Pamela Z: Lecture-performance on voice and live electronics
A lecture-demonstration by Pamela Z on voice, processing, gesture control, and interaction with video
Pamela Z (Photo: Donald Swearingen)
Voice and Instruments
Pamela Z 's performances range in scale from small concerts in galleries to large-scale multi-media works in theaters and concert halls. Her solo works combine experimental extended vocal techniques, operatic bel canto, found objects, text, and sampled concrète sounds. She uses MAX MSP and Isadora software on a MacBook Pro along with custom MIDI controllers. One of her early instruments,The BodySynth™, was created by Chris Van Raalte and Ed Severinghaus (Copyright 1994), a MIDI controller that transforms movement, gestures, and other muscle efforts into sounds. Another part of her setup has been custom MIDI interfaces including faders, footswitch control pod, light controllers, and ultrasonic controllers, developed and fabricated by Donald Swearingen as part of his "N Degrees" system of sensor controllers. In this session, Pamela Z will demonstrate her current solo performance set-up, discuss how everything works and give a live performance/demonstration of some of the tools she uses in performance (including voice, processing, gesture control, and interaction with video.)
Pamela Z is a composer/performer and media artist who makes solo works combining a wide range of vocal techniques with electronic processing, samples, gesture activated MIDI controllers, and video. She has toured extensively throughout the US, Europe, and Japan. Her work has been presented at venues and exhibitions including Bang on a Can (NY), the Japan Interlink Festival, Other Minds (SF), the Venice Biennale, and the Dakar Biennale. She's created installations and has composed scores for dance, film, and chamber ensembles (including Kronos Quartet). Her awards include a Guggenheim Fellowship, the Doris Duke Artist Impact Award, the Robert Rauschenberg Foundation residency, the Herb Alpert Award, and an Ars Electronica honorable mention, and the NEA/Japan-US Fellowship.
This is a guest lecture in the course MCT4046.