Stan Hawkins

Professor
Bilde av Stan Hawkins
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Telefon +47 22 85 40 63
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Brukernavn
Besøksadresse Institutt for musikkvitenskap ZEB-bygningen 2. etasje Sem Sælands vei 2 0371 OSLO
Postadresse Institutt for musikkvitenskap Postboks 1017 Blindern 0315 OSLO

 

http://www.stanhawkins.net

Education, Employment, and Residencies

  • Bachelor of Music (4 years), University of Kwazulu-Natal, South Africa
  • Postgraduate/MA (2 years), State Academy of Music, Frankfurt, Germany
  • PhD in Music (3 years), University of York, England
  • Senior Lecturer, University of Salford, Manchester (1989-95)
  • Director of Popular Music Research Unit, University of Salford (1992-95)
  • Professor of Popular Music, University of Oslo (since 1995)
  • Guest residency (2002), City University, London
  • Guest residency (2012), Humboldt University, Germany
  • Adjunct professor, University of Agder, Norway (since 2006)

Special fields

  • Popular Musicology
  • Music Analysis and Recording Aesthetics
  • Cultural Studies and Music Sociology
  • Gender Studies and performativity
  • Music Analysis
  • Audiovisual Interpretation
  • Film and TV Theory

Current projects

Series editor for Routledge's Ashgate's Popular and Folk Music, see: https://www.routledge.com/Ashgate-Popular-and-Folk-Music-Series/book-series/APFM

Norwegian Research Council state funded project (2010-2014) Popular Music and Gender in a Transcultural Context. This project included two PhD scholars, Birgitte Sandve and Jon Mikkel Ålvik who graduated in 2014, in addition to postdoctoral researcher, Mats Johansson. For further details see: http://www.hf.uio.no/imv/english/research/projects/musicandgender/index.html

Queerness in Pop Music: Aesthetics, Gender Norms, and Temporality (New York: Routledge). Published 2016.

'The Sun, the Moon and Stars' - Prince Obituary, Popular Music and Society. Published 2017.

The Oxford Handbook of Popular Music in the Nordic Countries, eds. Holt & Kärjä. Published 2017.

The Routledge Companion of Popular Music and Gender. ed. S. Hawkins. 25 original essays. Published 2017.

Editing special edition: 'David Bowie in Retrospect', Contemporary Music Review. Publication year: 2018.

'Performative Strategies and Musical Markers in the Eurhythmics’ album Savage ' in Incestuous Pop: Intertexuality in Recorded Popular Music, eds. Serge Lacasse and Lori Burns.  University of Michigan Press. Publication year: 2017.

Editing special edition on Prince (eds. Danielsen/Hawkins), Popular Music & Society. Publication year: 2019.

The Routledge Companion to Popular Music Analysis: Expanding Approaches, eds. Scotto, Smith & Brackett. Publication year: 2019.

'Rock Music and Queer Identities' - chapter commission for Global Encyclopedia of Gay, Lesbian, Bisexual, Transgender, and Queer History. Publication year: 2018.

'Rock Personas' (Chapter 10) - chapter commission for The Bloomsbury Handbook of Rock Music Research, ed. Allan F. Moore. Publication year: 2019.

 

Emneord: Populærmusikk, Musikkanalyse, Samfunn og musikk, Medier og musikk, Performativity

Publikasjoner

Selected Publications (Level II):


The Routledge Research Companion to Popular Music and Gender. New York: Routledge.  ISBN 9781472456830.  382pp.

Queerness in Pop Music: Aesthetics, gender Norms, and Temporality New York: Routledge, 2016 ISBN: 978-1-138-82087-6. 243pp.

