Mining Modernity: Aesthetics with/out Extraction

The third and final of our symposia with the Material Ecologies of Design group organized at the Centre for Advanced Study takes place on Wednesday 22 April, under the heading Mining Modernity: Aesthetics with/out Extraction. The symposium will explore how modernity was mined in ecologically precarious nature and examine how the exploitation of extractive materials was designed into the material culture of the late 19th and early 20th century. It features talks by Emily Jane Cockayne, Helene Engnes Birkeli, Tonje Haugland Sørensen, Anna-Maria Hällgren, Denise Bertschi, Nicolas Maffei, Taylor Alaina Liebenstein Smith, and Thomas McQuillan.

Bildet kan inneholde: brun, naturmateriale.

Industrial modernity quickly learned that the materials needed to feed the factories had to be sourced far beyond the limited geography of the manufacturing centers, thus implicating design culture in the colonial world order and processes of globalization. The mining industries have a long and multifarious history intertwined with transnational manufacturing networks, but this has not been connected to the history of design culture.

To address this historiographical blind spot, which is fully in line with the general invisibility of raw materials in the history of design, Mining Modernity will trace materials extracted from nature during the second industrial revolution, with an emphasis on how their exploitation and consumption became an integral feature of modern design practices and material cultures.

The symposium is free, but requires registration: https://www.letsreg.com/no/register/miningmodernity

Wednesday 22. April 2026, 10:30 – 16:30 CET

The Norwegian Academy of Science and Letters,

Drammensveien 78, Oslo

Published Mar. 25, 2026 6:35 PM - Last modified Mar. 26, 2026 6:14 PM