Bernard Geoghegan

Academic interests

History and theory of media, generative AI, geopolitical conflict and media innovation, archaeologies of the screen, critical theory, critical history of science and technology. 

Courses taught

• AI and War

   

Background

Bernard Dionysius Geoghegan is a media theorist and historian of technology, as well s an editor of the journal Grey Room. Dr. Geoghegan has written extensively on global conflict and cultural difference in the development of AI, cybernetics, information theory, HCI, and multimedia design. Related to these themes, he has also written in depth on the medial and technological history of twentieth-century philosophy, with a particular emphasis on projects, platforms, and programs that bound together French theorists and computer scientists in common epistemic cause from around 1945 to 1975. His book Code: From Information Theory to French Theory appeared from Duke University Press in 2023. Other essays and texts appear in journals including Critical Inquiry, Representations, and Grey Room. These research interests also shape his work as a curator and media practitioner, for example, in projects on the Anthropocene as planetary infrastructures for the Haus der Kulturen der Welt.

Awards

• Senior Fellow, Eikones, University of Basel
• 2023-2024 Visiting Scholar, Department II, Max Planck Institute for the History of
• Science
• 2019-2020 King’s Together, Organising participation with air pollution data: towards an
• interdisciplinary approach, co-PI
• 2019-2020 King’s Together, Imagining a better world with new technologies: shaping
• utopias and dystopias in translational medicine, co-PI
• 2017 Franke Visiting Fellow, Whitney Humanities Center, Yale University
• 2016-2017 Visiting Professor, Film and Media, Yale University (Mellon Foundation)
• 2015-2016 Fellow, CONNECT, Trinity College Dublin
• 2015-2016 Internationales Forschungszentrum Kulturwissenschaften, Vienna (declined)
• 2015 Fellow, Digital Cultures Research Lab, Leuphana University
• 2014 Junior Fellow, Internationale Kolleg für Kulturtechnikforschung und Medienphilosophie, Weimar
• 2012 IEEE Life Members' Prize, Society for the History of Technology
• (for best new essay on electrotechnology)
• 2011 Schachterle Essay Prize, Society for Literature, Science and the Arts
• (for best new essay by a nontenured scholar)
• 2010 Short-Term Fellowship, Huntington Library (declined)
• 2009 Predoctoral Fellowship (three years), German Research Foundation,
• (final year declined)
• The Melvin Kranzberg Dissertation Fellowship, Society for the History of
• Technology
• History Fellowship, Association for Computing Machinery
• 2007 Bruns Graduate Student Essay Award, Society for Literature, Science and the Arts
• Graduate Research Grant, Graduate School, Northwestern University
• Research Grant, French Interdisciplinary Group, Northwestern University
• 2005 Jacob K. Javits Fellowship (Four Years)
• Featured Speaker in Doctoral Showcase, Digital Culture and Heritage 2005 Meeting, Paris, France
• 2000 Research Fellow, Institute for the Study of Money and Culture
• Harvard University

Academic Appointments

• 2026- Associate Professor, Media and Communication, University of Oslo
• 2023- 2026 Senior Lecturer, Department of Applied Information Technologies,
• Gothenburg University
• 2022- 2026 Reader for the History and Theory of Digital Media, Department of
• Digital Humanities, King’s College London
• 2025- Editor, Grey Room, MIT Press
• 2024-2025 Senior Fellow, Eikones, University of Basel
• 2023-2024 Visiting Scholar, Department II, Max Planck Institute for the History of
• Science
• 2022 Affiliated Researcher, Antikythera, Berggruen Institute
• 2021- Visiting Professor, University of Massachusetts (for PhD advising)
• 2018-2022 Senior Lecturer for the History and Theory of Digital Media, Department of
• Digital Humanities, King’s College London
• 2016-2017 Senior Lecturer, School of Media and Performing Arts, Coventry University
• 2016-2017 Visiting Associate Professor, Film & Media Studies, Yale University
• 2011-2016 Wissenschaftlicher Mitarbeiter for Cultural Technologies and the History of
• Knowledge, Institute for Cultural History and Theory, Humboldt University of Berlin
• 2008 Visiting Lecturer, Department of Global Communications, American
• University of Paris
• 2007 Visiting Fellow, Institute for Research and Innovation, Centre Pompidou
• 2005-2006 Assistant Instructor, Northwestern University

