Ildar Garipzanov

 'A Polyptych in the Margins: Accounting Notes from Early Tenth-Century Laon', Early Medieval Europe. 32,4 (2024), 518–542.

'Magical charaktêres in the Carolingian World: A Ninth-Century Charm in MS Vat. lat. 5359 and Its Broader Cultural Context', Speculum 96 (2021), 287–308.

'Late Antique and Early Medieval Monograms: From Producers’ Marks to Liminal Graphic Devices', in The Hidden Language of Graphic Signs: Cryptic Writing and Meaningful Marks, ed. John Bodel and Stephen Houston (Cambridge: Cambridge University Press, 2021), 199–213.

Graphic Signs of Authority in Late Antiquity and the Early Middle Ages, 300–900 (Oxford: Oxford University Press, 2018), 416 pp., 150 b/w figures.

Graphic Devices and the Early Decorated Book, ed. Michelle Brown, Ildar Garipzanov, and Benjamin Tilghman, Boydell Studies in Medieval Art and Architecture (Martlesham, Suffolk: Boydell & Brewer, 2017).  316 pp., 76 colour & 7 b/w ill.

Graphic Signs of Identity, Faith, and Power in Late Antiquity and the Early Middle Ages, ed. Ildar Garipzanov. Henry Maguire, and Caroline Goodson (Turnhout: Brepols, 2017), XVIII+394pp, 141 b/w ill.

'The Rise of Graphicacy in Late Antiquity and the Early Middle Ages', Viator 46,2 (2015), 1–21.

Conversion and Identity in the Viking Age, ed. Ildar Garipzanov (Turnhout: Brepols, 2014), 256 pp.

'Wandering Clerics and Mixed Rituals in the Early Medieval North (c. 1000–c. 1150)', The Journal of Ecclesiastical History 63,1 (2012), 1–17.

Historical Narratives and Christian Identity on a European Periphery: Early History Writing in Northern, East-Central, and Eastern Europe (c. 1070–1200), ed. Ildar Garipzanov (Turnhout: Brepols, 2011),  294 pp.

Early Christianity on the Way from the Varangians to the Greeks, ed. Ildar Garipzanov & Oleksiy Tolochko (Kiev: Institute of Ukrainian History, 2011), 148 pp.

'The Cult of St Nicholas in the Early Christian North (c. 1000-1150)', Scandinavian Journal of History  35,3 (2010), 229–46.

Saints and their Lives on the Periphery Veneration of Saints in Scandinavia and Eastern Europe (c.1000-1200), ed. Haki Antonsson & Ildar Garipzanov (Turnhout: Brepols, 2010), 319 pp.

The Symbolic Language of Authority in the Carolingian World (c.751-877) (Leiden & Boston: Brill Academic Publishers, 2008), 392 pp.

Franks, Northmen, and Slavs: identities and State Formation in Early Medieval Europe, ed. Ildar Garipzanov, Patrick Geary, & Przemyslaw Urbanczyk (Turnhout: Brepols, 2008), 266 pp.

Karolingskoje monetnoje delo i rimskaja imperskaja tradicija (Carolingian coinage and Roman imperial tradition) (Kazan: Kazan State University, 2000), 165 pp.

'The Image of Authority in Carolingian Coinage: The Image of a Ruler and Roman Imperial Tradition', Early Medieval Europe 8,2 (1999), 197–218.

• Garipzanov, Ildar (2026). Minuscule Texts on Weights and Measures in Carolingian Manuscripts. I Eisenberg, Merle; Mordechai, Lee & Yoon, David (Red.), Coins and Money in the Middle Ages: Studies in Honor of Alan Stahl. American Numismatic Society. ISSN 9780897224406. s. 87–101. Fulltekst i vitenarkiv Vis sammendrag

  This paper is dedicated to lists of weights and measures added to margins and other blank spaces in Carolingian manuscripts before the year 1000. Such lists sometimes are interpreted as connected to the reforming efforts of Carolingian rulers such as Charlemagne, concerning the measures of weight and volume used in their realm. By contrast, I argue that the contents of such lists indicate that they were composed and copied for two primary purposes, namely, to serve as encyclopedic glosses for weights and measures mentioned in the Bible and as practical glosses for the measurement terms and signs used in medical recipes deriving from late antiquity. Such lists were derived from a number of earlier Latin and Greek sources and lacked a rigid textual canon in their transmission. Their anonymous creators freely combined excerpts from late antique and early medieval texts produced in the Mediterranean world, and they did so in a piecemeal manner, with original excerpts often appearing in an abbreviated or debased form.

