Kyle Devine

• Devine, Kyle (2017). Desert Island Discomorphoses: Listening Formations and the Material Cultures of Music, In Julie Brown; Nicholas Cook & Stephen Cottrell (ed.),  Defining the Discographic Self: Desert Island Discs in Context.  Oxford University Press.  ISBN 9780197266175.  Chapter 4.  s 67 - 82
• Born, Georgina & Devine, Kyle (2016). Introduction: Gender, Creativity, and Education in Digital Musics and Sound Art. Contemporary Music Review.  ISSN 0749-4467.  35(1), s 1- 20 . doi: 10.1080/07494467.2016.1177255 Fulltekst i vitenarkiv.
• Devine, Kyle (2016). L’intensité matérielle de l’écoute musicale sous forme de données, I: Philippe Le Guern (red.),  Où va la musique? Numérophose et nouvelles experiences d’écoute.  Presses des Mines.  ISBN 9782356714077.  Chapter 1.  s 47 - 64
• Born, Georgina & Devine, Kyle (2015). Music technology, gender, and class: Digitization, educational and social change in Britain. Twentieth-Century Music.  ISSN 1478-5722.  12(2), s 135- 172 . doi: 10.1017/S1478572215000018 Fulltekst i vitenarkiv.
• Devine, Kyle Ross (2015). Decomposed: A political ecology of music. Popular Music.  ISSN 0261-1430.  34(3), s 367- 389 . doi: 10.1017/S026114301500032X Fulltekst i vitenarkiv.
• Devine, Kyle & Shepherd, John (2015). Music and the Sociological Imagination—Pasts and Prospects, In Kyle Ross Devine & John Shepherd (ed.),  The Routledge Reader on the Sociology of Music.  Routledge.  ISBN 9781138856363.  Introduction.
• Devine, Kyle; Théberge, Paul & Everrett, Tom (2015). Introduction: Living Stereo, In Kyle Ross Devine; Paul Théberge & Tom Everrett (ed.),  Living Stereo: Histories and Cultures of Multichannel Sound.  Bloomsbury Academic.  ISBN 9781623565510.  Introduction.  s 1 - 34
• Devine, Kyle Ross (2014). A Mysterious Music in the Air: Cultural Origins of the Loudspeaker. Popular Music History.  ISSN 1740-7133.  8(1), s 5- 28 Fulltekst i vitenarkiv.
• Devine, Kyle Ross (2013). Imperfect Sound Forever: Loudness Wars, Listening Formations and the History of Sound Reproduction. Popular Music.  ISSN 0261-1430.  32(2), s 159- 176 Fulltekst i vitenarkiv.

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• Devine, Kyle (2019). Decomposed: The Political Ecology of Music. MIT Press.  ISBN 9780262537780.  328 s.
• Devine, Kyle Ross & Shepherd, John (ed.) (2015). The Routledge Reader on the Sociology of Music. Routledge.  ISBN 9781138856363.  386 s.
• Devine, Kyle Ross; Théberge, Paul & Everrett, Tom (ed.) (2015). Living Stereo: Histories and Cultures of Multichannel Sound. Bloomsbury Academic.  ISBN 9781623565510.  304 s.

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• Brennan, Matt & Devine, Kyle (2019). Music streaming has a far worse carbon footprint than the heyday of records and CDs—new findings. The Conversation.  ISSN 2201-5639. . doi: https://theconversation.com/music-streaming-has-a-far-worse-carbon-footprint-than-the-heyday-of-records-and-cds-new-findings-114944
• Devine, Kyle (2019). Decomposed: Political Ecologies of Jazz and Popular Music.
• Devine, Kyle (2019). Decomposed: The Political Ecology of Music.
• Devine, Kyle (2019). Decomposed: The Political Ecology of Music.
• Devine, Kyle (2019). Decomposed: The Political Ecology of Music.
• Devine, Kyle (2019, 08. april). Digital Music Consumption Has Led to Increase in Greenhouse Gas Emissions, New Study Finds. [Internett].  Billboard.
• Devine, Kyle (2019, 13. juli). E-mails, applications mobiles, centres de données : le numérique, un véritable glouton énergétique. [Internett].  L'Orient-Le Jour.
• Devine, Kyle (2019, 08. april). Emissions From Music Consumption Reach Unprecedented High, Study Shows. [Internett].  Pitchfork.
• Devine, Kyle (2019, 23. mai). Is Streaming Music Dangerous to the Environment? One Researcher Is Sounding the Alarm. [Internett].  Rolling Stone.
• Devine, Kyle (2019, 04. juni). Is streaming music worse for the environment than buying CDs and records?. [Internett].  Australian Broadcasting Corporation.
• Devine, Kyle (2019, 21. april). Noise pollution: What you need to know about the carbon footprint of streaming music. [Internett].  Canadian Broadcasting Corporation.
• Devine, Kyle (2019). Political Ecologies of Music (and Dance?).
• Devine, Kyle (2019, 09. april). Real Cost of Streaming. [Radio].  Cape Talk (South Africa).
• Devine, Kyle (2019, 09. april). Streaming Music Shamed for its Inadvertent Carbon Output. [Internett].  Gizmodo.
• Devine, Kyle (2019, 15. juli). The Internet’s Carbon Footprint. [Internett].  IRL: Online Life is Real Podcast.
• Devine, Kyle (2019). The Slow Violence of Music: An Infrastructural History of Sound Reproduction.
• Devine, Kyle (2019, 19. august). The World Remade. [Internett].  Reasonably Sound (podcast).
• Devine, Kyle (2019). Vinyl: More Sustainable Than You Think?.
• Devine, Kyle (2019, 28. juli). Vinyle ou streaming : quel support musical pollue le plus la planète ?. [Internett].  Télérama.
• Devine, Kyle & Brennan, Matt (2019). The Terrifying Miracle of Recorded Sound.
• Devine, Kyle & Brennan, Matt (2019). The Terrifying Miracle of Recorded Sound.
• Devine, Kyle; Brennan, Matt & Collinson Scott, Jo (2019). The Cost of Music.
• Devine, Kyle (2018). Musicology Without Music?.
• Devine, Kyle (2017). Making Infrastructures Audible: An Introduction.
• Devine, Kyle (2017). Plastic Makes Perfect: Popular Music Before Production and After Consumption.
• Devine, Kyle (2017). Recorded Music and the Capitalist World System.
• Devine, Kyle (2017). Recorded Music: Theory and Plastic.
• Nielsen, Nanette; Devine, Kyle; Hagen, Per Ole & Gadir, Tami (2017). How We Got into Academia, and How to Get (More) Out of It: Ideas Entrepreneurship in Action.
• Devine, Kyle (2016). Bugs, Rocks, Oil, and Light: Material Politics and Recordings as Cultural Artifacts.
• Devine, Kyle (2016). Even in the Quietest Moments: Loudness and Power in “Speaker Culture”.
• Devine, Kyle (2016). Organized Sound: Music, Media, Infrastructure.
• Devine, Kyle (2016). Out of Sight, Out of Mind: Music, Materiality, Infrastructure.
• Devine, Kyle (2016). Sound Media Research Report.
• Devine, Kyle (2015). The Material Intensity of Listening to Music as Data: Ruptures and Continuities.
• Devine, Kyle & Everrett, Tom (2015). Solid Sound? Staging, Perspective, and Practice in the History of Stereo.

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