Timotheus Vermeulen

'Flat film: Strategies of depthlessness in Pleasantville and La Haine', Film-Philosophy 22:2 (2018), pp. 168-183.

'Emma Thompson in Remains of the Day', in M. Pomerance and K. Stevens (eds.), Close-Up: Great Screen Performances Vol 2: International.Edinburgh: Edinburgh University Press, 2018, pp. 228-237. 

with Robin van den Akker, 'Parafiction, autofiction, perfiction', in N. Hoare (Ed.), Para/Fictions. Rotterdam: Witte de With Publishers, pp. 19-29. 

‘The Altergorithm’, in R. Braidotti and Maria Hlavajova (eds.), The Posthuman Glossary.London: Bloomsbury, 2018, pp. 29-32.

with Robin van den Akker, 'Periodising the 2000s, or, the emergence of metamodernism', in R. van den Akker, A. Gibbons and T. Vermeulen (eds.), Metamodernism: Historicity, Affect and Depth after Postmodernism. London and New York: Rowman and Littlefield, 2017, pp. 1-20.

‘Groucho Marxism’, in J. Simon and I. Nierman (eds.), Solution 275: Communism. Berlin, Sternberg Press, 2017, pp. 102-107.

‘Postmodernism’, in K. Jensen et al (eds.), The International Encyclopedia of Communication Theory and Philosophy. Oxford: Wiley-Blackwell. 2016

‘The New Depthiness’, E-Flux Journal 61 (2015)

with Robin van den Akker, ‘Utopia, sort of – a case study in metamodernism’, Studia Neophilologica87:1 (2015), pp. 55-67.

with Rosi Braidotti, 'Borrowed Energy', Frieze165 (2014), pp. 130-133.

Scenes from the Suburbs: The Suburb in Contemporary US Film and Television. Edinburgh: Edinburgh University Press, 2014.

with Gry Rustad, ‘Watching Television with Jacques Rancière: US Quality TV, Mad Men, and the late cut’, Screen54:3 (Autumn 2013), pp. 341-354

‘As if’, in J. Elkins & H. Montgomery (eds), Beyond The Aesthetic and the Anti-Aesthetic. University Park, PA: Penn State University Press, 2013, pp. 167-170

with Martin Dines, ‘Introduction: New Suburban Stories’, M. Dines and T. Vermeulen (eds), New Suburban Stories.London/New York: Bloomsbury, 2013, pp. 1-16.

with S. Critchley and N. Power, ‘Theoretically Speaking’, Frieze 141 (August/September 2011), pp. 176-181.

with Robin van den Akker,‘Notes on metamodernism’, Journal of Aesthetics and Culture2 (2010), 13pp.