• Garipzanov, Ildar (2025). Weather Control and Manuscript Margins in the Early Medieval West. I Jacobs, Ine; Elsner, Jas & Smith, Julia M.H. (Red.), Material Religion in Byzantium and Beyond. Routledge. ISSN 9781003490845. s. 333–352. doi: 10.4324/9781003490845-18. Fulltekst i vitenarkiv Vis sammendrag

  This chapter is dedicated to the history of various forms of weather control in early medieval Western Europe. First, it overviews the existing evidence for the continuation of the earlier tradition of weather magic in the early medieval Latin as well as the normative Christian attitude to such traditions preserved in legislative acts, materials of church councils and writings of early medieval bishops. Second, it compares such normative attitudes with minuscule texts related to weather control that were added to the margins, flyleaves and other blank spaces of Latin manuscripts in the ninth and tenth centuries. The latter evidence provides a sobering reminder that normative texts are rarely a trustworthy witness to everyday practices in early medieval society. Such minuscule texts suggests that their anonymous authors, early medieval Western monks and priests, adapted the earlier tradition of weather magic for a Christian use by providing references to the Lord, his attributes and miracles, as well as to his angels and various holy figures. Such monks and priests were not different from peasants in believing that storms, flooding and hail were caused by malicious demons or deviant angels, and that efficient weather control must be conducted by confronting such evil powers directly, rather than simply praying to the Lord as propagated by normative liturgical texts and Carolingian bishops such as Agobard of Lyons.

• Garipzanov, Ildar (2025). Minuscule Texts and notae in Early Medieval Latin Manuscripts. I Ghignoli, Antonella; Colella, Lucia C. & Marucci, Marta (Red.), Written Culture in Late Antiquity and the Early Middle Ages. Edizioni di Storia e Letteratura. ISSN 9788893599252. s. 135–153. Fulltekst i vitenarkiv Vis sammendrag

  In questo volume studiose e studiosi di discipline diverse affrontano, con approcci specifici e da diverse angolazioni, il tema del rapporto tra scrittura, organizzazione grafica e materialità del testo in relazione a testimonianze scritte documentarie o letterarie della tarda antichità e dell'alto medioevo, e prendono in esame il tema della elaborazione digitale dei dati della ricerca. I contributi, redatti in lingue diverse, trattano così di papiri documentari greci e latini, di manoscritti tardoantichi di diritto romano e di letteratura copta, di ostraka vandalici e di ardesie visigote, di manoscritti e documenti latini alto medievali.

• Garipzanov, Ildar & Nothaft, Carl Phillip Emanuel (2025). An Overlooked Early Redaction of the Translatio of St. Bartholomew to Benevento: Cambridge, Pembroke College, MS 91, fol. 110r–v, Studies in Medieval and Renaissance Sources, series 4, volume 1. Arc Humanities Press (Arc). ISSN 9781802703214. s. 45–62. doi: 10.1515/9781802703542-005. Fulltekst i vitenarkiv Vis sammendrag

  This article presents a critical edition of what appears to be the earliest redaction of the Translatio of the relics of St. Bartholomew to Benevento, which was added to the final surviving folio of Cambridge, Pembroke College, MS 91 in northern France between ca. 839 and ca. 850. This incomplete text has been overlooked by scholars studying the cult of St. Bartholomew in that city as well as related hagiographic traditions. An examination of the text allows us to reconsider not only the beginnings of the cult in Lombard Benevento but also the role that Duke Sicard played in the translation of Bartholomew’s relics there. The original account was produced in 838–839, after the arrival of the saint’s body in Benevento and prior to Sicard’s assassination, and communicated the perception of the new cult within his entourage. Unlike other known hagiographic texts related to this Translatio and produced in the wake of Sicard’s death, the earliest redaction presented him as a legitimate heir to the Roman imperial principes and laid claim to the Apostolic tradition of St. Bartholomew, which is here placed on an equal footing with that of St. Peter and St. Paul.

• Garipzanov, Ildar (2025). Early Medieval Minuscule Texts as a Subject of Study: Tentative Taxonomy, Codicological Contexts, and Related Social Practices. Scrineum. 21(2), s. 13–37. doi: 10.6093/1128-5656/11412. Fulltekst i vitenarkiv Vis sammendrag

  This paper overviews early medieval textual additions, defined as minuscule texts, to Latin manuscripts produced before c. 900; when appropriate, it draws parallels with Petrucci’s discussion of early medieval ‘occasional microtexts’ (microtesti avventizi). The overview is based on the corpus of early medieval minuscule texts assembled by the MINiTEXTS project and currently comprising more than 4000 entries. Thereafter, the paper outlines two typologies of early medieval minuscule texts: one based on their placement within the diachronic stratigraphy of a manuscript, as well as their other codicological features, and the other structured by their textual contents. The essay argues that the appearance in the margins of early medieval manuscripts was closely related with concurrent social, economic, religious, and cultural practices. The latter point is exemplified with three case studies of minuscule texts and their broader historical contexts.

• Garipzanov, Ildar (2024). A polyptych in the margins: accounting notes from early tenth-century Laon. Early Medieval Europe. ISSN 0963-9462. 32(4), s. 518–542. doi: 10.1111/emed.12727. Fulltekst i vitenarkiv Vis sammendrag

  This paper provides the first edition and thorough examination of marginal notes added to a ninth-century Carolingian manuscript (Laon, Bibliothèque municipale, MS 424). A detailed paleographic, codicological, linguistic, and historical analysis of these additions allows us not only to trace their provenance to the early tenth-century see of Laon but also to show that their anonymous author was a high-status cleric on the episcopal staff. The range of his practical marginalia – which included polyptych notes, lists of payments, and a list of names – points at various accounting practices he was involved in and indicates that he played an important role in facilitating the social power of ecclesiastical lordship over its localities.

