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Publications

Our latest publications registered in Cristin.

  • Anne Danielsen (2018). Time and Time Again: Repetition and Difference in Repetitive Music, In Christophe Levaux & Olivier Julien (ed.),  Over and Over. Exploring Repetition in Popular Music.  Bloomsbury Academic.  ISBN 9781501324888.  kapittel 2.
  • Ragnhild Brøvig-Hanssen (2018). Listening To or Through Technology: Opaque and Transparent Mediation, In Samantha Bennett & Eliot Bates (ed.),  Critical Approaches to the Production of Music and Sound.  Bloomsbury Academic.  ISBN 9781501332.  Chapter 11.  s 195 - 210
  • Alexander Refsum Jensenius (2018). Methods for Studying Music-Related Body Motion, In Rolf Bader (ed.),  Springer Handbook of Systematic Musicology.  Springer Nature.  ISBN 978-3-662-55002-1.  38.  s 805 - 818
  • Victor Evaristo Gonzalez Sanchez; Charles Patrick Martin; Agata Zelechowska; Kari Anne Vadstensvik Bjerkestrand; Victoria Johnson & Alexander Refsum Jensenius (2018). Bela-based augmented acoustic guitars for sonic microinteraction, In Doug Bowman; Tom Martin & Luke Dahl (ed.),  Proceedings of the International Conference On New Interfaces For Musical Expression.  Virginia Tech.  Chapter.  s 324 - 327
  • Charles Patrick Martin; Alexander Refsum Jensenius & Jim Tørresen (2018). Composing an ensemble standstill work for Myo and Bela, In Doug Bowman; Tom Martin & Luke Dahl (ed.),  Proceedings of the International Conference On New Interfaces For Musical Expression.  Virginia Tech.  KAPITTEL.  s 196 - 197
  • Stefania Serafin; Sofia Dahl; Roberto Bresin; Alexander Refsum Jensenius; Runar Unnthorsson & Vesa Välimäki (2018). NordicSMC: A Nordic University Hub on Sound and Music Computing, In Anastasia Georgaki (ed.),  Proceedings of the Sound and Music Computing Conference.  Cyprus University of Technology.  KAPITTEL.
  • Tejaswinee Kelkar & Alexander Refsum Jensenius (2018). Analyzing Free-Hand Sound-Tracings of Melodic Phrases. Applied Sciences.  ISSN 2076-3417.  8
  • Anne Danielsen (2018). Music, media and technological creativity in the digital age. Nordisk musikkpedagogisk forskning : Årbok.  ISSN 1504-5021.  18, s 9- 22
  • Tuomas Eerola; Jonna Katariina Vuoskoski; Henna-Riikka Peltola; Vesa Putkinen & Katharina Schäfer (2018). Towards a more explicit account of the transformation: Reply to comments on "An integrative review of the enjoyment of sadness associated with music". Physics of Life Reviews.  ISSN 1571-0645.
  • Victor Evaristo Gonzalez Sanchez; Agata Zelechowska & Alexander Refsum Jensenius (2018). Correspondences Between Music and Involuntary Human Micromotion During Standstill. Frontiers in Psychology.  ISSN 1664-1078.  9
  • Kjersti Mæhlum Walle; Hillary Lynn Kyler; Jan Egil Nordvik; Frank Becker & Bruno Laeng (2017). Binocular rivalry after right-hemisphere stroke: Effects of attention impairment on perceptual dominance patterns. Brain and Cognition.  ISSN 0278-2626.  117, s 84- 96
  • Anne Danielsen (2017). Struktur og performativitet: mikrorytmikk i afroamerikansk populærmusikk. Svensk tidskrift för musikforskning.  ISSN 2002-021X.  99, s 3- 19

