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Barnhart, Bruce Evan & Grøtta, Marit
(2023).
Introduction: Aesthetic Approaches to Time.
In Grøtta, Marit & Barnhart, Bruce Evan (Ed.),
Temporal Experiments: Seven Ways of Configuring Time in Art and Literature.
Routledge.
ISSN 9781032350240.
p. 1–12.
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Grøtta, Marit
(2022).
25 år med Norsk litteraturvitenskapelig tidsskrift: Fagfellesskap, debatt og profesjonalisering.
Kjersti Bale, Erik Bjerck Hagen, Jon Haarberg og Tone Selboe i samtale med Marit Grøtta.
Norsk Litteraturvitenskapelig Tidsskrift.
ISSN 0809-2044.
25(2),
p. 107–119.
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Grøtta, Marit
(2020).
Å betrakte portrettfotografier.
Filosofisk supplement.
ISSN 0809-8220.
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Grøtta, Marit
(2020).
Om fellesskap og utenforskap.
Bøygen: Organ for nordisk språk og litteratur.
ISSN 0806-8623.
p. 12–17.
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Grøtta, Marit
(2019).
Respondentinnlegg til Erling Aadlands hovedinnlegg om litteraturforskningens grunnlagsproblemer.
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Grøtta, Marit
(2019).
Baudelaire's Media Aesthetics: Reading the City of Paris.
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Grøtta, Marit
(2018).
Reading Faces in the Age of Portrait Photography: Marcel Proust, Franz Kafka, and Virginia Woolf.
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Grøtta, Marit
(2018).
Cosmopolitan Vision: Photography, Sympathy, and Human Understanding (Virginia Woolf Conference 2018).
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Grøtta, Marit
(2018).
Schneekugeln (til temanummer om Walter Benjamin og samleren).
Filologen.
ISSN 0807-9250.
p. 9–9.
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Grøtta, Marit
(2017).
Poet i massemedienes tidsalder. Charles Baudelaire og 1800-tallets medier.
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Grøtta, Marit
(2017).
Review of Timothy Raser, Baudelaire and Photography: Finding the Painter of Modern Life.
Modern Language Review.
ISSN 0026-7937.
112(1),
p. 254–256.
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Grøtta, Marit
(2016).
Wicky, Érika. Les Paradoxes du détail: voir, savoir, représenter à l’ère de la photographie (review).
Nineteenth-Century French Studies.
ISSN 0146-7891.
44(3-4),
p. 246–246.
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Grøtta, Marit
(2016).
Literature, Politics, and Forms-of-Life. Giorgio Agamben's Rethinking of the Political Subject.
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Grøtta, Marit
(2016).
On Baudelaire's Media Aesthetics. The Gaze of the Flâneur and 19th-Century Media.
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Grøtta, Marit
(2016).
Å lese ansikter. Portrettfotografier, gester og ubesvarte blikk hos Proust og Kafka.
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Grøtta, Marit
(2016).
Reading Faces. Proust's Passion for Portrait Photographs.
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Eliassen, Knut Ove & Grøtta, Marit
(2016).
Teknologi, medier, estetikk.
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Grøtta, Marit
(2014).
Novelle, fragment, kortprosa: Historiske perspektiver på nyheter, anekdoter og hendelser i fiksjonsform.
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Grøtta, Marit
(2014).
P2s oppsummering av bokåret 2014.
[Radio].
P2 Kulturhuset.
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Grøtta, Marit
(2014).
Om Geir Gulliksens diktsamling Ung trost klokken fem om morgenen i en brusende alm.
[Radio].
NRK P2 Kulturhuset.
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Grøtta, Marit
(2014).
Om Erlend O. Nødtvedts diktsamling Trollsuiten.
[Radio].
NRK P2 Kulturhuset.
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Grøtta, Marit
(2014).
Om Ruth Lillegravens diktbok Manilahallen.
[Radio].
NRK P2 Kulturhuset.
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Grøtta, Marit
(2014).
Samtale om Kolbein Falkeids diktsamling Øyet og virkeligheten.
[Radio].
NRK P2 Kulturhuset.
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Grøtta, Marit
(2014).
Om Kolbein Falkeids diktsamling Øyet og virkeligheten.
[Radio].
NRK P2 Kulturnytt.
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Grøtta, Marit
(2014).
Om Lars Amund Vaages diktsamling Den raude staden.
[Radio].
NRK P2 Bok i P2.
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Grøtta, Marit
(2014).
Samtale om Yahya Hassans diktsamling Yahya Hassan.
[Radio].
NRK P2 Bok i P2.
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Grøtta, Marit
(2014).
Om Yahya Hassans diktsamling Yahya Hassan.
[Radio].
NRK P2 Kulturnytt.
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Grøtta, Marit
(2013).
Portrettets kraft. Bokessay om Peter Larsen, Ibsen og fotografene: 1800-tallets visuelle kultur.
Klassekampen.
ISSN 0805-3839.
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Grøtta, Marit
(2013).
Ibsen in Nineteenth-Century Visual Culture. Review of Peter Larsen, Ibsen og fotografene: 1800-tallets visuelle kultur.
Ibsen Studies.
ISSN 1502-1866.
13(2),
p. 167–170.
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Grøtta, Marit
(2013).
Om kunstens autonomi.
