Gianina Druţă

Guest lecturer
Image of Gianina Druţă
Mobile phone +40-729657829
Room HW 219
Username

Academic interests

  • Ibsen stagings in Romania
  • Theatre
  • Literature
  • Multidisciplinary research
  • Digital Humanities and quantitative research methods

Background

MA-degree in "History of Images – History of Ideas", Department for Universal and Comparative Literature, Faculty of Letters, Babeş-Bolyai University, Romania

BA-degree in Norwegian Language and Literature – Italian Language and Literature, Faculty of Letters, Babeş-Bolyai University, Romania

Member of the Editorial Board and reviewer at the peer-reviewed «Metacritic Journal for Comparative Studies and Theory»

Editor at «Echinox», Student magazine (Faculty of Letters, Babeş-Bolyai University, Romania)

PhD-project 

The aim of my PhD-project is to study Henrik Ibsen’s reception in the Romanian theatre from 1894 until today. The main directions I focus on are the historical and chronological display of the stagings, the international theatrical context that influenced Ibsen’s Romanian theatre reception as well as contributions of the most important Romanian actors, directors and translators who promoted Ibsen’s plays.

Besides classic theatre historiography research tools, the project is enriched by a Digital Humanities approach, using IbsenStage Performance Database as the main reference point.

Tags: Ibsen, Romanian theatre, Digital Humanities, Reception Studies, IbsenStage

Publications

  • Druta, Gianina (2021). A Century of Ibsen (Studies) in Romania: Modernity and Tradition in the Romanian Ibsen Scholarship. In Dreve, Roxana-Ema; Duinea, Raluca-Daniela; Pop, Raluca & Øverland, Fartein Thorsen (Ed.), A Lifetime Dedicated to Norwegian Language and Literature: Papers in Honour of Professor Sanda Tomescu Baciu. Presa Universitară Clujeană. ISSN 9786063710261. p. 75–79. Full text in Research Archive
  • Druta, Gianina (2021). Where Did Ibsen Come From? The Contribution of the Foreign Language Tours to the Emergence of Henrik Ibsen on the Romanian Stage. Ibsen Studies. ISSN 1502-1866. p. 38–93. doi: 10.1080/15021866.2021.1932044. Full text in Research Archive
  • Druta, Gianina (2020). Preface. Ibsen Studies. ISSN 1502-1866. 20(2), p. 107–109. doi: 10.1080/15021866.2020.1825104. Full text in Research Archive
  • Druta, Gianina (2020). NOTES ON HENRIK IBSEN SCHOLARSHIP TODAY: POTENTIALS AND CHALLENGES IN COMBINING HISTORIOGRAPHICAL METHODS, DIGITAL HUMANITIES, AND THEATRE/LITERARY STUDIES. Studia Universitatis Babeş-Bolyai Philologia. ISSN 1220-0484. 65(3), p. 89–106. doi: 10.24193/subbphilo.2020.3.07. Full text in Research Archive

View all works in NVA

  • Druta, Gianina (2022). Peer Gynt, dementia and time. Full text in Research Archive
  • Druta, Gianina (2022). Paul Gusty: The Romanian Ibsen director. Full text in Research Archive
  • Druta, Gianina (2022). Across the Empire. The early reception of Henrik Ibsen on the Hungarian-speaking stage (1879-1945). Full text in Research Archive
  • Druta, Gianina (2021). Translating Henrik Ibsen’s plays for the Romanian audience. Full text in Research Archive
  • Druta, Gianina (2021). When Peer Gynt no longer knows who he is: Ibsen, time and dementia. Full text in Research Archive
  • Druta, Gianina (2021). When Dr. Stockmann spoke Romanian…: Petre Sturdza’s translation of An Enemy of the People (1907). Full text in Research Archive
  • Druta, Gianina (2021). Mrs Alving vs Osvald: "Ghosts" in the Romanian theatre. Full text in Research Archive
  • Druta, Gianina (2020). Digital Perspectives in Ibsen Studies. Full text in Research Archive
  • Druta, Gianina (2020). Henrik Ibsen’s “Ghosts” and the star-actor tradition on the Romanian stage (1894-1947). Full text in Research Archive
  • Druta, Gianina (2020). Where did Ibsen come from? Foreign Ibsen performances in Romania (1879-1947). Full text in Research Archive
  • Druta, Gianina (2020). Translating Ibsen for the Romanian audience. Full text in Research Archive
  • Druta, Gianina (2019). The establishment of Henrik Ibsen’s "A Doll’s House" in the Romanian theatre. Full text in Research Archive
  • Druta, Gianina (2019). The establishment of Henrik Ibsen’s play "Ghosts" in the Romanian theatre. Full text in Research Archive
  • Druta, Gianina (2019). The influence of the major foreign theatre cultures upon Henrik Ibsen’s reception on the Romanian stage. Full text in Research Archive
  • Druta, Gianina (2019). The emergence of Ibsen on the stage of the National Theatre of Iași: State Dragomir (1870-1920). Full text in Research Archive
  • Druta, Gianina (2019). Ibsen i Romania. Full text in Research Archive
  • Druta, Gianina (2018). The contact of the Romanian cultural agents with Henrik Ibsen’s plays (1894-1947). Full text in Research Archive
  • Druta, Gianina (2018). Modernitet og tradisjon i Ibsenforskningen. Et rumensk perspektiv. Full text in Research Archive
  • Druta, Gianina (2018). The power of critical discourse in fashioning Henrik Ibsen’s reception on the Romanian stage. Full text in Research Archive
  • Druta, Gianina (2018). "Et dukkehjem" i rumensk teater. Full text in Research Archive
  • Druta, Gianina (2018). Petre Sturdza: The “subversive” Dr. Stockmann of the Romanian stage. Full text in Research Archive
  • Druta, Gianina (2018). Prezențe ibseniene pe scena ieșeană în prima jumătate a secolului al XX-lea. Full text in Research Archive
  • Druta, Gianina (2017). Henrik Ibsens resepsjon i det rumenske teatret. Full text in Research Archive
  • Druta, Gianina (2020). Ibsen at the Theatrical Crossroads of Europe: A Performance History of Henrik Ibsen’s plays on the Romanian stages (1894-1947). Universitetet i Oslo. Full text in Research Archive

View all works in NVA

Published Jan. 3, 2017 2:07 PM - Last modified May 10, 2022 1:00 PM