Áine Mangaoang

Førsteamanuensis
Bilde av Áine  Mangaoang
English version of this page
Telefon +4722854758
Rom 336
Brukernavn
Besøksadresse Institutt for musikkvitenskap ZEB-bygning Blindern 0315 Oslo
Postadresse Postboks 1017 Blindern 0315 Oslo Norway
Emneord: Musikkvitenskap, Kulturhistorie, Media, Populærmusikk, Musikkhistorie, Musikk og medier, Ethnomusicology, Nordic

Publikasjoner

  • Mangaoang, Áine Ryan (2024). Embodied Music: Interpreting Songs and Sounds through Irish Sign Language. Journal of the Society for Musicology in Ireland. ISSN 1649-7341. doi: 10.35561/JSMI19.6. Fulltekst i vitenarkiv
  • Mangaoang, Áine (2023). (Be)Longing: Irish Musicking and Place-Making in Oslo, Norway. I Pardue, Derek; Kenny, Ailbhe & Young, Katie (Red.), Sonic Signatures: Music, Migration and the City at Night. University of Chicago Press. ISSN 9781789386998. s. 159–179. Fulltekst i vitenarkiv
  • Mangaoang, Áine (2022). Shakespear's Sister, "Stay"(1992). I Hill, Sarah (Red.), One-Hit Wonders: An Oblique History of Popular Music. Bloomsbury Academic. ISSN 9781501368417.
  • Mangaoang, Áine (2021). “A reward rather than a right”: Facilitators’ perspectives on the place of music in Norwegian prison exceptionalism. Musicae Scientiae. ISSN 1029-8649. Fulltekst i vitenarkiv
  • Mangaoang, Áine (2020). "I See Music": Beyoncé, YouTube, and the Question of Signed-Songs. I Marshall, Melanie L. & Iddon, Martin (Red.), Beyoncé: At Work, On Screen, and Online. Indiana University Press. ISSN 9780253052841. s. 189–225.
  • Mangaoang, Áine (2020). Scenes and Networks. I Mangaoang, Áine; O'Flynn, John & Ó Briain, Lonán (Red.), Made in Ireland: Studies in Popular Music. Routledge. ISSN 9781138336032. s. 169–172.
  • Mangaoang, Áine (2020). Songs of Love: A Conversation with Neil Hannon (The Divine Comedy). I Mangaoang, Áine; O'Flynn, John & Ó Briain, Lonán (Red.), Made in Ireland: Studies in Popular Music. Routledge. ISSN 9781138336032. s. 248–262.
  • Mangaoang, Áine; O'Flynn, John & Ó Briain, Lonán (2020). Popular Music in Ireland: Mapping the Field. I Mangaoang, Áine; O'Flynn, John & Ó Briain, Lonán (Red.), Made in Ireland: Studies in Popular Music. Routledge. ISSN 9781138336032. s. 1–16.
  • Mangaoang, Áine (2019). Music and Tourism. I Buckley, John & O'Flynn, John (Red.), Ceol Phádraig: Music at St Patrick's College Drumcondra, 1875-2016. Peter Lang Publishing Group. ISSN 978-1-78997-622-9. s. 205–222. doi: https:/doi.org/10.3726/b16407.
  • O'Flynn, John & Mangaoang, Áine (2019). Sounding Dublin: Mapping Popular Music Experience in the City. Journal of World Popular Music. ISSN 2052-4900. 6(1), s. 32–61. doi: 10.1558/jwpm.34372.
  • Mangaoang, Áine (2018). 'Here Lies Love' and the Politics of Disco-Opera. I Scotto, Ciro; Smith, Kenneth M. & Brackett, John (Red.), The Routledge Companion to Popular Music Analysis: Expanding Approaches. Routledge. ISSN 9781138683112. s. 347–363. doi: 10.4324/9781315544700-24.
  • Mangaoang, Aine (2014). Performing the Postcolonial: Politicised Prison Spectacles & the Neocolonial Subject. Postcolonial Text. ISSN 1705-9100. 9(4).
  • Mangaoang, Aine (2013). Dancing to Distraction: Mediating ‘Docile Bodies’ in ‘Philippine Thriller Video’. Journal on Rehabilitation of Torture Victims and Prevention of Torture. ISSN 1018-8185. 23(2), s. 44–54.

