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Publikasjoner

Her kan du se en oversikt over våre siste publikasjoner, registrert i Cristin.

  • Anne Danielsen (2018). Time and Time Again: Repetition and Difference in Repetitive Music, I: Olivier Julien & Christophe Levaux (red.),  Over and Over. Exploring Repetition in Popular Music.  Bloomsbury Academic.  ISBN 9781501324888.  kapittel 2.
  • Ragnhild Brøvig-Hanssen (2018). Listening To or Through Technology: Opaque and Transparent Mediation, I: Samantha Bennett & Eliot Bates (red.),  Critical Approaches to the Production of Music and Sound.  Bloomsbury Academic.  ISBN 9781501332.  Chapter 11.  s 195 - 210
  • Alexander Refsum Jensenius (2018). Methods for Studying Music-Related Body Motion, I: Rolf Bader (red.),  Springer Handbook of Systematic Musicology.  Springer Nature.  ISBN 978-3-662-55002-1.  38.  s 805 - 818
  • Victor Evaristo Gonzalez Sanchez; Charles Patrick Martin; Agata Zelechowska; Kari Anne Vadstensvik Bjerkestrand; Victoria Johnson & Alexander Refsum Jensenius (2018). Bela-based augmented acoustic guitars for sonic microinteraction, I: Tom Martin; Doug Bowman & Luke Dahl (red.),  Proceedings of the International Conference On New Interfaces For Musical Expression.  Virginia Tech.  Chapter.  s 324 - 327
  • Charles Patrick Martin; Alexander Refsum Jensenius & Jim Tørresen (2018). Composing an ensemble standstill work for Myo and Bela, I: Luke Dahl; Tom Martin & Doug Bowman (red.),  Proceedings of the International Conference On New Interfaces For Musical Expression.  Virginia Tech.  KAPITTEL.  s 196 - 197
  • Stefania Serafin; Sofia Dahl; Roberto Bresin; Alexander Refsum Jensenius; Runar Unnthorsson & Vesa Välimäki (2018). NordicSMC: A Nordic University Hub on Sound and Music Computing, I: Anastasia Georgaki (red.),  Proceedings of the Sound and Music Computing Conference.  Cyprus University of Technology.  KAPITTEL.
  • Alexander Refsum Jensenius (2018). The Musical Gestures Toolbox for Matlab, I: Emilia Gómez; Xiao Hu; Emmanouil Benetos & Eric Humphrey (red.),  Proceedings of the 19th International Society for Music Information Retrieval Conference.  Institut de Recherche et Coordination Acoustique/Musique.  ISBN 978-2-9540351-2-3.  Demo.
  • Guilherme Schmidt Câmara & Anne Danielsen (2018). Groove, I: Rehding Alexander & Rings Steven (red.),  The Oxford Handbook of Critical Concepts in Music Theory.  Oxford University Press.  ISBN 9780190454746.  Groove.

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  • Alexander Refsum Jensenius (2018). The importance of "nothing": studying human music-related micromotion.
  • Alexander Refsum Jensenius (2018). Studying "nothing": complexities of human music-related micromotion.
  • Alexander Refsum Jensenius; Michael Francis Duch; Jørgen Langdalen; Tone Åse; Edvine Larsen & Tone Pernille Østern (2018). Kunsten å forske.
  • Anne Danielsen (2018). RITMO - a center for interdisciplinary research into rhythm, time and motion.
  • Anne Danielsen (2018). Veien til RITMO: Fra musikkestetikk til tverrfaglig rytmeforskning.
  • Anne Danielsen; Mats Sigvard Johansson & Mari Romarheim Haugen (2018). Presentasjon av TIME-prosjektet.
  • Alexander Refsum Jensenius (2018). Kunnskapsledelse av et Senter for fremragende forskning.
  • Alexander Refsum Jensenius (2018). Introduction to Musical Gestures Toolbox for Matlab.
  • Alexander Refsum Jensenius (2018). Hvilken type IKT-kompetanse trenger humanister og samfunnsvitere?.
  • Alexander Refsum Jensenius (2018). RITMO - et nytt senter for fremragende forskning.
  • Anne Danielsen & Alexander Refsum Jensenius (2018). The Norwegian Centre of Excellence RITMO Centre for Interdisciplinary Studies in Rhythm, Time and Motion.
  • Alexander Refsum Jensenius; Njål Sparbo; Sagar Sen & Elisabeth Edvardsen (2018). Breath, breathing and the sensing of breathing.
  • Jim Tørresen (2018). Artificial Intelligence – State-of-the-art.
  • Jim Tørresen (2018). Roboter kommer nærmere – skal vi glede eller grue oss?.
  • Anne Danielsen & Alexander Refsum Jensenius (2018). Rytme i tid og rom.
