Relevant bibliography

Below is listed some of the relevant literature used for the project. The list includes literature relevant for all four work packages (Background IPR, IPR organizations, music and fashion IPR) as well as some interdisciplinary literature, mainly from disciplines such as law, economy and technology.

General IPR literature

  • Correa, Carlos M. (ed.). Research Handbook on the Protection of Intellectual Property under WTO Rules. Cheltenham: Edward Elgar Publications Limited, 2010
  • David, Matthew and Debora J. Halbert (eds). The SAGE Handbook of Intellectual Property. Los Angeles: SAGE, 2015
  • Gervais, Daniel J. (ed.). International Intellectual Property: A Handbook of Contemporary Research. Cheltenham: Edward Elgar Publishing Limited, 2015
  • Jones, Candace, Mark Lorenzen and Jonathan Sapsed (eds.). The Oxford Handbook of Creative Industries. Oxford: Oxford University Press, 2015

  • Kaufman, James C. (ed.). The International Handbook of Creativity. Cambridge, Cambridge University Press, 2006

  • Vaidhyanathan, Siva. Intellectual Property. A Very Short Introduction. Oxford: Oxford University Press, 2017

History of IPR

  • Beer, Jeremy de, Jeremiah Baarbe and Caroline Ncube.“Evolution of Africa's Intellectual Property Treaty Ratification Landscape”. The African Journal of Information and Communication (AJIC) 22 (2018): 53-82
  • Deazley, Ronan. On the Origin of the Right to Copy. Charting the Movement of Copyright Law in Eighteenth Century Britain (1695-1775). Portland, Hart Publishing, 2004
  • Deazley, Ronan, Martin Kretschmer and Lionel Bently (eds.). Privilege and Property. Essays on the History of Copyright. Cambridge: OpenBook Publishers, 2010
  • Feather, John. “The Book Trade in Politics: The Making of the Copyright Act of 1710".” Publishing History 8 (1980): 19-44
  • Galvez-Béhar, Gabriel. La République des inventeurs. Propriété et organization de l’innovation en France (1791-1922). Rennes: Presses Universitaires de Rennes, 2008
  • Ginsburg, Jane C. “A Tale of Two Copyrights: Literary Property in Revolutionary France and America.” Tulane Law Review 64, No. 5 (1989-1990): 991-1032
  • Ginsburg, Jane C. “’Une Chose Publique’? The Author’s Domain and the Public Domain in Early British, French and US Copyright Law.” The Cambridge Law Journal 65, No. 3 (2006): 636-670
  • Ginsburg, Jane C. and Sam Ricketson. International Copyright and Neighbouring Rights. The Berne Convention and Beyond. Oxford: Oxford University Press, 2005

  • Halbert, Debora J. “The World Intellectual Property Organization: Past, Present and Future.” Journal of Copyright Society of the USA 54, No. 2-3 (2007): 253-284. Accessed June 12, 2020

  • Hesse, Carla. Publishing and Cultural Politics in Revolutionary Paris 1789-1810. Berkeley and Los Angeles: University of California Press, 1991
  • Hesse, Carla. ”The Rise of Intellectual Property, 700 B.C.-A.D.2000: An Ideal in the Balance.” Deadalus 131, No. 2 (2002): 26-45. Accessed June 9, 2020.
  • Johns, Adrian. Piracy: The Intellectual Property Wars from Gutenberg to Gates. Chicago: University of Chicago Press, 2009
  • Loewenstein, Joseph. The Author’s Due: Printing and the Pre-history of Copyright. Chicago: University of Chicago Press, 2002

  • McGinnis, Reginald (ed.). Originality and Intellectual Property in the French and English Enlightenment. New York: Routledge, 2009

  • Miller, Derek. Copyright and the Value of Performance, 1770-1911. Cambridge: Cambridge Unversity Press, 2018

