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Histories of Reception of Photography

How was photography perceived and utilised in the Ottoman Empire during the 19th century, and what factors shaped its understanding and usage within the region?

Illustration of the attic floor of a house. One wall of the house has been removed, allowing us to see the inside of the room. In the middle of the room, a person is sitting on a chair.
Photo: Sarkis Torosyan, Risale-i Fotograf, Istanbul: H.E. Minasyan and Partners Publishing House, 1866, p. 37.

About the project

Histories of Reception of Photography will investigate how people in the Ottoman Empire understood and used photography – a medium that emerged from a different cultural and epistemological context. 

The research aims to understand the social, cultural, and economic factors that influenced how people in the empire received and used photography.

The project will also explore how photography was used in the Ottoman Empire and what significance it had for the citizens in a society undergoing modernization.

Objectives

The project aims to change the way we study the history of Ottoman photography. Instead of simply looking at the pictures, this project seeks to understand how people in the Ottoman Empire viewed and understood photography. 

The focus is on the writings about photography, which are used to create a new historical understanding of what people thought about photography, what they believed it meant, and how they shared this knowledge with others. 

The project also aims to show the different viewpoints of Armenian and Turkish people towards photography to highlight the diversity of experiences and knowledge involved in its reception.

Financing

Marie Skłodowska-Curie Actions – Postdoctoral Fellowship.

Duration

From 01.09.2022 to 31.08.2024.

Published Dec. 21, 2023 1:36 PM - Last modified Dec. 21, 2023 2:33 PM

Contact

Idil Cetin

Head of Project