Kyle Devine

• Devine, Kyle (2022). Run of the Mill: Economies of Music Before Production and After Consumption. I Morcom, Anna & Taylor, Timothy D. (Red.), The Oxford Handbook of Economic Ethnomusicology. Oxford University Press. ISSN 9780190859633. doi: 10.1093/oxfordhb/9780190859633.013.9.
• Devine, Kyle & Shepherd, John (2021). On Popular Music Studies in Canada: An Interview with John Shepherd by Kyle Devine. MUSICultures. ISSN 1920-4213. 48, s. 276–291. Fulltekst i vitenarkiv
• Brennan, Matt & Devine, Kyle (2020). The cost of music. Popular Music. ISSN 0261-1430. 39(1), s. 43–65. doi: 10.1017/S0261143019000552.
• Devine, Kyle (2019). Musicology Without Music. I Braae, Nick & Hansen, Kai Arne (Red.), On Popular Music and Its Unruly Entanglements. Palgrave Macmillan. ISSN 978-3-030-18099-7. s. 15–37. doi: 10.1007/978-3-030-18099-7_2. Vis sammendrag

  On Popular Music and Its Unruly Entanglements comprises eleven essays that explore the myriad ways in which popular music is entwined within social, cultural, musical, historical, and media networks. The authors discuss genres as diverse as mainstream pop, hip hop, classic rock, instrumental synthwave, video game music, amateur ukelele groups, and audiovisual remixes, while also considering the music’s relationship to technological developments, various media and material(itie)s, and personal and social identity. The collection presents a range of different methodologies and theoretical positions, which results in an eclecticism that aptly demonstrates the breadth of contemporary popular music research. The chapters are divided into three major sections that address: wider theoretical and analytical issues (“Broad Strokes”), familiar repertoire or concepts from a new perspective (“Second Takes”), and the meanings to arise from music’s connections with other media forms (“Audiovisual Entanglements”).

• Devine, Kyle (2017). Desert Island Discomorphoses: Listening Formations and the Material Cultures of Music. I Brown, Julie; Cook, Nicholas & Cottrell, Stephen (Red.), Defining the Discographic Self: Desert Island Discs in Context. Oxford University Press. ISSN 9780197266175. s. 67–82. doi: 10.5871/bacad/9780197266175.003.0005.
• Devine, Kyle (2016). L’intensité matérielle de l’écoute musicale sous forme de données. I Le Guern, Philippe (Red.), Où va la musique? Numérophose et nouvelles experiences d’écoute. Presses des Mines. ISSN 9782356714077. s. 47–64.
• Born, Georgina & Devine, Kyle (2016). Introduction: Gender, Creativity, and Education in Digital Musics and Sound Art. Contemporary Music Review. ISSN 0749-4467. 35(1), s. 1–20. doi: 10.1080/07494467.2016.1177255. Fulltekst i vitenarkiv
• Devine, Kyle; Théberge, Paul & Everrett, Tom (2015). Introduction: Living Stereo. I Devine, Kyle Ross; Théberge, Paul & Everrett, Tom (Red.), Living Stereo: Histories and Cultures of Multichannel Sound. Bloomsbury Academic. ISSN 9781623565510. s. 1–34.
• Devine, Kyle & Shepherd, John (2015). Music and the Sociological Imagination—Pasts and Prospects. I Devine, Kyle Ross & Shepherd, John (Red.), The Routledge Reader on the Sociology of Music. Routledge. ISSN 9781138856363.
• Devine, Kyle Ross (2015). Decomposed: A political ecology of music. Popular Music. ISSN 0261-1430. 34(3), s. 367–389. doi: 10.1017/S026114301500032X. Fulltekst i vitenarkiv
• Born, Georgina & Devine, Kyle (2015). Music technology, gender, and class: Digitization, educational and social change in Britain. Twentieth-Century Music. ISSN 1478-5722. 12(2), s. 135–172. doi: 10.1017/S1478572215000018. Fulltekst i vitenarkiv
• Devine, Kyle Ross (2014). A Mysterious Music in the Air: Cultural Origins of the Loudspeaker. Popular Music History. ISSN 1740-7133. 8(1), s. 5–28. doi: 10.1558/pomh.v8i1.5. Fulltekst i vitenarkiv
• Devine, Kyle Ross (2013). Imperfect Sound Forever: Loudness Wars, Listening Formations and the History of Sound Reproduction. Popular Music. ISSN 0261-1430. 32(2), s. 159–176. doi: 10.1017/s0261143013000032. Fulltekst i vitenarkiv

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• Devine, Kyle & Boudreault-Fournier, Alexandrine (2021). Audible Infrastructures: Music, Sound, Media. Oxford University Press. ISBN 9780190932640. 304 s.
• Devine, Kyle (2019). Decomposed: The Political Ecology of Music. MIT Press. ISBN 9780262537780. 328 s.
• Devine, Kyle Ross & Shepherd, John (2015). The Routledge Reader on the Sociology of Music. Routledge. ISBN 9781138856363. 386 s.
• Devine, Kyle Ross; Théberge, Paul & Everrett, Tom (2015). Living Stereo: Histories and Cultures of Multichannel Sound. Bloomsbury Academic. ISBN 9781623565510. 304 s.

