Selected publications
Streeton, N.L.W. 2023. Pigments and merchants in the North Sea network: from source to palette. In Networks in the Medieval North. Studies in Honour of Jon Viðar Sigurðsson. Eds. Benjamin Allport, Rosie Bonté & Hans Jacob Orning, pp. 229-244. Turnhout (BE): Brepols.
Streeton, N.L.W. 2023. Wholeness and heritage: Medieval polychromy and loss compensation in Scandinavia. In Working Towards a Sustainable Past. ICOM-CC 20th Triennial Conference Preprints, Valencia, 18-22 September 2023. Ed. J. Bridgland. Paris: ICOM.
Streeton, N.L.W. 2023. The making of medieval heritage in Norway. In The Medieval Scandinavian Art Reader. Eds. Margrethe C. Stang & Laura Tillery. Oslo: Scandinavian Academic Press. ISBN 978-82-304-0298-6.
Streeton, N.L.W. 2022. An afterlife for cult sculpture from Norwegian churches: Tradition, continuity and partial mutilation after the Reformation. In The Cult of Saints in Nidaros Archdiocese. Manuscripts, Miracles, Objects. Eds. R.M. Bø & J.V. Sigurðsson, pp. 273-307. Turnhout (BE): Brepols.
Streeton, N.L.W. 2022. Conservators at the interface with history of art: technical art history, multi-disciplinarity and material culture. In Conservation 360º, Volume 2. Diagnosis. Before, During, After. Eds. A. Vila & A. Murray. Valencia: edUPV, 26pp. https://monografias.editorial.upv.es/index.php/con_360/article/view/387/186
Garrappa, S., Frøysaker, T., Streeton, N.L.W., Hradilac, D. Platania, E., Beltinger, K., Caruso, F. 2022. Micro-spectroscopic study of late 19th-early 20th century tube paints. Spectrochimica Acta Part A: Molecular and Biomolecular Spectroscopy. Volume 279, https://doi.org/10.1016/j.saa.2022.121414.
Streeton, N.L.W. & Böhme, A. 2021. New expectations for conservation in Norway in the 1960s: Bjørn Kaland and the altarpiece from Holmedal. In Janet Bridgland (ed.), Transcending Boundaries: Integrated Approaches to Conservation. ICOM-CC 19th Triennial Conference Preprints, Beijing 17-21 May 2021. Paris: International Council of Museums. https://www.icom-cc-publications-online.org/4277/New-expectations-for-conservation-in-Norway-in-the-1960s--Bjrn-Kaland-and-the-altarpiece-from-Holmedal
Wadum, J. & Streeton, N., eds. 2020. History and use of panels or other rigid supports for easel paintings. In Conservation of Easel Paintings. Second edition. Eds. J. Hill Stoner & R. Rushfield, pp. 49‒116. London and New York: Routledge. ISBN 978-0-367-02379-9
Platania, E., Streeton, N.L.W., Lluveras-Tenorio, A., Vila, A., Buti, D., Caruso, F., Kutzke, H., Karlsson, A., Colombini, M.P., & Uggerud, E. 2020. Identification of green pigments and binders in late medieval painted wings from Norwegian churches. Microchemical journal (Print). ISSN 0026-265X. 156 . doi: 10.1016/j.microc.2020.104811 Fulltekst i vitenarkiv.
Platania, E., Streeton, N.L.W., Vila, A., Buti, D., Caruso, F. & Uggerud, E. 2020. Investigation of mineralization products of lead soaps in a late medieval panel painting. Spectrochimica Acta Part A: Molecular and Biomolecular Spectroscopy. ISSN 1386-1425. . doi: https://doi.org/10.1016/j.saa.2019.117844
Streeton, N.L.W. 2019. Report of Project Results: After the Black Death: Painting and Polychrome Sculpture in Norway, 1350−1550 (FRIHUMSAM). NFR project 231592. https://www.hf.uio.no/iakh/english/research/projects/medieval-painting/documents/231592_abd_final_report_nov2019_uio.pdf
Caruso, F., Mantellato, S., Streeton, N.L.W. & Frøysaker, T. 2019. Unveiling Harriet Backer: ICP-OES study for the characterisation of the colour tubes from her original paint box. Heritage Science 7: 1-23. DOI: 10.1186/s40494-018-0244-8. Open Access: https://link.springer.com/epdf/10.1186/s40494-018-0244-8?author_access_token=P9DaqFCMx5U6tZSnE4F2_G_BpE1tBhCbnbw3BuzI2ROPhlAZg8HCXE0-Zr1MwM6x85Ij5lsag_n1m_b6LZBkpmYxmq7EDMDpq3_-iWi4v48QlMrgNQKXPU_3Lz74zlIir43gcJXXL9GlRRY5E7D2WA%3D%3D
Streeton, N.L.W. 2018. Perspectives (Old and New) on Late Medieval Church Art in Norway:Questioning the Hegemony of Lübeck Workshops. Scandinavian Studies 90(1): 50-77. https://muse.jhu.edu/article/701920
Daly, A. & Streeton, N.L.W. 2017. Non-invasive dendrochronology of late-medieval objects in Oslo: refinement of a technique and discoveries. Applied Physics A 123:431, 12 pp. DOI: https://doi.org/10.1007/s00339-017-1019-x Open Access: https://link.springer.com/article/10.1007/s00339-017-1019-x?wt_mc=Internal.Event.1.SEM.ArticleAuthorIncrementalIssue
Streeton, N.L.W. 2017. Decoding damages to late-medieval cult sculpture from Norwegian churches. In Janet Bridgland (ed.), ICOM-CC 18th Triennial Conference Preprints, Copenhagen 4-8 September 2017, Linking Past and Future. International Council of Museums, ICOM, Paris. http://icom-cc-publications-online.org/PublicationDetail.aspx?cid=662bcd86-bb75-41fc-9f08-875f3b9d7837
Streeton, N.L.W. 2016. (Print 2017). Writing Histories for Late-Medieval Objects: The Engagement of Conservation with Theoretical Perspectives on Material Culture. Studies in Conservation. http://dx.doi.org/10.1080/00393630.2016.1210752
Wadum, J., Curry, C., Streeton, N., Glatigny, J-A. & Goetghebeur, N., eds. 2016. Wooden Supports in 12th-16th Century European Paintings. A New English Commented Translation of Jacqueline Marette's Connaissance des Primitifs par l'étude du bois du XIIe au XVIe siècle. Archetype Publications with CATS, Centre for Art Technological Studies and Conservation, London and Copenhagen. ISBN: 9781909492301. http://www.wooden-supports-marette.com/
Streeton, N.L.W. & Kollandsrud, K., eds. 2014. Paint and Piety: Collected Essays on Medieval Painting and Polychrome Sculpture. Archetype Publications, London. ISBN 9781909492103
Streeton, N.L.W. 2013. Perspectives on the Painting Technique of Jan van Eyck: Beyond the Ghent Altarpiece. Archetype Publications, London. ISBN 978-1-904982-70-8