'Masculinity, Race and Transculturalism in a Norwegian Context', in The Oxford Handbook of Popular Music in the Nordic Countries, eds. Holt & Karja. Published 2017

‘I’ll Bring You Down, Down, Down': Lady Gaga’s Performance in ‘Judas’, in Lady Gaga and Popular Music, Martin Iddon and Melanie L. Marshall (eds.) New York: Routledge, 2014 (ISBN:978-0-415-82452-1)

‘Aesthetics and Hyperembodiment in Pop Videos: Rihanna’s “Umbrella,”’ The Oxford handbook of New Audiovisual Aesthetics, J. Richardson, C. Gorbman & C. Vernallis (eds), Oxford: Oxford University Press, 2013  (ISBN: 978 0199733866)

Prince: The Making of a Pop Music Phenomenon (Farnham: Ashgate, 2011) - co-authored with Sarah Niblock  (ISBN 978-0-7546-68763)

The British Pop Dandy: Masculinity, Popular Music and Culture (Farnham: Ashgate, 2009)  (ISBN 978-0-7546-5858-0)

'Temporal Turntables: On Temporality and Corporeality in Dance Culture' in Baur, Knapp & Warwick (eds), Musicological Identities: Essays in Honor of Susan McClary (Aldershot: Ashgate, 2008)  (ISBN 978-0-7546-6302-7)

' [Un] Justified: Gestures of Straight-talk in Justin Timberlake's Songs' in Jarman-Ivens (ed), Oh Boy! Masculinities and Popular Music (New York: Routledge, 2007)  (ISBN 978-041-597-821-7)

'Those Norwegians: Deconstructing the Nation-Sate in Europe through Fixity and Indifference in Norwegian Club Music' in Biddle and Knights (eds.), Music, National Identity and the Politics of Location: Between the Global and the Local (Ashgate, 2007)  (ISBN 978-0-7546-4055-4)

'Remodelling Britney: Matters of intoxication and mediation' (with John Richardson) in Popular Music & Society, Vol.30. Nr.5. (December 2007), pp. 605-629.

'On Male Queering in Mainstream Pop' (Chapter 18) in Queering the Popular Pitch eds. S. Whiteley & J. Rycenga (London: Routledge, 2006)  (ISBN 0-415-97805-X)

Music, Space and Place: Popular Music and Cultural Identity S.Hawkins, A. Bennett & S. Whiteley (eds.) (Aldershot: Ashgate, 2004)  (ISBN 0-7546-3737-9)

Settling the Pop Score: Pop texts and identity politics (Aldershot: Ashgate, 2002)  (ISBN 0-7546-0352-0)

