Hans T. Zeiner-Henriksen

• Zeiner-Henriksen, Hans T. (2016). Emotional Experiences of Ascending Melodic Lines, In Richard Kronland-Martinet; Mitsuko Aramaki & Sølvi Ystad (ed.),  Music, Mind, and Embodiment :11th International Symposium, CMMR 2015, Plymouth, UK, June 16-19, 2015, Revised Selected Papers.  Springer.  ISBN 978-3-319-46281-3.  Music Analysis, Music Generation and Emotion.  s 373 - 386
• Zeiner-Henriksen, Hans T. (2014). Old Instruments, New Agendas: The Chemical Brothers and the ARP 2600. Dancecult: Journal of Electronic Dance Music Culture.  ISSN 1947-5403.  6(1), s 26- 40 . doi: 10.12801/1947-5403.2013.05.02.04
• Zeiner-Henriksen, Hans T. (2012). 1980- og 1990-tallets pop og rock, I:  Vestens musikkhistorie: Fra 1600 til vår tid.  Cappelen Damm AS.  ISBN 9788202277284.  10.  s 412 - 430
• Zeiner-Henriksen, Hans T. (2010). Moved by the Groove: Bass Drum Sounds and Body Movements in Electronic Dance Music, In Anne Danielsen (ed.),  Musical Rhythm in the Age of Digital Reproduction.  Ashgate.  ISBN 9781409403401.  Chapter 8.  s 121 - 139

View all works in Cristin

• Zeiner-Henriksen, Hans T. (2011). Röyksopp Melody A.M. Falck Forlag.  ISBN 978-82-93039-21-1.  126 s.

View all works in Cristin

• Jensenius, Alexander Refsum; Zeiner-Henriksen, Hans T. & Nymoen, Kristian (2016). Music Moves: Why does music make you move?. [www ]. Show summary

  Learn about the psychology of music and movement, and how researchers study music-related movements, with this free online course.

• Hawkins, Stan; Zeiner-Henriksen, Hans T. & Danielsen, Anne (2015). Record Production in the Internet Age. Journal on the Art of Record Production.  ISSN 1754-9892.  (10)
• Zeiner-Henriksen, Hans T. (2015). Bevegelsesaspekter i musikkproduksjon.
• Zeiner-Henriksen, Hans T. (2015). Music and Movement in Perceptual Time: Experiencing Rhythm and Verticality in the Flow of Music.
• Zeiner-Henriksen, Hans T. (2015). Questioning How Music Works: the Role of Cognitive Musicology in the Study of Record Production.
• Zeiner-Henriksen, Hans T. (2015). The Experience of Ascending Melodic Lines in the Relationship between Music and Emotions.
• Jensenius, Alexander Refsum; Thyness, Mons; Wingerei, Ellen K Sjøstrand; Kristensen, Turid; Zeiner-Henriksen, Hans T.; Watne, Åshild; Askerøi, Eirik; Tveit, Anders & Riisnæs, Anne Eline (2013). Semesteråpningskonsert: Oslo mobilorkester.
• Zeiner-Henriksen, Hans T. (2013). Feel the Fjords. Urban club culture and arctic scenery in the music of the Norwegian duo Röyksopp.
• Zeiner-Henriksen, Hans T. (2013). Musikkteknologi og autentisitet.
• Zeiner-Henriksen, Hans T. (2013). Rhythmic Entrainment and Corporeal Tension-Building in Communicating Emotions through Music.
• Zeiner-Henriksen, Hans T. (2013, 21. februar). Schrödingers katt. [TV].  NRK.
• Zeiner-Henriksen, Hans T. (2013). The Significance of Verticality for Musical Entrainment.
• Zeiner-Henriksen, Hans T. (2013). Vintage Instruments and Retro Technology in Popular Music Culture.
• Danielsen, Anne & Zeiner-Henriksen, Hans T. (2012). Pulse and microrhythm in contemporary groove-based music.
• Solberg, Ragnhild Torvanger; Zeiner-Henriksen, Hans T. & Aandahl, Trine (2012, 20. september). Her får han frysninger av Josh Groban. [Internett].  P3.no.
• Solberg, Ragnhild Torvanger; Zeiner-Henriksen, Hans T. & Engeseth, Njål (2012, 19. september). Lydverket, NRK3, 19.09.2012. [TV].  NRK3.
• Zeiner-Henriksen, Hans T. (2012). Bevegelse i elektronisk dansemusikk.
• Zeiner-Henriksen, Hans T. (2012). Hvordan berører musikk oss emosjonelt – en diskusjon om melankolsk musikk, gåsehud og kroppslig bevegelse.
• Zeiner-Henriksen, Hans T. (2012). Moved by the music: bodily movement in music listening.
• Zeiner-Henriksen, Hans T. (2012). Music, motion and emotion - in a Nordic climate.
• Zeiner-Henriksen, Hans T. (2012). Musikk og bevegelse.
• Zeiner-Henriksen, Hans T. & Danielsen, Anne (2012). Pulse and microrhythm in contemporary groove-based music.
• Zeiner-Henriksen, Hans T. & Ihle, Ole Martin (2012). Musikk og biologi.
• Zeiner-Henriksen, Hans T. (2011). Environments and space versus motion and energy.
• Zeiner-Henriksen, Hans T. (2011, 09. februar). Lydverket. [TV].  NRK.
• Zeiner-Henriksen, Hans T. (2011). Moved by the music: Correspondences between musical motion and physical movement.
• Zeiner-Henriksen, Hans T. (2011). Musikkens kroppslige dimensjoner.
• Zeiner-Henriksen, Hans T. (2011). Musikkteknologi som autentisitetsmarkør.
• Zeiner-Henriksen, Hans T. (2010). Music Technology and Issues of Authenticity in the Production of Dance Music.
• Zeiner-Henriksen, Hans T. (2010). The PoumTchak Pattern: Correspondences Between Rhythm, Sound, and Movement in Electronic Dance Music.
• Zeiner-Henriksen, Hans T. (2010). The "PoumTchak" Pattern: Correspondences Between Rhythm, Sound, and Movements in Electronic Dance Music.
• Zeiner-Henriksen, Hans T. (2010). The ”PoumTchak” Pattern: Correspondences between Rhythm, Sound, and Movement in Electronic Dance Music. Full text in Research Archive. Show summary

