Bente Larsen

• "Fragment and Laughter: The Art of Thomas Schütte", in Mathilda Olof-Ors (ed.) Thomas Schütte. United Enemies, Moderna Museet, Koenig Books, London (2016)
• "The Infinity of water Lilies: On Monet's Late Paintings", in Gordon McMullan & Sam Smiles (ed.), Late Style and ites Discontents. Oxford University Press (2016)
• "Vilhelm Hammershøi: A Danish Avant-Garde Painter", in Bente Larsen & Jakob Lothe (ed.), Perspectives on the Nordic, Novus Forlag (2016)
• " Eye, Matter and Interpretation", The Nordic Journal of Aesthetics, no 46 (2014) 
• "Blik og modernitet. Om Éduard Manets "L'Exposition Universelle de 1867". Kunst og Kultur. (2012)
•  Per Inge Bjørlo. Exhibition catalogue (2012)
• "Water Lilies and the Gesture of Melancholy: On Monet's Late Works", Site (2012)
• ”The Melancholy of the Skull. On the Artworks of Per Inge Bjørlo.” i Kunst og Kultur, 3, 2008
• ”On – Off – On – Off. A Discussion of Martin Creed’s Work, The Lights Going on and Off, (2007)
• Bente Larsen (red.) Estetikk; Sansning, erkjennelse og verk, UniPub forlag. Oslo, (2006)
• Mari Slaattelid. Loud and Close, Kisses and Dust. Euvrekatalog, Oslo, (2006)
• ”Overfladens afstand: Om forholdet mellem motiv og flade i Gerhard Richter’s kunst”. Konsthistorisk Tidsskrift, vol. 75, no 4, (2006)
• ”Verkets ögonblick” i: A.Johansson og M. Martinsson (red), Efter Adorno, Glänte produktion, (2003)
• ”Kunsten og Kønnet. Om udsmykningen på Gimlemoen” i I fellesskapets rom. HøyskoleForlaget, (2003)
• ”Sort. Momenter ved brugen af sort i 1900-tallets maleri” i Tegn, 2/2002
• ”The Contemplation of Desolation. On the Motive of the Ennui by Eugéne Delacroix
• and the Aesthetic Experience as Melancholy.” Nordisk Estetisk Tidsskrift, nr. 24, (2001)
• ”Avstand”, I: Maaretta Jaukkuri (red), Skulpturlandskap Nordland, Press (2001)
• ”Tekst og form. Om konceptkunst og kunstnerisk udsmykning”, Årskatalog,
• Utsmykkingsfondet for offentlige bygg, (2001)
• “Fravær og nærvær. Om begivenheden i Waltercio Caldas’ skulptur Omkring.” i: A. Kittang og F. Tygstrup (red), Blikk på kunst, Oslo: F-press (2001)
• “The Fragmentet Body: A Study of some Aesthetic Implications of Théodore Céricault’s Body Fragment Paintings”, Nordisk Estetisk Tidsskrift, nr. 20, (2000)
• “On the Aesthetic constructions of Gerhard Richter.” ForArt. http://www.forart.no/, 2000
• “Avstandens estetikk”, Form, nr. 4,(2000).
• Stilhed. En studie i Manets tidligt-moderne produktion i lys af Adornos æstetisk-teoretiske bestemmelse af det moderne værk. Dr. art. afhandling, Oslo: Acta Humaniora, (1999)
• “Forskydninger og ironi. Aspekter ved fragmentkarakteren i Picassos collager fra 1912-14”, Kunst og Kultur 2/99

Anmeldelser og katalogtekster

• 2010: Anmeldelse af Pamela M. Lee, Chronophobia. On time in the Art of the 1960’s. Massachusetts 2004 i Ekfrase, 1/2010
• 2007: ”Presence”, i Per Inge Bjørlo. Selected Works, Oslo
• 2006: Anmeldelse af Tacida Dean, Reflecting Posterity. Kunst og Kultur, Oslo
• 2003: ”Navnene findes”. Katalogtekst for Mari Slaatelids udstilling navnene findes Galleri Bo Bjerggaard 27. februar til 12. april.
• 2001: Anmeldelse af Arne Engelstads bog, Interart, for Norsklæreren, 3/01.