  • Hawkins, Stan (2017). Introduction chapters: Part1: Masculinities, femininities, community and transcultural practice Part 2: Audiovisuality, sex(uality), women, and the politics of looking Part 3: Vernacular soundworlds, narratives and stardom Part 4: Gender, race, and the female celebrity Part 5: Challenging hegemonic practices: new masculinities, queerness, and transgenderism, In Stan Hawkins (ed.),  The Routledge Research Companion to Popular Music and Gender.  Routledge.  ISBN 9781472456830.  Parts 1, 2, 3, 4, 5..
  • Hawkins, Stan (2017). Introduction: Sensing gender in popular music, In  The Routledge Research Companion to Popular Music and Gender.  Routledge.  ISBN 9781472456830.  1.  s 1 - 12
  • Hawkins, Stan (2017). The Sun, the Moon and Stars: Prince Roger Nelson, 1958-2016. Popular music and society.  ISSN 0300-7766.  40(1), s 124- 128
  • Hawkins, Stan (2016). 'Remembering Sheila Whiteley'. Popular Music.  ISSN 0261-1430.  35(1), s 118- 121 . doi: https://doi.org/10.1017/S0261143015000847
  • Bjorøy, Karl-Magnus & Hawkins, Stan (2014). "When Light turns into darkness:" Inscriptions of music and terror in Oslo 22 July 2011, In Jan Sverre Knudsen; Marie Strand Skånland & Gro Trondalen (ed.),  Musikk etter 22. juli.  Norges musikkhøgskole.  7.  s 139 - 162
  • Hawkins, Stan (2014). 'I'll Bring You Down, Down, Down': Lady Gaga's Performance in 'Judas', In Martin Iddon & Melanie L. Marshall (ed.),  Lady Gaga and Popular Music: Performing Gender, Fashion, and Culture.  Routledge.  ISBN 978-0-415-82452-1.  1.  s 9 - 26
  • Hawkins, Stan (2013). 'Aesthetics and Hyperembodiment in Pop Videos: Rihanna's "Umbrella", In John Richardson; Claudia Gorbman & Carol Vernallis (ed.),  The Oxford Handbook of New Audiovisual Aesthetics.  Oxford University Press.  ISBN 978-0-19-973386-6.  Chapter 26.  s 466 - 482
  • Hawkins, Stan (2012). Great, Scott!, In Stan Hawkins (ed.),  Critical Musicological Reflections: Essays in Honour of Derek B. Scott.  Ashgate.  ISBN 978-1-4094-2560-1.  Kapittel 1.
  • Hawkins, Stan (2012). You rocked our world, Michael: your moves, your look, your music, everything!. Popular music and society.  ISSN 0300-7766.  35(2), s 145- 149 . doi: 10.1080/03007766.2011.616295
  • Hawkins, Stan (2011). Essay Review: Composing Apartheid: Music for and against Apartheid (ed. G. Olwage). Journal of the Musical Arts in Africa.  ISSN 1812-1004.  8, s 117- 120
  • Hawkins, Stan & Richardson, John (2011). 'Remodeling Britney Spears: Matters of Intoxication and Mediation', In Stan Hawkins (ed.),  Pop Music and Easy Listening: The Library of Essays on Popular Music.  Ashgate.  ISBN 9780754629528.  4.  s 57 - 81
  • Hawkins, Stan (2010). Unsettling Differences: Music and Laddism in Britpop, In Andy Bennett & Jon Stratton (ed.),  Britpop and the English Music Tradition.  Ashgate.  ISBN 978075466805-3.  Kapittel 9.  s 145 - 162
  • Hawkins, Stan (2009). 'Chelsea Rodgers' was a model - Vocality in Prince of the Twenty-first Century, In Derek Scott (ed.),  The Ashgate Research Companion to Popular Musicology.  Ashgate.  ISBN 978-0754664765.  Kapittel.
  • Hawkins, Stan (2008). Temporal Turntables: On Temporality and Corporeality in Dance Music, In S. Baur; R. Knapp & J. Warwick (ed.),  Musicological Identities: Essays in Honour of Susan McClary.  Ashgate.  ISBN 9780754663027.  Kapittel.
  • Hawkins, Stan (2007). Aphex Twin: monstrous hermaphrodites, madness and the strain of independent dance music, In Stan Hawkins & John Richardson (ed.),  Essays on Sound and Vision.  Helsinki University Press.  ISBN 978-951-570-726-0.  Part 1 Avant-garde aesthetics - Chapter 1.  s 27 - 53
  • Hawkins, Stan (2007). Introduction, In Stan Hawkins & John Richardson (ed.),  Essays on Sound and Vision.  Helsinki University Press.  ISBN 978-951-570-726-0.  Introduction.  s 13 - 23
