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Mørch, Audun Johannes
(2020).
Solid verk om Aleksandr Pusjkin.
Dag og Tid.
ISSN 0803-334X.
s. 26–27.
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Mørch, Audun Johannes
(2019).
Åpen Bok.
[Radio].
NRK.
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Mørch, Audun Johannes
(2019).
Verdibørsen.
[Radio].
NRK.
-
Mørch, Audun Johannes
(2019).
Salongen.
[Radio].
NRK.
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Mørch, Audun Johannes
(2011).
Vladimir Majakovskij, "Mennesket. Om dette".
Aschehoug & Co.
ISSN 9788203199721.
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Mørch, Audun Johannes
(2011).
Kulturnytt.
[Radio].
NRK.
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Mørch, Audun Johannes
(2011).
Diktafon.
[Radio].
NRK.
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Mørch, Audun Johannes
(2010).
Humørfylt anti-utopi.
Klassekampen.
ISSN 0805-3839.
s. 12–12.
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Mørch, Audun Johannes
(2010).
En pingvin for lite.
Klassekampen.
ISSN 0805-3839.
s. 16–16.
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Mørch, Audun Johannes
(2010).
Mørk moskovitt.
Klassekampen.
ISSN 0805-3839.
s. 11–11.
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Mørch, Audun Johannes
(2010).
Om å oversette Majakovskij til norsk.
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Mørch, Audun Johannes
(2010).
Lev Tolstoj - dikter og guru.
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Mørch, Audun Johannes
(2010).
Russisk litteratur fra Pusjkin til Pasternak.
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Mørch, Audun Johannes
(2010).
Tolstoy's Anti-Romantic Chronotope:The Sevastopol Stories.
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Mørch, Audun Johannes
(2010).
Fjodor Dostojevskij. Innledning.
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Mørch, Audun Johannes
(2010).
Lev Tolstoj. Innledning.
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Mørch, Audun Johannes
(2010).
Nikolaj Gogol. Innledning.
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Mørch, Audun Johannes
(2010).
Om oversetterutdannelsen ved Universitetet i Oslo.
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Mørch, Audun Johannes
(2010).
Bok i P2. Program om forfatteren Mikhail Sjisjkin.
[Radio].
NRK.
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Mørch, Audun Johannes
(2009).
Bok i P2. Nikolaj Gogol.
[Radio].
NRK.
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Mørch, Audun Johannes
(2009).
Пьеса "Шарманка" Андрея Платонова: Идея и художественное пространство.
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Mørch, Audun Johannes
(2009).
Aleksander Pusjkin.
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Mørch, Audun Johannes
(2009).
Nikolaj Gogol: Paradoksenes dikter.
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Mørch, Audun Johannes
(2009).
Nikolaj Gogol.
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Mørch, Audun Johannes
(2008).
The Chronotope of the Primordial in Jurij Rytkheu's Kogda kity ukhodjat.
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Mørch, Audun Johannes
(2007).
Boris Pasternak.
[Radio].
NRK.
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Mørch, Audun Johannes
(2007).
Konstantin Ciolkovskij.
[Radio].
NRK.
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Mørch, Audun Johannes
(2007).
In search of the grand: Pavel Krusanov.
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Mørch, Audun Johannes
(2007).
Aleksander Pusjkin - Russlands nasjonaldikter.
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Mørch, Audun Johannes
(2007).
Om å oversette Bakhtin.
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Mørch, Audun Johannes
(2006).
En dag i Ivan Denisovitsj' liv, Tanke og tendens. Sånn er Livet.
[Radio].
NRK P2.
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Mørch, Audun Johannes
(2006).
Utopia and Anti-Utopia in Russian Thought and Literature.
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Mørch, Audun Johannes
(2005).
Pavel Krusanov og romanen Ukus angela, Engelens bitt (2000).
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Mørch, Audun Johannes
(2003).
Mikhail Bakhtin: Latter og dialog. Utvalgte skrifter.
Cappelen Damm Akademisk.
ISSN 82-02-19863-1.
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Ludvigsen, Sten & Mørch, Audun Johannes
(2002).
Categories at work: Small-group collaboration in co- located and distributed settings.
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Mørch, Audun Johannes
(2002).
Gogol¿s ¿The Overcoat¿: A revalueing all values.
Vis sammendrag
The paper represents a new reading of Gogol's "The Overcoat", in which particularly influential earlier readings (notably that of Chizhewskij) are revised and critisized. The main issue is a rereading of the inherent value system of "The Overcoat": What is good and what is evil?
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Mørch, Audun Johannes
(2000).
En praktikants bekjennelser.
Dyade.
ISSN 0332-5792.
2,
s. 35–43.
Vis sammendrag
Artikkelen er en vurdering av Kunderas tanker om romangenren slik de kommer til uttrykk i "Romankunsten" og "Forrådte testamenter".
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Mørch, Audun Johannes
(2000).
The Irony of Platonov's "Gorod Gradov".
Vis sammendrag
Different forms of irony and irony working on different levels in Andrei Platonov's "Gorod gradov" are discussed in this paper.
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Mørch, Audun Johannes
(2000).
Ironi i Andrej Platonovs prosa.
Vis sammendrag
I foredraget belyses forskjellige former for ironi og det vises hvorledes disse kommer til uttrykk hos forfatteren Andrej Platonov, særlig i fortellingen "Gorod gradov"
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Mørch, Audun Johannes
(1998).
Andrej Platonov, en gjenoppdaget skatt.
Aftenposten (morgenutg. : trykt utg.).
ISSN 0804-3116.
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Mørch, Audun Johannes
(1998).
Dostoevskij's ¿Besy¿ and the Utopian Notion of the New Man.
Vis sammendrag
DOSTOEVSKIJ'S BESY AND THE UTOPIAN NOTION OF THE NEW MAN.
Since Chernyshevskij's famous "anti-novel" ¿Chto delat'¿, whose subtitle was ¿iz rasskazov o novych ljudjach¿, Russian utopian thinking has been markedly preoccupied with the image of a new man. The main implication of his book was that the essence of bright new utopian society was not in the props, but in the citizen of this society himself, the new man.
The revolutionary nihilists that appear as characters in Dostoevskij's ¿Besy¿ are all possessed by different ideas of utopia, and in their ideologies we may also discern different casts of the new man. Still, there is a common principle behind all the new men in ¿Besy¿. To Dostoevskij, the quest for a new man is a pretence to divinity, and he recognizes such a pretence as the sin of hubris. The result is an inversion, or a negation. The new man in Dostoevskij's poetic universe is not divine, but either demonized or turned into a mass-creature resembling a herd-animal. The result, in other words, is either the opposite of a divine being (a demon) or something less than a man (a herd-animal), or even combinations of the two.
Essentially, Russian utopianists dreamed of a ¿novyj chelovek¿ rising from the ashes of the lishnij chelovek.. The theme of the new man is later treated by such writers as Platonov, Bulgakov, Olesha and others.