Timotheus Vermeulen
Publikasjoner
'Flat film: Strategies of depthlessness in Pleasantville and La Haine', Film-Philosophy 22:2 (2018), pp. 168-183.
'Emma Thompson in Remains of the Day', in M. Pomerance and K. Stevens (eds.), Close-Up: Great Screen Performances Vol 2: International.Edinburgh: Edinburgh University Press, 2018, pp. 228-237.
with Robin van den Akker, 'Parafiction, autofiction, perfiction', in N. Hoare (Ed.), Para/Fictions. Rotterdam: Witte de With Publishers, pp. 19-29.
‘The Altergorithm’, in R. Braidotti and Maria Hlavajova (eds.), The Posthuman Glossary.London: Bloomsbury, 2018, pp. 29-32.
with Robin van den Akker, 'Periodising the 2000s, or, the emergence of metamodernism', in R. van den Akker, A. Gibbons and T. Vermeulen (eds.), Metamodernism: Historicity, Affect and Depth after Postmodernism. London and New York: Rowman and Littlefield, 2017, pp. 1-20.
‘Groucho Marxism’, in J. Simon and I. Nierman (eds.), Solution 275: Communism. Berlin, Sternberg Press, 2017, pp. 102-107.
‘Postmodernism’, in K. Jensen et al (eds.), The International Encyclopedia of Communication Theory and Philosophy. Oxford: Wiley-Blackwell. 2016
‘The New Depthiness’, E-Flux Journal 61 (2015)
with Robin van den Akker, ‘Utopia, sort of – a case study in metamodernism’, Studia Neophilologica87:1 (2015), pp. 55-67.
with Rosi Braidotti, 'Borrowed Energy', Frieze165 (2014), pp. 130-133.
Scenes from the Suburbs: The Suburb in Contemporary US Film and Television. Edinburgh: Edinburgh University Press, 2014.
with Gry Rustad, ‘Watching Television with Jacques Rancière: US Quality TV, Mad Men, and the late cut’, Screen54:3 (Autumn 2013), pp. 341-354
‘As if’, in J. Elkins & H. Montgomery (eds), Beyond The Aesthetic and the Anti-Aesthetic. University Park, PA: Penn State University Press, 2013, pp. 167-170
with Martin Dines, ‘Introduction: New Suburban Stories’, M. Dines and T. Vermeulen (eds), New Suburban Stories.London/New York: Bloomsbury, 2013, pp. 1-16.
with S. Critchley and N. Power, ‘Theoretically Speaking’, Frieze 141 (August/September 2011), pp. 176-181.
with Robin van den Akker,‘Notes on metamodernism’, Journal of Aesthetics and Culture2 (2010), 13pp.
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Vermeulen, Timotheus (2023). From the everyday to the epic and back: foreground and background in Community. I Carwell, Sarah; Bignell, Jonathan & Fife Donaldson, Lucy (Red.), Moments in television: Epic/Everyday. Manchester University Press. ISSN 978-1-5261-7022-4. s. 95–115. doi: 10.7765/9781526170231.00012.
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Vermeulen, Timotheus (2022). The do-er and the done-to: the politics of enthusiastic awkwardness. I Heiser, Jorg & Cristina, Ricupero (Red.), Ridiculously Yours: Art, Awkwardness and Enthusiasm. Distanz Verlag. ISSN 978-3-95476-515-7. s. 42–57.
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Wilkins, Kim & Vermeulen, Timotheus (2022). Introduction: Linklater's Itinerant Oeuvre. I Wilkins, Kim & Vermeulen, Timotheus (Red.), Refocus: The Films of Richard Linklater. Edinburgh University Press. ISSN 9781474493826. s. 123–142.
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Vermeulen, Timotheus (2022). Richard Linklater and the Field of American Dreams. I Wilkins, Kim & Vermeulen, Timotheus (Red.), Refocus: The Films of Richard Linklater. Edinburgh University Press. ISSN 9781474493826. s. 85–99. Vis sammendrag
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Vermeulen, Timotheus (2022). Wallace After Postmodernism (again): Metamodernism, Tone, Tennis. English Literature. ISSN 2420-823X. s. 105–124. doi: 10.30687/EL/2420-823X/2021/08/006.
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Vermeulen, Timotheus (2021). When Attitudes Become Drink. I Gonella, Fanny & Quante, Nadja (Red.), Geist: Korpys/Löffler/Schmal. Nomen Nominandum. ISSN 978-3-948628-03-1. s. 95–104.
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Vermeulen, Timotheus (2021). "Guess Who Doesn't Belong Here?": The Interracial Couple in Suburban Cinema. I Schleier, Merrill (Red.), Race and the Suburbs in American Film. SUNY Press. ISSN 9781438484471. s. 123–142.