  • Hawkins, Stan (2007). Those Norwegians: Deconstructing the Nation-State in Europe through Fixity and Indifference in Norwegian Club Music, In Ian Biddle & Vanessa Knights (ed.),  Music, National Identity and the Politics of Location: Between the Global and the Local.  Ashgate.  ISBN 978-0-7546-4055-4.  9.  s 179 - 189
  • Hawkins, Stan (2007). [Un]Justified: Gestures of Straight-Talk in Justin Timberlake's Songs, In Freya Jarman-Ivens (ed.),  Oh Boy! Masculinities and Popular Music.  Routledge.  ISBN 0415978211.  10.  s 197 - 212
  • Hawkins, Stan & Richardson, John (2007). 'Remodeling Britney Spears: Matters of Intoxication and Mediation'. Popular music and society.  ISSN 0300-7766.  30(5), s 605- 629
  • Hawkins, Stan (2006). Normalitet og musikk i norsk reklame i 2006, I: Thomas Hylland Eriksen & Jan-Kåre Breivik (red.),  Normalitet.  Universitetsforlaget.  ISBN 82-15-01062-8.  11.  s 253 - 274
  • Hawkins, Stan (2006). On Male Queering in Mainstream Pop, In Sheila Whiteley et al (ed.),  Queering the Popular Pitch.  Routledge.  ISBN 0-415-97805-X.  18.  s 279 - 294
  • Hawkins, Stan (2005). Overskridende maskulinitet i popmusikken. Arr. Idéhistorisk tidsskrift.  ISSN 0802-7005.  (3), s 55- 67
  • Hawkins, Stan (2004). Dragging out camp: narrative agendas in Madonna's musical production, In Santiago Fouz-Hernández & Freya Jarmen-Ivens (ed.),  Madonna's Drowned Worlds: New Approaches to her Cultural Transformations, 1983-2003.  Ashgate.  ISBN 0-7546-3371-3.  Kapittel 1.  s 3 - 21
  • Hawkins, Stan (2004). On performativity and production in Madonna's 'Music', In Stan Hawkins (ed.),  Music, Space and Place: Popular Music and Cultural Identity.  Ashgate.  ISBN 0-7546-3737-9.  10.  s 180 - 190
  • Hawkins, Stan; Whiteley, Sheila & Bennett, Andy (2004). Introduction: Musical production and the Politics of Desire, In Stan Hawkins (ed.),  Music, Space and Place: Popular Music and Cultural Identity.  Ashgate.  ISBN 0-7546-3737-9.  Introduction.  s 16 - 22
  • Hawkins, Edgar Stanley (2002). Review article: Women and Popular Music: Sexuality, Identity and Subjectivity by Sheila Whiteley (New York: Routledge 2000). Notes (Philadelphia, Pa.).  ISSN 0027-4380.  s 815- 817
  • Hawkins, Stan (2002). Erlkönig revisited - musical modelling, appropriation, and reconfiguration in Norways Wunderkammer. Studia Musicologica Norvegica.  ISSN 0332-5024.  28, s 63- 81
  • Hawkins, Edgar Stanley (2001). Joy in Repetition!. Studia Musicologica Norvegica.  ISSN 0332-5024.  27, s 53- 78
  • Hawkins, Edgar Stanley (2001). Musicological Quagmires in Popular Music: Seeds of Detailed Conflict. Popular Musicology Online.  ISSN 1357-0951.
  • Hawkins, Edgar Stanley (2001). Review article: Expression in Pop-Rock Music: A Collection of Critical and Analytical Essays. Edited by Walter Everett. Notes (Philadelphia, Pa.).  ISSN 0027-4380.  s 919- 921
  • Hawkins, Stan (2000). Chapter "Prince: Harmonic Analysis of 'Anna Stesia', In Richard Middleton (ed.),  Reading Pop.  Oxford University Press.  ISBN 0-19-816611-7.  2.  s 58 - 70
  • Hawkins, Edgar Stanley (1999). Musical Excess and Postmodern Identity. Musikin Suunta.  2/1999, s 43- 54
  • Hawkins, Edgar Stanley (1998). Symphonic Threads in Contemporary Popular Music. Memory, History and Critique: European Identity at the Millenium.
  • Hawkins, Stan (1998). Article in "The Icon Critical Dictionary of Postmodern Thought" - edited by Stuart Sim, In Stuart Sim (ed.),  Postmodern Thought.  Icon Books, Cambridge.  ISBN 1-874166-65-X.  1.  s 342 - 343
  • Hawkins, Edgar Stanley (1997). The Pet Shop Boys: Musicology, masculinity, and banality. Sexing the Groove: popular music and gender.  s 118- 133
  • Hawkins, Stan (1997). I'll Never Be An Angel: Stories of Deception in Madonna's Music. Critical musicology.  ISSN 1468-6066.  s 1- 16