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  • Mangaoang, Áine Ryan (2023). Sounding Dissent: Rebel Songs, Resistance, and Irish Republicanism. By Stephen R. Millar. Ann Arbor, MI: University of Michigan Press, 2020. 264 pp. ISBN 978-0-472-13194-5. Popular Music. ISSN 0261-1430. 42(2), s. 211–214. doi: 10.1017/S0261143023000077.
  • Mangaoang, Áine Ryan & Cathcart Frödén, Lucy (2023). Songs from the Inside.
  • Mangaoang, Áine (2022). Music and Incarceration.
  • Mangaoang, Áine (2022). Prisons of Note: Music in the Age of Mass Incarceration.
  • Mangaoang, Áine (2022). Music connects inmates in Norwegian prisons to the outside world (News Article). [Internett]. Journalism.
  • Mangaoang, Áine (2022). Musikk knyt innsette i norske fengsel til verda utanfor (Av Silje Pileberg).
  • Mangaoang, Áine (2022). Björk, Homogenic (1997). I McGuirk, Niall & Murphy, Michael M. (Red.), Punks Listen. Hope Publications. ISSN 9780995547520.
  • Mangaoang, Áine (2022). Prisons of Note: Mapping music in prisons from the periphery (Keynote address).
  • Mangaoang, Áine (2021). Episode 5: Made in Ireland with Áine Mangaoang and John O'Flynn. Lines On Music: Conversations on the Study and Performance of Music (podcast hosted by Jeremiah Spillane). [Internett]. Podcast.
  • Mangaoang, Áine Ryan (2021). Music in Norwegian Prisons.
  • Mangaoang, Áine (2021). Mapping music and nuances in penal exceptionalism from the periphery.
  • Mangaoang, Áine (2021). Singing Restorative Justice: Norwegian Prison Music Exceptionalism?
  • Mangaoang, Áine; O'Flynn, John & Ó Briain, Lonán (2020). Made in Ireland booklaunch.
  • Mangaoang, Áine (2020). Creative freedom? The place of music in Norwegian prisons.
  • Mangaoang, Áine & Western, Thomas James (2020). Music, Sound, and Power in Contemporary Places of Detention .
  • Mangaoang, Áine (2020). Music, Sound, and Power in Contemporary Places of Detention: Ethno-Activist Approaches in Ireland, Greece, Norway (panel).
  • Mangaoang, Áine; O'Flynn, John; Ó Briain, Lonán; Jones, Jaime & Dillane, Aileen (2020). Made in Ireland: Notes from a small island (panel).
  • Mangaoang, Áine (2020). Retromania? Problematizing Popular Music Heritage Futures.
  • Mangaoang, Áine (2020). Music video on the margins: Performing citizenship on YouTube.
  • Mangaoang, Áine (2020). "Listen to the song here in my heart”: Beyoncé, YouTube and Signed Songs.
  • Jones, Ellis Nathaniel; Mangaoang, Áine & de Boise, Sam (2020). Panel discussion: online participatory music cultures today.
  • Mangaoang, Áine (2019). Soundscapes of Utopia: The Place of Music in Norwegian Prisons.
  • Mangaoang, Áine (2019). Hearing Halden: A Case Against Nordic Prison Exceptionalism.
  • Mangaoang, Áine (2019). Book Presentation.
  • Mangaoang, Áine (2019). Dangerous Mediations.
  • Mangaoang, Áine (2018). Arts in Detention (panel).
  • Mangaoang, Áine (2018). Sounding Contemporary Carceral Cultures.
  • Mangaoang, Áine (2018). Music on the Margins.
  • Mangaoang, Áine (2018). Music in prisons: International perspective.
  • Mangaoang, Áine (2018). Permeable Bars.
  • Mangaoang, Áine (2018). On songs and protest.
  • Mangaoang, Áine (2018). Music and Prisons in Global Perspective (Public Policy Panel sponsored by the SEM board).
  • Mangaoang, Áine (2017). The Brief. [Internett]. Silent Frame: the art of discovery.
  • Mangaoang, Áine (2017). Fanger måtte danse som Michael Jackson. [Internett]. Det humnistiske fakultet forskning, Universitetet i Oslo .
  • Mangaoang, Áine (2017). Prisons of Note: Nordic perspectives.
  • Mangaoang, Áine & O'Flynn, John (2017). Mapping the city margins? Popular Music experience, representation and memory.
  • Mangaoang, Áine (2017). Critical Approaches to Music in Detention.
  • Mangaoang, Áine (2017). Dangerous Mediations: Pop Music in a Philippine Prison.
  • Mangaoang, Áine (2017). Prisons of Note.
  • Mangaoang, Áine (2016). The Popular Music Archive at the Institute of Popular Music, University of Liverpool. [Radio]. Liverpool Jazz Radio Show, Liverpool Community Radio.
  • Mangaoang, Áine (2016). "What is the signature sound of Dublin city?" by Jim Carroll. [Avis]. The Irish Times.
  • Mangaoang, Áine & O'Flynn, John (2016). Dublin Music Map. DOI: 10.13140.
