendrag
  • Hawkins, Stan (2016). Moderator: Book launch of 'Tranformations of Musical Modernism', eds. E.E.Guldbrandsen and Julian Johnson.
  • Hawkins, Stan (2016). Moderator: Prince seminar with Susan Rogers, Prince Charles Alexander, Sarah Niblock and Anne Danielsen.
  • Hawkins, Stan (2016). Opening Keynote address A Very Queer Construct: The Pet Shop Boys in Retrospect.
  • Hawkins, Stan (2016, 10. august). 'Popikonet Anohni vil få folk til å handle'. [Internett].  Framtida.no http://www.framtida.no/articles/popikonet-anoh. Vis sammendrag
  • Hawkins, Stan & Lund, Joacim (2016, 12. januar). Bowie går nye veier – igjen.  Aftenposten.
  • Hawkins, Stan (2015). Clues to Efficiency in PhD Supervision (with presentations by Professors Georgina Born and Øivind Varkøy) and organised by PhD leader, Nanette Nielsen.
  • Hawkins, Stan (2015). Gender Production in Azealia Banks' 'Chasing Time'.
  • Hawkins, Stan (2015). New methods and theories in Popular Music Research.
  • Hawkins, Stan; Zeiner-Henriksen, Hans T. & Danielsen, Anne (2015). Record Production in the Internet Age. Journal on the Art of Record Production.  ISSN 1754-9892.  (10)
  • Hawkins, Stan (2014, 03. juli). Fakta biter ikke på ekte menn! Intervju med Joacim Lund om kjønn og musikk.  Aftenposten.
  • Hawkins, Stan (2014). Finding results in Research project.
  • Hawkins, Stan (2014). Gender Performativity and Agency in Popular Music.
  • Hawkins, Stan (2014). Moderator at Panel on Popular Music and Transculturalism, with introduction to the field.
  • Hawkins, Stan (2014, 21. februar). Popmusikk på utstilling. [Tidsskrift].  Ballade (intervjuet av Linn Carin Dirdal).
  • Hawkins, Stan (2014). Popular Music & Gender in a Transcultural Context.
  • Hawkins, Stan (2013). Hyperembodiment and Aesthetics in Pop Videos.
  • Hawkins, Stan (2013). Michael Jackson: grasping the spectacle. Edited by Christopher R. Smit. Farnham and Burlington, VT: Ashgate, 2012. 243 pp. ISBN 978-1-4094-4696-5. Popular Music.  ISSN 0261-1430.  32(3), s 521- 523 . doi: 10.1017/S0261143013000354
  • Hawkins, Stan (2013). Music in a Transcultural Space: Inscriptions of Representation through Performance.
  • Hawkins, Stan (2013, 21. juni). Norsk popmusikk er ikke typisk norsk. [Internett].  forskning.no. Vis sammendrag
  • Hawkins, Stan (2013). 'Queer Pop's Compulsion': 'Love is a Bourgeois Construct'.
  • Hawkins, Stan (2013). Review: Michael Jackson: Grasping the Spectacle, ed. Christopher Smit. Popular Music.  ISSN 0261-1430.  32(03), s 521- 523
  • Hawkins, Stan (2013, 28. juni). Typisk norsk musikk.  Morgenbladet. Vis sammendrag
  • Hawkins, Stan (2012). 'An Altered State: Terror, Music and War Games'.
  • Hawkins, Stan (2012). Keynote address: 'Terror, Masculinity, and Music: Implications for the Nordic Identity'.
  • Hawkins, Stan (2012, 06. desember). 'Lady Gaga - født sånn'. [Internett].  NRK ytring. Vis sammendrag
  • Hawkins, Stan (2012). On Critical Musicological Reflections. Vis sammendrag
  • Hawkins, Stan (2012). Transcultural Intertextuality in a Norwegian Space and Place. Vis sammendrag
  • Hawkins, Stan & Niblock, Sarah (2012, 10. mars). WDR 3 Deutschland Aftershow: Das Prinzip Prince Redaktion: Markus Heuger. [Radio].
  • Johansson, Mats & Hawkins, Stan (2012). Transcultural intertextuality in a Norwegian space and place.