  The “PoumTchak” pattern is a rhythmic pattern consisting of a continuous alternation between bass drum and hi-hat sounds. It forms the basic rhythmic structure in myriads of dance music tracks. This suggests a connection to body movement, and empirical studies presented in the thesis support a correspondence between the poumtchak pattern and vertical movement patterns like head nodding, upper-body bouncing, and foot tapping. The thesis further presents and discusses various theoretical contributions that elucidate why the poumtchak pattern is especially effective in activating vertical movement patterns within the club-oriented dance music culture. Here, the ecological approach to perception, as well as theories on dynamic attending, entrainment, and musical verticality are central. The thesis employs this correspondence to illuminate musical qualities of dance music tracks through an analytical approach that seeks to interpret the potential for body movement in various musical grooves. Drive, emphasis, tension, and expectation are aspects and qualities that are particularly stressed. The importance of sound parameters, like the use of compression, filter effects, and bass drum sounds with a descending pitch movement, are also discussed. An introductory historical outline of club-oriented dance music genres and production processes from the 1970s to the 1990s is also included.

• Zeiner-Henriksen, Hans T. (2009). Body Movement in the Analysis of Groove-Based Music.
• Zeiner-Henriksen, Hans T. (2009). Moved by the music: Correspondences between musical motion and physical movement.
• Zeiner-Henriksen, Hans T. (2008). Embodied aesthetic experience: body movement and participation in music listening.
• Zeiner-Henriksen, Hans T. (2007). Decisions on sounds – envisions of movements.
• Zeiner-Henriksen, Hans T. (2007, 30. april). Landeplage - Take On Me. [TV].  NRK (Dinamo).
• Zeiner-Henriksen, Hans T. (2007). Perception and movement patterns in groove oriented music.
• Zeiner-Henriksen, Hans T. (2006). A comparative study of changes in bass drum sounds from 70s disco to electronic dance music of the 1980s and 1990s.
• Zeiner-Henriksen, Hans T. (2006). Chicago house and the "democratization" of music production.
• Zeiner-Henriksen, Hans T. (2006). Rhythm, Sound and Movement.
• Zeiner-Henriksen, Hans T. (2006). Rytmiske strukturer i Basement Jaxx’s “Jump N’ Shout”.

View all works in Cristin