Se alle arbeider i Cristin

  • Hawkins, Stan (ed.) (2017). The Routledge Research Companion to Popular Music and Gender. Routledge.  ISBN 9781472456830.  382 s.
  • Hawkins, Stan (2017). The Routledge Research Companion to Popular Music and Gender. Routledge.  ISBN 9781472456830.  382 s.
  • Hawkins, Stan (2016). Queerness in Pop Music: Aesthetics, Gender Norms, and Temporality. Routledge.  ISBN 978-1-138-82087-6.  243 s.
  • Hawkins, Stan (ed.) (2012). Critical Musicological Reflections: Essays in Honour of Derek B. Scott. Ashgate.  ISBN 978-1-4094-2560-1.  257 s.
  • Hawkins, Stan (ed.) (2011). Pop Music and Easy Listening: The Library of Essays on Popular Music. Ashgate.  ISBN 9780754629528.  523 s.
  • Hawkins, Stan & Niblock, Sarah (2011). Prince: The Making of a Pop Music Phenomenon. Ashgate.  ISBN 978-0-7546-6876-3.  195 s.
  • Hawkins, Stan (2009). The British pop dandy : masculinity, popular music and culture. Ashgate.  ISBN 978-0-7546-5858-0.  222 s.
  • Hawkins, Stan & Richardson, John (ed.) (2007). Essays on Sound and Vision. Helsinki University Press.  ISBN 978-951-570-726-0.  452 s.
  • Hawkins, Stan (ed.) (2004). Music, Space and Place: Popular Music and Cultural Identity. Ashgate.  ISBN 0-7546-3737-9.  224 s.
  • Hawkins, Stan (2003). Feel the beat come down: house music as rhetoric. Cambridge University Press.  ISBN 052177120X.  270 s.
  • Hawkins, Edgar Stanley (2002). Settling the Pop Score: Pop texts and identity politics. Ashgate.  ISBN 0-7546-0352-0.  220 s.
  • Hawkins, Stan (red.) (2002). Commissioned articles on popular music. Gadsforlag.  15 s.