• Garipzanov, Ildar (2023). Graphic Ciphers and the Early Medieval Practices of Collectio and Concealment. I O'Sullivan, Sinéad & Arthur, Ciaran (Red.), Crafting Knowledge in the Early Medieval Bppk: Practices of Collecting and Concealing in the Latin West. Brepols. ISSN 9782503602479. s. 409–438. doi: 10.1484/M.PJML-EB.5.133757. Fulltekst i vitenarkiv Vis sammendrag

  This paper explores the deployment of two types of graphic ciphers, namely occult caracteres and monograms, in early medieval Latin books in the period from c. 750 to c. 1000. Even though both types of signs originated in the classical world, their deployment in the Carolingian world profoundly changed in terms of media, social contexts, and functional use. Hence decipherable monograms developed into a new form of concealment. Although early Christian church fathers and Carolingian bishops condemned the employment of undecipherable caracteres for apotropaic and healing purposes, on rare occasions Carolingian monks and priests copied apotropaic incantations and healing recipes featuring caracteres. They did so partly because, in the early Middle Ages, medical knowledge was appreciated for its practical efficiency. The use of such caracteres also points to the tendency of Christian scribes to invest Greek and other “foreign” letterforms with some form of intercessory or apotropaic power. This paper contends that the deployment of these two visual phenomena in early medieval Latin manuscripts bears witness to the elevated status of Carolingian scribes and masters as paramount experts in the transmission of knowledge essential for the prosperity and well-being of the Christian people.

• Garipzanov, Ildar (2023). The Concept of 'Varangian Christianity' Revisited. I Sverrir, Jakobsson; Thorir, Jonsson Hraundal & Daria, Segal (Red.), The Maling of the Eastern Vikings: Rus´and Varangians in the Middle Ages. Brepols. ISSN 9782503606712. s. 77–85. Fulltekst i vitenarkiv
• Garipzanov, Ildar (2022). Peripheral Polities North of the Carolingian Realm: The Regnum Danorum. I Pohl, Walter & Wieser, Veronika (Red.), Emerging Powers in Eurasian Comparison, 200-1100: Shadows of Empire. De Gruyter Brill. ISSN 9789004518568. s. 179–194. Fulltekst i vitenarkiv
• Garipzanov, Ildar (2021). Magical Charaktêres in the Carolingian World: A Ninth-Century Charm in MS Vat. lat. 5359 and Its Broader Cultural Context. Speculum. ISSN 0038-7134. 996(2), s. 287–308. doi: 10.1086/713057. Fulltekst i vitenarkiv Vis sammendrag

  There has been a common assumption among medievalists that the magical signs deriving from Eastern occult practices and known in Latin as caracteres first appeared in Western European manuscripts with the rise of “learned” magic in the high Middle Ages, and with the translation of relevant materials from Hebrew and Arabic. This paper questions this assumption by presenting a charm, hitherto overlooked, that contains occult signs of Eastern origin, recorded along with an exorcistic incantation deviating from normative Christian formulas, on the final page of a ninth-century Carolingian legal manuscript from northern Italy (Vatican City, Biblioteca Apostolica Vaticana, MS Vat. lat. 5359, fol. 146v). Thereafter, the paper sets this unique charm within a broader cultural context of eighth- and ninth-century Western Europe, where both laypeople and clerics continued to deploy graphic signs originating from Eastern occult traditions for apotropaic and healing purposes, despite the repeated criticism of this practice in normative Christian discourse.

• Garipzanov, Ildar (2021). Late Antique and Early Medieval Monograms: From Producers' Marks to Liminal Graphic Devices. I John, Bodel & Stephen, Houston (Red.), The Hidden Language of Graphic Signs: Cryptic Writing and Meaningful Marks. Cambridge University Press. ISSN 9781108840613. s. 199–213. Fulltekst i vitenarkiv
• Garipzanov, Ildar (2017). Monograms as Graphic Signs of Authority on Early Medieval Coins (from the Mid-Fifth to the Seventh Century). I Garipzanov, Ildar; Goodson, Caroline & Maguire, Henry (Red.), Graphic Signs of Identity, Faith, and Power in Late Antiquity and the Early Middle Ages. Brepols. ISSN 9782503567242. s. 325–349. Fulltekst i vitenarkiv Vis sammendrag

  This volume brings together historians, art historians, and archaeologists to discuss the role of graphic representational signs and symbols and to look at contexts facilitating their dissemination in a wide range of media in the late Roman and post-Roman worlds In this volume, twelve specialists examine the role of graphic signs such as cross signs, christograms, and monograms in the late Roman and post-Roman worlds and the contexts that facilitated their dissemination in diverse media. The essays collected here explore the rise and spread of graphic signs in relation to socio-cultural transformations during Late Antiquity and the early Middle Ages, focusing in particular on evolving perceptions and projections of authority. They ask whether some culturally specific norms and practices of graphic composition and communication can be discerned behind the rising corpus of graphic signs from the fourth to tenth centuries and whether common features can be found in their production and use across various media and contexts. The contributors to this book analyse the uses of graphic signs in quotidian objects, imperial architectural programmes, and a wide range of other media. In doing so, they argue that late antique and early medieval graphic signs were efficacious means to communicate with both the supernatural and earthly worlds, as well as to disseminate visual messages regarding religious identity and faith, and social power.