  • Hawkins, Stan (2011). Gender and Popular Music.
  • Hawkins, Stan (2011). Localizing the Transcultural.
  • Hawkins, Stan (2011). Music, Masculinity and Terrorism in Norway.
  • Hawkins, Stan (2011). Spoof and Hyperembodiment in Pop Videos.
  • Hawkins, Stan (2011). ‘You Have Killed Me’ – Tropes of Hyperbole and Sentimentality in Morrissey’s Musical Expression, In Eoin Devereux; Aileen Dillane & Martin Power (ed.),  Morrissey : fandom, representations and identities.  Intellect Ltd..  ISBN 978-1-84150-596-1.  7.  s 307 - 323
  • Hawkins, Stan (2010, 18. oktober). Intervju om Prince. [Radio].  NRK P2 Musikkredaksjon.
  • Hawkins, Stan (2010, 20. mars). Intervju om internasjonal monografi, The British Pop Dandy. [Radio].  West Deutsch Rundfunk (WDR 3). Vis sammendrag
  • Hawkins, Stan (2010, 18. oktober). "Prince Vilikke".  Aftenposten.
  • Hawkins, Stan (2010). 'Third Time Very Lucky!' "Take On Me" made the video star.
  • Hawkins, Stan (2009, 13. juni). Intervju om Stan Hawkins' ny bok. [Radio].  NRK P2 - Musikk Redaksjon (med Linn Bølstad).
  • Hawkins, Stan (2009, 20. april). Morrissey. [Radio].  NRK P2.
  • Hawkins, Stan (2009, 30. juni). Parodisk og politisk pop (journalist: Kristin Engh Førde). [Internett].  Kilden: Informasjonssenter for kjønnsforskning (Kristin Engh.
  • Hawkins, Stan (2009). Reviewing the Reviewers.
  • Hawkins, Stan (2009). 'You have Killed Me!' - Tropes of hyperbole and sentimentality in Morrissey's musical performance.
  • Hawkins, Stan (2008). 'Beyond Seduction: The pop video, complicity and myth making'.
  • Hawkins, Stan (2008). Hvordan jeg til syvende og sist fant fram på Blindern.
  • Hawkins, Stan (2008). Making Sense of the Recorded Voice.
  • Hawkins, Stan (2008). Publishing in International Journals.
  • Hawkins, Stan (2008). Seminar: Music, Gender and Audio-visuality.
  • Dybo, Tor & Hawkins, Edgar Stanley (2007). Møte i stipendiatnettverk innen populærmusikkforskning.
  • Hawkins, Stan (2007). Britpop: Manic Lads and Blurred Lashings.
  • Hawkins, Stan (2007). 'Unsettling difference: music and identity in Britpop'.
  • Hawkins, Stan (2006). 'Common People': on the subject of social class and performativity in nation building.
  • Hawkins, Stan (2006). Leder. Studia Musicologica Norvegica.  ISSN 0332-5024.  32, s 3- 6
  • Hawkins, Stan (2006). On Musical Performativity in Norwegian Advertising.
  • Hawkins, Stan (2006, 16. august). THINKING ALLOWED - Radio 4. [Radio].  BBC London. Vis sammendrag
  • Hawkins, Stan (2005). Aphex Twin collides with Justin Timberlake: Spectacular Bodies in Music Videos.
  • Hawkins, Stan (2005). Dance through temporal mediation.
  • Hawkins, Stan (2005). Issues in Music Video Analysis - keynote address.
  • Hawkins, Stan (2005). Leder. Studia Musicologica Norvegica.  ISSN 0332-5024.  31, s 3- 6
  • Hawkins, Stan (2005). "Mentasm" � Tracking Beltram's Production and the Aesthetics of the Mix.
  • Hawkins, Stan & Knudsen, Jan Sverre (2005). Glatte gater - musikkproduksjon i et urbant ungdomsmiljø.
  • Askerøi, Eirik & Hawkins, Stan (2005). Man/Machine: Mot en åpning av soundbegrepet.
  • Hawkins, Stan (2004). Bonds and Boundaries within musical activity in Norway.
  • Hawkins, Stan (2004). Contagious genealogies in "Moulin Rouge" - joint presentation with Erik Steinskog.
