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Stan Hawkins

Professor, forskningsleder
Bilde av Stan Hawkins
English
E-post e.s.hawkins@imv.uio.no
Telefon +47 22 85 40 63
Faks +47 22 85 47 63
Rom 302
Treffetider Etter avtale
Brukernavn
Besøksadresse Institutt for musikkvitenskap ZEB-bygningen 2. etasje Sem Sælands vei 2 0371 OSLO
Postadresse Institutt for musikkvitenskap Postboks 1017 Blindern 0315 OSLO

http://www.stanhawkins.net

Background

  • Bachelor of Music (4 years), University of Kwazulu-Natal, South Africa
  • Postgraduate/MA (2 years), State Academy of Music, Frankfurt, Germany
  • PhD in Music (3 years), University of York, England
  • Guest professor, City University, London
  • Guest professor, Humboldt University, Germany
  • Adjunct professor, University of Agder, Norway

Specialisms/Tutoring

  • Popular Musicology
  • Cultural Studies
  • Gender Studies and performativity
  • Music Analysis
  • Audiovisual Interpretation
  • Film and TV Theory

Current Research Activities

Leader of Norwegian Research Council state funded project (2010-2015) Popular Music and Gender in a Transcultural Context. This project carries new research posts, including four affiliated PhD scholars, Birgitte Sandve, Erlend Hegdal, Jon Mikkel Ålvik, and Lars Norberg, postdoctoral researcher Mats Johansson, research assistant, Mari Paus and five MA students. In addition, the project includes an extensive network of scholars from leading research institutions in Canada, Finland, Ireland, Denmark, France, Germany, South Africa, the USA and UK. The start up seminar was held on 16 March 2011 at MIC, Nasjonalbiblioteket, Oslo, featuring keynote addresses by Susan McClary, Jacqueline Warwick and Hege Duckert. To date one national seminar and a Nordic seminar have been held, profiling ongoing research projects and guest lectures by Robert Walser, Keith Negus, Derek Scott, John Richardson, Philip Tagg, Barbara Bradby, Jacqueline Roxborough, and Steven Feld. For further details see: http://www.hf.uio.no/imv/english/research/projects/musicandgender/index.html

Chapter commissioned for Oxford Handbook of New Audiovisual Aesthetics, edited by Claudia Gorbman, Carol Vernallis and John Richardson. To be published in 2012 by Oxford University Press, consisting of international scholars including Michel Chion, Lawrence Kramer, Tia de Nora, Nicholas Cook and Nicola Dibben.

Chapter commissioned for an interdisciplinary Routledge publication: Lady Gaga: Essays on Music, Performance, and Culture, eds. Martin Iddon & Melanie L. Marshall. Title of essay is: 'I'll bring you down, down, down: Lady Gaga's performance in 'Judas''. Publication in 2013.

Chapter commissioned for a Nordic publication by Oxford University Press, Popular Music in the Nordic Countries, eds. Fabian Holt and Antti-Ville Kärjä. Title of essay is: 'Terror, Norwegian masculinity and popular music in the global age'. Publication in 2014.

Current book project, Popular Music in a Transcultural Context. Publication in 2014.

Publication 2014.

Emneord: Populærmusikk, Musikkanalyse, Samfunn og musikk, Medier og musikk, Performativity

Publikasjoner

The British Pop Dandy: Masculinity, Popular Music and Culture (Farnham: Ashgate, 2009)

'Temporal Turntables: On Temporality and Corporeality in Dance Culture' in Baur, Knapp & Warwick (eds), Musicological Identities: Essays in Honor of Susan McClary (Aldershot: Ashgate, 2008)

' [Un] Justified: Gestures of Straight-talk in Justin Timberlake's Songs' in Jarman-Ivens (ed), Oh Boy! Masculinities and Popular Music (New York: Routledge, 2007)