• Garipzanov, Ildar (2017). Introduction: Late Antique and Early Medieval Graphic Signs of Authority. I Garipzanov, Ildar; Goodson, Caroline & Maguire, Henry (Red.), Graphic Signs of Identity, Faith, and Power in Late Antiquity and the Early Middle Ages. Brepols. ISSN 9782503567242. s. 1–22. doi: 10.1093/oso/9780198815013.001.0001. Fulltekst i vitenarkiv Vis sammendrag

  This volume brings together historians, art historians, and archaeologists to discuss the role of graphic representational signs and symbols and to look at contexts facilitating their dissemination in a wide range of media in the late Roman and post-Roman worlds In this volume, twelve specialists examine the role of graphic signs such as cross signs, christograms, and monograms in the late Roman and post-Roman worlds and the contexts that facilitated their dissemination in diverse media. The essays collected here explore the rise and spread of graphic signs in relation to socio-cultural transformations during Late Antiquity and the early Middle Ages, focusing in particular on evolving perceptions and projections of authority. They ask whether some culturally specific norms and practices of graphic composition and communication can be discerned behind the rising corpus of graphic signs from the fourth to tenth centuries and whether common features can be found in their production and use across various media and contexts. The contributors to this book analyse the uses of graphic signs in quotidian objects, imperial architectural programmes, and a wide range of other media. In doing so, they argue that late antique and early medieval graphic signs were efficacious means to communicate with both the supernatural and earthly worlds, as well as to disseminate visual messages regarding religious identity and faith, and social power.

• Garipzanov, Ildar; Brown, Michelle & Tilghman, Benjamin (2017). The Role of Graphic Devices in Understanding the Early Decorated Book. I Garipzanov, Ildar; Brown, Michelle & Tilghman, Benjamin (Red.), Graphic Devices and the Early Decorated Book. Boydell & Brewer. ISSN 9781783272266. s. 1–11. Fulltekst i vitenarkiv
• Garipzanov, Ildar (2017). ‘In the Image and Likeness of God’: e Dedication Monogram in the Calendar of 354 and Early Medieval Monogrammatic Initials. I Garipzanov, Ildar; Brown, Michelle & Tilghman, Benjamin (Red.), Graphic Devices and the Early Decorated Book. Boydell & Brewer. ISSN 9781783272266. s. 15–30. Fulltekst i vitenarkiv
• Garipzanov, Ildar (2016). Regensburg, Wandalgarius and the novi denarii: Charlemagne's monetary reform revisited. Early Medieval Europe. ISSN 0963-9462. 24(1), s. 58–73. doi: 10.1111/emed.12133. Fulltekst i vitenarkiv Vis sammendrag

  Until now, Philip Grierson's tentative dating of Charlemagne's monetary reform to 793/4 has been generally accepted. His dating was based not only on numismatic evidence but also on his attempt to set this event in the context of Charlemagne's activities from 792 to 794. This traditional date of the reform does not, however, take into account evidence provided by Codex Sangallensis 731, in which the scribe Wandalgarius drew the image of a post-reform coin around mid-October 793. Based on this evidence as well as the historical contextualization of Charlemagne's stay in Regensburg in 791–3, this paper attributes the introduction of the novi denarii to the period between the autumn of 792 and the early autumn of 793, when his court was located in Regensburg. This is a submitted version of an article which has been accepted and published in Early Medieval Europe. © 2016 Wiley

• Garipzanov, Ildar (2015). The Rise of Graphicacy in Late Antiquity and the Early Middle Ages. Viator: Medieval and Renaissance Studies. ISSN 0083-5897. 46(2), s. 1–22. doi: 10.1484/j.viator.5.105359. Fulltekst i vitenarkiv Vis sammendrag

  Diagrams, maps, and other forms of graphic visualization are nowadays discussed as a specific mode of communication, graphicacy, typical of the modern age with its ever-increasing role of visual media in social life. This essay questions this tendency to see graphicacy as a by-product of modernity by surveying various forms of representational graphic signs and systems that were placed on various media in Late Antiquity and the early Middle Ages, and it suggests that this graphic material should be seen as expressions of the very same mode of communication rising at the time of the sociocultural—and more specifically, religious—transformation of the late Roman and post-Roman worlds. With reference to this graphic evidence, early graphicacy is defined as a mode of visual communication of conceptual information and abstract ideas by means of non-figural graphic devices, which may comprise inscribed letters, words, and isolated decorative symbols.