• Gibbons, Alison; Vermeulen, Timotheus & Van den Akker, Robin (2019). Reality Beckons: metamodernist depthiness beyond panfictionality. European Journal of English Studies.  ISSN 1382-5577.  23(2), s 172- 189 . doi: 10.1080/13825577.2019.1640426
• Vermeulen, Timotheus (2019). Neoliberalism and class tourism in The Darjeeling Limited. New Review of Film and Television Studies.  ISSN 1740-0309.  17(3), s 331- 348 . doi: 10.1080/17400309.2019.1622888
• Vermeulen, Timotheus (2019). Nike Air Pocket: fashionable ecology. APRIA [Artez Platform for Research Interventions of the Arts].  ISSN 2589-9007.  0(0)
• Vermeulen, Timotheus (2019). Soft upper lip – Coach’s facial expressions in Friday Night Lights, In Lucy Fife & James Walters (ed.),  Television Performance.  Springer.  ISBN 9781137608208.  Chapter.  s 225 - 239
• Vermeulen, Timotheus; Gibbons, Alison & Van den Akker, Robin (2019). Metamodernism: Period, Structure of Feeling, and Cultural Logic – A Case Study into Contemporary Autofiction, In David Rudrum; Ridvan Askin & Frida Beckman (ed.),  New Directions in Philosophy and Literature.  Edinburgh University Press.  ISBN 978-1474449144.  Chapter.  s 41 - 54
• Vermeulen, Timotheus (2018). Al Pacino in Donnie Brasco, In Murray Pomerance & Kyle Stevens (ed.),  Close-Up: Great Cinematic Performances Volume 1: America.  Edinburgh University Press.  ISBN 9781474417006.  Chapter 21.  s 234 - 242
• Vermeulen, Timotheus (2018). Ecopathy, In Rosi Braidotti & Maria Hlavajova (ed.),  Posthuman Glossary.  Bloomsbury Academic.  ISBN 9781350030244.  chapter.  s 125 - 129
• Vermeulen, Timotheus (2018). Emma Thompson in Remains of the Day, In Murray Pomerance & Kyle Stevens (ed.),  Close-Up: Great Cinematic Performances Volume 2: International.  Edinburgh University Press.  ISBN 9781474417037.  Chapter 20.  s 228 - 237
• Vermeulen, Timotheus (2018). Flat Film: Strategies of depthlessness in Pleasantville and La Haine. Film-Philosophy.  ISSN 1466-4615.  22(2), s 168- 183 . doi: 10.3366/film.2018.0071
• Vermeulen, Timotheus (2018). Metamodernism, In Rosi Braidotti & Maria Hlavajova (ed.),  Posthuman Glossary.  Bloomsbury Academic.  ISBN 9781350030244.  chapter.  s 256 - 259
• Vermeulen, Timotheus (2018). The altergorithm, In Rosi Braidotti & Maria Hlavajova (ed.),  Posthuman Glossary.  Bloomsbury Academic.  ISBN 9781350030244.  chapter.  s 29 - 32
• Vermeulen, Timotheus; Constable, Catherine & Denny, Matt (2018). The surfaces of film-philosophy. Film-Philosophy.  ISSN 1466-4615.  22(2), s 143- 147 . doi: https://doi.org/10.3366/film.2018.0069
• Vermeulen, Timotheus (2017). Contraction and expansion, In Barbara Cueto & Bas Hendriks (ed.),  Authenticity? Observations and Artistic Strategies in the post-digital age.  Valiz.  ISBN 9789492095237.  Chapter 3.  s 19 - 26
• Vermeulen, Timotheus (2017). Metamodern depth, or 'depthiness', In Timotheus Vermeulen; Robin Van den Akker & Alison Gibbons (ed.),  Metamodernism: Historicity, affect and depth after postmodernism.  Rowman & Littlefield International.  ISBN 9781783489602.  Introduction to section iii.  s 147 - 150
• Vermeulen, Timotheus & Van den Akker, Robin (2017). Periodising the 2000s, or, the emergence of metamodernism, In Timotheus Vermeulen; Robin Van den Akker & Alison Gibbons (ed.),  Metamodernism: Historicity, affect and depth after postmodernism.  Rowman & Littlefield International.  ISBN 9781783489602.  Introduction/Chapter 1.  s 1 - 20
• Vermeulen, Timotheus & Van den Akker, Robin (2017). Utopia, sort of: A case study in metamodernism, In Danuta Fjellestad & David Watson (ed.),  The futures of the present: new directions in (American) literature.  Routledge.  ISBN 9781138685154.  Chapter 4.  s 53 - 65