  • Jim Tørresen (2018). Remote Lab and Applications for High Performance and Embedded Architectures.
  • Charles Patrick Martin; Alexander Refsum Jensenius & Jim Tørresen (2018). Composing an ensemble standstill work for Myo and Bela.
  • Stefania Serafin; Sofia Dahl; Roberto Bresin; Alexander Refsum Jensenius; Runar Unnthorsson & Vesa Välimäki (2018). NordicSMC: A Nordic University Hub on Sound and Music Computing.
  • Yuta Suzuki; Tetsuto Minami; Bruno Laeng & Shigeki Nakauchi (2018). The differential effect of glowing appearance in the glare illusion: evidence from pupillometry.
  • Fumiyaki Sato; Bruno Laeng; Shigeki Nakauchi & Tetsuto Minami (2018). Pupil dilation reflects "Viewing from above bias" in the effort to control perception.
  • Alexander Refsum Jensenius (2018). The Musical Gestures Toolbox for Matlab.
  • Alexander Refsum Jensenius (2018). Dans i musikkfaget i skolen.
  • Alexander Refsum Jensenius (2018). Introduction to the SoundTracer Project.
  • Olivier Lartillot (2018). Sound analysis for gestural interactions with large music datasets.
  • Agata Zelechowska; Victor Evaristo Gonzalez Sanchez & Alexander Refsum Jensenius (2018). How music moves us? Studying human body micromotion in music perception.
  • Victor Evaristo Gonzalez Sanchez; Charles Patrick Martin; Agata Zelechowska; Kari Anne Vadstensvik Bjerkestrand; Victoria Johnson & Alexander Refsum Jensenius (2018). Bela-based augmented acoustic guitars for sonic microinteraction.
  • Anne Danielsen (2018). Analysing Popular Music in the Digital Age.
  • John MacCallum:; Teoma Naccarato; Baptiste Caramiaux; Victor Evaristo Gonzalez Sanchez; Sarah Fdili Alaoui; Amy LaViers; Jean-Marc Matos; Jessica Rajko; Adam Russell & Sha Xin Wei (2018). Panel: What Escapes Computation in Interactive Performance?.
  • Victor Evaristo Gonzalez Sanchez & Alexander Refsum Jensenius (2018). Analysing the synchronisation of COM motion with music in human standing.
  • Jonna Katariina Vuoskoski (2018). Moved by music: The role of empathy and social cognition in music-induced emotions (keynote lecture).
  • Jonna Katariina Vuoskoski; Eric F. Clarke & Paul Elvers (2018). Comparing the effects of music and images on implicit cultural attitudes.
  • Mari Romarheim Haugen (2018). The Effect of Tempo on Non-Isochronous Subdivisions in Performed Samba Groove.
  • Olivier Lartillot; Hans-Hinrich Thedens & Alexander Refsum Jensenius (2018). Computational model of pitch detection, perceptive foundations, and application to Norwegian fiddle music.
  • Anne Danielsen (2018). Microrhythms and Microsounds: The impact of digitization on African-American popular music.
  • Alexander Refsum Jensenius (2018). Fremtiden er analog - perspektiver på humaniora og teknologi.
  • Justin London; Anne Danielsen & Kristian Nymoen (2018). Where is the beat in that note? Effects of attack, frequency, and duration on the p-centers of musical and quasi-musical sounds.
  • Ragnhild Brøvig-Hanssen & Aram Sinnreich (2018). Do You Wanna Build a Wall? Remix Tactics in the Age of Trump.
  • Ragnhild Brøvig-Hanssen; Bjørnar Sandvik & Jon Marius Aareskjold (2018). EDM Producers' Reflections on Groove.
  • Victor Evaristo Gonzalez Sanchez; Agata Zelechowska & Alexander Refsum Jensenius (2018). Muscle activity response of the audience during an experimental music performance.
  • Einar Duenger Bøhn; Anna Colette Smajdor & Alexander Refsum Jensenius (2018). Humaniora og teknologi.
  • Jim Tørresen (2018). Intelligent Systems for Medical and Healthcare Applications.
  • Jim Tørresen & Bruno Laeng (2018). UiO/ROBIN – Toyohashi University of Technology/Japan seminar.
  • Mari Romarheim Haugen (2018). Meter i Skandinavisk folkemusikk.
  • Sofia Dahl & George Sioros (2018). Rhythmic recurrency in dance to music with ambiguous meter.
  • Georgios Sioros (2018). What we do when we move to music v.2.
  •  (2018). Sverm-Pluck.
  •  (2018). Konsert med Sinsenfist.
  •  (2018). Stillness under Tension.
  •  (2018). Stillness under Tension.
  •  (2018). Musikkprogram kan avsløre cerebral parese.
  •  (2018). Sverm-Resonans: interactive installation with resonating guitars and Bela.