• Garipzanov, Ildar (2014). Christian Identities, Social Status, and Gender in Viking-Age Scandinavia. I Garipzanov, Ildar (Red.), Conversion and Identity in the Viking Age. Brepols. ISSN 9782503549248. s. 139–165. doi: 10.1484/m.miscs-eb.1.102036. Fulltekst i vitenarkiv
• Garipzanov, Ildar (2014). Introduction : networks of conversion, cultural osmosis, and identities in the Viking Age. I Garipzanov, Ildar (Red.), Conversion and Identity in the Viking Age. Brepols. ISSN 9782503549248. s. 1–19. doi: 10.1484/m.miscs-eb.1.102030. Fulltekst i vitenarkiv
• Garipzanov, Ildar (2013). Skandinavia og den østlige kristenhet. I Ersland, Geir Atle & Brekke, Øystein Hellesøe (Red.), Fragment frå fortida. Dreyer Forlag A/S. ISSN 9788282650588. s. 10–23. Fulltekst i vitenarkiv Vis sammendrag

  Middelalderkulturen er bokstavelig talt overlevert oss i fragmenter, slik som enkeltstående kunstgjenstander, manuskriptfragmenter eller andre bygningsdeler. Bildet vi har av middelalderen er dannet av forskere som tolker dette materialet. I denne boken blir leseren kjent med viktige deler av kulturhistorien og får se hvordan forskere bygger opp et sammenhengende bilde av denne historiske perioden. Boken tar for seg nordiske fenomener som settes i sammenheng med utviklingen i sentrale deler av Europa.

• Garipzanov, Ildar (2013). The Journey of St Clement's Cult from the Black Sea to the Baltic Region. I Bjerg, Line; Lind, John & Sindbæk, Søren Michael (Red.), From Goths to Varangians: Communication and Cultural Exchange between the Baltic and the Black Sea. Aarhus Universitetsforlag. ISSN 9788779345379. s. 369–380. Fulltekst i vitenarkiv
• Garipzanov, Ildar (2012). Wandering Clerics and Mixed Rituals in the Early Medieval North (c. 1000–c. 1150). The Journal of Ecclesiastical History. ISSN 0022-0469. 63(1), s. 1–17. doi: 10.1017/S0022046911002545. Fulltekst i vitenarkiv
• Garipzanov, Ildar (2011). RELIGIOUS SYMBOLS ON EARLY CHRISTIAN SCANDINAVIAN COINS (CA. 995-1050): FROM IMITATION TO ADAPTATION. Viator: Medieval and Renaissance Studies. ISSN 0083-5897. 42(1), s. 35–53. doi: 10.1484/J.VIATOR.1.102003. Fulltekst i vitenarkiv
• Garipzanov, Ildar (2011). Christianity and Paganism in Adam of Bremen's Narrative. I Garipzanov, Ildar (Red.), Historical Narratives and Christian Identity on a European Periphery: Early History Writing in Northern, East-Central, and Eastern Europe (c. 1070–1200). Brepols. ISSN 9782503533674. s. 13–29. Fulltekst i vitenarkiv
• Garipzanov, Ildar (2011). History Writing and Christian Identity on a European Periphery. I Garipzanov, Ildar (Red.), Historical Narratives and Christian Identity on a European Periphery: Early History Writing in Northern, East-Central, and Eastern Europe (c. 1070–1200). Brepols. ISSN 9782503533674. s. 1–11. doi: 10.1484/m.tcne-eb.3.5014. Fulltekst i vitenarkiv
• Garipzanov, Ildar & Tolochko, Oleksiy (2011). Introduction: Early Christianity on the Way from the Varangians to the Greeks. I Garipzanov, Ildar & Tolochko, Oleksiy (Red.), Early Christianity on the Way from the Varangians to the Greeks. Institute of Ukrainian History. ISSN 9789660262669. s. 9–16. Fulltekst i vitenarkiv
• Garipzanov, Ildar (2011). Early Christian Scandinavia and the Problem of Eastern Influences. I Garipzanov, Ildar & Tolochko, Oleksiy (Red.), Early Christianity on the Way from the Varangians to the Greeks. Institute of Ukrainian History. ISSN 9789660262669. s. 17–32. doi: 10.1484/m.cursor-eb.3.4586. Fulltekst i vitenarkiv
• Garipzanov, Ildar (2010). Annales Guelferbytani: Changing perspectives of a local narrative. I Corradini, Richard; Diesenberger, Max & Niederkorn-Bruck, Meta (Red.), Zwischen Niederschrift und Widerschrift : Frühmittelalterliche Hagiographie und Historiographie im Spannungsfeld von Kompendienüberlieferung und Editionstechnik. Verlag der Österreichischen Akademie der Wissenschaften. ISSN 9783700139270. s. 123–137. Fulltekst i vitenarkiv Vis sammendrag