• Larsen, Bente (2022). Antinomierne spil eller den håbefulde forsoning (https://www.salongen.no/25070-2/). Salongen – nettidsskrift for filosofi og idéhistorie. ISSN 2703-7053.
• Lothe, Jakob & Larsen, Bente (2016). Introduction. I Larsen, Bente & Lothe, Jakob (Red.), Perspectives on the Nordic. Novus Forlag. ISSN 978-82-7099-857-9. s. 9–24. Vis sammendrag

  “Nordic” can be a controversial and contested concept. Each of the nine contributors to this book casts a sympathetic but critical eye on the role this concept has played within the field of art. Starting from the premise that significant aspects of art and aesthetics complicate, and arguably even challenge, an understanding of “the Nordic” as a concept that is either “self-evident” or “important”, the volume aims to provide a venue for sharing, elaborating and refining our understanding of the Nordic in relation to art-forms as varied as literature, the visual arts and film. Special emphasis is placed on the critical usefulness and relevance of terms such as perspective, reciprocity, and translation, and the international cross-currents associated with them. All of the contributions recognize that although use of the word “Nordic” was a response to a felt need to distinguish an apparently different sort of art, this art could not have emerged as it did without the influence of the art of countries located further south in Europe. Emphasizing the heterogeneity of art produced in the Nordic countries, all nine chapters of the book present Nordic art as multi-dimensional and dynamic, an art that responds to a growing influence of internationalization while at the same time itself contributing to international trends. The collection owes its inception to the research initiative UiO:Nordic launched by the University of Oslo in 2014, and four of the chapters are written by PhD candidates in the Faculty of Arts at the University of Oslo. [text on back cover]

• Larsen, Bente (2016). The Infinity of water Lilies: On Monet's Late Paintings. I McMullan, Gordon & Smiles, Sam (Red.), Late Style and its Discontents. Oxford University Press. ISSN 9780198704621. doi: 10.1093/acprof%3Aoso/9780198704621.003.0014.
• Larsen, Bente (2016). Vilhelm Hammershøi: A Danish Avant-Garde Painter. I Larsen, Bente & Lothe, Jakob (Red.), Perspectives on the Nordic. Novus Forlag. ISSN 978-82-7099-857-9. s. 45–55. Vis sammendrag

  “Nordic” can be a controversial and contested concept. Each of the nine contributors to this book casts a sympathetic but critical eye on the role this concept has played within the field of art. Starting from the premise that significant aspects of art and aesthetics complicate, and arguably even challenge, an understanding of “the Nordic” as a concept that is either “self-evident” or “important”, the volume aims to provide a venue for sharing, elaborating and refining our understanding of the Nordic in relation to art-forms as varied as literature, the visual arts and film. Special emphasis is placed on the critical usefulness and relevance of terms such as perspective, reciprocity, and translation, and the international cross-currents associated with them. All of the contributions recognize that although use of the word “Nordic” was a response to a felt need to distinguish an apparently different sort of art, this art could not have emerged as it did without the influence of the art of countries located further south in Europe. Emphasizing the heterogeneity of art produced in the Nordic countries, all nine chapters of the book present Nordic art as multi-dimensional and dynamic, an art that responds to a growing influence of internationalization while at the same time itself contributing to international trends. The collection owes its inception to the research initiative UiO:Nordic launched by the University of Oslo in 2014, and four of the chapters are written by PhD candidates in the Faculty of Arts at the University of Oslo. [text on back cover]

• Larsen, Bente (2014). Eye, matter and interpretation :. The Nordic Journal of Aesthetics. ISSN 2000-1452. s. 34–46. doi: 10.7146/nja.v23i46.16380.
• Larsen, Bente (2012). Water Lilies and the Gesture of Melancholy: On Monet's Late Works. Site. ISSN 1650-7894.
• Larsen, Bente (2012). Blik og modernitet. Om Édouard Manets "L'Exposition Universelle de 1867". Kunst og kultur. ISSN 0023-5415.
• Larsen, Bente (2008). "The Melancholy of the Skull. On the artworks of Per Inge Bjørlo.". Kunst og kultur. ISSN 0023-5415.
• Larsen, Bente (2006). "Overfladens afstand. Om forholdet mellem motiv og flade i Gerhard Richters kunst.". Konsthistorisk tidskrift. ISSN 0023-3609. 75(4), s. 214–229.
• Larsen, Bente (2001). Fravær og nærvær. Om Waltercio Caldas' skulptur 'Omkring'. I Kittang, Atle; Tygstrup, Fredrik & Vaa, Aaslaug (Red.), Blilkk på Kunst. Press, Oslo. ISSN 82-7547-072-2. s. 203–221.
• Larsen, Bente (2000). The Fragmented Body. A Study of some Aesthetic Implications of Théodore Géricault's Body Fragment Paintings. Nordisk Estetisk Tidsskrift. ISSN 0284-7698. 22.
• Larsen, Bente (1999). Forskydninger og ironi. Aspekter ved fragmentkarakteren i Picassos collager fra 1912-1914. Kunst og kultur. ISSN 0023-5415. 2, s. 99–115.