'Those Norwegians: Deconstructing the Nation-Sate in Europe through Fixity and Indifference in Norwegian Club Music' in Biddle and Knights (eds.), Music, National Identity and the Politics of Location: Between the Global and the Local (Ashgate, 2007)

'Aphex Twin: monstrous hermaphrodites, madness and the strain of independent dance music' in Richardson & Hawkins (eds.), Essays on Sound & Vision (Helsinki University Press, 2007)

Essays on Sound & Vision eds. Stan Hawkins and John Richardson (Helsinki University Press, 2007)

'Normalitet og musikk i norsk reklame i 2006' i Normalitet (red.) Thomas Hylland Eriksen og Jan-Kåre Breivik (Universitetsforlaget, 2006)

'Remodelling Britney: Matters of intoxication and mediation' (with John Richardson) in Popular Music & Society, Vol.30. Nr.5. (December 2007), pp. 605-629.

'On Male Queering in Mainstream Pop' (Chapter 18) in Queering the Popular Pitch eds. S. Whiteley & J. Rycenga (London: Routledge, 2006)

Music, Space and Place: Popular Music and Cultural Identity eds. S.Hawkins, A. Bennett & S. Whiteley (Aldershot: Ashgate, 2004)

Settling the Pop Score: Pop texts and identity politics (Aldershot: Ashgate, 2002)

'On performativity and production in Madonna's Music' in Music, Space and Place (Aldershot: Ashgate, 2004), pp.180-190

'Feel the beat come down: house music as rhetoric' in Analyzing Popular Music, ed. Allan Moore (Cambridge University Press, 2003, pp. 80-102

'Dragging out camp: narrative agendas in Madonna's musical production' in Madonna's Drowned Worlds: New Approaches to her Cultural Transformations, 1983-2003, eds. S. Fouz-Harnández & F. Jarman-Ives (Aldershot: Ashgate, 2004), pp. 3-21

'Musicological Quagmires in Popular Music: Seeds of Detailed Conflict' in Popular Musicology Online (Issue1/2001)

'Prince: Harmonic Analysis of 'Anna Stesia'' in Reading Pop: Approaches to textual Analysis in Popular Music, ed. R. Middleton (Oxford University Press, 2000), pp. 58-70

'The Pet Shop Boys: Musicology, masculinity and banality' in Sexing the Groove: Popular Music and Gender, ed. S. Whiteley (London: Routledge, 1997), pp. 118-133

'I'll Never Be An Angel: Stories of Deception in Madonna's Music' in Critical Musicology Online (1997)