  -BIBSYS, -LIBRIS, -Netpunkt./tøf

• Garipzanov, Ildar (2010). The Cult of St Nicholas in the Early Christian North (c. 1000-1150). Scandinavian Journal of History. ISSN 0346-8755. 35(3), s. 229–246. doi: 10.1080/03468755.2010.481990. Fulltekst i vitenarkiv
• Garipzanov, Ildar (2010). Novgorod and the Veneration of Saints in Eleventh-Century Rus’: A Comparative View. I Garipzanov, Ildar & Antonsson, Haki Thor (Red.), Saints and their Lives on the Periphery Veneration of Saints in Scandinavia and Eastern Europe (c.1000-1200). Brepols. ISSN 9782503530338. s. 115–145. Fulltekst i vitenarkiv
• Garipzanov, Ildar & Antonsson, Haki Thor (2010). Introduction: The Veneration of Saints in Early Christian Scandinavia and Eastern Europe. I Garipzanov, Ildar & Antonsson, Haki Thor (Red.), Saints and their Lives on the Periphery Veneration of Saints in Scandinavia and Eastern Europe (c.1000-1200). Brepols. ISSN 9782503530338. s. 1–14. Fulltekst i vitenarkiv
• Garipzanov, Ildar (2009). Coins as symbols of early medieval "Staatlichkeit". I Pohl, Walter & Wieser, Veronika (Red.), Der frühmittelalterliche Staat - europäische Perspektiven. Verlag der Österreichischen Akademie der Wissenschaften. ISSN 9783700166047. s. 411–422. Fulltekst i vitenarkiv Vis sammendrag

  -BIBSYS, -LIBRIS, +OCLC 2009./tøf

• Garipzanov, Ildar (2009). Interdisciplinarity, Internationalization, and Christian Identity in Modern Medieval Studies. Annual of medieval studies at the CEU. ISSN 1219-0616. 15, s. 297–303. Fulltekst i vitenarkiv
• Garipzanov, Ildar (2008). Carolingian Coins in Early Viking Age Scandinavia (ca.754-ca.900): Chronological Distribution and Regional Patterns. Nordisk Numismatisk Årsskrift - Scandinavian Numismatic Journal. ISSN 0078-107X. 2003-2005, s. 65–92. Fulltekst i vitenarkiv
• Garipzanov, Ildar (2008). Frontier Identities: Carolingian Frontier and the gens Danorum. I Garipzanov, Ildar; Geary, Patrick & Urbanczyk, Przemyslaw (Red.), Franks, Northmen, and Slavs: identities and State Formation in Early Medieval Europe. Brepols. ISSN 9782503526157. s. 113–142. Fulltekst i vitenarkiv
• Garipzanov, Ildar; Geary, Patrick & Urbanczyk, Przemyslaw (2008). Gentes, gentile Identity and State Formation in Early Medieval Europe. I Garipzanov, Ildar; Geary, Patrick & Urbanczyk, Przemyslaw (Red.), Franks, Northmen, and Slavs: identities and State Formation in Early Medieval Europe. Brepols. ISSN 9782503526157. s. 1–14. Fulltekst i vitenarkiv
• Garipzanov, Ildar H. (2006). The Annals of St. Bertin (839) and Chacanus of the Rhos. Ruthenica. ISSN 0136-0027. 5, s. 7–11. Fulltekst i vitenarkiv

Se alle arbeider i NVA

• Garipzanov, Ildar (2018). Graphic Signs of Authority in Late Antiquity and the Early Middle Ages, 300-900. Oxford University Press. ISBN 9780198815013. 416 s. Fulltekst i vitenarkiv
• Garipzanov, Ildar; Goodson, Caroline & Maguire, Henry (2017). Graphic Signs of Identity, Faith, and Power in Late Antiquity and the Early Middle Ages. Brepols. ISBN 9782503567242. 394 s. Fulltekst i vitenarkiv Vis sammendrag

  This volume brings together historians, art historians, and archaeologists to discuss the role of graphic representational signs and symbols and to look at contexts facilitating their dissemination in a wide range of media in the late Roman and post-Roman worlds In this volume, twelve specialists examine the role of graphic signs such as cross signs, christograms, and monograms in the late Roman and post-Roman worlds and the contexts that facilitated their dissemination in diverse media. The essays collected here explore the rise and spread of graphic signs in relation to socio-cultural transformations during Late Antiquity and the early Middle Ages, focusing in particular on evolving perceptions and projections of authority. They ask whether some culturally specific norms and practices of graphic composition and communication can be discerned behind the rising corpus of graphic signs from the fourth to tenth centuries and whether common features can be found in their production and use across various media and contexts. The contributors to this book analyse the uses of graphic signs in quotidian objects, imperial architectural programmes, and a wide range of other media. In doing so, they argue that late antique and early medieval graphic signs were efficacious means to communicate with both the supernatural and earthly worlds, as well as to disseminate visual messages regarding religious identity and faith, and social power.