Norsk kunstårbok : samtidskunst, fotografi, kunsthåndverk / The Norwegian art yearbook : contemporary visual art, photography, craft.
ISSN 0803-6160.
p. 58–63.
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Grøtta, Marit
(2012).
Etterord,
Menneskelig, altfor menneskelig. En bok for frie ånder. Bind 1 og 2.
Spartacus.
ISSN 978-82-430-0627-0.
p. 585–599.
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Grøtta, Marit
(2011).
Rolf Jacobsen og medienes metafysikk.
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Grøtta, Marit
(2011).
Reading/Developing Images. Baudelaire, Benjamin, and the Gestures of Photography.
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Grøtta, Marit
(2009).
Teorien er død! Lenge leve teorien!. Anmeldelse av Terry Eagleton: Etter teorien.
Agora.
ISSN 0800-7136.
27(2/3),
p. 309–316.
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Grøtta, Marit
(2009).
Intervju på Radiofront om temaet "kortfortellingen".
[Radio].
NRK.
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Grøtta, Marit
(2009).
"The Potential of Play. Life, Power, and Use".
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Grøtta, Marit
(2008).
Rimbaud og det revolusjonære rommet. Anmeldelse av Kristin Ross: The Emergence of Social Space. Rimbaud and the Paris Commune.
Agora.
ISSN 0800-7136.
p. 345–352.
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Grøtta, Marit
(2008).
Litteraturens spillerom.
Utflukt.
ISSN 0804-9327.
p. 31–35.
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Grøtta, Marit
(2007).
Giorgio Agamben.
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Grøtta, Marit
(2006).
Filosofiske lekeklosser. Om barnelitteratur og filosofi.
In Ewo, Jon & Woxholt Sverdrup, Kari (Ed.),
Kartet og terrenget : linjer og dykk i barne- og ungdomslitteraturen.
Pax Forlag.
ISSN 8253029152.
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Grøtta, Marit
(2006).
Estetikk og politikk hos Giorgio Agamben.
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Grøtta, Marit
(2005).
Montaignes monstre, litteraturens ondskap.
Bøygen: Organ for nordisk språk og litteratur.
ISSN 0806-8623.
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Grøtta, Marit
(2005).
Kant's Dinner Party. Sociability and Play According to Kant.
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Grøtta, Marit
(2005).
Forestillinger om fellesskap. De første og de siste tendensene i litteraturvitenskapen.
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Grøtta, Marit
(2005).
Kant's Spielregeln. Wit, Game, and Play in Kant's Aesthetic Theory.
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Grøtta, Marit
(2005).
'Jeux de société' and Literature. On La Rochefoucauld's Maxims.
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Grøtta, Marit
(2005).
Poetics of the example.
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Grøtta, Marit
(2002).
Alt er forbindelse og forvandling : om arabesken.
Vinduet.
ISSN 0042-6288.
56(1/2).
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Grøtta, Marit
(2002).
Poesi og falskmynteri: om prosadiktet.
Lyrikkmagasin / Den norske lyrikklubben.
ISSN 0804-2357.
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Grøtta, Marit
(2007).
Poetry at Play. La Rochefoucauld’s Maxims, Schlegel’s Fragments, and Baudelaire’s Prose Poems.
Unipub forlag.
ISSN 0806-3222.
Show summary
The aim of this dissertation is to establish a new perspective on a series of short prose texts in the margins of institutionalized poetical practices: La Rochefoucauld’s maxims (1665), Schlegel’s fragments (1798), and Baudelaire’s prose poems (1869). Its main argument is that these texts interact with their social and media environments in a creative and fruitful manner: La Rochefoucauld’s maxims could be said to originate in the salons, Schlegel’s fragments were part of the journal project Athenaeum, and Baudelaire’s prose poems were originally published in newspapers and journals. Taking as a point of departure that these texts were not primarily conceived as books, the dissertation explores the way they challenge the concept of the work and the borders of the literary institution.
Accordingly, the dissertation to a large degree focuses on the borders of poetry and sees these very borders as a site for dynamic, poetic activity. In the case of La Rochefoucauld, it investigates the relation between poetry and sociability, or between poetry and les jeux littéraires of the French 17th century salons. In respect to Schlegel, it examines the relation between poetry and philosophy, or between “aesthetic” and conceptual language as these categories are conceived of by Kant. In respect to Baudelaire, it explores the relation between poetry and prose, or between poetry and the forms and language of 19th century newspapers. Highlighting the concepts of play, Witz, and performativity, the dissertation analyzes a choice of texts in the light of these relations.
Furthermore, the dissertation contends that a collective ideal is operative in these texts. The ideal of sociability is significant for the understanding of La Rochefoucauld’s maxims, Schlegel’s fragments are influenced by the ideal of collective authorship and dialogic literature, whereas Baudelaire’s prose poems play with commonplace language, newspaper language, and the urban experience of immersion in the crowd. The dissertation suggests that these aspects be understood in the light of the concept of “community” as it has been conceived of by Jean-Luc Nancy and Giorgio Agamben. In this manner, it highlights the relations between literature, society, and various forms of communication.
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Grøtta, Marit
(1998).
Prosadiktet : en prosaisering : Baudelaire. Mallarmé, Michaux og Ponge. (Hovedoppgave ved UiO).
Universitetet i Oslo.