  • Hawkins, Stan (2012). Great, Scott!, In Stan Hawkins (ed.),  Critical Musicological Reflections: Essays in Honour of Derek B. Scott.  Ashgate.  ISBN 978-1-4094-2560-1.  Kapittel 1.
  • Hawkins, Stan (2012). You rocked our world, Michael: your moves, your look, your music, everything!. Popular music and society.  ISSN 0300-7766.  35(2), s 145- 149 . doi: 10.1080/03007766.2011.616295
  • Hawkins, Stan (2011). Essay Review: Composing Apartheid: Music for and against Apartheid (ed. G. Olwage). Journal of the Musical Arts in Africa.  ISSN 1812-1004.  8, s 117- 120
  • Hawkins, Stan & Richardson, John (2011). 'Remodeling Britney Spears: Matters of Intoxication and Mediation', In Stan Hawkins (ed.),  Pop Music and Easy Listening: The Library of Essays on Popular Music.  Ashgate.  ISBN 9780754629528.  4.  s 57 - 81
  • Hawkins, Stan (2010). Unsettling Differences: Music and Laddism in Britpop, In Andy Bennett & Jon Stratton (ed.),  Britpop and the English Music Tradition.  Ashgate.  ISBN 978075466805-3.  Kapittel 9.  s 145 - 162
  • Hawkins, Stan (2009). 'Chelsea Rodgers' was a model - Vocality in Prince of the Twenty-first Century, In Derek Scott (ed.),  The Ashgate Research Companion to Popular Musicology.  Ashgate.  ISBN 978-0754664765.  Kapittel.
  • Hawkins, Stan (2008). Temporal Turntables: On Temporality and Corporeality in Dance Music, In S. Baur; R. Knapp & J. Warwick (ed.),  Musicological Identities: Essays in Honour of Susan McClary.  Ashgate.  ISBN 9780754663027.  Kapittel.
  • Hawkins, Stan (2007). Aphex Twin: monstrous hermaphrodites, madness and the strain of independent dance music, In Stan Hawkins & John Richardson (ed.),  Essays on Sound and Vision.  Helsinki University Press.  ISBN 978-951-570-726-0.  Part 1 Avant-garde aesthetics - Chapter 1.  s 27 - 53
  • Hawkins, Stan (2007). Introduction, In Stan Hawkins & John Richardson (ed.),  Essays on Sound and Vision.  Helsinki University Press.  ISBN 978-951-570-726-0.  Introduction.  s 13 - 23
  • Hawkins, Stan (2007). Those Norwegians: Deconstructing the Nation-State in Europe through Fixity and Indifference in Norwegian Club Music, In Ian Biddle & Vanessa Knights (ed.),  Music, National Identity and the Politics of Location: Between the Global and the Local.  Ashgate.  ISBN 978-0-7546-4055-4.  9.  s 179 - 189
  • Hawkins, Stan (2007). [Un]Justified: Gestures of Straight-Talk in Justin Timberlake's Songs, In Freya Jarman-Ivens (ed.),  Oh Boy! Masculinities and Popular Music.  Routledge.  ISBN 0415978211.  10.  s 197 - 212
  • Hawkins, Stan & Richardson, John (2007). 'Remodeling Britney Spears: Matters of Intoxication and Mediation'. Popular music and society.  ISSN 0300-7766.  30(5), s 605- 629
  • Hawkins, Stan (2006). Normalitet og musikk i norsk reklame i 2006, I: Thomas Hylland Eriksen & Jan-Kåre Breivik (red.),  Normalitet.  Universitetsforlaget.  ISBN 82-15-01062-8.  11.  s 253 - 274
  • Hawkins, Stan (2006). On Male Queering in Mainstream Pop, In Sheila Whiteley et al (ed.),  Queering the Popular Pitch.  Routledge.  ISBN 0-415-97805-X.  18.  s 279 - 294
  • Hawkins, Stan (2005). Overskridende maskulinitet i popmusikken. Arr. Idéhistorisk tidsskrift.  ISSN 0802-7005.  (3), s 55- 67