• Garipzanov, Ildar; Brown, Michelle & Tilghman, Benjamin (2017). Graphic Devices and the Early Decorated Book. Boydell & Brewer. ISBN 9781783272266. 304 s. Fulltekst i vitenarkiv
• Garipzanov, Ildar (2014). Conversion and Identity in the Viking Age. Brepols. ISBN 9782503549248. 256 s. Fulltekst i vitenarkiv
• Garipzanov, Ildar (2011). Historical Narratives and Christian Identity on a European Periphery: Early History Writing in Northern, East-Central, and Eastern Europe (c. 1070–1200). Brepols. ISBN 9782503533674. 294 s. Fulltekst i vitenarkiv
• Garipzanov, Ildar & Tolochko, Oleksiy (2011). Early Christianity on the Way from the Varangians to the Greeks. Institute of Ukrainian History. ISBN 9789660262669. 148 s. Fulltekst i vitenarkiv
• Garipzanov, Ildar & Antonsson, Haki Thor (2010). Saints and their Lives on the Periphery Veneration of Saints in Scandinavia and Eastern Europe (c.1000-1200). Brepols. ISBN 9782503530338. 319 s. Fulltekst i vitenarkiv
• Garipzanov, Ildar (2008). The Symbolic Language of Authority in the Carolingian World (c.751-877). De Gruyter Brill. ISBN 9789004166691. 392 s. Fulltekst i vitenarkiv
• Garipzanov, Ildar; Geary, Patrick & Urbanczyk, Przemyslaw (2008). Franks, Northmen, and Slavs: identities and State Formation in Early Medieval Europe. Brepols. ISBN 9782503526157. 266 s. Fulltekst i vitenarkiv

