2 new master theses: Bekkedal & Støver
Even Bekkedal and Catherine Støver have both recently graduated from Department of Musicology, after writing their theses on topics related to the SMA project.
E. Bekkedal. Music kinection: Musical sound and motion in interactive systems. Master’s thesis, University of Oslo, 2012.
Sound is often used as a feedback modality in technological devices. Yet relatively little is known about the relation between sound and motion in interactive systems. This thesis exam- ines what happens in the intersection between human-computer interaction, motion and sonic feedback. From the connection of music and motion, coupled by technology, we can draw the expression “Music Kinection”. A theoretical foundation accounts for the relationships that exist between sound and motion, and cognitive foundations for these relationships. This study of literature on music and motion, and music cognition theory, shows that there are many aspects that support various relationships between sound and motion. To see if it is possible to detect similarities between users of an interactive system, a user-study was performed with 16 subjects playing commercially available video games for the Kinect platform. Motion capture data was recorded and analyzed. The user-study showed that there is an overall similarity in the amount of motion performed by the user, but that there is some deviation in amount of motion performed by body parts important to the gameplay. Many users will choose the same body part for one task, but will apply different tactics when using this limb. Knowledge from the theory and observation study was used in the practical explorations of sound-action relationships. Two installations, Kinect Piano and Popsenteret Kinect installation, was made, together with two software prototypes, Soundshape and Music Kinection. The practical study showed that working with full-body motion capture and sound in human-computer interaction is dependent on good motion feature extraction algorithms and good mapping to sound engines.
C. I. Støver. Freestyle dressage: an equipage riding to music. Master’s thesis, University of Oslo, 2012.
This thesis is a study of freestyle dressage as a specific case of music related movement. Freestyle dressage is performed by horse and rider in competitions, and is ridden with music. The music is a part of the performance and music and movement is supposed to be related. The aims of the thesis is to (a) shed light on what influence the music has on the equipage (b) how this affect the audience and judges (c) whether the synchronicity between horse and rider is real or imagined. The symbiosis of what we hear and see is what makes the performance spectacular, but it is also the reason why we very quickly sense when something is not synchronized. These strong links between sound and movement is something the audience is aware of, but do we still get spellbound? This thesis tries to reveal to what degree our senses presume that events are synchronous, and at the same time tries to establish whether the music and movements are related. The thesis is divided into three parts, the first part is theoretical and the two following are both empirical. The methods used here are a literature study and an empirical study with qualitative analysis of relationships between motion and sound and interviews of a selected group of people with different backgrounds. The thesis concludes that the music does make a difference to the audience and the rider. The rider has to pay attention to the music and the audience gets a spectacular show when music is part of the freestyle dressage program.
Published Feb. 14, 2013 9:29 PM