Publications

Articles and book chapters

  • Guldbrandsen, Erling E.: 'Performance Practice', in Cambridge Wagner Encyclopedia. Vazsonyi, Nicholas (ed.), 2013, p. 418-422

  • Enge, Håvard: 'Musik als Gedicht-Kritik. Hans Zenders "Hölderlin lesen I" (1979)', trans. Arnulf Mattes, in Hans Zender Musik-Konzepte Sonderband. Tadday, Ulrich (ed.), 2013.  

  • Mattes, Arnulf: ‘Keine Rührung – Erkenntnis!’ The Aesthetics of Espressivo in the ‘Performance Theories’ of Arnold Schoenberg and Rudolf Kolisch'. Svensk tidskrift för musikforskning (2013), Vol. 95, p. 109-120

  • Orning, Tanja: 'Pression Revised: Anatomy of Sound, Notated Energy, and Performance Practice', in Sound and Score. Essays on Sound, Score and Notation. de Assis, Paulo, Brooks, William, and Koessens, Kathleen (eds.), Orpheus Institute: Orpheus Institute Series 2013   

  • Orning, Tanja: 'Pression – a performance study'. Music Performance Research (2012) Vol.5 p. 12-31

  • Guldbrandsen, Erling E.: 'Pierre Boulez in Interview, 1996 (IV) Some Broader Topics'. Tempo (London. 1939) Cambride University Press  2011; Volum 65 (258) p. 37-44

  • Guldbrandsen, Erling E.: 'Pierre Boulez in Interview, 1996 (III) Mallarmé, Musical Form and Articulation'. Tempo (London. 1939) Cambride University Press 2011; Volum 65 (257) p. 11-21

  • Guldbrandsen, Erling E.: 'Pierre Boulez in Interview 1996 (II): Serialism Revisited'.Tempo (London. 1939) Cambride University Press 2011; Volum 65 (256) p. 18-24

  • Guldbrandsen, Erling E.: 'Pierre Boulez in Interview 1996 (I): Modernism, History and Tradition'.Tempo (London. 1939)  Cambride University Press 2011; Volum 65 (255) p. 9-18

  • Mattes, Arnulf: 'Radiant Moments of Remembrance: on Sound Sheets in Schoenberg's Late Chamber Works'. twentieth-century music. Cambridge University Press 2009 (online 2011), Vol. 6 Issue 1 p. 43-62

  • Hestholm, Marion: 'The Organic Montage. Aesthetic Organicism Reconsidered.' Studia Musicologica Norvegica (2009), Vol. 35 p. 19-37

Conference papers and presentations

  • Mattes, Arnulf: ‘Adorno, Schoenberg, Kolisch: Modernism, Performance and the Aesthetics of Resistance’, Conference paper, BAMS conference 2014 - Modernism Now! Institute of English Studies Senate House, London, 26–28 June 2014
  • Mattes, Arnulf and Aust, Markus: 'Eimert revisited: The beginnings of Electronic Music and the WDR Studio in the Pre-Stockhausen era', Conference presentation, Electron - Festival des Cultures Électroniques de Genève, 27 March 2014
  • Edwards, Peter: 'Gesture and the Flip Side of Tradition', Conference paper, Performing Modernism, International seminar, University of Oslo, 27-28 November 2012
  • Førisdal, Anders: 'Richard Barret's Colloid: the Beast and the Sovereign', Conference paper, Performing Modernism, International seminar, University of Oslo, 27-28 November 2012
  • Mattes, Arnulf: 'Performing Modernist Identites: On the Construction of Wiener Espressivo', Key note, Performing Modernism, International seminar, University of Oslo, 27-28 November 2012
  • Orning, Tanja: 'Performing Projection I and Intersection IV - challenges in realizing the ideal of a totally abstract sonic adventure in Morton Feldman's early graphic scores', Conference paper, Performing Modernism, International seminar, University of Oslo, 27-28 November 2012
  • Guldbrandsen, Erling E.: 'On the Paradoxical Interplay of Modernism and Tradition – Elucidated on the Basis of Pierre Boulez', Rethinking Modernism Across the Arts, International conference, PhD Programme in Musicology, Theatre Studies, Aesthetics, History, University of Oslo, 22-23 May 2012
  • Guldbrandsen, Erling E.: 'Compositional Process in Boulez’s “Improvisation I & II sur Mallarmé', Conference paper, Sacher Perspectives - International conference, University of Cardiff Music School, 15-18 March 2012
  • Edwards, Peter: 'Reflexive Formation and Changing Expressions [Ligeti]', Conference paper, Transformations of Modernism Research Seminar, Centre franco-norvégien en sciences sociales et humaines, Paris, 9-12 October 2011
  • Enge, Håvard: 'Music Transforming Poetry / Poetry Transforming Music – the Post-serialist Musical Reception of Hölderlin [Zender]', Conference paper, Transformations of Modernism Research Seminar, Centre franco-norvégien en sciences sociales et humaines, Paris, 9-12 October 2011
  • Førisdal, Anders: 'Reißwerck: The Inscription of the Work [KK Hübler], Conference paper, Transformations of Modernism Research Seminar, Centre franco-norvégien en sciences sociales et humaines, Paris, 9-12 October 2011 
  • Guldbrandsen, Erling E.: 'Boulez’s Transformations of “Improvisation III sur Mallarmé', Conference paper, Transformations of Modernism Research Seminar, Centre franco-norvégien en sciences sociales et humaines, Paris, 9-12 October 2011
  • Hestholm, Marion: 'Unity and Fragmentary Proliferation in Berio’s Sinfonia', Conference paper, Transformations of Modernism Research Seminar, Centre franco-norvégien en sciences sociales et humaines, Paris, 9-12 October 2011 
  • Johnson, Julian: 'Return of the Repressed: Particularity in Early and Late Modernism [Mahler–Berio, Bartók–Ligeti], Conference paper, Transformations of Modernism Research Seminar, Centre franco-norvégien en sciences sociales et humaines, Paris, 9-12 October 2011
  • Mattes, Arnulf: 'Committed Musicians: On Kolisch and Leibowitz's Actualisation of Beethoven', Conference paper, Transformations of Modernism Research Seminar, Centre franco-norvégien en sciences sociales et humaines, Paris, 9-12 October 2011
  • Orning, Tanja: 'Radical Instrumentalism and the Struggling Idiom in Opus Breve by Klaus K Hübler', Transformations of Modernism Research Seminar, Centre franco-norvégien en sciences sociales et humaines, Paris, 9-12 October 2011​
Published May 28, 2014 3:55 PM - Last modified May 28, 2014 4:29 PM
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