Se alle arbeider i NVA

• Garipzanov, Ildar (2024). Minuscule texts and notae in Early Medieval Latin Manuscripts. Fulltekst i vitenarkiv
• Garipzanov, Ildar (2024). Early Medieval Minuscule Texts and Latin Manuscript Culture. Fulltekst i vitenarkiv
• Garipzanov, Ildar (2024). Minuscule texts at the Crossroad of Religion, Magic, and Medicine: Presentation of the MINiTEXTS project. Fulltekst i vitenarkiv
• Garipzanov, Ildar (2023). MINiTEXTS: Building a Database of Early Medieval Minuscule Texts. Fulltekst i vitenarkiv
• Garipzanov, Ildar (2023). Conventions of Writing Minuscule Texts in the Early Middle Ages. Fulltekst i vitenarkiv
• Garipzanov, Ildar (2023). Minuscule Texts and Manuscripts Margins in Early Medieval East Francia. Fulltekst i vitenarkiv
• Garipzanov, Ildar (2023). Weather Control and Manuscripts' Margins in the Early Medieval West. Fulltekst i vitenarkiv
• Garipzanov, Ildar (2022). Early Medieval Minuscule Texts: Preliminary Overview. Fulltekst i vitenarkiv
• Garipzanov, Ildar (2022). Accounting in Margins: Practical Minuscule Texts in Early Medieval Manuscripts. Fulltekst i vitenarkiv
• Garipzanov, Ildar (2022). Early Medieval Minuscule Texts: What, Where, and Why? Fulltekst i vitenarkiv
• Garipzanov, Ildar (2021). Graphic ciphers and the early medieval practices of collectio and concealment. Fulltekst i vitenarkiv
• Garipzanov, Ildar (2020). Nota adamantina: Occult caracteres in Carolingian Europe. Fulltekst i vitenarkiv
• Garipzanov, Ildar (2018). Visual Symbols of Authority in Context: Christian Graphic Signs in Late Antiquity. Fulltekst i vitenarkiv
• Garipzanov, Ildar (2018). Waterways and Royal Power in the Age of Charlemagne. Fulltekst i vitenarkiv
• Garipzanov, Ildar (2017). Hagiography beyond Text: St Michael and his Signs in the Early Middle Ages. Fulltekst i vitenarkiv
• Garipzanov, Ildar (2016). Early Medieval Monograms (c. 300–900): From Producers’ Marks to Liminal Graphic Devices. Fulltekst i vitenarkiv
• Garipzanov, Ildar (2016). Graphic Signs of Authority in Late Antiquity and the Early Middle Ages: A Cultural History. Fulltekst i vitenarkiv
• Garipzanov, Ildar (2016). St Polyeuktos, Sts Sergius and Bacchus, and Hagia Sophia: Public Monuments and Monogrammatic Display of Authority in the Post-Roman World. Fulltekst i vitenarkiv
• Garipzanov, Ildar (2016). Visual Acclamation as a Graphic Device: Late Antique and Early Medieval Monograms as Keys to the Transcendent World. Fulltekst i vitenarkiv
• Garipzanov, Ildar (2015). Christograms as Signs of Authority in the Late Roman Empire. Fulltekst i vitenarkiv
• Garipzanov, Ildar (2015). Late Antique Monograms and Early Medieval Decorated Manuscripts. Fulltekst i vitenarkiv
• Garipzanov, Ildar (2014). Graphic Signs of Authority on Early Medieval Coins (5th-7th Centuries). Fulltekst i vitenarkiv
• Garipzanov, Ildar (2014). Peripheral Polities North of the Carolingian Realm: the regnum Danorum. Fulltekst i vitenarkiv
• Garipzanov, Ildar (2013). Between Text and Image: The Rise of Early Graphicacy. Fulltekst i vitenarkiv
• Garipzanov, Ildar (2013). Ritual-centred Visuality, the Dogmatic Mode of Religiosity and early Medieval Visualization. Fulltekst i vitenarkiv
• Garipzanov, Ildar (2012). Review of Die liturgische Gegenwart des abwesenden Königs: Gebetsverbrüderung und Herrscherbild im frühen Mittelalter, by Wolfgang Eric Wagner. Early Medieval Europe. ISSN 0963-9462. 20(1), s. 228–230. Fulltekst i vitenarkiv
• Garipzanov, Ildar (2012). The Rise of Graphicacy and Graphic Symbols of Authority in Early Medieval Europe (c.300–1000). Fulltekst i vitenarkiv
• Garipzanov, Ildar (2012). Conversion, Cultural Osmosis, and Social Status in Viking-Age Scandinavia. Fulltekst i vitenarkiv
• Garipzanov, Ildar (2012). Christian Identity, Social Status, and Gender in Viking-Age Scandinavia. Fulltekst i vitenarkiv
• Garipzanov, Ildar (2012). Review of Peaceful Kings: Peace, Power, and the Early Medieval Political Imagination, by Paul J. E. Kershaw. (Oxford: Oxford U.P., 2011; pp. xviii + 313.). English Historical Review. ISSN 0013-8266. 127(526), s. 676–678. doi: 10.1093/ehr/ces092. Fulltekst i vitenarkiv
• Garipzanov, Ildar (2012). Graphicacy and Authority in Early Europe. Fulltekst i vitenarkiv
• Garipzanov, Ildar (2011). Scandinavia and Eastern Christianity. Fulltekst i vitenarkiv
• Garipzanov, Ildar (2011). Coins as Christian Symbols in Viking Age Scandinavia. Fulltekst i vitenarkiv
• Garipzanov, Ildar (2010). Graphicacy and Authority in Early Medieval Europe: Graphic Signs of Power and Faith. Fulltekst i vitenarkiv
• Garipzanov, Ildar (2010). The Concept of the Two Swords and Carolingian Sociopolitical Culture. Fulltekst i vitenarkiv
• Garipzanov, Ildar (2010). Early Christian Contacts and Influences between Scandinavia and Rus’: Some Suggestions. Fulltekst i vitenarkiv
• Garipzanov, Ildar (2010). Christian Symbols on Eleventh-century Scandinavian Coins: Imitation and Adaptation. Fulltekst i vitenarkiv
• Garipzanov, Ildar (2010). Images, Iconoclasm, and the Carolingians. American Historical Review. ISSN 0002-8762. 115(2), s. 595–596. Fulltekst i vitenarkiv
• Garipzanov, Ildar (2009). Wandering Clerics and Mixed Rituals: Early Christian Scandinavia and Rus’. Fulltekst i vitenarkiv
• Garipzanov, Ildar (2009). The Sword as a Symbol of Power in the Carolingian Age. Fulltekst i vitenarkiv
• Garipzanov, Ildar (2008). Veneration of Saints in Northern Russia in the Eleventh Century. Fulltekst i vitenarkiv
• Garipzanov, Ildar (2008). Divitia versus Avaritia:The Contradictory Nature of the Carolingian Monastery. Fulltekst i vitenarkiv
• Garipzanov, Ildar (2008). The Journey of St Clement's Cult from the Black Sea to the Baltic Region. Fulltekst i vitenarkiv
• Garipzanov, Ildar (2008). Christianity and Paganism in Adam of Bremen's Narrative. Fulltekst i vitenarkiv
• Garipzanov, Ildar (2008). The cult of St Nicholas across the Early Christian North (c.1000-1150). Fulltekst i vitenarkiv
• Garipzanov, Ildar (2007). Nytt syn på de første kristne. [Internet]. UiB. Fulltekst i vitenarkiv
• Garipzanov, Ildar (2007). Coins as Symbols of Early Medieval Staatlichkeit. Fulltekst i vitenarkiv
• Garipzanov, Ildar (2007). Ships, Collective Identities, and State Formation in Scandinavia. Fulltekst i vitenarkiv
• Garipzanov, Ildar (2007). Coins as Signs of Identity in the Carolingian World and Beyond. Fulltekst i vitenarkiv
• Garipzanov, Ildar H. (2006). Indirect Communication of Authority in the Carolingian World. Fulltekst i vitenarkiv
• Garipzanov, Ildar H. (2006). Annales Quelferbytani: A Transforming Image of Carolingian Politics in the Reign of Charlemagne. Fulltekst i vitenarkiv
• Garipzanov, Ildar H. (2006). Carolingian renovatio imperii Christiani and Scandinavia. Fulltekst i vitenarkiv
• Garipzanov, Ildar (2006). Recepcija antichnogo nasledija v karolingskuju epohu: imperskij kod vlasti i problema ‘Karolingskogo vozrozhdenija’ II. Srednije Veka. 67, s. 3–21. Fulltekst i vitenarkiv
• Hraundal, Thorir & Garipzanov, Ildar (2013). The Rus in Arabic Sources: Cultural Contacts and Identity. Universitetet i Bergen. ISSN 9788230823330. Fulltekst i vitenarkiv

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