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Zeiner-Henriksen, Hans T.
(2019).
Analysing the Popular: Corporeal Engagement in the Experience of Music.
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Zeiner-Henriksen, Hans T.
(2018).
Structural verticality in electronic dance music.
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Zeiner-Henriksen, Hans T.
(2017).
MOOCs, online learning and the disruption of traditional education.
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Zeiner-Henriksen, Hans T.
(2017).
Sidechain compression and pulse perception in music production.
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Zeiner-Henriksen, Hans T.
(2016).
Music Moves: Developing a MOOC in Musicology.
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Zeiner-Henriksen, Hans T.
(2016).
MOOCs, online learning and the disruption of traditional education.
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Zeiner-Henriksen, Hans T.
(2015).
Questioning How Music Works: the Role of Cognitive Musicology in the Study of Record Production.
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Zeiner-Henriksen, Hans T.
(2015).
Music and Movement in Perceptual Time: Experiencing Rhythm and Verticality in the Flow of Music
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Zeiner-Henriksen, Hans T.
(2015).
Bevegelsesaspekter i musikkproduksjon.
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Zeiner-Henriksen, Hans T.
(2015).
The Experience of Ascending Melodic Lines in the Relationship between Music and Emotions.
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Hawkins, Stan; Zeiner-Henriksen, Hans T. & Danielsen, Anne
(2015).
Record Production in the Internet Age.
Journal on the Art of Record Production.
ISSN 1754-9892.
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Zeiner-Henriksen, Hans T.
(2014).
The analysis of groove in contemporary pop music.
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Zeiner-Henriksen, Hans T.
(2013).
Musikkteknologi og autentisitet.
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Zeiner-Henriksen, Hans T.
(2013).
The Significance of Verticality for Musical Entrainment.
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Zeiner-Henriksen, Hans T.
(2013).
Vintage Instruments and Retro Technology in Popular Music Culture.
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Zeiner-Henriksen, Hans T.
(2013).
Feel the Fjords. Urban club culture and arctic scenery in the music of the Norwegian duo Röyksopp.
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Zeiner-Henriksen, Hans T.
(2013).
Rhythmic Entrainment and Corporeal Tension-Building in Communicating Emotions through Music.
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Jensenius, Alexander Refsum; Thyness, Mons; Wingerei, Ellen K Sjøstrand; Kristensen, Turid; Zeiner-Henriksen, Hans T. & Watne, Åshild
[Show all 9 contributors for this article]
(2013).
Semesteråpningskonsert: Oslo mobilorkester.
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Zeiner-Henriksen, Hans T.
(2013).
Schrödingers katt.
[TV].
NRK.
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Zeiner-Henriksen, Hans T.
(2012).
Hvordan berører musikk oss emosjonelt – en diskusjon om melankolsk musikk, gåsehud og kroppslig bevegelse.
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Zeiner-Henriksen, Hans T.
(2012).
Bevegelse i elektronisk dansemusikk.
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Zeiner-Henriksen, Hans T.
(2012).
Moved by the music: bodily movement in music listening.
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Zeiner-Henriksen, Hans T.
(2012).
Musikk og bevegelse.
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Zeiner-Henriksen, Hans T. & Ihle, Ole Martin
(2012).
Musikk og biologi.
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Zeiner-Henriksen, Hans T. & Danielsen, Anne
(2012).
Pulse and microrhythm in contemporary groove-based music.
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Zeiner-Henriksen, Hans T.
(2012).
Music, motion and emotion - in a Nordic climate.
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Danielsen, Anne & Zeiner-Henriksen, Hans T.
(2012).
Pulse and microrhythm in contemporary groove-based music.
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Zeiner-Henriksen, Hans T.
(2011).
Moved by the music: Correspondences between musical motion and physical movement.
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Zeiner-Henriksen, Hans T.
(2011).
Musikkteknologi som autentisitetsmarkør.
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Zeiner-Henriksen, Hans T.
(2011).
Environments and space versus motion and energy.
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Zeiner-Henriksen, Hans T.
(2011).
Musikkens kroppslige dimensjoner.
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Zeiner-Henriksen, Hans T.
(2011).
Lydverket.
[TV].
NRK.
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Zeiner-Henriksen, Hans T.
(2010).
The PoumTchak Pattern: Correspondences Between Rhythm, Sound, and Movement in Electronic Dance Music.
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Zeiner-Henriksen, Hans T.
(2010).
Music Technology and Issues of Authenticity in the Production of Dance Music.
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Zeiner-Henriksen, Hans T.
(2009).
Moved by the music: Correspondences between musical motion and physical movement.
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Zeiner-Henriksen, Hans T.
(2009).
Body Movement in the Analysis of Groove-Based Music.
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Zeiner-Henriksen, Hans T.
(2008).
Embodied aesthetic experience: body movement and participation in music listening.
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Zeiner-Henriksen, Hans T.
(2007).
Perception and movement patterns in groove oriented music.
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Zeiner-Henriksen, Hans T.
(2007).
Decisions on sounds – envisions of movements.
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Zeiner-Henriksen, Hans T.
(2007).
Landeplage - Take On Me.
[TV].
NRK (Dinamo).
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Zeiner-Henriksen, Hans T.
(2006).
Rytmiske strukturer i Basement Jaxx’s “Jump N’ Shout”.
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Zeiner-Henriksen, Hans T.
(2006).
Rhythm, Sound and Movement.
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Zeiner-Henriksen, Hans T.
(2010).
The "PoumTchak" Pattern: Correspondences Between Rhythm, Sound, and Movements in Electronic Dance Music.
Universitetet i Oslo.
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Zeiner-Henriksen, Hans T.
(2010).
The ”PoumTchak” Pattern: Correspondences between Rhythm, Sound, and Movement in Electronic Dance Music.
Nauka.
Full text in Research Archive
Show summary
The “PoumTchak” pattern is a rhythmic pattern consisting of a continuous alternation between bass drum and hi-hat sounds. It forms the basic rhythmic structure in myriads of dance music tracks. This suggests a connection to body movement, and empirical studies presented in the thesis support a correspondence between the poumtchak pattern and vertical movement patterns like head nodding, upper-body bouncing, and foot tapping. The thesis further presents and discusses various theoretical contributions that elucidate why the poumtchak pattern is especially effective in activating vertical movement patterns within the club-oriented dance music culture. Here, the ecological approach to perception, as well as theories on dynamic attending, entrainment, and musical verticality are central. The thesis employs this correspondence to illuminate musical qualities of dance music tracks through an analytical approach that seeks to interpret the potential for body movement in various musical grooves. Drive, emphasis, tension, and expectation are aspects and qualities that are particularly stressed. The importance of sound parameters, like the use of compression, filter effects, and bass drum sounds with a descending pitch movement, are also discussed. An introductory historical outline of club-oriented dance music genres and production processes from the 1970s to the 1990s is also included.