  •  (2018). Står mot hverandre om hva som er best for å sikre topp forskning.
  •  (2018). Finner musikk ved å bevege hånden.
  •  (2018). #89: Alexander Jensenius: Slik danser du din egen musikk.
  •  (2018). Forskningsmøte mellom musikk og medisin.
  • Alexander Refsum Jensenius (2017). Åpen forskning - et humanistisk-teknologisk perspektiv.
  • Victor Evaristo Gonzalez Sanchez; Agata Zelechowska & Alexander Refsum Jensenius (2017). The influence of music in people's standstill.
  • Jim Tørresen (2017). Brazilian Student Exchange Opportunities to University of Oslo.
  • Alexander Refsum Jensenius (2017). Quantitative Video analysis for Qualitative Research.
  • Kyrre Glette (2017). ROBIN: Robotics, Intelligent Systems and Evolutionary Computation.
  • Kyrre Glette (2017). Robotikk og kunstig intelligens.
  • Alexander Refsum Jensenius (2017). Kognisjon, musikk og teknologi.
  • Alexander Refsum Jensenius (2017). Musikk og bevegelse.
  • Alexander Refsum Jensenius; Kari Anne Vadstensvik Bjerkestrand; Marco Donnarumma; Are Brean & Jo C. Bruusgaard (2017). Panel: Biophysical Music.
  • Anne Danielsen (2017). Paneldeltakelse i serien Musikklære på Nasjonalbiblioteket, tema "Rytme".
  • Alexander Refsum Jensenius (2017). Musikk og bevegelses-laben ved Institutt for musikkvitenskap.
  • Alexander Refsum Jensenius (2017). Status musikkteknologi ved UiO: forskning og undervisning.
  • Anne Danielsen (2017). Paneldeltakelse i serien Musikklære på Nasjonalbiblioteket, tema "Låten".
  • Anne Danielsen; Justin London & Kristian Nymoen (2017). Mapping the Beat Bin: The Effects of Rise Time, Duration, and Frequency Range on the Perceived Timing of Musical Sounds.
  • Skaansar Jo; Bruno Laeng & Danielsen Anne (2017). Pupil response reflects processing of microtiming in musical grooves: a study of musicians and non-musicians.
  • Fumiyaki Sato; Bruno Laeng; Shigeki Nakauchi & Tetsuto Minami (2017). Pupil dilation during perception of the Necker cube reflects the viewing-from-above bias.
  • Alexander Refsum Jensenius (2017). RITMO - Centre for Interdisciplinary Studies in Rhythm, Time and Motion.
  • Alexander Refsum Jensenius (2017). From resonating strings to autonomous electronic instruments - towards a new organology.
  • Anne Danielsen (2017). Timing and Sound in Musical Microrhythm: Theoretical, Aesthetic and Empirical Aspects.
  • Alexander Refsum Jensenius (2017). Touching the digital: acoustic resonances in an electronic world.
  • Jim Tørresen (2017). Artificial Intelligence and Examples of Real-world Applications.
  • Jim Tørresen (2017). Intelligent Machines – Opportunities and Challenges.
  • Alexander Refsum Jensenius; Tellef Kvifte; Kjell Tore Innervik; Charles Patrick Martin; Ragnhild Brøvig-Hanssen; Trond Lossius & Ximena Alarcón Diaz (2017). Panel: New Interfaces for Musical Expression.
  • Ragnhild Brøvig-Hanssen & Bjørnar Sandvik (2017). Does Compression Influence Timing? A Case Study in EDM Music.
  • Ragnhild Brøvig-Hanssen & Bjørnar Sandvik (2017). Dynamic Range Compression’s Influence on Perceived Timing in EDM Music.
  • Alexander Refsum Jensenius (2017). Humanities and technology - with a musicological twist.
  • Ragnhild Brøvig-Hanssen & Bjørnar Sandvik (2017). Dynamic Range Processing’s Influence on Perceived Timing.
  • Ragnhild Brøvig-Hanssen & Bjørnar Sandvik (2017). Dynamic Range Compression’s Influence on Perceived Timing.
  • Kyrre Glette (2017). Evolutionary computation and robotics.
  • Anne Danielsen (2017). The perception, aesthetics, and cultural values of 'glitched' grooves.
  • Anne Danielsen (2017). P-centres and beat bins - an introduction to the TIME project.
  • Anne Danielsen (2017). Methodologies in Record Production Research (Panel).
  • Bruno Laeng (2017). The pupil as a window to music's soul.
  • Alexander Refsum Jensenius (2017). Introduction to the SoundTracer Project.
  • George Sioros (2017). What we do when we move to music.
  •  (2017). Sverm-Resonans.
  •  (2017). Sverm-Muscle.

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Publisert 15. feb. 2018 09:38 - Sist endret 1. aug. 2018 10:39