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• Larsen, Bente & Lothe, Jakob (2016). Perspectives on the Nordic. Novus Forlag. ISBN 978-82-7099-857-9. 187 s. Vis sammendrag

  “Nordic” can be a controversial and contested concept. Each of the nine contributors to this book casts a sympathetic but critical eye on the role this concept has played within the field of art. Starting from the premise that significant aspects of art and aesthetics complicate, and arguably even challenge, an understanding of “the Nordic” as a concept that is either “self-evident” or “important”, the volume aims to provide a venue for sharing, elaborating and refining our understanding of the Nordic in relation to art-forms as varied as literature, the visual arts and film. Special emphasis is placed on the critical usefulness and relevance of terms such as perspective, reciprocity, and translation, and the international cross-currents associated with them. All of the contributions recognize that although use of the word “Nordic” was a response to a felt need to distinguish an apparently different sort of art, this art could not have emerged as it did without the influence of the art of countries located further south in Europe. Emphasizing the heterogeneity of art produced in the Nordic countries, all nine chapters of the book present Nordic art as multi-dimensional and dynamic, an art that responds to a growing influence of internationalization while at the same time itself contributing to international trends. The collection owes its inception to the research initiative UiO:Nordic launched by the University of Oslo in 2014, and four of the chapters are written by PhD candidates in the Faculty of Arts at the University of Oslo. [text on back cover]

• Larsen, Bente (2013). Per Inge Bjørlo. Kunstmuseet i Tønder. 15 s.
• Larsen, Bente (2006). Madama Butterfly: A Lady-in-Waiting. Solum. ISBN 82-7477-241-5. 10 s.
• Larsen, Bente (2006). Estetikk. Sansing, erkjennelse og verk. Unipub forlag. ISBN 82-7477-241-5. 180 s.
• Larsen, Bente (2003). "Navnene findes". Marit Slaatelid. Bo Bjerregaard. 10 s.
• Larsen, Bente (2003). "Kunsten og kønnet. Om udsmykningen på Gimlemoen" i I fellesskapets rom. HøyskoleForlaget. ISBN 82-7634-600-6. 8 s.
• Larsen, Bente (2003). Verkets ögonblick. Glänte produktion. ISBN 91-974575-0-7. 15 s.
• Larsen, Bente (1999). Stilhed. En studie i Manets tidligt-moderne produktion i lys af Adornos æstetisk-teoretiske bestemmelse af det moderne. Acta humaniora. ISBN 82-7477-019-6. 260 s.

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• Larsen, Bente (2019). On Jean-Luc Nancy.
• Larsen, Bente (2019). The Silence of the Surface. On Hammershøi's Interiors.
• Larsen, Bente (2018). Blik, falde, portræt.
• Larsen, Bente (2018). Surface. On gray as the Melancholy of Silence in Hammershøy.
• Larsen, Bente (2018). Attraction, Touch and the Fragment. On Affect, Melancholy and Painterly Abstraction.
• Larsen, Bente (2018). Why aesthetics?
• Larsen, Bente (2016). Fragment and Laughter: The Art of Thomas Schütte. I Olof-Ors, Matilda (Red.), Thomas Schütte: United Enemies. Koenig Books. ISSN 9783960980087. s. 15–21.
• Larsen, Bente (2016). "Dette er kunst". Dag Solhjell. Kunst og kultur. ISSN 0023-5415. s. 50–52.
• Larsen, Bente (2000). Avstandens Estetik. FORM. ISSN 0805-9144. 4.
• Larsen, Bente (2000). The contemplation og desolation.
• Larsen, Bente (1999). The Fragmentet Body: A Study of some Aesthetic Implications of Théodore Géricault's Body Fragment Paintings.
• Larsen, Bente (1999). Nåtidskunst som fortolket tegn.
• Larsen, Bente (1999). Waltercio Caldas.

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