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Vermeulen, Timotheus (2019). Soft upper lip – Coach’s facial expressions in Friday Night Lights. I Donaldson, Lucy Fife & Walters, James (Red.), Television Performance. Springer Nature. ISSN 9781137608208. s. 225–239.
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Vermeulen, Timotheus; Gibbons, Alison & Van den Akker, Robin (2019). Metamodernism: Period, Structure of Feeling, and Cultural Logic – A Case Study into Contemporary Autofiction. I Rudrum, David; Askin, Ridvan & Beckman, Frida (Red.), New Directions in Philosophy and Literature. Edinburgh University Press. ISSN 978-1474449144. s. 41–54.
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Gibbons, Alison; Vermeulen, Timotheus & Van den Akker, Robin (2019). Reality Beckons: metamodernist depthiness beyond panfictionality. European Journal of English Studies (EJES). ISSN 1382-5577. 23(2), s. 172–189. doi: 10.1080/13825577.2019.1640426.
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Vermeulen, Timotheus (2019). Nike Air Pocket: fashionable ecology. APRIA [Artez Platform for Research Interventions of the Arts]. ISSN 2589-9007. 0(0). doi: 10.37198/apria.01.00.a7.
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Vermeulen, Timotheus (2019). Neoliberalism and class tourism in The Darjeeling Limited. New Review of Film and Television Studies. ISSN 1740-0309. 17(3), s. 331–348. doi: 10.1080/17400309.2019.1622888.
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Vermeulen, Timotheus (2018). Emma Thompson in Remains of the Day. I Pomerance, Murray & Stevens, Kyle (Red.), Close-Up: Great Cinematic Performances Volume 2: International. Edinburgh University Press. ISSN 9781474417037. s. 228–237. doi: 10.3366/edinburgh/9781474417037.003.0021.
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Vermeulen, Timotheus (2018). Al Pacino in Donnie Brasco. I Pomerance, Murray & Stevens, Kyle (Red.), Close-Up: Great Cinematic Performances Volume 1: America. Edinburgh University Press. ISSN 9781474417006. s. 234–242.
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Vermeulen, Timotheus (2018). Metamodernism. I Braidotti, Rosi & Hlavajova, Maria (Red.), Posthuman Glossary. Bloomsbury Academic. ISSN 9781350030244. s. 256–259.
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Vermeulen, Timotheus (2018). The altergorithm. I Braidotti, Rosi & Hlavajova, Maria (Red.), Posthuman Glossary. Bloomsbury Academic. ISSN 9781350030244. s. 29–32.
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Vermeulen, Timotheus (2018). Ecopathy. I Braidotti, Rosi & Hlavajova, Maria (Red.), Posthuman Glossary. Bloomsbury Academic. ISSN 9781350030244. s. 125–129.
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Vermeulen, Timotheus; Constable, Catherine & Denny, Matt (2018). Introduction: The Surfaces of Film-Philosophy. Film-Philosophy. ISSN 1466-4615. 22(2), s. 143–147. doi: 10.3366/film.2018.0069. Fulltekst i vitenarkiv
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Vermeulen, Timotheus (2018). Flat Film: Strategies of Depthlessness in Pleasantville and La Haine. Film-Philosophy. ISSN 1466-4615. 22(2), s. 168–183. doi: 10.3366/film.2018.0071. Fulltekst i vitenarkiv
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Vermeulen, Timotheus (2017). Metamodern depth, or 'depthiness'. I Vermeulen, Timotheus; Van den Akker, Robin & Gibbons, Alison (Red.), Metamodernism: Historicity, affect and depth after postmodernism. Rowman & Littlefield International. ISSN 9781783489602. s. 147–150. doi: 10.1080/13825577.2019.1640426.
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Vermeulen, Timotheus & Van den Akker, Robin (2017). Periodising the 2000s, or, the emergence of metamodernism. I Vermeulen, Timotheus; Van den Akker, Robin & Gibbons, Alison (Red.), Metamodernism: Historicity, affect and depth after postmodernism. Rowman & Littlefield International. ISSN 9781783489602. s. 1–20.
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Vermeulen, Timotheus (2017). Contraction and expansion. I Cueto, Barbara & Hendriks, Bas (Red.), Authenticity? Observations and Artistic Strategies in the post-digital age. Valiz. ISSN 9789492095237. s. 19–26.