  • Mangaoang, Áine & O'Flynn, John (2016). Applying Digital, Ecological, and Experimental Methodologies to Fieldwork.
  • Mangaoang, Áine (2016). Towards a Public Musicology?
  • Mangaoang, Aine (2016). Popular Music Archive. [Radio]. BBC Radio Merseyside.
  • Mangaoang, Aine (2016). Music, Photographs & Stories from the Archives. [Internett]. Short Film .
  • Mangaoang, Aine & O'Flynn, John (2016). ‘Raised on songs and stories’: Creating and mediating Dublin’s musical pasts and present through conversation.
  • Mangaoang, Aine & Cohen, Sara (2016). Music, Photographs & Stories from the Archives.
  • Mangaoang, Aine (2016). Popular music in third level education.
  • Mangaoang, Aine (2016). Five Songs.
  • Mangaoang, Aine (2016). Mapping Popular Music.
  • Mangaoang, Aine (2016). Popular music research today: from music mapping to prison rehabilitation.
  • Mangaoang, Aine (2016). Keynote Lecture. Visualising Beyoncé: Intersectionality and the Art of Signed Song.
  • Mangaoang, Áine (2015). "Researchers are ‘Mapping’ Dublin’s Music Scene" by Lauli Foroudi. [Avis]. Dublin Inquirer .
  • Mangaoang, Áine (2015). Totally Irish 98FM radio show with John Barker.
  • Mangaoang, Áine (2015). Where the Streets Have No Name: Approaching Dublin’s Music Tourism Potential.
  • Mangaoang, Áine (2015). The Panaudicon: Mobile Music, and the Politics of Prison Rehabilitation.
  • Mangaoang, Áine (2015). Rethinking Deaf Ears: Music Video, Digital Media, and Deaf Cultur.
  • Mangaoang, Aine (2015). ‘Order 1081’: Martial Law at the Discothèque.
  • Mangaoang, Aine & Western, Thomas (2015). IASPM UK & Ireland Biennial Conference Review. International Association for the Study of Popular Music UK & Ireland Annual Newsletter. 31, s. 8–11.
  • Mangaoang, Aine (2015). Sounding Dublin: Mapping Contemporary Popular Music Experience in the ‘City of a Thousand Bands’.
  • Mangaoang, Aine & O'Flynn, John (2015). Mapping Popular Music in Dublin.
  • Mangaoang, Áine (2014). Performing the postcolonial in the Philippine prison music.
  • Mangaoang, Áine (2014). Mediating Loss and Nostalgia in YouTube Music Videos.
  • Mangaoang, Aine (2014). Dangerous Mediations: Pop Music, Viral Video & YouTube aesthetics.
  • Mangaoang, Aine (2014). Dance Like Everybody’s Watching: Remediation in Online Home Dance Videos.
  • Mangaoang, Aine (2014). Music & Digital Ethnography (Or, everything I know about music I’ve learned from YouTube).
  • Mangaoang, Aine (2014). Music & Digital Cultures.
  • Mangaoang, Aine (2014). Media & Popular Music (Media Topics). Popular Music. ISSN 0261-1430. 33(1), s. 155–157.
  • Mangaoang, Áine (2013). Remix, Reinvent, Reimagine: Experiencing Philippine Popular Music in the Digital Age.
  • Mangaoang, Áine (2013). ‘Emo Disco’: Euphoria, Intimacy & Power in David Byrne’s song cycle Here Lies Love.
  • Mangaoang, Aine (2013). Therapy or Torture?: YouTube, & the Dancing Inmates of Cebu.
  • Mangaoang, Aine (2013). Understanding Music Video & YouTube.
  • Mangaoang, Aine (2013). Blurred Lines: Misogyny & Sexism in Popular Music.
  • Mangaoang, Áine (2012). Michael Jackson & the Digital Panopticon.
  • Mangaoang, Áine (2012). The Digital Communitarian: Pop Music in Contemporary Participatory Culture.
  • Mangaoang, Áine (2012). Jailhouse Rock: Viral video & penal spectacle.
  • Mangaoang, Aine (2012). ‘It’s More Fun in the Philippines’: Negotiating Philippine Musical Identity after Digital Media.
  • Mangaoang, Aine (2011). Thriller.
  • Mangaoang, Aine (2011). Drawn to Sound: Animation Film Music & Sonicity. Music, Sound, and the Moving Image. ISSN 1753-0768. 5(2), s. 179–184.
  • Mangaoang, Aine (2008). Already Sleeping / Hidden Hands.
  • Mangaoang, Aine (2007). Safekeeping.
  • Mangaoang, Aine (2016). Sing Out With Strings End of Year Report 2016: Staff Perspectives. Irish Chamber Orchestra.
  • Mangaoang, Aine & O'Flynn, John (2016). Mapping Popular Music in Dublin: Executive Report. DOI: 10.13140. Fáilte Ireland.
  • Mangaoang, Aine (2015). Dangerous Mediations: YouTube, Pop Music & Power in a Philippine Prison Video. University of Liverpool.
  • Mangaoang, Aine (2015). Sing Out with Strings End of Year Report 2015: Children’s Perspective. Irish Chamber Orchestra.

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Publisert 4. okt. 2016 10:24 - Sist endret 15. feb. 2024 11:22