Hawkins, Stan. "'I'll Bring You Down, Down, Down': Lady Gaga's Performance in 'Judas'." In Iddon, Martin and Melanie L. Marshall, eds. Lady Gaga & Popular Music: Performing Gender, Fashion, and Culture. Routledge Studies in Popular Music. New York: Routledge, 2014. 9-26. 

Johansson Mats & Ola K. Berge. "Who Owns an Interpretation? Legal and Symbolic Ownership to Nordic Folk Music" Ethnomusicology 58.2 (2014): 30-53. 

Johansson, Mats. "The Gendered Fiddle: On the Relationship Between Expressive Coding and Artistic Identity in Norwegian Folk Music." International Review of the Aesthetics and Sociology of Music 44.2 (2013): 361-384.

Hawkins, Stan. "Aesthetics and Hyperembodiment in Pop Videos: Rihanna's 'Umbrella.'" The Oxford Handbook of New Audiovisual Aesthetics. Oxford: Oxford University Press. 2013. 

Jennex, Craig. "Diva Worship and the Sonic Search for Queer Utopia." Popular Music & Society 36.3 (2013). 343-359.

Sandve, Birgitte. 'Rap og iscenesetjing av maskulinitet' in I dreamt I was a Real Boy. Rockheim/Museumsforlaget AS. Trondheim 2013. 

Ålvik, Jon Mikkel Broch. 'Det vi ser og det vi ikke ser: Nærhet og avstand hos Marit Larsen og Marion Ravn. I dreamt I was a Real Boy. Rockheim/Museumsforlaget AS. Trondheim 2013. 

Hawkins, Stan. You Rocked Our World, Michael: Your Moves, Your Look, Your Music, Everything! in Popular Music and Society. Vol. 32-2 2012, p. 145-149

Hawkins, Stan (ed.). Critical Musicological Reflections: Essays in Honor of Derek B. Scott. Ashgate 2012 ISBN 978-1-4094-2560-1 

Hawkins, Stan. Olwage, Grant (ed.) (2008). Composing Apartheid: Music For and Against Apartheid. Johannesburg: Wits University Press. [Review] In: Journal of the Musical Arts in Africa. Vol. 8 2011, pp. 117-120 

Hawkins, Stan & Niblock, Sarah.  Prince: The Making of a Pop Music Phenomenon. Ashgate 2011 ISBN 978-0-7546-6876-3.

Hawkins, Stan. Pop Music and Easy Listening: The Library of Essays on Popular Music. Ashgate 2011 ISBN 9780754629528.

Hawkins, Stan; Richardson, John. 'Remodeling Britney Spears: Matters of Intoxication and Mediation'. In: Pop Music and Easy Listening: The Library of Essays on Popular Music. Ashgate 2011
ISBN 9780754629528. 

Hawkins, Stan. 'Unsettling Differences: Music and Laddism in Britpop'. In: Britpop and the English Music Tradition. Ashgate 2010 ISBN 9780754668053. 

Hawkins, Stan. The British Pop Dandy: Masculinity, Popular Music and Culture. Ashgate 2009 ISBN 978-0-7546-5858-0.

Hawkins, Stan. 'Chelsea Rodgers' was a model - Vocality in Prince of the Twenty-first Century. In: The Ashgate Research Companion to Popular Musicology. Ashgate 2009 ISBN 9780754664765. 

Hawkins, Stan.'Temporal Turntables: On Temporality and Corporeality in Dance Music'. In: Musicological Identities: Essays in Honour of Susan McClary. Ashgate 2008 ISBN 9780754663027. 

Hawkins, Stan. 'Aphex Twin: monstrous hermaphrodites, madness and the strain of independent dance music'. In: Essays on Sound and Vision. Helsinki University Press 2007 ISBN 978-951-570-726-0. 

Hawkins, Stan. 'Those Norwegians: Deconstructing the Nation-State in Europe through Fixity and Indifference in Norwegian Club Music'. In: Music, National Identity and the Politics of Location: Between the Global and the Local. Ashgate 2007 ISBN 978-0-7546-4055-4. 

Hawkins, Stan. '[Un]Justified: Gestures of Straight-Talk in Justin Timberlake's Songs. In: Oh Boy! Masculinities and Popular Music'. Routledge 2007 ISBN 0415978211. 

Hawkins, Stan & Richardson, John. 'Remodeling Britney Spears: Matters of Intoxication and Mediation'. Popular music and society 2007; Volum 30.(5) ISSN 0300-7766.

Hawkins, Stan. 'On Male Queering in Mainstream Pop'. In: Queering the Popular Pitch. Routledge 2006 ISBN 0-415-97805-X. 

Hawkins, Stan. 'Dragging out camp: narrative agendas in Madonna's musical production'. In: Madonna's Drowned Worlds: New Approaches to her Cultural Transformations, 1983-2003. Ashgate 2004 ISBN 0-7546-3371-3.

Hawkins, Stan. Music, Space and Place: Popular Music and Cultural Identity. Ashgate 2004 ISBN 0-7546-3737-9. 

Hawkins, Stan. Settling the Pop Score: Pop texts and identity politics. Ashgate 2002 ISBN 0-7546-0352-0.

Hawkins, Stan. 'The Pet Shop Boys: Musicology, masculinity, and banality'. Sexing the Groove: popular music and gender 1997 page 118-133. ISBN 978-0415146715.

Hawkins, Stan. 'Prince: Harmonic Analysis of "Anna Stesia"'. Popular Music 1992; Volum 11.(3) ISSN 02611430.

Hegdal, Erlend.  Harlem strut. Master thesis. University of Oslo 2006. 

Johansson, Mats. Michael Jackson and the expressive power of voice-produced sound in Popular Music and Society. Vol. 35-2 2012, p. 261-279

Johansson, Mats. Review of Solomon, Thomas (ed.): Music and Identity in Norway and Beyond: Essays Commemorating Edvard Grieg the Humanist. in Studio Musicologica Norvegica. Vol. 37 2011

Johansson, Mats. Rhythm into Style: Studying Asymmetrical Grooves in Norwegian Folk Music. PhD thesis. University of Oslo 2010. 

Johansson, Mats. 'The concept of rhythmic tolerance : examining flexible grooves in Scandinavian folk fiddling'. In: Musical Rhythm in the Age of Digital Reproduction. Ashgate 2010 ISBN 9781409403401. 

Johansson, Mats. 'What is musical meter?'. Musikk og tradisjon 2010 (24) ISSN 1892-0772. 

Johansson, Mats. 'Nordisk folkmusik som stilkoncept'. Norsk folkemusikklags skrifter 2009 (23) ISSN 0800-3734.

Johansson, Mats. 'Svensk folkmusik som samtidskulturell uttrycksform. En diskussion om stilbegreppets användning och innebörd'. Norsk folkemusikklags skrifter 2003. ISSN 0800-3734.

Johansson, Mats. 'Stil som Retorik och Praxis. En musikantropologisk studie av nutida svensk folkmusik'. Griegakademiet, Institutt for Musikk. University of Bergen 2001. 

Paus, Mari.  Musical Hybrids and Interculturalism in South African Popular Music. Master thesis. University of Copenhagen 2010. 

Sandve, Birgitte.  Fragmentering av fellesskapet- ei audiovisuell lesing av Dancer in the Dark. Hovedoppgave. University of Oslo 2007. 

Ålvik, Jon Mikkel Broch.  Modalities of Desire. Master thesis. University of Oslo 2008.  



Published Nov. 18, 2011 1:43 PM - Last modified Jan. 31, 2014 3:13 PM