  • Hawkins, Stan (2004). Dragging out camp: narrative agendas in Madonna's musical production, In Santiago Fouz-Hernández & Freya Jarmen-Ivens (ed.),  Madonna's Drowned Worlds: New Approaches to her Cultural Transformations, 1983-2003.  Ashgate.  ISBN 0-7546-3371-3.  Kapittel 1.  s 3 - 21
  • Hawkins, Stan (2004). On performativity and production in Madonna's 'Music', In Stan Hawkins (ed.),  Music, Space and Place: Popular Music and Cultural Identity.  Ashgate.  ISBN 0-7546-3737-9.  10.  s 180 - 190
  • Hawkins, Stan; Whiteley, Sheila & Bennett, Andy (2004). Introduction: Musical production and the Politics of Desire, In Stan Hawkins (ed.),  Music, Space and Place: Popular Music and Cultural Identity.  Ashgate.  ISBN 0-7546-3737-9.  Introduction.  s 16 - 22
  • Hawkins, Edgar Stanley (2002). Review article: Women and Popular Music: Sexuality, Identity and Subjectivity by Sheila Whiteley (New York: Routledge 2000). Notes (Philadelphia, Pa.).  ISSN 0027-4380.  s 815- 817
  • Hawkins, Stan (2002). Erlkönig revisited - musical modelling, appropriation, and reconfiguration in Norways Wunderkammer. Studia Musicologica Norvegica.  ISSN 0332-5024.  28, s 63- 81
  • Hawkins, Edgar Stanley (2001). Joy in Repetition!. Studia Musicologica Norvegica.  ISSN 0332-5024.  27, s 53- 78
  • Hawkins, Edgar Stanley (2001). Musicological Quagmires in Popular Music: Seeds of Detailed Conflict. Popular Musicology Online.  ISSN 1357-0951.
  • Hawkins, Edgar Stanley (2001). Review article: Expression in Pop-Rock Music: A Collection of Critical and Analytical Essays. Edited by Walter Everett. Notes (Philadelphia, Pa.).  ISSN 0027-4380.  s 919- 921
  • Hawkins, Stan (2000). Chapter "Prince: Harmonic Analysis of 'Anna Stesia', In Richard Middleton (ed.),  Reading Pop.  Oxford University Press.  ISBN 0-19-816611-7.  2.  s 58 - 70
  • Hawkins, Edgar Stanley (1999). Musical Excess and Postmodern Identity. Musikin Suunta.  2/1999, s 43- 54
  • Hawkins, Edgar Stanley (1998). Symphonic Threads in Contemporary Popular Music. Memory, History and Critique: European Identity at the Millenium.
  • Hawkins, Stan (1998). Article in "The Icon Critical Dictionary of Postmodern Thought" - edited by Stuart Sim, In Stuart Sim (ed.),  Postmodern Thought.  Icon Books, Cambridge.  ISBN 1-874166-65-X.  1.  s 342 - 343
  • Hawkins, Stan (ed.) (2012). Critical Musicological Reflections: Essays in Honour of Derek B. Scott. Ashgate.  ISBN 978-1-4094-2560-1.  257 s.
  • Hawkins, Stan (ed.) (2011). Pop Music and Easy Listening: The Library of Essays on Popular Music. Ashgate.  ISBN 9780754629528.  523 s.
  • Hawkins, Stan & Niblock, Sarah (2011). Prince: The Making of a Pop Music Phenomenon. Ashgate.  ISBN 978-0-7546-6876-3.  195 s.
  • Hawkins, Edgar Stanley (2009). The British pop dandy : masculinity, popular music and culture. Ashgate.  ISBN 9780754658580.  1 s.
  • Hawkins, Stan (2009). The British Pop Dandy: Masculinity, Popular Music and Culture. Ashgate.  ISBN 978-0-7546-5858-0.  250 s.
  • Hawkins, Stan & Richardson, John (ed.) (2007). Essays on Sound and Vision. Helsinki University Press.  ISBN 978-951-570-726-0.  452 s.
  • Hawkins, Stan (ed.) (2004). Music, Space and Place: Popular Music and Cultural Identity. Ashgate.  ISBN 0-7546-3737-9.  224 s.
  • Hawkins, Stan (2003). Feel the beat come down: house music as rhetoric. Cambridge University Press.  ISBN 052177120X.  270 s.
