Norwegian version of this page

Publications

Our latest publications registered in Cristin.

  • Anne Danielsen (2018). Time and Time Again: Repetition and Difference in Repetitive Music, In Olivier Julien & Christophe Levaux (ed.),  Over and Over. Exploring Repetition in Popular Music.  Bloomsbury Academic.  ISBN 9781501324888.  kapittel 2.
  • Ragnhild Brøvig-Hanssen (2018). Listening To or Through Technology: Opaque and Transparent Mediation, In Samantha Bennett & Eliot Bates (ed.),  Critical Approaches to the Production of Music and Sound.  Bloomsbury Academic.  ISBN 9781501332.  Chapter 11.  s 195 - 210
  • Alexander Refsum Jensenius (2018). Methods for Studying Music-Related Body Motion, In Rolf Bader (ed.),  Springer Handbook of Systematic Musicology.  Springer Nature.  ISBN 978-3-662-55002-1.  38.  s 805 - 818
  • Victor Evaristo Gonzalez Sanchez; Charles Patrick Martin; Agata Zelechowska; Kari Anne Vadstensvik Bjerkestrand; Victoria Johnson & Alexander Refsum Jensenius (2018). Bela-based augmented acoustic guitars for sonic microinteraction, In Doug Bowman; Tom Martin & Luke Dahl (ed.),  Proceedings of the International Conference On New Interfaces For Musical Expression.  Virginia Tech.  Chapter.  s 324 - 327
  • Charles Patrick Martin; Alexander Refsum Jensenius & Jim Tørresen (2018). Composing an ensemble standstill work for Myo and Bela, In Luke Dahl; Tom Martin & Doug Bowman (ed.),  Proceedings of the International Conference On New Interfaces For Musical Expression.  Virginia Tech.  KAPITTEL.  s 196 - 197
  • Stefania Serafin; Sofia Dahl; Roberto Bresin; Alexander Refsum Jensenius; Runar Unnthorsson & Vesa Välimäki (2018). NordicSMC: A Nordic University Hub on Sound and Music Computing, In Anastasia Georgaki (ed.),  Proceedings of the Sound and Music Computing Conference.  Cyprus University of Technology.  KAPITTEL.
  • Alexander Refsum Jensenius (2018). The Musical Gestures Toolbox for Matlab, In Xiao Hu; Emmanouil Benetos; Eric Humphrey & Emilia Gómez (ed.),  Proceedings of the 19th International Society for Music Information Retrieval Conference.  Institut de Recherche et Coordination Acoustique/Musique.  ISBN 978-2-9540351-2-3.  Demo.
  • Guilherme Schmidt Câmara & Anne Danielsen (2018). Groove, In Rings Steven & Rehding Alexander (ed.),  The Oxford Handbook of Critical Concepts in Music Theory.  Oxford University Press.  ISBN 9780190454746.  Groove.
  • Tejaswinee Kelkar; Udit Roy & Alexander Refsum Jensenius (2018). Evaluating a collection of Sound-Tracing Data of Melodic Phrases, In Emilia Gómez; Eric Humphrey; Xiao Hu & Emmanouil Benetos (ed.),  Proceedings of the 19th International Society for Music Information Retrieval Conference.  Institut de Recherche et Coordination Acoustique/Musique.  ISBN 978-2-9540351-2-3.  KAPITTEL.
  • Olivier Lartillot; Hans-Hinrich Thedens & Alexander Refsum Jensenius (2018). Computational model of pitch detection, perceptive foundations, and application to Norwegian fiddle music, In Richard Parncutt & Sabrina Sattmann (ed.),  Proceedings of ICMPC15/ESCOM10.  Centre for Systematic Musicology, University of Graz.  ISBN 978-3-200-05771-5.  article.  s 252 - 255
  • Anne Danielsen (2018). Pulse as Dynamic Attending: Analysing Beat Bin Metre in Neo Soul Grooves, In Ciro Scotto; Kenneth M. Smith & John Brackett (ed.),  The Routledge Companion to Popular Music Analysis: Expanding Approaches.  Routledge.  ISBN 9781138683112.  Chapter 12.