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Vermeulen, Timotheus & Van den Akker, Robin (2017). Utopia, sort of: A case study in metamodernism. I Fjellestad, Danuta & Watson, David (Red.), The futures of the present: new directions in (American) literature. Routledge. ISSN 9781138685154. s. 53–65. doi: 10.1080/00393274.2014.981964.
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Vermeulen, Timotheus (2016). Poststructuralism. I Bruhn Jensen, Klaus & Craig, Robert T. (Red.), The International Encyclopedia of Communication Theory and Philosophy. Wiley-Blackwell. ISSN 978-1-118-29073-6. doi: https:/doi.org/10.1002/9781118766804.wbiect218.
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Vermeulen, Timotheus (2016). Postmodernism. I Bruhn Jensen, Klaus & Craig, Robert T. (Red.), The International Encyclopedia of Communication Theory and Philosophy. Wiley-Blackwell. ISSN 978-1-118-29073-6. doi: https:/doi.org/10.1002/9781118766804.wbiect214.
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Vermeulen, Timotheus (2016). Todd Haynes: with the love of the lens. I Berra, John (Red.), Directory of World Cinema: American Independent 3. Intellect Ltd.. ISSN 9781783206568. s. 139–141.
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Vermeulen, Timotheus (2016). Todd Solondz: in search of lost time. I Berra, John (Red.), Directory of World Cinema: American Independent 3. Intellect Ltd.. ISSN 9781783206568. s. 250–254.
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Vermeulen, Timotheus (2015). Thoughts on the space of contemporary sculpture, or: stringing along. I Heiser, Jorg & Grubinger, Eva (Red.), Sculpture Unlimited II: Materiality in times of Immateriality . Sternberg Press. ISSN 978-3-95679-102-4. s. 29–34.
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Vermeulen, Timotheus (2015). The YBAs are dead! Long live the YBAs. I Folkerts, Hendrik; Lindner, Christoph & Schavemaker, Margriet (Red.), Facing Forward: Art and theory from a future perspective. Amsterdam University Press. ISSN 9789089647993. s. 156–160.
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Vermeulen, Timotheus (2015). The New Depthiness. E-flux Journal. ISSN 2164-1625.
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Vermeulen, Timotheus & Van den Akker, Robin (2015). Utopia, sort of - a case study in metamodernism. Studia Neophilologica. ISSN 0039-3274. 87(1), s. 55–67. doi: 10.1080/00393274.2014.981964.
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Vermeulen, Timotheus (2014). Aesthetics and the as if. I Slager, Henk (Red.), Experimental Aesthetics. Metropolis M Books. ISSN 9789081830249. s. 42–47.
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Vermeulen, Timotheus (2013). As if. I Elkins, James & Montgomery, Harper (Red.), Beyond the Aesthetic and the Anti-Aesthetic. Penn State University Press. ISSN 978-0-271-06072-9. s. 167–170.
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Vermeulen, Timotheus & Whitfield, James (2013). Arrested Developments: towards an aesthetic of the contemporary US sitcom. I Jacobs, Jason & Peacock, Steven (Red.), Television Aesthetics and Style. Bloomsbury Academic. ISSN 9781441179920. s. 103–112.
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Vermeulen, Timotheus (2013). Quality TV and Independent Cinema. I Berra, John (Red.), Directory of World Cinema: American Independent 2. Intellect Ltd.. ISSN 9781841506128. s. 31–35.
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Vermeulen, Timotheus & Dines, Martin (2013). Introduction: New Suburban Stories. I Vermeulen, Timotheus & Dines, Martin (Red.), New Suburban Stories. Bloomsbury Academic. ISSN 9781472510938. s. 1–15.
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Vermeulen, Timotheus & Rustad, Gry Cecilie (2013). Watching Television with Jacques Ranciere: Us Quality TV, Mad Men and the late cut. Screen. ISSN 0036-9543. 54(3), s. 341–354. doi: 10.1093/screen/hjt020.
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Vermeulen, Timotheus & Rustad, Gry Cecilie (2012). "Did you get pears?" Temporality and temps mortality in The Wire, Mad Men, and Arrested Development. I Ames, M M (Red.), Time in Television Narrative: Exploring Temporality in Twenty-First-Century Programming. University Press of Mississippi. ISSN 978-1-61703-293-6. s. 153–164.
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Vermeulen, Timotheus & Van den Akker, Robin (2011). Metamodernism, history, and the story of Lampe. I MagShamhrain, Rachel & Strumper-Krobb, Sabine (Red.), After Postmodernism/Nach der Postmoderne. Hartung-Gorre Verlag. ISSN 3-86628-400-4. s. 25–40.
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Wilkins, Kim & Vermeulen, Timotheus (2022). Refocus: The Films of Richard Linklater. Edinburgh University Press. ISBN 9781474493826. 256 s.