• Vermeulen, Timotheus (2016). Postmodernism, In Klaus Bruhn Jensen & Robert T. Craig (ed.),  The International Encyclopedia of Communication Theory and Philosophy.  Wiley-Blackwell.  ISBN 978-1-118-29073-6.  chapter.
• Vermeulen, Timotheus (2016). Poststructuralism, In Klaus Bruhn Jensen & Robert T. Craig (ed.),  The International Encyclopedia of Communication Theory and Philosophy.  Wiley-Blackwell.  ISBN 978-1-118-29073-6.  Chapter.
• Vermeulen, Timotheus (2016). Todd Haynes: with the love of the lens, In John Berra (ed.),  Directory of World Cinema: American Independent 3.  Intellect Ltd..  ISBN 9781783206568.  chapter.  s 139 - 141
• Vermeulen, Timotheus (2016). Todd Solondz: in search of lost time, In John Berra (ed.),  Directory of World Cinema: American Independent 3.  Intellect Ltd..  ISBN 9781783206568.  chapter.  s 250 - 254
• Vermeulen, Timotheus (2015). The New Depthiness. E-flux Journal.  ISSN 2164-1625.  (61)
• Vermeulen, Timotheus (2015). The YBAs are dead! Long live the YBAs, In Hendrik Folkerts; Christoph Lindner & Margriet Schavemaker (ed.),  Facing Forward: Art and theory from a future perspective.  Amsterdam University Press.  ISBN 9789089647993.  chapter.  s 156 - 160
• Vermeulen, Timotheus (2015). Thoughts on the space of contemporary sculpture, or: stringing along, In Jorg Heiser & Eva Grubinger (ed.),  Sculpture Unlimited II: Materiality in times of Immateriality.  Sternberg Press.  ISBN 978-3-95679-102-4.  chapter.  s 29 - 34
• Vermeulen, Timotheus & Van den Akker, Robin (2015). Utopia, sort of - a case study in metamodernism. Studia Neophilologica.  ISSN 0039-3274.  87(1), s 55- 67 . doi: https://doi.org/10.1080/00393274.2014.981964
• Vermeulen, Timotheus (2014). Aesthetics and the as if, In Henk Slager (ed.),  Experimental Aesthetics.  Metropolis M Books.  ISBN 9789081830249.  chapter.  s 42 - 47
• Vermeulen, Timotheus (2013). As if, In James Elkins & Harper Montgomery (ed.),  Beyond the Aesthetic and the Anti-Aesthetic.  Penn State University Press.  ISBN 978-0-271-06072-9.  Chapter.  s 167 - 170
• Vermeulen, Timotheus (2013). Quality TV and Independent Cinema, In John Berra (ed.),  Directory of World Cinema: American Independent 2.  Intellect Ltd..  ISBN 9781841506128.  Feature Chapter.  s 31 - 35
• Vermeulen, Timotheus & Dines, Martin (2013). Introduction: New Suburban Stories, In Timotheus Vermeulen & Martin Dines (ed.),  New Suburban Stories.  Bloomsbury Academic.  ISBN 9781472510938.  Introduction.  s 1 - 15
• Vermeulen, Timotheus & Rustad, Gry Cecilie (2013). Watching Television with Jacques Ranciere: Us Quality TV, Mad Men and the late cut. Screen.  ISSN 0036-9543.  54(3), s 341- 354 . doi: https://doi.org/10.1093/screen/hjt020
• Vermeulen, Timotheus & Whitfield, James (2013). Arrested Developments: towards an aesthetic of the contemporary US sitcom, In Jason Jacobs & Steven Peacock (ed.),  Television Aesthetics and Style.  Bloomsbury Academic.  ISBN 9781441179920.  Chapter 7.  s 103 - 112
• Vermeulen, Timotheus & Rustad, Gry Cecilie (2012). "Did you get pears?" Temporality and temps mortality in The Wire, Mad Men, and Arrested Development, In M M Ames (ed.),  Time in Television Narrative: Exploring Temporality in Twenty-First-Century Programming.  University Press of Mississippi.  ISBN 978-1-61703-293-6.  Chapter 3.  s 153 - 164
• Vermeulen, Timotheus & Van den Akker, Robin (2011). Metamodernism, history, and the story of Lampe, In Rachel MagShamhrain & Sabine Strumper-Krobb (ed.),  After Postmodernism/Nach der Postmoderne.  Hartung-Gorre Verlag.  ISBN 3-86628-400-4.  Chapter 3.  s 25 - 40
• Vermeulen, Timotheus & Van den Akker, Robin (2010). Notes on metamodernism. Journal of Aesthetics and Culture.  ISSN 2000-4214.  2(1)