  • Miller, Derek. “Performative Performances: A History and Theory of the ‘Copyright Performance’.” Theatre Journal 64, no. 2 (2012): 161-177

  • Ncube, Caroline B. “Three Centuries and Counting: The Emergence and Development of Intellectual Property Law in Africa.” In Dreyfuss, Rochelle C. and Justine Pila (eds.). 409-439. The Oxford Handbook of Intellectual Property Law. Oxford University Press, 2018

  • Patterson, Lyman Ray. Copyright in Historical Perspective. Nashville, Vanderbilt University Press, 1968

  • Schwartz, Hillel. The Culture of the Copy: Striking Likenesses, Unreasonable Facsimiles. MA: The MIT Press, 1996

  • Teilmann-Lock, Stina. The Object of Copyright. A Conceptual History of Originals and Copies in Literature, Art and Design. Abingdon: Routledge, 2016

Music IPR

  • Bargfrede, Allen. Music Law in the Digital Age. Boston: Berklee Press, 2009
  • Bloom, Nancy A. “Protecting Copyright Owners of Digital Music – No More Free Access to Cyber Tunes.” Journal of the Copyright Society of the U.S.A. 45, no. 2 (1997): 179-204
  • Brøvig-Hanssen, Ragnhild and Danielsen, Anne. Digital Signatures. The Impact of Digitization on Popular Music Sound. Cambridge, Mass: The MIT Press, 2016

  • Dillon, Teresa. “´Hail to the Thief´: The Appropriation of Music in the Digital Age.” Consuming Music Toghether 35 (2006): 37-56

  • Frith, Simon and Andrew Goodwin (eds.). On Record: Rock, Pop and The Written Word. London: Routledge, 1990

  • Frith, Simon and Lee Marshall. Music and Copyright. Edinburgh University Press, 2004

  • Hesmonhalgh, David. “The Digitalization of Music.” In Creativity, Innovation and the Cultural Economy. Jeffcut, Paul and Andy C. Pratt. (eds.): 57-73.  Abingdon: Routledge, 2009

  • Jesse, Jim. The Music Copyright Manual: The Definitive Guide to Music Copyright Law in The Digital Age. Rock N Roll Law, 2016

  • Johns, Adrian. "Pop Music Pirate Hunters." Daedalus 131, no. 2 (2002): 67-77

  • Moser, David J. and Cheryl, L. Slay. Music Copyright Law. Boston: Course Technology, 2012

  • Mulligan, Mark. Awakening: The Music Industry in the Digital Age. MIDiA Research, 2015

  • Navas, Eduardo, Owen Gallagher, and Xtine Burrough (eds.). The Routledge Companion to Remix Studies. New York: Routledge, 2015

  • Rimmer, Matthew. Digital Copyright and the Consumer Revolution: Hands Off My Ipod. Cheltenham: Edward Elgar Publishing Limited, 2007

  • Temperley, Nicholas (Ed.). The Blackwell History of Music in Britain. The Romantic Age 1800-1914. London: The Athlone Press, 1976

  • Witt, Stephen. How Music Got Free: A Story of Obsession and Invention. New York: Penguin Books, 2016

  • Vaidhyanathan, Siva. Copyrights and Copywrongs: The Rise of Intellectual Property and How it Threatens Creativity. New York: New York University Press, 2001.