  • Hawkins, Stan (2004). Invited panel member in discussion on keynote address by Keynote speaker: CARL SCHACHTER (USA) on "The Scherzo of Schubert's Piano Sonata in B flat, D. 960: Analysis and Performance.".
  • Hawkins, Stan (2004). Leder. Studia Musicologica Norvegica.  ISSN 0332-5024.  30, s 3- 7 Vis sammendrag
  • Hawkins, Stan (2004). Popular Music Analysis and New Perspectives.
  • Hawkins, Stan (2003). Nineteen commissioned articles, In John Shepherd (ed.),  Continuum Encyclopedia of Popular Music of the World. Volume II: Performance and Production.  Continuum.  ISBN 0-8264-6322-3.  *.
  • Hawkins, Stan (2003). Thirteen commissioned articles on popular music artists, In David Freeland (ed.),  Baker's Biographical Dictionary of Popular Musicians since 1990.  Schirmer Reference.  ISBN 0028657993.  *.
  • Hawkins, Edgar Stanley (2002). Matters of Popular Music Analysis and Gender Theory. Vis sammendrag
  • Hawkins, Edgar Stanley (2002). Unpacking Pleasures in Musical Expression. Vis sammendrag
  • Hawkins, Stan (2002, 29. november). En kveld viet Björk!. [TV].  OSLO : NRK 2 - Hovedscene (Arild Erikstad).
  • Hawkins, Stan (2002, 20. november). Intervju om Robbie Williams. [Radio].  NRK Oslo : P2 Radio Popfront (Elisabet Davidsen).
  • Hawkins, Stan (2002, 14. august). Intervju om engelskgruppe Super-Collider. [Radio].  Oslo NRK : P2 Radio - Popfront (Eystein Sandvik).
  • Hawkins, Edgar Stanley (2001, 19. september). Intervju om Wunderkammer. [Radio].  NRK Oslo : P2 Radio - Popfront (Elisabet Davidsen).
  • Hawkins, Edgar Stanley (2001, 22. august). Profile of the British composer/producer Amon Tobin. [Radio].  Oslo : NRK, P2, Popfront - programmleder, Eystein Sandvik. Vis sammendrag
  • Hawkins, Stan (2001, 03. oktober). Anmeldelse: Kaada. [Radio].  NRK Oslo : P2 Radio - Popfront (Eystein Sandvik).
  • Hawkins, Stan (2001). Finding the music in texts: Norwegian identity, fixity and criticism.
  • Hawkins, Stan (2001, 22. januar). Interview - Radio Singapore International. [Radio].  Singapore (Producer-Presenter: Ariel Wee) : Radio Singapore. Vis sammendrag
  • Hawkins, Edgar Stanley (2000). "Morrissey: Anti-Rebel, Lonesome Boy - texts of ironic rhetoric". Vis sammendrag
  • Hawkins, Stan (2000). Batofar, Paris. Vis sammendrag
  • Hawkins, Stan (2000). Fixity and Indifference in Norwegian Club Music. Vis sammendrag
  • Hawkins, Stan (2000, 20. september). Interview on NRK P2 (with Elisabet Davidsen). [Radio].  Oslo : NRK. Vis sammendrag
  • Hawkins, Edgar Stanley (1999). Konstruksjoner av musikk og animasjon i Peter Gabriels "Digging in the Dirt". Oslo Animation Festival Magazine.  s 92- 97 Vis sammendrag
  • Hawkins, Edgar Stanley (1999). Press Record, Play and Repeat: Taking Repetition Seriously!. Vis sammendrag
  • Hawkins, Edgar Stanley (1999). Subliminal sensations and pleasures in Club Culture. Vis sammendrag
  • Hawkins, Edgar Stanley (1999). Tuning into the late 20th century chasm: Det 'Populære' mot det 'seriøse'. Parergon.  ISSN 0313-6221.  (7/8), s 123- 126 Vis sammendrag
  • Hawkins, Edgar Stanley (1998). Postmodernism in Retrospection. Vis sammendrag

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Publisert 16. nov. 2017 09:10 - Sist endret 25. jan. 2018 12:02

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