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• Devine, Kyle (2021). Den ekologeschen Impakt vum Museklauschteren. [Radio]. radio 100,7 Luxembourg.
• Devine, Kyle (2021). Streams and Clouds: The Political Ecology of Music in a Digital Era.
• Devine, Kyle (2021). Decomposed: Political Ecologies of Music — Past, Present, Future.
• Devine, Kyle (2021). Digital Transformations and Environmental Challenges in Music.
• Devine, Kyle (2021). Decomposed: Political Ecologies of Music — Past, Present, Future.
• Devine, Kyle (2021). Political Ecology of Music Workshop.
• Devine, Kyle (2021). Music and the Green Economy: What Do We Want to Sustain?
• Devine, Kyle (2021). Recomposed: Sustainability and Musical Culture.
• Devine, Kyle (2021). Decomposed: The Political Ecology of Music.
• Devine, Kyle (2021). Decomposed: The Political Ecology of Music.
• Devine, Kyle (2021). Decomposed: The Political Ecology of Music.
• Devine, Kyle (2021). How Environmentally Damaging is Music Streaming? [Avis]. The New Statesman.
• Devine, Kyle (2021). NACHHALTIGKEIT IN MUSIKWELT: Music for Future. [Avis]. Frankfurter Allgemeine Zeitung.
• Devine, Kyle (2021). Can Listening to Music Ever Really Be Sustainable? [Avis]. Vulture.
• Devine, Kyle (2021). Decaying Sound, Sounding Decay. Flash Art. ISSN 0394-1493.
• Devine, Kyle (2021). CD, винил и стриминг: какой музыкальный носитель самый экологичный. [Avis]. RBC Group.
• Devine, Kyle (2021). Pop on a Perilous Planet. [Internett]. Switched on Pop.
• Devine, Kyle (2021). Is Listening to Music Bad for the Environment? [TV]. Sky News (UK).
• Devine, Kyle (2021). Greening the Net. [TV]. https://www.channelnewsasia.com/news/video-on-demand/greenin.
• Devine, Kyle (2021). Cloud Illusions. CTM Magazine.
• Devine, Kyle (2021). Building Back Better. The Wire. 443.
• Devine, Kyle (2020). La musique et l'écologie. [Radio]. Radio Télévision Suisse (RTS).
• Devine, Kyle (2020). The Hidden Costs of Streaming Music. [Radio]. Radio New Zealand: Sunday Morning.
• Devine, Kyle (2020). Classical Music and Climate Change. [Radio]. BBC Radio 3: Music Matters.
• Devine, Kyle (2020). Decomposed: Political Ecologies of Music.
• Devine, Kyle (2020). Renewable Heritage: Footprints of the Future.
• Devine, Kyle (2020). Decomposed: Political Ecologies of Musical Culture.
• Devine, Kyle (2020). Drecksmusik. [Tidsskrift]. enorm—Magazin für gesellschaftlichen Wandel.
• Devine, Kyle (2020). Emissions Possible: Streaming Music Swells Carbon Footprints. [Avis]. Al Jazeera.
• Devine, Kyle (2020). Polluted Streams: The Environmental Costs of Analog and Digital Formats.
• Devine, Kyle (2020). Tutkimus: Musiikin kuuntelu striimattuna jättää isomman hiilijalanjäljen kuin cd- tai vinyylilevyt huippuaikoinaan. [Avis]. Yle.
• Devine, Kyle (2020). Disco Downer. The Guardian Weekly. ISSN 0958-9996. 202(8), s. 24–25.
• Devine, Kyle (2020). Carbon Footprints of Music.
• Devine, Kyle (2020). Moni kuvittelee, että cd-levyistä luopuminen on ympäristöteko – Tutkija selvitti, että musiikin kuuntelun hiilijalanjälki on nyt suurempi kuin koskaan.
• Devine, Kyle (2020). Rethinking Music Ecosystems.
• Devine, Kyle (2020). What is the Human and Environmental Cost of Music? [Internett]. New Books in Critical Theory Podcast.
• Devine, Kyle (2020). The Vinyl Revival is Hurting the Environment, says Canadian Musicologist. [Radio]. Q (CBC Radio One).
• Devine, Kyle (2020). Nightmares on Wax: The Environmental Impact of the Vinyl Revival. The Guardian. ISSN 0261-3077.
• Devine, Kyle; Kraugerud, Emil; Jones, Ellis Nathaniel & Størvold, Tore (2019). First Things First.
• Jones, Ellis Nathaniel; Kraugerud, Emil; Størvold, Tore & Devine, Kyle (2019). Dragging the Lake.
• Devine, Kyle (2019). UiO-forsker: Musikkstrømming er enda verre for miljøet enn CD-platen. [Internett]. Ballade.