View all works in Cristin

  • Alexander Refsum Jensenius (2018). The importance of "nothing": studying human music-related micromotion.
  • Alexander Refsum Jensenius (2018). Studying "nothing": complexities of human music-related micromotion.
  • Alexander Refsum Jensenius; Michael Francis Duch; Jørgen Langdalen; Tone Åse; Edvine Larsen & Tone Pernille Østern (2018). Kunsten å forske.
  • Anne Danielsen (2018). RITMO - a center for interdisciplinary research into rhythm, time and motion.
  • Anne Danielsen (2018). Veien til RITMO: Fra musikkestetikk til tverrfaglig rytmeforskning.
  • Anne Danielsen; Mats Sigvard Johansson & Mari Romarheim Haugen (2018). Presentasjon av TIME-prosjektet.
  • Alexander Refsum Jensenius (2018). Kunnskapsledelse av et Senter for fremragende forskning.
  • Alexander Refsum Jensenius (2018). Introduction to Musical Gestures Toolbox for Matlab.
  • Alexander Refsum Jensenius (2018). Hvilken type IKT-kompetanse trenger humanister og samfunnsvitere?.
  • Kristian Nymoen (2018). Music Information Retrieval.
  • Kristian Nymoen (2018). Soundtracer - Et innblikk i innholdsbasert arkivsøk.
  • Alexander Refsum Jensenius (2018). Comments on Open Science - Do we need a national action plan?.
  • Alexander Refsum Jensenius (2018). The recording and use of videos from music events – how to balance ethical requirements and FAIR principles using data from live concerts, music performances and the like?.
  • Alexander Refsum Jensenius (2018). Åpen forskning - et humanistisk-teknologisk perspektiv.
  • Alexander Refsum Jensenius (2018). How I try to do it FAIR.
  • Alexander Refsum Jensenius (2018). RITMO - et nytt senter for fremragende forskning.
  • Anne Danielsen & Alexander Refsum Jensenius (2018). The Norwegian Centre of Excellence RITMO Centre for Interdisciplinary Studies in Rhythm, Time and Motion.
  • Alexander Refsum Jensenius; Njål Sparbo; Sagar Sen & Elisabeth Edvardsen (2018). Breath, breathing and the sensing of breathing.
  • Jim Tørresen (2018). Artificial Intelligence – State-of-the-art.
  • Jim Tørresen (2018). Roboter kommer nærmere – skal vi glede eller grue oss?.
  • Anne Danielsen & Alexander Refsum Jensenius (2018). Rytme i tid og rom.
  • Charles Patrick Martin (2018). Creative Prediction with Neural Networks.
  • Alexander Refsum Jensenius (2018). Sophus Bugges Salong: Rytmer og følelser.
  • Alexander Refsum Jensenius; Anne Danielsen; Justin London; Katja Henriksen Schia & Filip Abramczyk (2018). Intellectual warm-up: "Rhythm".
  • Alexander Refsum Jensenius (2018). Motion Capture in Music Performance, Perception and Interaction.
  • Jim Tørresen (2018). Remote Lab and Applications for High Performance and Embedded Architectures.
  • Charles Patrick Martin; Alexander Refsum Jensenius & Jim Tørresen (2018). Composing an ensemble standstill work for Myo and Bela.
  • Stefania Serafin; Sofia Dahl; Roberto Bresin; Alexander Refsum Jensenius; Runar Unnthorsson & Vesa Välimäki (2018). NordicSMC: A Nordic University Hub on Sound and Music Computing.
  • Yuta Suzuki; Tetsuto Minami; Bruno Laeng & Shigeki Nakauchi (2018). The differential effect of glowing appearance in the glare illusion: evidence from pupillometry.
  • Fumiyaki Sato; Bruno Laeng; Shigeki Nakauchi & Tetsuto Minami (2018). Pupil dilation reflects "Viewing from above bias" in the effort to control perception.
  • Alexander Refsum Jensenius (2018). The Musical Gestures Toolbox for Matlab.
  • Alexander Refsum Jensenius (2018). Dans i musikkfaget i skolen.