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Vermeulen, Timotheus; Van den Akker, Robin & Gibbons, Alison (2017). Metamodernism: Historicity, affect and depth after postmodernism. Rowman & Littlefield International. ISBN 9781783489602. 245 s.
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Vermeulen, Timotheus & Van den Akker, Robin (2015). Anmerkungen zur Metamoderne. Textem. ISBN 978-3-86485-091-2. 64 s.
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Vermeulen, Timotheus (2014). Scenes from the Suburbs: The suburb in contemporary US film and television. Edinburgh University Press. ISBN 9780748691661. 224 s.
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Vermeulen, Timotheus & Dines, Martin (2013). New Suburban Stories. Bloomsbury Academic. ISBN 9781472510938. 256 s.
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Vermeulen, Timotheus (2021). Sissel Tolaas. Frieze. Contemporary Art and Culture.
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Vermeulen, Timotheus (2021). Andreas Angelidakis. Frieze. Contemporary Art and Culture.
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Vermeulen, Timotheus (2021). Ben Rivers. Artforum International. ISSN 1086-7058.
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Vermeulen, Timotheus & Lai, Jimenez (2021). Zoombies of the Zoomspace: A world of flattened flats. Pool. s. 58–60.
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Vermeulen, Timotheus (2021). Romantisker komedier, en selvmotsigende sjanger. Z filmtidsskrift. ISSN 0800-1464. s. 58–70.
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Vermeulen, Timotheus (2020). Skin Deep: or what it means to stroke bodies into existence. I Deiss, Amely & Krutzler, Helga (Red.), Vivian Greven: Apple. Kunstpalais Erlangen. ISSN 9783923899524. s. 16–20.
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Vermeulen, Timotheus (2020). Når verden går under på film. Z filmtidsskrift. ISSN 0800-1464. s. 43–47.
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Vermeulen, Timotheus (2020). This book is a ghost story. I Hol, Ane Mette (Red.), Ane Mette Hol: Drawing Literature. Hatje Cantz Verlag. ISSN 9783775747721. s. 9–11.
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Vermeulen, Timotheus (2019). Einar Garde Einarsson. Frieze. Contemporary Art and Culture.
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Vermeulen, Timotheus (2019). Five Ways TV Shaped Our Decade (and vice versa). Frieze. Contemporary Art and Culture.
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Vermeulen, Timotheus (2019). 'The English Channel: Revealed! The links between true-crime TV and Brexit'. Frieze. Contemporary Art and Culture. s. 24–24.
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Vermeulen, Timotheus (2019). Ideally. I Haq, Nav (Red.), Laure Provost: Legsicon. Book Works. ISSN 9781906012991. s. 122–123.
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Vermeulen, Timotheus (2018). Eva Lewitt. Frieze. Contemporary Art and Culture.
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Vermeulen, Timotheus (2018). Jill Mulleady. Frieze. Contemporary Art and Culture.
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Vermeulen, Timotheus (2018). Looking back 2018: the year in TV. Frieze. Contemporary Art and Culture.
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Vermeulen, Timotheus & Van den Akker, Robin (2018). Parafiction, autofiction, perfiction. I Hoare, Natasha (Red.), Para/Fictions. Witte de With Publishers. ISSN 978-94-91435-52-2. s. 19–28.
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Vermeulen, Timotheus (2017). Susan Philipsz. Frieze. Contemporary Art and Culture.
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Vermeulen, Timotheus (2017). We need to talk about dolphins. I Lekkerkerk, Niekolaas (Red.), The standard book of noun-verb exhibition grammar. Onomatopee. ISSN 9789491677748. s. 164–174.
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Vermeulen, Timotheus; Braidotti, Rosi & Wood, Brian Kuan (2017). The new brutality. E-flux Journal. ISSN 2164-1625.
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Vermeulen, Timotheus (2017). Groucho Marxism. I Niermann, Ingo & Simon, Joshua (Red.), Solution 275-294: Communists Anonymous. Sternberg Press. ISSN 9783956793493. s. 101–108.
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Vermeulen, Timotheus (2016). Large Rohrsach Test. I Neilson, Elizabeth (Red.), Keith Tyson: Large Field Array. Zabludowicz Art Projects. ISSN 9781919663449. s. 58–59.
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Vermeulen, Timotheus (2016). Toil and Trouble: How art can create alternative spaces of resistance within the market logic of the globalised world. TANK. ISSN 1464-3472. 8(7), s. 118–122.
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Vermeulen, Timotheus (2016). Ironie en Postironie. Metropolis M. s. 93–93.