• Devine, Kyle (2019). Ohne Energie und Arbeit könnte es Streaming nicht geben. [Avis]. SPEX—Magazin für Popkultur.
• Devine, Kyle (2019). Derfor er strømming en miljøversting. [Avis]. Dagbladet.
• Devine, Kyle & Brennan, Matt (2019). The Terrifying Miracle of Recorded Sound.
• Devine, Kyle (2019). Decomposed: Political Ecologies of Jazz and Popular Music.
• Devine, Kyle & Brennan, Matt (2019). The Terrifying Miracle of Recorded Sound.
• Devine, Kyle (2019). Decomposed: The Political Ecology of Music.
• Devine, Kyle (2019). Political Ecologies of Music (and Dance?).
• Devine, Kyle (2019). Decomposed: The Political Ecology of Music.
• Devine, Kyle (2019). Decomposed: The Political Ecology of Music.
• Devine, Kyle (2019). Vinyl: More Sustainable Than You Think?
• Devine, Kyle (2019). The World Remade. [Internett]. Reasonably Sound (podcast).
• Devine, Kyle; Brennan, Matt & Collinson Scott, Jo (2019). The Cost of Music.
• Devine, Kyle (2019). E-mails, applications mobiles, centres de données : le numérique, un véritable glouton énergétique. [Internett]. L'Orient-Le Jour.
• Devine, Kyle (2019). The Internet’s Carbon Footprint. [Internett]. IRL: Online Life is Real Podcast.
• Devine, Kyle (2019). Vinyle ou streaming : quel support musical pollue le plus la planète ? [Internett]. Télérama.
• Devine, Kyle (2019). The Slow Violence of Music: An Infrastructural History of Sound Reproduction.
• Brennan, Matt & Devine, Kyle (2019). Music streaming has a far worse carbon footprint than the heyday of records and CDs—new findings. The Conversation. ISSN 2201-5639.
• Devine, Kyle (2019). Real Cost of Streaming. [Radio]. Cape Talk (South Africa).
• Devine, Kyle (2019). Noise pollution: What you need to know about the carbon footprint of streaming music. [Internett]. Canadian Broadcasting Corporation.
• Devine, Kyle (2019). Streaming Music Shamed for its Inadvertent Carbon Output. [Internett]. Gizmodo.
• Devine, Kyle (2019). Digital Music Consumption Has Led to Increase in Greenhouse Gas Emissions, New Study Finds. [Internett]. Billboard.
• Devine, Kyle (2019). Emissions From Music Consumption Reach Unprecedented High, Study Shows. [Internett]. Pitchfork.
• Devine, Kyle (2019). Is streaming music worse for the environment than buying CDs and records? [Internett]. Australian Broadcasting Corporation.
• Devine, Kyle (2019). Is Streaming Music Dangerous to the Environment? One Researcher Is Sounding the Alarm. [Internett]. Rolling Stone.
• Devine, Kyle (2018). Musicology Without Music?
• Nielsen, Nanette; Devine, Kyle; Hagen, Per Ole & Gadir, Tami (2017). How We Got into Academia, and How to Get (More) Out of It: Ideas Entrepreneurship in Action.
• Devine, Kyle (2017). Making Infrastructures Audible: An Introduction.
• Devine, Kyle (2017). Recorded Music and the Capitalist World System.
• Devine, Kyle (2017). Plastic Makes Perfect: Popular Music Before Production and After Consumption.
• Devine, Kyle (2017). Recorded Music: Theory and Plastic.
• Devine, Kyle (2016). Out of Sight, Out of Mind: Music, Materiality, Infrastructure.
• Devine, Kyle (2016). Bugs, Rocks, Oil, and Light: Material Politics and Recordings as Cultural Artifacts.
• Devine, Kyle (2016). Organized Sound: Music, Media, Infrastructure.
• Devine, Kyle (2016). Even in the Quietest Moments: Loudness and Power in “Speaker Culture”.
• Devine, Kyle & Everrett, Tom (2015). Solid Sound? Staging, Perspective, and Practice in the History of Stereo.
• Devine, Kyle (2015). The Material Intensity of Listening to Music as Data: Ruptures and Continuities.
• Devine, Kyle (2016). Sound Media Research Report. Canada Science and Technology Museum.

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