View all works in Cristin

  • Alexander Refsum Jensenius (2018). The importance of "nothing": studying human music-related micromotion.
  • Alexander Refsum Jensenius (2018). Studying "nothing": complexities of human music-related micromotion.
  • Alexander Refsum Jensenius; Michael Francis Duch; Jørgen Langdalen; Tone Åse; Edvine Larsen & Tone Pernille Østern (2018). Kunsten å forske.
  • Anne Danielsen (2018). RITMO - a center for interdisciplinary research into rhythm, time and motion.
  • Anne Danielsen (2018). Veien til RITMO: Fra musikkestetikk til tverrfaglig rytmeforskning.
  • Anne Danielsen; Mats Sigvard Johansson & Mari Romarheim Haugen (2018). Presentasjon av TIME-prosjektet.
  • Alexander Refsum Jensenius (2018). RITMO - et nytt senter for fremragende forskning.
  • Anne Danielsen & Alexander Refsum Jensenius (2018). The Norwegian Centre of Excellence RITMO Centre for Interdisciplinary Studies in Rhythm, Time and Motion.
  • Alexander Refsum Jensenius; Njål Sparbo; Sagar Sen & Elisabeth Edvardsen (2018). Breath, breathing and the sensing of breathing.
  • Jim Tørresen (2018). Artificial Intelligence – State-of-the-art.
  • Jim Tørresen (2018). Roboter kommer nærmere – skal vi glede eller grue oss?.
  • Jim Tørresen (2018). Remote Lab and Applications for High Performance and Embedded Architectures.
  • Charles Patrick Martin; Alexander Refsum Jensenius & Jim Tørresen (2018). Composing an ensemble standstill work for Myo and Bela.
  • Stefania Serafin; Sofia Dahl; Roberto Bresin; Alexander Refsum Jensenius; Runar Unnthorsson & Vesa Välimäki (2018). NordicSMC: A Nordic University Hub on Sound and Music Computing.
  • Alexander Refsum Jensenius (2018). Dans i musikkfaget i skolen.
  • Alexander Refsum Jensenius (2018). Introduction to the SoundTracer Project.
  • Agata Zelechowska; Victor Evaristo Gonzalez Sanchez & Alexander Refsum Jensenius (2018). How music moves us? Studying human body micromotion in music perception.
  • Victor Evaristo Gonzalez Sanchez; Charles Patrick Martin; Agata Zelechowska; Kari Anne Vadstensvik Bjerkestrand; Victoria Johnson & Alexander Refsum Jensenius (2018). Bela-based augmented acoustic guitars for sonic microinteraction.
  • Anne Danielsen (2018). Analysing Popular Music in the Digital Age.
  • John MacCallum:; Teoma Naccarato; Baptiste Caramiaux; Victor Evaristo Gonzalez Sanchez; Sarah Fdili Alaoui; Amy LaViers; Jean-Marc Matos; Jessica Rajko; Adam Russell & Sha Xin Wei (2018). Panel: What Escapes Computation in Interactive Performance?.
  • Victor Evaristo Gonzalez Sanchez & Alexander Refsum Jensenius (2018). Analysing the synchronisation of COM motion with music in human standing.
  • Jonna Katariina Vuoskoski (2018). Moved by music: The role of empathy and social cognition in music-induced emotions (keynote lecture).
  • Jonna Katariina Vuoskoski; Eric F. Clarke & Paul Elvers (2018). Comparing the effects of music and images on implicit cultural attitudes.
  • Mari Romarheim Haugen (2018). The Effect of Tempo on Non-Isochronous Subdivisions in Performed Samba Groove.
  •  (2018). Sverm-Pluck.
  •  (2018). Musikkprogram kan avsløre cerebral parese.
  •  (2018). Sverm-Resonans: interactive installation with resonating guitars and Bela.
  •  (2018). Står mot hverandre om hva som er best for å sikre topp forskning.
  •  (2018). Finner musikk ved å bevege hånden.
  •  (2018). #89: Alexander Jensenius: Slik danser du din egen musikk.
  •  (2018). Forskningsmøte mellom musikk og medisin.
  •  (2018). Mobilen finner musikk når du beveger hånden.
  •  (2018). Busca música dibujándo en el aire.
  •  (2018). UiOs innovasjonspris til RITMO ved Anne Danielsen og Alexander Refsum Jensenius.
  •  (2018). MusicLab - et nytt konsept for forskning og forskningsformidling.
  •  (2018). Hva er en sommerhit?.
  • Alexander Refsum Jensenius (2018). Kan musikk påvirke stillstanden din?. Forskning.no.  ISSN 1891-635X.
