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TIME – Timing and Sound in Musical Microrhythm

When does a beat actually happen in time? What part of the beat’s sound constitutes its temporal position, and how does this perception or judgment depend upon a listener’s music-cultural background?

Musicians in the street at a parade.

Photo: Belo Horizonte, by Prefeitura de Belo Horizonte,(CC BY-SA 2.0)

About the project

The project Timing and Sound in Musical Microrhythm (TIME) will conduct comparative investigations of four different rhythmic genres – jazz, electronic dance music, R&B/hip-hop and Scandinavian fiddle music – in order to gain new insights into the relationship between temporal and sound-related aspects of musical perception and performance.

Objectives

The aim of the project is to understand the micro level of auditory perception and the role of cultural background and/or training in music in this regard.

Financing

TIME is a TOPPFORSK project funded by the Research Council of Norway and the University of Oslo.

Duration

October 2016 - March 2022
 

Photo: Håkon Høgemo & Judith Vestreim, by David Zadig, (CC BY-SA 2.0)

Publications

  • Anne Danielsen (2018). Time and Time Again: Repetition and Difference in Repetitive Music, In Olivier Julien & Christophe Levaux (ed.),  Over and Over. Exploring Repetition in Popular Music.  Bloomsbury Academic.  ISBN 9781501324888.  kapittel 2.
  • Anne Danielsen (2018). Music, media and technological creativity in the digital age. Nordisk musikkpedagogisk forskning : Årbok.  ISSN 1504-5021.  18, s 9- 22
  • Kristian Nymoen; Anne Danielsen & Justin London (2017). Validating Attack Phase Descriptors Obtained by the Timbre Toolbox and MIRtoolbox, In Vesa Välimäki; Tapio Lokki & Jukka Pätynen (ed.),  Proceedings of the 14th Sound and Music Computing Conference 2017.  Aalto University.  ISBN 978-952-60-3729-5.  KAPITTEL.  s 214 - 219
  • Mari Romarheim Haugen (2017). Investigating Musical Meter as Shape: Two Case Studies of Brazilian Samba and Norwegian Telespringar, In Edith Van Dyck (ed.),  Proceedings of the 25th Anniversary Conference of the European Society for the Cognitive Sciences of Music.  IPEM, University of Ghent, Belgium.  Article in proceedings.  s 67 - 74
  • Ragnhild Brøvig-Hanssen & Anne Danielsen (2017). Music Production: Recording Technology and Acousmatic Listening, In Renee Timmers & Richard D Ashley (ed.),  The Routledge Companion to Music Cognition.  Routledge.  ISBN 9781138721050.  kapittel 16.
  • Anne Danielsen (2017). Struktur og performativitet: mikrorytmikk i afroamerikansk populærmusikk. Svensk tidskrift för musikforskning.  ISSN 2002-021X.  99, s 3- 19

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  • Anne Danielsen; Mats Sigvard Johansson & Mari Romarheim Haugen (2018). Presentasjon av TIME-prosjektet.
  • Anne Danielsen & Alexander Refsum Jensenius (2018). The Norwegian Centre of Excellence RITMO Centre for Interdisciplinary Studies in Rhythm, Time and Motion.
  • Anne Danielsen & Alexander Refsum Jensenius (2018). Rytme i tid og rom.
  • Anne Danielsen (2018). Analysing Popular Music in the Digital Age.
  • Mari Romarheim Haugen (2018). The Effect of Tempo on Non-Isochronous Subdivisions in Performed Samba Groove.
  • Anne Danielsen (2018). Microrhythms and Microsounds: The impact of digitization on African-American popular music.
  • Justin London; Anne Danielsen & Kristian Nymoen (2018). Where is the beat in that note? Effects of attack, frequency, and duration on the p-centers of musical and quasi-musical sounds.
  • Ragnhild Brøvig-Hanssen; Bjørnar Sandvik & Jon Marius Aareskjold (2018). EDM Producers' Reflections on Groove.
  •  (2018). UiOs innovasjonspris til RITMO ved Anne Danielsen og Alexander Refsum Jensenius.
  •  (2018). På sporet av rytmen.
  •  (2018). Hva er en sommerhit?.
  •  (2018). Intervju om Aretha Franklin i Dagsnytt, NRK 2.
  •  (2018). Intervju om Aretha Franklin til NTB.
  • Anne Danielsen (2017). Kvalitet i rytmisk musikk.
  • Anne Danielsen (2017). Paneldeltakelse i serien Musikklære på Nasjonalbiblioteket, tema "Rytme".
  • Anne Danielsen (2017). Paneldeltakelse i serien Musikklære på Nasjonalbiblioteket, tema "Låten".
  • Anne Danielsen; Justin London & Kristian Nymoen (2017). Mapping the Beat Bin: The Effects of Rise Time, Duration, and Frequency Range on the Perceived Timing of Musical Sounds.
  • Anne Danielsen (2017). Experimental hip-hop and the meanings of glitched grooves.
  • Anne Danielsen (2017). Rhythm and Groove in African-American Popular Music.
  • Anne Danielsen; Kristian Nymoen; Mari Romarheim Haugen & Guilherme Schmidt Câmara (2017). Project presentation: Timing and Sound in Musical Microrhythm (TIME).
  • Anne Danielsen (2017). Digital Signatures. The Impact of Digitization on Popular Music Sound.
  • Anne Danielsen (2017). Populærmusikk og mediering i den digitale tidsalder.
  • Kristian Nymoen; Anne Danielsen & Justin London (2017). Validating Attack Phase Descriptors Obtained by the Timbre Toolbox and MIRtoolbox.
  • Mari Romarheim Haugen (2017). Investigating Musical Meter as Shape: Two Case Studies of Brazilian Samba and Norwegian Telespringar.
  • Anne Danielsen; Justin London & Kristian Nymoen (2017). Mapping the beat bin: Effects of rise time, duration and frequency range on the perceived timing (P-center) of musical sounds.
  • Justin London; Kristian Nymoen; Marc Thompson; David Loberg Code & Anne Danielsen (2017). Where is the beat in that note? Comparing methods for identifying the p-center of musical sounds.
  • Justin London; Kristian Nymoen; Marc Thompson; David Loberg Code & Anne Danielsen (2017). Where is the beat in that note? Comparing methods for identifying the p-center of musical sounds.
  • Anne Danielsen (2017). Timing and Sound in Musical Microrhythm: Theoretical, Aesthetic and Empirical Aspects.
  • Ragnhild Brøvig-Hanssen & Bjørnar Sandvik (2017). Does Compression Influence Timing? A Case Study in EDM Music.
  • Ragnhild Brøvig-Hanssen & Bjørnar Sandvik (2017). Dynamic Range Compression’s Influence on Perceived Timing in EDM Music.
  • Ragnhild Brøvig-Hanssen & Bjørnar Sandvik (2017). Dynamic Range Processing’s Influence on Perceived Timing.
  • Ragnhild Brøvig-Hanssen & Bjørnar Sandvik (2017). Dynamic Range Compression’s Influence on Perceived Timing.
  • Anne Danielsen (2017). The perception, aesthetics, and cultural values of 'glitched' grooves.
  • Anne Danielsen (2017). P-centres and beat bins - an introduction to the TIME project.
  • Anne Danielsen (2017). Methodologies in Record Production Research (Panel).
  • Anne Danielsen (2016). Investigating the perception of sound-timing relationships in recorded (real) music.

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Tags: Rhythm and Groove, Popular Music, Music Psychology
Published Aug. 24, 2016 10:19 AM - Last modified Sep. 24, 2018 9:43 AM