  • Alexander Refsum Jensenius (2018). Introduction to the SoundTracer Project.
  • Olivier Lartillot (2018). Sound analysis for gestural interactions with large music datasets.
  • Agata Zelechowska; Victor Evaristo Gonzalez Sanchez & Alexander Refsum Jensenius (2018). How music moves us? Studying human body micromotion in music perception.
  • Victor Evaristo Gonzalez Sanchez; Charles Patrick Martin; Agata Zelechowska; Kari Anne Vadstensvik Bjerkestrand; Victoria Johnson & Alexander Refsum Jensenius (2018). Bela-based augmented acoustic guitars for sonic microinteraction.
  • Anne Danielsen (2018). Analysing Popular Music in the Digital Age.
  • John MacCallum:; Teoma Naccarato; Baptiste Caramiaux; Victor Evaristo Gonzalez Sanchez; Sarah Fdili Alaoui; Amy LaViers; Jean-Marc Matos; Jessica Rajko; Adam Russell & Sha Xin Wei (2018). Panel: What Escapes Computation in Interactive Performance?.
  • Victor Evaristo Gonzalez Sanchez & Alexander Refsum Jensenius (2018). Analysing the synchronisation of COM motion with music in human standing.
  • Jonna Katariina Vuoskoski (2018). Moved by music: The role of empathy and social cognition in music-induced emotions (keynote lecture).
  • Jonna Katariina Vuoskoski; Eric F. Clarke & Paul Elvers (2018). Comparing the effects of music and images on implicit cultural attitudes.
  • Mari Romarheim Haugen (2018). The Effect of Tempo on Non-Isochronous Subdivisions in Performed Samba Groove.
  • Olivier Lartillot; Hans-Hinrich Thedens & Alexander Refsum Jensenius (2018). Computational model of pitch detection, perceptive foundations, and application to Norwegian fiddle music.
  • Anne Danielsen (2018). Microrhythms and Microsounds: The impact of digitization on African-American popular music.
  • Alexander Refsum Jensenius (2018). Fremtiden er analog - perspektiver på humaniora og teknologi.
  • Justin London; Anne Danielsen & Kristian Nymoen (2018). Where is the beat in that note? Effects of attack, frequency, and duration on the p-centers of musical and quasi-musical sounds.
  • Ragnhild Brøvig-Hanssen & Aram Sinnreich (2018). Do You Wanna Build a Wall? Remix Tactics in the Age of Trump.
  • Ragnhild Brøvig-Hanssen; Jon Marius Aareskjold & Bjørnar Sandvik (2018). EDM Producers' Reflections on Groove.
  • Victor Evaristo Gonzalez Sanchez; Agata Zelechowska & Alexander Refsum Jensenius (2018). Muscle activity response of the audience during an experimental music performance.
  • Einar Duenger Bøhn; Anna Colette Smajdor & Alexander Refsum Jensenius (2018). Humaniora og teknologi.
  • Jim Tørresen (2018). Intelligent Systems for Medical and Healthcare Applications.
  • Jim Tørresen & Bruno Laeng (2018). UiO/ROBIN – Toyohashi University of Technology/Japan seminar.
  • Mari Romarheim Haugen (2018). Meter i Skandinavisk folkemusikk.
  • Sofia Dahl & George Sioros (2018). Rhythmic recurrency in dance to music with ambiguous meter.
  • Georgios Sioros (2018). What we do when we move to music v.2.
  • Ximena Alarcón Diaz (2018). INTIMAL: Migrant Women's Sonic Statements of Presence.
  • Olivier Lartillot (2018). Computational musicological analysis of notated music: a brief overview.
  • Ellis Nathaniel Jones (2018). Imagining an audience in DIY music.
  • Ellis Nathaniel Jones (2018). DIY as the new default.
  • Ellis Nathaniel Jones (2018). Are platforms 'deskilling' musicians?.
  • Alexander Refsum Jensenius (2017). Åpen forskning - et humanistisk-teknologisk perspektiv.
  • Victor Evaristo Gonzalez Sanchez; Agata Zelechowska & Alexander Refsum Jensenius (2017). The influence of music in people's standstill.