  • Hawkins, Edgar Stanley (2002). Settling the Pop Score: Pop texts and identity politics. Ashgate.  ISBN 0-7546-0352-0.  220 s.
  • Hawkins, Stan (red.) (2002). Commissioned articles on popular music. Gadsforlag.  15 s.
  • Hawkins, Stan (2012). 'An Altered State: Terror, Music and War Games'.
  • Hawkins, Stan (2012). Keynote address: 'Terror, Masculinity, and Music: Implications for the Nordic Identity'.
  • Hawkins, Stan (2012, 06. desember). 'Lady Gaga - født sånn'. [Internett].  NRK ytring.
  • Hawkins, Stan (2012). On Critical Musicological Reflections.
  • Hawkins, Stan (2012). Transcultural Intertextuality in a Norwegian Space and Place.
  • Hawkins, Stan & Niblock, Sarah (2012, 10. mars). WDR 3 Deutschland Aftershow: Das Prinzip Prince Redaktion: Markus Heuger. [Radio].
  • Hawkins, Stan (2011). Gender and Popular Music.
  • Hawkins, Stan (2011). Localizing the Transcultural.
  • Hawkins, Stan (2011). Music, Masculinity and Terrorism in Norway.
  • Hawkins, Stan (2011). Spoof and Hyperembodiment in Pop Videos.
  • Hawkins, Stan (2010, 18. oktober). Intervju om Prince. [Radio].  NRK P2 Musikkredaksjon.
  • Hawkins, Stan (2010, 20. mars). Intervju om internasjonal monografi, The British Pop Dandy. [Radio].  West Deutsch Rundfunk (WDR 3).
  • Hawkins, Stan (2010, 18. oktober). "Prince Vilikke".  Aftenposten.
  • Hawkins, Stan (2010). 'Third Time Very Lucky!' "Take On Me" made the video star.
  • Hawkins, Stan (2009, 13. juni). Intervju om Stan Hawkins' ny bok. [Radio].  NRK P2 - Musikk Redaksjon (med Linn Bølstad).
  • Hawkins, Stan (2009, 20. april). Morrissey. [Radio].  NRK P2.
  • Hawkins, Stan (2009, 30. juni). Parodisk og politisk pop (journalist: Kristin Engh Førde). [Internett].  Kilden: Informasjonssenter for kjønnsforskning (Kristin Engh.
  • Hawkins, Stan (2009). Reviewing the Reviewers.
  • Hawkins, Stan (2009). 'You have Killed Me!' - Tropes of hyperbole and sentimentality in Morrissey's musical performance.
  • Hawkins, Stan (2008). 'Beyond Seduction: The pop video, complicity and myth making'.
  • Hawkins, Stan (2008). Hvordan jeg til syvende og sist fant fram på Blindern.
  • Hawkins, Stan (2008). Making Sense of the Recorded Voice.
  • Hawkins, Stan (2008). Publishing in International Journals.
  • Hawkins, Stan (2008). Seminar: Music, Gender and Audio-visuality.
  • Dybo, Tor & Hawkins, Edgar Stanley (2007). Møte i stipendiatnettverk innen populærmusikkforskning.
  • Hawkins, Stan (2007). Britpop: Manic Lads and Blurred Lashings.
  • Hawkins, Stan (2007). 'Unsettling difference: music and identity in Britpop'.
  • Hawkins, Stan (2006). 'Common People': on the subject of social class and performativity in nation building.
  • Hawkins, Stan (2006). Leder. Studia Musicologica Norvegica.  ISSN 0332-5024.  32, s 3- 6
  • Hawkins, Stan (2006). On Musical Performativity in Norwegian Advertising.
  • Hawkins, Stan (2006, 16. august). THINKING ALLOWED - Radio 4. [Radio].  BBC London.
  • Hawkins, Stan (2005). Aphex Twin collides with Justin Timberlake: Spectacular Bodies in Music Videos.
  • Hawkins, Stan (2005). Dance through temporal mediation.
  • Hawkins, Stan (2005). Issues in Music Video Analysis - keynote address.
  • Hawkins, Stan (2005). Leder. Studia Musicologica Norvegica.  ISSN 0332-5024.  31, s 3- 6
  • Hawkins, Stan (2005). "Mentasm" � Tracking Beltram's Production and the Aesthetics of the Mix.