Se alle arbeider i Cristin

  • Hawkins, Stan (2017). Dance Music Research Today.
  • Hawkins, Stan (2017). Nordic Popular Music Today.
  • Hawkins, Stan (2017, 25. januar). Ny bølge med protest musikk under Trump ((interview by Matunda Bigirimana) https://www.nrk.no/kultur/ekspert-tror-pa-ny-bolge-med-protestmusikk-under-trump-1.13339643. [Internett].  NRK Kultur og Underholdning.
  • Hawkins, Stan (2017). The Routledge Companion to Popular Music and Gender.
  • Hawkins, Stan (2016). Book Launch: 'Queerness in Pop' (New York: Routledge) with guest response by Dr Freya Jarman (University of Liverpool, UK).
  • Hawkins, Stan (2016, 24. februar). Hip Hop vert skeiva.  Universitas - Forskerintervju med Runer B. Mæland.
  • Hawkins, Stan (2016). Introduction at book launch: Peter Edward's book launch: György Ligeti's Le Grand Macabre: Postmodernism, Musico-Dramatic Form and the Grotesque.
  • Hawkins, Stan (2016, 23. april). Jente eller gutt?Kjønn og seksualitet gjorde Prince til en superstjerne.  Aftenposten (Journalist: Joacim Lund).
  • Hawkins, Stan (2016). Keynote Address: New trends in Hip Hop.
  • Hawkins, Stan (2016). Masculinity and Gender Norms in Popular Music.
  • Hawkins, Stan (2016). Moderator at Book launch: 'Digital Signatures'.
  • Hawkins, Stan (2016). Moderator: Book launch of 'Tranformations of Musical Modernism', eds. E.E.Guldbrandsen and Julian Johnson.
  • Hawkins, Stan (2016). Moderator: Prince seminar with Susan Rogers, Prince Charles Alexander, Sarah Niblock and Anne Danielsen.
  • Hawkins, Stan (2016). Opening Keynote address A Very Queer Construct: The Pet Shop Boys in Retrospect.
  • Hawkins, Stan (2016, 10. august). 'Popikonet Anohni vil få folk til å handle'. [Internett].  Framtida.no http://www.framtida.no/articles/popikonet-anoh.
  • Hawkins, Stan & Lund, Joacim (2016, 12. januar). Bowie går nye veier – igjen.  Aftenposten.
  • Hawkins, Stan (2015). Clues to Efficiency in PhD Supervision (with presentations by Professors Georgina Born and Øivind Varkøy) and organised by PhD leader, Nanette Nielsen.
  • Hawkins, Stan (2015). Gender Production in Azealia Banks' 'Chasing Time'.
  • Hawkins, Stan (2015). New methods and theories in Popular Music Research.
  • Hawkins, Stan; Zeiner-Henriksen, Hans T. & Danielsen, Anne (2015). Record Production in the Internet Age. Journal on the Art of Record Production.  ISSN 1754-9892.  (10)
  • Hawkins, Stan (2014, 03. juli). Fakta biter ikke på ekte menn! Intervju med Joacim Lund om kjønn og musikk.  Aftenposten.
  • Hawkins, Stan (2014). Finding results in Research project.
  • Hawkins, Stan (2014). Gender Performativity and Agency in Popular Music.
  • Hawkins, Stan (2014). Moderator at Panel on Popular Music and Transculturalism, with introduction to the field.
  • Hawkins, Stan (2014, 21. februar). Popmusikk på utstilling. [Tidsskrift].  Ballade (intervjuet av Linn Carin Dirdal).
  • Hawkins, Stan (2014). Popular Music & Gender in a Transcultural Context.
  • Hawkins, Stan (2013). Hyperembodiment and Aesthetics in Pop Videos.
  • Hawkins, Stan (2013). Michael Jackson: grasping the spectacle. Edited by Christopher R. Smit. Farnham and Burlington, VT: Ashgate, 2012. 243 pp. ISBN 978-1-4094-4696-5. Popular Music.  ISSN 0261-1430.  32(3), s 521- 523 . doi: 10.1017/S0261143013000354
  • Hawkins, Stan (2013). Music in a Transcultural Space: Inscriptions of Representation through Performance.
  • Hawkins, Stan (2013, 21. juni). Norsk popmusikk er ikke typisk norsk. [Internett].  forskning.no.
  • Hawkins, Stan (2013). 'Queer Pop's Compulsion': 'Love is a Bourgeois Construct'.
  • Hawkins, Stan (2013). Review: Michael Jackson: Grasping the Spectacle, ed. Christopher Smit. Popular Music.  ISSN 0261-1430.  32(03), s 521- 523
