Carrie Ann Russpatrick

Doctoral Research Fellow - Department of Media and Communication
Image of Carrie Ann Russpatrick
Norwegian version of this page
Room 4460
Username
Visiting address Gaustadalléen 21 Forskningsparken 0349 OSLO
Postal address Postboks 1093 Blindern 0317 OSLO

Academic interests

Screen Cultures, Media Aesthetics, Science-Fiction, Pop-culture, Gender Studies, Feminist Theory, Postcolonial Theory, Monster Theory, Posthuman Theory, Monstrous-Feminine, Animality Studies, Transgender Theory, Queer Theory, Sexualities, Affect Theory, Experimental Methodologies

Background

I began my academic and professional career in the US, where I served as a researcher, educator, and activist in the areas of gender and sexual health. In 2013, after earning my first master's degree in public health and development I spent several years in Zambia working in maternal child health and gender-based violence in rural communities. I continued to work remotely as a public health consultant after moving to Norway in 2017 to pursue a master's degree in Gender Studies at the Center for Gender Research at UiO. It was during my pursuit of this degree in the humanities that I finally felt I had come home academically. 

I have a love for theory and have devoted my current research efforts to exploring the power of media objects and narratives to uncover situated dynamics of gender and the other. My work has specifically examined the narratives and bodies of monsters in screen media that resemble human vulvas (what I call vulva monsters). I have constructed a theoretical typology to better understand this trope and how various embodiments (humanoid, animal, or alien) influence the gendered meanings of the vulva. Using the motif of the vagina dentata as a point of origin, I both analyze and problematize psychoanalytic readings and open up space for posthuman irruptions in the study of these constantly evolving monsters. My PhD thesis is currently titled, The Return of the Vulva Monster: Screen Cultures of the Gender Monstrous. This research showcases how monsters can be analyzed not only as artifacts of culture but as tools that can drive theory and uncover the processes and mechanisms of knowledge production. 

As my background can attest, I have a personal commitment to interdisciplinarity as a means of generating innovative scholarship. It is my belief that research can be a fun and social endeavor! I love connecting with other researchers and enthusiasts to produce more incisive and creative scholarship. Collaborations from across disciplines are very much welcome!

Education

Master of Arts, Gender Studies, Center for Gender Research, University of Oslo, 2019

Master of Public Health (Health Behavior and Global Health), University of Alabama at Birmingham School of Public Health, 2013

Bachelor of Fine Arts (Psychology and Women Studies), Auburn University, 2010

Awards

  • Nominated for STK Award for Best Master’s Thesis, UiO, 2019
  • University of Alabama at Birmingham Student Character Award, 2012
  • University of Alabama at Birmingham Student Excellence Award, 2012
  • Auburn University Women’s Studies Achievement Award, 2010

Positions held

  • Disease Surveillance Consultant, the Dutch Royal Tropical Institute, 2020
  • Communications and Business Specialist, Undikumbukire Project Zambia, 2016-2019
  • Informatics Training Consultant, Health Information Systems Program South Africa, 2016-2017
  • Program Development Specialist, Akros Global Health Zambia, 2016
  • Community Systems Strengthening Advisor, Saving Mother's Giving Life, Zambia 2013-2015
  • Peace Corps Volunteer, Community Health Extentionist, Southern Province, Zambia, 2013-2015
  • Graduate Researcher, UAB School of Public Health, Project pHree, 2011-2013
  • Diversity Initiatives Coordinator, Auburn University Women's Resource Center 2010-2011

 

Tags: Vulva Monsters, Feminist theory, Posthumanism, Monster Studies, Screen Cultures
Published Nov. 17, 2020 9:48 AM - Last modified Apr. 21, 2021 10:35 AM