Nettsider med emneord «emigration studies»

Four men play on violin, cello among and more instruments. Photo.
Publisert 23. apr. 2010 13:17

How did the violinist Rudolf Kolisch performance style develop from its origins in Viennese modernism to its encounter with American culture during exile, and finally, the German avantgarde venues after World War II?

This project examines the historical formation of Kolisch's concept of musical expression, as it was articulated in his practice as performer and teacher and permanently rephrased in theoretical terms in his performance theory.