  • Hawkins, Stan (2013, 28. juni). Typisk norsk musikk.  Morgenbladet.
  • Hawkins, Stan (2012). 'An Altered State: Terror, Music and War Games'.
  • Hawkins, Stan (2012). Keynote address: 'Terror, Masculinity, and Music: Implications for the Nordic Identity'.
  • Hawkins, Stan (2012, 06. desember). 'Lady Gaga - født sånn'. [Internett].  NRK ytring.
  • Hawkins, Stan (2012). On Critical Musicological Reflections.
  • Hawkins, Stan (2012). Transcultural Intertextuality in a Norwegian Space and Place.
  • Hawkins, Stan & Niblock, Sarah (2012, 10. mars). WDR 3 Deutschland Aftershow: Das Prinzip Prince Redaktion: Markus Heuger. [Radio].
  • Johansson, Mats & Hawkins, Stan (2012). Transcultural intertextuality in a Norwegian space and place.
  • Hawkins, Stan (2011). Gender and Popular Music.
  • Hawkins, Stan (2011). Localizing the Transcultural.
  • Hawkins, Stan (2011). Music, Masculinity and Terrorism in Norway.
  • Hawkins, Stan (2011). Spoof and Hyperembodiment in Pop Videos.
  • Hawkins, Stan (2011). ‘You Have Killed Me’ – Tropes of Hyperbole and Sentimentality in Morrissey’s Musical Expression, In Eoin Devereux; Aileen Dillane & Martin Power (ed.),  Morrissey : fandom, representations and identities.  Intellect Ltd..  ISBN 978-1-84150-596-1.  7.  s 307 - 323
  • Hawkins, Stan (2010, 18. oktober). Intervju om Prince. [Radio].  NRK P2 Musikkredaksjon.
  • Hawkins, Stan (2010, 20. mars). Intervju om internasjonal monografi, The British Pop Dandy. [Radio].  West Deutsch Rundfunk (WDR 3).
  • Hawkins, Stan (2010, 18. oktober). "Prince Vilikke".  Aftenposten.
  • Hawkins, Stan (2010). 'Third Time Very Lucky!' "Take On Me" made the video star.
  • Hawkins, Stan (2009, 13. juni). Intervju om Stan Hawkins' ny bok. [Radio].  NRK P2 - Musikk Redaksjon (med Linn Bølstad).
  • Hawkins, Stan (2009, 20. april). Morrissey. [Radio].  NRK P2.
  • Hawkins, Stan (2009, 30. juni). Parodisk og politisk pop (journalist: Kristin Engh Førde). [Internett].  Kilden: Informasjonssenter for kjønnsforskning (Kristin Engh.
  • Hawkins, Stan (2009). Reviewing the Reviewers.
  • Hawkins, Stan (2009). 'You have Killed Me!' - Tropes of hyperbole and sentimentality in Morrissey's musical performance.
  • Hawkins, Stan (2008). 'Beyond Seduction: The pop video, complicity and myth making'.
  • Hawkins, Stan (2008). Hvordan jeg til syvende og sist fant fram på Blindern.
  • Hawkins, Stan (2008). Making Sense of the Recorded Voice.
  • Hawkins, Stan (2008). Publishing in International Journals.
  • Hawkins, Stan (2008). Seminar: Music, Gender and Audio-visuality.
  • Dybo, Tor & Hawkins, Edgar Stanley (2007). Møte i stipendiatnettverk innen populærmusikkforskning.
  • Hawkins, Stan (2007). Britpop: Manic Lads and Blurred Lashings.
  • Hawkins, Stan (2007). 'Unsettling difference: music and identity in Britpop'.
  • Hawkins, Stan (2006). 'Common People': on the subject of social class and performativity in nation building.
  • Hawkins, Stan (2006). Leder. Studia Musicologica Norvegica.  ISSN 0332-5024.  32, s 3- 6
  • Hawkins, Stan (2006). On Musical Performativity in Norwegian Advertising.
  • Hawkins, Stan (2006, 16. august). THINKING ALLOWED - Radio 4. [Radio].  BBC London.
  • Hawkins, Stan (2005). Aphex Twin collides with Justin Timberlake: Spectacular Bodies in Music Videos.
  • Hawkins, Stan (2005). Dance through temporal mediation.
  • Hawkins, Stan (2005). Issues in Music Video Analysis - keynote address.
  • Hawkins, Stan (2005). Leder. Studia Musicologica Norvegica.  ISSN 0332-5024.  31, s 3- 6
  • Hawkins, Stan (2005). "Mentasm" � Tracking Beltram's Production and the Aesthetics of the Mix.