  • Alexander Refsum Jensenius (2017). Åpen forskning - et humanistisk-teknologisk perspektiv.
  • Victor Evaristo Gonzalez Sanchez; Agata Zelechowska & Alexander Refsum Jensenius (2017). The influence of music in people's standstill.
  • Jim Tørresen (2017). Brazilian Student Exchange Opportunities to University of Oslo.
  • Alexander Refsum Jensenius (2017). Quantitative Video analysis for Qualitative Research.
  • Kyrre Glette (2017). ROBIN: Robotics, Intelligent Systems and Evolutionary Computation.
  • Kyrre Glette (2017). Robotikk og kunstig intelligens.
  • Alexander Refsum Jensenius (2017). Kognisjon, musikk og teknologi.
  • Alexander Refsum Jensenius (2017). Musikk og bevegelse.
  • Alexander Refsum Jensenius; Kari Anne Vadstensvik Bjerkestrand; Marco Donnarumma; Are Brean & Jo C. Bruusgaard (2017). Panel: Biophysical Music.
  • Anne Danielsen (2017). Paneldeltakelse i serien Musikklære på Nasjonalbiblioteket, tema "Rytme".
  • Alexander Refsum Jensenius (2017). Musikk og bevegelses-laben ved Institutt for musikkvitenskap.
  • Alexander Refsum Jensenius (2017). Status musikkteknologi ved UiO: forskning og undervisning.
  • Anne Danielsen (2017). Paneldeltakelse i serien Musikklære på Nasjonalbiblioteket, tema "Låten".
  • Anne Danielsen; Justin London & Kristian Nymoen (2017). Mapping the Beat Bin: The Effects of Rise Time, Duration, and Frequency Range on the Perceived Timing of Musical Sounds.
  • Skaansar Jo; Bruno Laeng & Danielsen Anne (2017). Pupil response reflects processing of microtiming in musical grooves: a study of musicians and non-musicians.
  • Alexander Refsum Jensenius (2017). RITMO - Centre for Interdisciplinary Studies in Rhythm, Time and Motion.
  • Alexander Refsum Jensenius (2017). From resonating strings to autonomous electronic instruments - towards a new organology.
  • Anne Danielsen (2017). Timing and Sound in Musical Microrhythm: Theoretical, Aesthetic and Empirical Aspects.
  • Alexander Refsum Jensenius (2017). Touching the digital: acoustic resonances in an electronic world.
  • Jim Tørresen (2017). Artificial Intelligence and Examples of Real-world Applications.
  • Jim Tørresen (2017). Intelligent Machines – Opportunities and Challenges.
  • Alexander Refsum Jensenius; Tellef Kvifte; Kjell Tore Innervik; Charles Patrick Martin; Ragnhild Brøvig-Hanssen; Trond Lossius & Ximena Alarcón Diaz (2017). Panel: New Interfaces for Musical Expression.
  • Ragnhild Brøvig-Hanssen & Bjørnar Sandvik (2017). Does Compression Influence Timing? A Case Study in EDM Music.
  • Ragnhild Brøvig-Hanssen & Bjørnar Sandvik (2017). Dynamic Range Compression’s Influence on Perceived Timing in EDM Music.
  • Alexander Refsum Jensenius (2017). Humanities and technology - with a musicological twist.
  • Ragnhild Brøvig-Hanssen & Bjørnar Sandvik (2017). Dynamic Range Processing’s Influence on Perceived Timing.
  • Ragnhild Brøvig-Hanssen & Bjørnar Sandvik (2017). Dynamic Range Compression’s Influence on Perceived Timing.
  • Kyrre Glette (2017). Evolutionary computation and robotics.
  • Anne Danielsen (2017). The perception, aesthetics, and cultural values of 'glitched' grooves.
  • Anne Danielsen (2017). P-centres and beat bins - an introduction to the TIME project.
  • Anne Danielsen (2017). Methodologies in Record Production Research (Panel).
  • Bruno Laeng (2017). The pupil as a window to music's soul.
  • Alexander Refsum Jensenius (2017). Introduction to the SoundTracer Project.
  •  (2017). Sverm-Resonans.
  •  (2017). Sverm-Muscle.
  •  (2017). Centre for Interdisciplinary Studies in Rhythm, Time and Motion får status som Senter for fremragende forskning.
  •  (2017). Tar roboter over musikken?.
  •  (2017). European Open Data Champions.
  •  (2017). Forsker på musikk - ved å stå stille.
  •  (2017). Sverm-Resonans.
  •  (2017). Sverm-Puls.
  •  (2017). Sverm-Resonans.
  •  (2017). Sverm-resonans.

View all works in Cristin

Published Feb. 15, 2018 9:36 AM - Last modified June 26, 2018 7:56 AM