  • Hawkins, Stan & Knudsen, Jan Sverre (2005). Glatte gater - musikkproduksjon i et urbant ungdomsmiljø.
  • Hawkins, Stan (2004). Bonds and Boundaries within musical activity in Norway.
  • Hawkins, Stan (2004). Contagious genealogies in "Moulin Rouge" - joint presentation with Erik Steinskog.
  • Hawkins, Stan (2004). Invited panel member in discussion on keynote address by Keynote speaker: CARL SCHACHTER (USA) on "The Scherzo of Schubert's Piano Sonata in B flat, D. 960: Analysis and Performance.".
  • Hawkins, Stan (2004). Leder. Studia Musicologica Norvegica.  ISSN 0332-5024.  30, s 3- 7
  • Hawkins, Stan (2004). Popular Music Analysis and New Perspectives.
  • Hawkins, Stan (2003). Nineteen commissioned articles, In John Shepherd (ed.),  Continuum Encyclopedia of Popular Music of the World. Volume II: Performance and Production.  Continuum.  ISBN 0-8264-6322-3.  *.
  • Hawkins, Stan (2003). Thirteen commissioned articles on popular music artists, In David Freeland (ed.),  Baker's Biographical Dictionary of Popular Musicians since 1990.  Schirmer Reference.  ISBN 0028657993.  *.
  • Hawkins, Edgar Stanley (2002). Matters of Popular Music Analysis and Gender Theory.
  • Hawkins, Edgar Stanley (2002). Unpacking Pleasures in Musical Expression.
  • Hawkins, Stan (2002, 29. november). En kveld viet Björk!. [TV].  OSLO : NRK 2 - Hovedscene (Arild Erikstad).
  • Hawkins, Stan (2002, 20. november). Intervju om Robbie Williams. [Radio].  NRK Oslo : P2 Radio Popfront (Elisabet Davidsen).
  • Hawkins, Stan (2002, 14. august). Intervju om engelskgruppe Super-Collider. [Radio].  Oslo NRK : P2 Radio - Popfront (Eystein Sandvik).
  • Hawkins, Edgar Stanley (2001, 19. september). Intervju om Wunderkammer. [Radio].  NRK Oslo : P2 Radio - Popfront (Elisabet Davidsen).
  • Hawkins, Edgar Stanley (2001, 22. august). Profile of the British composer/producer Amon Tobin. [Radio].  Oslo : NRK, P2, Popfront - programmleder, Eystein Sandvik.
  • Hawkins, Stan (2001, 03. oktober). Anmeldelse: Kaada. [Radio].  NRK Oslo : P2 Radio - Popfront (Eystein Sandvik).
  • Hawkins, Stan (2001). Finding the music in texts: Norwegian identity, fixity and criticism.
  • Hawkins, Stan (2001, 22. januar). Interview - Radio Singapore International. [Radio].  Singapore (Producer-Presenter: Ariel Wee) : Radio Singapore.
  • Hawkins, Edgar Stanley (2000). "Morrissey: Anti-Rebel, Lonesome Boy - texts of ironic rhetoric".
  • Hawkins, Stan (2000). Batofar, Paris.
  • Hawkins, Stan (2000). Fixity and Indifference in Norwegian Club Music.
  • Hawkins, Stan (2000, 20. september). Interview on NRK P2 (with Elisabet Davidsen). [Radio].  Oslo : NRK.
  • Hawkins, Edgar Stanley (1999). Konstruksjoner av musikk og animasjon i Peter Gabriels "Digging in the Dirt". Oslo Animation Festival Magazine.  s 92- 97
  • Hawkins, Edgar Stanley (1999). Press Record, Play and Repeat: Taking Repetition Seriously!.
  • Hawkins, Edgar Stanley (1999). Subliminal sensations and pleasures in Club Culture.
  • Hawkins, Edgar Stanley (1999). Tuning into the late 20th century chasm: Det 'Populære' mot det 'seriøse'. Parergon.  ISSN 0313-6221.  (7/8), s 123- 126
  • Hawkins, Edgar Stanley (1998). Postmodernism in Retrospection.
Publisert 14. sep. 2005 00:00 - Sist endret 8. apr. 2013 20:19

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