  • Hawkins, Stan & Knudsen, Jan Sverre (2005). Glatte gater - musikkproduksjon i et urbant ungdomsmiljø.
  • Askerøi, Eirik & Hawkins, Stan (2005). Man/Machine: Mot en åpning av soundbegrepet.
  • Hawkins, Stan (2004). Bonds and Boundaries within musical activity in Norway.
  • Hawkins, Stan (2004). Contagious genealogies in "Moulin Rouge" - joint presentation with Erik Steinskog.
  • Hawkins, Stan (2004). Invited panel member in discussion on keynote address by Keynote speaker: CARL SCHACHTER (USA) on "The Scherzo of Schubert's Piano Sonata in B flat, D. 960: Analysis and Performance.".
  • Hawkins, Stan (2004). Leder. Studia Musicologica Norvegica.  ISSN 0332-5024.  30, s 3- 7
  • Hawkins, Stan (2004). Popular Music Analysis and New Perspectives.
  • Hawkins, Stan (2003). Nineteen commissioned articles, In John Shepherd (ed.),  Continuum Encyclopedia of Popular Music of the World. Volume II: Performance and Production.  Continuum.  ISBN 0-8264-6322-3.  *.
  • Hawkins, Stan (2003). Thirteen commissioned articles on popular music artists, In David Freeland (ed.),  Baker's Biographical Dictionary of Popular Musicians since 1990.  Schirmer Reference.  ISBN 0028657993.  *.
  • Hawkins, Edgar Stanley (2002). Matters of Popular Music Analysis and Gender Theory.
  • Hawkins, Edgar Stanley (2002). Unpacking Pleasures in Musical Expression.
  • Hawkins, Stan (2002, 29. november). En kveld viet Björk!. [TV].  OSLO : NRK 2 - Hovedscene (Arild Erikstad).
  • Hawkins, Stan (2002, 20. november). Intervju om Robbie Williams. [Radio].  NRK Oslo : P2 Radio Popfront (Elisabet Davidsen).
  • Hawkins, Stan (2002, 14. august). Intervju om engelskgruppe Super-Collider. [Radio].  Oslo NRK : P2 Radio - Popfront (Eystein Sandvik).
  • Hawkins, Edgar Stanley (2001, 19. september). Intervju om Wunderkammer. [Radio].  NRK Oslo : P2 Radio - Popfront (Elisabet Davidsen).
  • Hawkins, Edgar Stanley (2001, 22. august). Profile of the British composer/producer Amon Tobin. [Radio].  Oslo : NRK, P2, Popfront - programmleder, Eystein Sandvik.
  • Hawkins, Stan (2001, 03. oktober). Anmeldelse: Kaada. [Radio].  NRK Oslo : P2 Radio - Popfront (Eystein Sandvik).
  • Hawkins, Stan (2001). Finding the music in texts: Norwegian identity, fixity and criticism.
  • Hawkins, Stan (2001, 22. januar). Interview - Radio Singapore International. [Radio].  Singapore (Producer-Presenter: Ariel Wee) : Radio Singapore.
  • Hawkins, Edgar Stanley (2000). "Morrissey: Anti-Rebel, Lonesome Boy - texts of ironic rhetoric".
  • Hawkins, Stan (2000). Batofar, Paris.
  • Hawkins, Stan (2000). Fixity and Indifference in Norwegian Club Music.
  • Hawkins, Stan (2000, 20. september). Interview on NRK P2 (with Elisabet Davidsen). [Radio].  Oslo : NRK.
  • Hawkins, Edgar Stanley (1999). Konstruksjoner av musikk og animasjon i Peter Gabriels "Digging in the Dirt". Oslo Animation Festival Magazine.  s 92- 97
  • Hawkins, Edgar Stanley (1999). Press Record, Play and Repeat: Taking Repetition Seriously!.
  • Hawkins, Edgar Stanley (1999). Subliminal sensations and pleasures in Club Culture.
  • Hawkins, Edgar Stanley (1999). Tuning into the late 20th century chasm: Det 'Populære' mot det 'seriøse'. Parergon.  ISSN 0313-6221.  (7/8), s 123- 126
  • Hawkins, Edgar Stanley (1998). Postmodernism in Retrospection.
  • Hawkins, Stan (1998). Eurogrooves: texts of theft or appropriation in pop music?.
  • Hawkins, Edgar Stanley (1997). Popular Musicology: Decoding Notions of Identity.
  • Hawkins, Stan (1997). Anti-Rebel, Lonesome Boy: Morrissey in Crisis.

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Publisert 14. sep. 2005 00:00 - Sist endret 12. sep. 2017 16:28

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