Books
- Pindar and the Emergence of Literature. Сambridge: Cambridge University Press, 2015.
- Persistent Forms: Explorations in Historical Poetics, co-edited with Ilya Kliger. New York: Fordham University Press (Series “Verbal Arts: Studies in Poetics”), 2016.
- Poniatiia, idei, konstruktsii: ocherki sravnitel’noi istoricheskoi semantiki [Concepts, ideas, constructions: essays in comparative historical semantics], co-edited with Yury Kagarlitskiy and Dmitri Kalugin. Moscow: NLO, 2019.
Selected articles and book chapters
“Aristotle and Freidenberg on Tragic Character,” in Mif. Ritual. Literatura (Festschrift v chest’ professora N. V. Braginskoi). Moscow: Izd. dom VShE, 2023, 300-313.
with Paulo do Nascimento Brito, “Aesthetic Republicanism in Shostakovich’s Fourteenth Symphony.” Russian Review 82 (2023) 232-247.
“The Tragic Iambic Trimeter as a Prosodic Milieu.” Symbolae Osloenses 96.1 (2022) 45-71.
“Transistoricheskoe soobshchestvo kak predmet filologicheskogo znaniia.” (Transhistorical community as object of philological knowledge.) Novoe literaturnoe obozrenie 174.2 (2022) 43-55.
with Tatiana Nikitina. “Rhymed talk and ideophones: Recovering extinct discourse practices from Russian Realist fiction.” Signs and Society 10.2 (2022): 169-190.
“Republican Liberty and the Pindaric Genealogy of Modern Abstractions.” Contributions to the History of Concepts 14.1 (2019): 42-65.
with Tatiana Nikitina. “Rhyme in European Verse: A Case for Quantitative Historical Poetics.” Comparative Literature 71.2 (2019): 194-212.
“Lyric Universality,” Cambridge Companion to World Literature, ed. by B. Etherington and J. Zimbler. P. 133–148. Cambridge: CUP, 2018.
“How to Murder a Work of Art: Philology, Historical Poetics, and the Morphological Method.” Poetics Today 38: 3 (2017): 485-518 (special issue “Historical Poetics in Theory”).
“The Genealogy of the Muses: an internal reconstruction of Archaic Greek metapoetics.” American Journal of Philology 137.3 (2016): 411-47.
with Ilya Kliger, “Introducing Historical Poetics: History, Experience, Form.” In Persistent Forms: Explorations in Historical Poetics, ed. I. Kliger and B. Maslov, 1-36. New York: Fordham UP, 2016.
“The dialect basis of choral lyric and the history of poetic languages in Archaic Greece.” Symbolae Osloenses 87 (2013): 1-29.
“Comparative Literature and Revolution, or the Many Arts of (Mis)Reading Alexander Veselovsky.” Compar(a)ison: An International Journal of Comparative Literature 2008 [2013] 2: 101-129.
with Tatiana Nikitina. “Redefining constructio praegnans: on the variation between allative and locative expressions in Ancient Greek.” Journal of Greek Linguistics 13 (2013) 103-141.
“Oikeiōsis pros theon: Gregory of Nazianzus and the heteronomous subject of Eastern Christian penance.” Journal of Ancient Christianity/Zeitschrift für Antikes Christentum 16.2 (2012) 309-341.
“The limits of Platonism: Gregory of Nazianzus and the invention of theōsis.” Greek, Roman, and Byzantine Studies 52 (2012) 440-468.
“The real life of the genre of prooimion.” Classical Philology 107.3 (2012) 191-205.
Translations
- Introductory note and translation: Sergei Averintsev, “Toward an Interpretation of the Symbolism of the Oedipus Myth (1972),” in Arion 29.2 (2021): 99-123.
- Translations (into English) of A. N. Veselovsky, “From the Introduction to Historical Poetics” and “The Age of Sensibility”; O. M. Freidenberg, “Oresteia in the Odyssey”, M. L. Gasparov, “Columbus’ egg, or the structure of the novella.” In Persistent Forms: Explorations in Historical Poetics, 39-64, 165-171, 255-273.
- Translation (into English) of V. M. Zhivov, “Conceptual History, Cultural History, Social History.” ВИВЛIОθИКА: E-Journal of Eighteenth-Century Russian Studies 2 (2014) 1-15.
- Ed., with an introductory note, A. N. Veselovsky, “Envisioning World Literature in 1863: From the Reports on a Mission Abroad,” translation by Jennifer Flaherty. PMLA 128.2 (2013) 439-451.