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• Vermeulen, Timotheus; Van den Akker, Robin & Gibbons, Alison (ed.) (2017). Metamodernism: Historicity, affect and depth after postmodernism. Rowman & Littlefield International.  ISBN 9781783489602.  245 s.
• Vermeulen, Timotheus & Van den Akker, Robin (2015). Anmerkungen zur Metamoderne. Textem.  ISBN 978-3-86485-091-2.  64 s.
• Vermeulen, Timotheus (2014). Scenes from the Suburbs: The suburb in contemporary US film and television. Edinburgh University Press.  ISBN 9780748691661.  224 s.
• Vermeulen, Timotheus & Dines, Martin (ed.) (2013). New Suburban Stories. Bloomsbury Academic.  ISBN 9781472510938.  256 s.

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• Vermeulen, Timotheus (2019). Ideally, In Nav Haq (ed.),  Laure Provost: Legsicon.  Book Works.  ISBN 9781906012991.  Chapter 11.  s 122 - 123
• Vermeulen, Timotheus (2018). Looking back 2018: the year in TV. Frieze. Contemporary Art and Culture.
• Vermeulen, Timotheus & Van den Akker, Robin (2018). Parafiction, autofiction, perfiction, In Natasha Hoare (ed.),  Para/Fictions.  Witte de With Publishers.  ISBN 978-94-91435-52-2.  chapter.  s 19 - 28
• Vermeulen, Timotheus (2017). Groucho Marxism, In Ingo Niermann & Joshua Simon (ed.),  Solution 275-294: Communists Anonymous.  Sternberg Press.  ISBN 9783956793493.  Chapter 10.  s 101 - 108
• Vermeulen, Timotheus (2017). We need to talk about dolphins, In Niekolaas Lekkerkerk (ed.),  The standard book of noun-verb exhibition grammar.  Onomatopee.  ISBN 9789491677748.  Chapter 4.  s 164 - 174
• Vermeulen, Timotheus; Braidotti, Rosi & Wood, Brian Kuan (2017). The new brutality. E-flux Journal.  ISSN 2164-1625.  (83)
• Vermeulen, Timotheus (2016). Ironie en Postironie. Metropolis M.  (3), s 93- 93
• Vermeulen, Timotheus (2016). Large Rohrsach Test, In Elizabeth Neilson (ed.),  Keith Tyson: Large Field Array.  Zabludowicz Art Projects.  ISBN 9781919663449.  Chapter.  s 58 - 59
• Vermeulen, Timotheus (2016). Toil and Trouble: How art can create alternative spaces of resistance within the market logic of the globalised world. TANK.  ISSN 1464-3472.  8(7), s 118- 122
• Vermeulen, Timotheus (2015). Europe, why so serious? The problem of the pan-European sitcom. Frieze. Contemporary Art and Culture.  (172), s 19- 19
• Vermeulen, Timotheus (2015). Snap!, In Elizabeth Neilson & Paul Luckraft (ed.),  Zabludowicz Collection: 20 Years.  Zabludowicz Art Projects.  ISBN 1907921206.  Chapter.  s 84 - 88
• Vermeulen, Timotheus (2015). Space is the place. Frieze. Contemporary Art and Culture.  (171), s 200- 203
• Vermeulen, Timotheus (2014). Oscar Santillan: Civilizations of the Jaguar, vacuum cleaners and the human body. Frieze. Contemporary Art and Culture.  (167), s 120- 121
• Vermeulen, Timotheus (2014). Public Enemy: Machiavellian Scheming Political Drama. Frieze. Contemporary Art and Culture.  (163), s 104- 105
• Vermeulen, Timotheus & Braidotti, Rosi (2014). Borrowed Energy. Frieze. Contemporary Art and Culture.  (165), s 130- 133
• Vermeulen, Timotheus & Van den Akker, Robin (2014). Art Criticism and Metamodernism. ArtPulse.  19(3), s 22- 27
• Vermeulen, Timotheus (2013). Little Women. Frieze. Contemporary Art and Culture.  (154), s 19- 19
• Vermeulen, Timotheus (2013). Metamodernist Affect. American Book Review.  ISSN 0149-9408.  34(4), s 8- 9
• Vermeulen, Timotheus (2013). Ways of Knowing: The sculptures, installations and drawings of Diango Hernandez. Frieze. Contemporary Art and Culture.  (159), s 140- 143
• Vermeulen, Timotheus & Van den Akker, Robin (2013). Een verlangen naar oprechtheid. De Groene Amsterdammer.  ISSN 0017-4483.  s 36- 39
• Vermeulen, Timotheus; Aikens, Nick & Kopsa, Maxine (2012). Amsterdam City Report. Frieze. Contemporary Art and Culture.  (151), s 126- 133
• Vermeulen, Timotheus; Fox, Dan; Zukin, Sharon & Vidokle, Anton (2012). Changing Places. Frieze. Contemporary Art and Culture.  (148), s 174- 185
• Vermeulen, Timotheus; Critchley, Simon & Power, Nina (2011). Theoretically Speaking. Frieze. Contemporary Art and Culture.  (141), s 176- 181
• Vermeulen, Timotheus & Van den Akker, Robin (2011). Metamodern Architecture. MONU.  ISSN 1860-3211.  (15), s 70- 73
• Vermeulen, Timotheus (2010). The suburbs, In John Berra (ed.),  Directory of World Cinema: American Independent.  Intellect Ltd..  ISBN 9781841503684.  Feature Chapter.  s 276 - 279

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