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Vermeulen, Timotheus (2015). Sascha Weidner. Frieze. Contemporary Art and Culture. s. 173–173.
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Vermeulen, Timotheus (2015). Snap! I Neilson, Elizabeth & Luckraft, Paul (Red.), Zabludowicz Collection: 20 Years. Zabludowicz Art Projects. ISSN 1907921206. s. 84–88.
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Vermeulen, Timotheus (2015). Europe, why so serious? The problem of the pan-European sitcom. Frieze. Contemporary Art and Culture. s. 19–19.
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Vermeulen, Timotheus (2015). Space is the place. Frieze. Contemporary Art and Culture. s. 200–203.
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Vermeulen, Timotheus (2014). Katie Holten. Frieze D/E. ISSN 2193-5386. s. 125–125.
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Vermeulen, Timotheus (2014). Ozlem Gunyol & Mustafa Kunt. Frieze D/E. ISSN 2193-5386. s. 149–150.
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Vermeulen, Timotheus (2014). Ane Mette Hol. Frieze. Contemporary Art and Culture. s. 163–163.
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Vermeulen, Timotheus (2014). A lingering absence: Ilse D'Hollander. Texte zur Kunst. ISSN 0940-9459. s. 231–233.
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Vermeulen, Timotheus (2014). Oscar Santillan: Civilizations of the Jaguar, vacuum cleaners and the human body. Frieze. Contemporary Art and Culture. s. 120–121.
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Vermeulen, Timotheus & Braidotti, Rosi (2014). Borrowed Energy. Frieze. Contemporary Art and Culture. s. 130–133.
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Vermeulen, Timotheus & Van den Akker, Robin (2014). Art Criticism and Metamodernism. ArtPulse. 19(3), s. 22–27.
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Vermeulen, Timotheus (2014). Public Enemy: Machiavellian Scheming Political Drama. Frieze. Contemporary Art and Culture. s. 104–105.
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Vermeulen, Timotheus (2013). Bernd Krauss. Frieze D/E. ISSN 2193-5386. s. 113–114.
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Vermeulen, Timotheus (2013). Drawing a Universe. Frieze D/E. ISSN 2193-5386. s. 155–156.
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Vermeulen, Timotheus (2013). Corridor Plateau III. Frieze D/E. ISSN 2193-5386. s. 151–152.
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Vermeulen, Timotheus (2013). Christoph Schellberg. Frieze D/E. ISSN 2193-5386. s. 134–135.
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Vermeulen, Timotheus (2013). David Douard. Frieze. Contemporary Art and Culture. s. 174–175.
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Vermeulen, Timotheus (2013). Evans and Fahlstrom. Frieze. Contemporary Art and Culture. s. 152–153.
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Vermeulen, Timotheus (2013). Painting - Posenenske, D'Hollander, Warboys. Frieze. Contemporary Art and Culture. s. 216–217.
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Vermeulen, Timotheus (2013). Christoph Knecht. Frieze. Contemporary Art and Culture. s. 162–162.
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Vermeulen, Timotheus (2013). Daiga Grantina. Frieze. Contemporary Art and Culture. s. 156–157.
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Vermeulen, Timotheus (2013). Metamodernist Affect. American Book Review. ISSN 0149-9408. 34(4), s. 8–9.
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Vermeulen, Timotheus (2013). Ways of Knowing: The sculptures, installations and drawings of Diango Hernandez. Frieze. Contemporary Art and Culture. s. 140–143.
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Vermeulen, Timotheus & Van den Akker, Robin (2013). Een verlangen naar oprechtheid. De Groene Amsterdammer. ISSN 0017-4483. s. 36–39.
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Vermeulen, Timotheus (2013). Little Women. Frieze. Contemporary Art and Culture. s. 19–19.
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Vermeulen, Timotheus; Aikens, Nick & Kopsa, Maxine (2012). Amsterdam City Report. Frieze. Contemporary Art and Culture. s. 126–133.
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Vermeulen, Timotheus; Fox, Dan; Zukin, Sharon & Vidokle, Anton (2012). Changing Places. Frieze. Contemporary Art and Culture. s. 174–185.
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Vermeulen, Timotheus; Critchley, Simon & Power, Nina (2011). Theoretically Speaking. Frieze. Contemporary Art and Culture. s. 176–181.
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Vermeulen, Timotheus & Van den Akker, Robin (2011). Metamodern Architecture. MONU. ISSN 1860-3211. s. 70–73.
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Vermeulen, Timotheus (2010). The suburbs. I Berra, John (Red.), Directory of World Cinema: American Independent. Intellect Ltd.. ISSN 9781841503684. s. 276–279.