Fashion & luxury IPR

  • Blaszczyk, Regina Lee (ed.). Producing Fashion: Culture, Commerse and Consumers. Philadelphia: Pennsylvania University Press, 2007
  • Dahlén, Marianne. “Copy or copyright  fashion? Swedish design protection law in historical and comparative perspective.” Business History 54, no. 1 (2012): 88-107
  • Ellis, Sara R. ”Copyrighting Couture: An examination of fashion Protection and What the DPPA and IDPPPA are a Step towards the Solution to Counterfeit Chic.” Tennessee Law Review 78, No. 1 (2010): 163-212. Accessed June 10, 2020
  • Pesendorfer, Wolfgang. ”Design Innovation and Fashion Cycles” The American Economic Review 85, No. 4 (1995): 771-792
  • Pouillard, Véronique. “Christian Dior-New York: French Fashion in the US Luxury Market". In Global Luxury: Organization Change and Emerging Markets in the Luxury Industry Since the 1970s. Donzé Pierre-Yves and Rika Fujioka (eds.). 111-131. New York: Palgarve, 2018
  • Pouillard, Véronique. “Design Piracy in the Fashion Industries of Paris and New York in the Interwar Years.” Business History Review 85, no. 2 (2011): 319-344

  • Pouillard, Véronique. “Keeping Designs and Brands Authentic: The Resurgence of the Post-War French Fashion Business under the Challenge of US Mass Production.” European Review of History 20, no. 5 (2013a): 815-835

  • Pouillard, Véronique and Tereza Kuldova. “Interrogating Intellectual property Rights in Postwar Fashion and Design.” Special issue, Journal of Design History 30, no. 4 (2017): 343-355

  • Raustiala, Kal and Christopher Sprigman. The knockoff Economy. How Imitation Sparks Innovation. Oxford. Oxford, University Press, 2012

    Raustiala, Kal and Christopher Sprigman. ”The Piracy Paradox: Innovation and Intellectual Property in Fashion Design”. Virginia Law Review 92, No. 8 (2006): 1687-1777

  • Schutte, Loni. ”Copyright for Couture”, Duke Law & Technology Review 10, No. 1 (2011): 1-18

  • Stewart, Mary Lynn. ”Copying and Copyrighting Haute Couture: Democratizing Fashion, 1900-1930s.” French Historical Studies 28, No.1 (2005): 103-130
  • Van Keymeulen, Eveline. ”Copyrighting couture or counterfeit chic? Protecting fashion design: a comparative EU-US perspective.” Journal of Intellectual Property Law & Practice 7, No. 10 (2012): 728-737

Interdisciplinary IPR literature

  • Bentley, Lionel, Jennifer Davis and Jane C. Ginsburg (eds.). Copyright and Piracy. An Interdisciplinary Critique. Cambridge: Cambridge University Press, 2010
  • Bomsel, Olivier. L’économie immatérielle. Industries et marches d’expériences. Paris, Gallimard, 2010

  • Coombe, Rosemary J. The Cultural Life of Intellectual Properties: Authorship, Appropriation, and the Law. Durham: Duke University Press, 1998

  • Deeporter, Ben and Menell, Peter S., (Schwartz, David) (eds.) Research Handbook on the Economics of Intellectual Property Law: Volume 2: Analytical Methods. Cheltenham: Edward Elgar Publishing Limited, 2019
  • Dinwoodie, Graeme B. and Rochelle, C. Dreyfuss. “Designing a Global Intellectual Property System Response to Change: The WTO, WIPO, and Beyond”. Houston Law Review 46, No. 4 (2009): 1187-1234
  • Doctorow, Cory. Content: Selected Essays on Technology, Creativity, Copyright, and the Future of the Future. San Francisco: Tachyon, 2008

  • Ginsburg, Jane C. and Robert Gorman. Copyright Law. New York, Foundation Press, 2012
  • Jeffcut, Paul and Andy C. Pratt. Creativity, Innovation and the Cultural Economy. Abingdon: Routledge, 2009

  • Ncube, Caroline B. Intellectual Property Policy, Law and Administration in Africa. Exploring Continental and Sub-regional Cooperation. New York: Routledge, 2016

  • Torremans, Paul (ed.). Copyright Law: A Handbook of Contemporary Research. Cheltenham: Edward Elgar, 2007

  • Wilf, Steven (ed.). Intellectual Property Law and History. London: Routledge, 2012


Published Dec. 7, 2020 10:34 AM - Last modified Dec. 7, 2020 10:34 AM