  • Jim Tørresen (2017). Brazilian Student Exchange Opportunities to University of Oslo.
  • Alexander Refsum Jensenius (2017). Quantitative Video analysis for Qualitative Research.
  • Kyrre Glette (2017). ROBIN: Robotics, Intelligent Systems and Evolutionary Computation.
  • Kyrre Glette (2017). Robotikk og kunstig intelligens.
  • Alexander Refsum Jensenius (2017). Kognisjon, musikk og teknologi.
  • Alexander Refsum Jensenius (2017). Musikk og bevegelse.
  • Alexander Refsum Jensenius; Kari Anne Vadstensvik Bjerkestrand; Marco Donnarumma; Are Brean & Jo C. Bruusgaard (2017). Panel: Biophysical Music.
  • Anne Danielsen (2017). Paneldeltakelse i serien Musikklære på Nasjonalbiblioteket, tema "Rytme".
  • Alexander Refsum Jensenius (2017). Musikk og bevegelses-laben ved Institutt for musikkvitenskap.
  • Alexander Refsum Jensenius (2017). Status musikkteknologi ved UiO: forskning og undervisning.
  • Anne Danielsen (2017). Paneldeltakelse i serien Musikklære på Nasjonalbiblioteket, tema "Låten".
  • J.W.Y. Kam; J.J. Lin; Tor Endestad; Anne-Kristin Solbakk; P.G. Larsson; S. Griffin & Robert T. Knight (2017). Contributions of medial prefrontal cortex to internally directed attention.
  • S.J.K. Slama; Anne-Kristin Solbakk; Tor Endestad; P.G. Larsson; Jack J. Lin; D. King-Stephens; K.D. Laxer; P.B. Weber & Robert T. Knight (2017). Intracranial recordings define a cortical-mesial temporal network in top-down and bottom-up attention.
  • Anne Danielsen; Justin London & Kristian Nymoen (2017). Mapping the Beat Bin: The Effects of Rise Time, Duration, and Frequency Range on the Perceived Timing of Musical Sounds.
  • Skaansar Jo; Bruno Laeng & Danielsen Anne (2017). Pupil response reflects processing of microtiming in musical grooves: a study of musicians and non-musicians.
  • Fumiyaki Sato; Bruno Laeng; Shigeki Nakauchi & Tetsuto Minami (2017). Pupil dilation during perception of the Necker cube reflects the viewing-from-above bias.
  • Alexander Refsum Jensenius (2017). RITMO - Centre for Interdisciplinary Studies in Rhythm, Time and Motion.
  • Elizabeth L. Johnson; J.N. Adams; S.M. Griffin; Anne-Kristin Solbakk; Tor Endestad; P.G. Larsson; J. Parvizi; J.J. Lin & Robert T. Knight (2017). Dynamic frontotemporal systems for episodic working memory.
  • Elizabeth L. Johnson; C. Dewar; Anne-Kristin Solbakk; Tor Endestad; Torstein Ragnar Meling & Robert T. Knight (2017). Causal evidence that bidirectional frontoparietal rhythms support working memory.
  • Alexander Refsum Jensenius (2017). From resonating strings to autonomous electronic instruments - towards a new organology.
  • Anne Danielsen (2017). Timing and Sound in Musical Microrhythm: Theoretical, Aesthetic and Empirical Aspects.
  • Alexander Refsum Jensenius (2017). Touching the digital: acoustic resonances in an electronic world.
  • Jim Tørresen (2017). Artificial Intelligence and Examples of Real-world Applications.
  • Jim Tørresen (2017). Intelligent Machines – Opportunities and Challenges.
  • Alexander Refsum Jensenius; Tellef Kvifte; Kjell Tore Innervik; Charles Patrick Martin; Ragnhild Brøvig-Hanssen; Trond Lossius & Ximena Alarcón Diaz (2017). Panel: New Interfaces for Musical Expression.
  • Ragnhild Brøvig-Hanssen & Bjørnar Sandvik (2017). Does Compression Influence Timing? A Case Study in EDM Music.
  • Ragnhild Brøvig-Hanssen & Bjørnar Sandvik (2017). Dynamic Range Compression’s Influence on Perceived Timing in EDM Music.

View all works in Cristin

Published Feb. 15, 2018 9:36 AM - Last modified June 26, 2018 7:56 AM