Select Curatorial and Media Production Activities

• 2024- Consultant, Product Testing and Development, Scholarminds. (AI educational platforms startup)
• 2022 Shorts under the Bridge, Film Festival, Vide-O-Tek, Berlin
• 2022 “Unring the Bell,” sound installation, Machines-in-Between, Lancaster Conservatory
• 2014-2019 Co-Curator and Educational Programmer, Technosphere Project & Anthropocene Campus, Haus der Kulturen der Welt (Berlin)
• 2012-2014 Producer and Host, Cultural Technologies Podcast
• 2007 Co-Producer (w/ B. Stiegler), La Modernité sans la modernisation
• Institute for Research and Innovation, Pompidou Center (Paris)
• 2005-2006 Assistant Instructor, Northwestern University, coursework included
• digital animation & experimental art practices
• 2001-2002 Digital Media Production Instructor,
• The Art Effect (formerly Children’s Media Project) (Poughkeepsie)
• 2000-2006 Consultant and Ghostwriter for Desgrippes Gobé (now BrandImage)

Partners

TBA

Publications

Monographs

• Geoghegan, BD. Code: From Information Theory to French Theory. Duke University Press, 2022. ISBN: 978-1-4780-1900-8. Introduction available for free download here.

o Translations: Chinese edition: 代码：从信息论到法国理论, tr. 王志军 (Zhang Lu). 上海人民出版社 / 世纪文景, [Shanghai People's Publishing House / Horizon]: 2025. ISBN: 978-7-2081-8812-9.; Slovenian edition: Koda: Od teorije informacij do francoske teorije, tr. Marko Bauer. Sophia, 2026.

o Select reviews in journals: Choice; The Communication Review; The French Review; Design Arts Médias; Electronic Book Review; H-Net Reviews in the Humanities and Social Sciences; History of Media Studies; History of Social Science; IEEE Annals of the History of Computing; ISIS; Information Research; International Journal of Communications; The Journal of American Culture; Journal of the History of Behavioral Sciences; Leonardo; Los Angeles Review of Books; Media Theory; New Media & Society; Philosophy in Review; Radical Philosophy; Technology & Culture; Theory, Culture & Society

o Commentary in popular press: Philosophie Magazin.

o Roundtable/special issue on CODE: Essays by Katya Babintseva, Sam Collins, Martha Lampland, Perig Pitrou, and Amrina Rosyada, History of Anthropology Review, 8 July 2024

o Podcasts: MIT Comparative Media Studies (lecture); New Books Network (interview); “Operational Theories: A Dialogue” (book talk with Jussi Parikka at the Critical Postmedia Research Network).

o Blog reviews: New APPS: Art, Politics (pt 1); New APPS: Art, Politics; The Duke Reader.

• Geoghegan, BD. The Cybernetic Apparatus: Cybernetics, Liberalism, and the Reform of the Human Sciences. Via Monoskop (open access), 2012.

Journal Articles (Peer-reviewed unless otherwise noted)

• Bao, W., A Bierig, MM Cao, S Cras, BD Geoghegan, A Thomas, M Vollgraff. “Why Grey Room,” Grey Room 102, 2026, pp. 6-9. DOI: 10.1162/GREY.e.11.

• Cras, S, M Vollgraff, and BD Geoghegan.” “Techniques of the Nation: Mauss and the Political,” Grey Room 102, 2026, pp. 44-49. DOI: 10.1162/GREY.a.13.

• Geoghegan, BD. “The Cringe Test: Student Evaluations of Intelligence with LLMs in a Turing Test Adapted for Classroom Use,” Frontiers in Education 10, January 2026. DOI: 10.3389/feduc.2025.1629513

• Geoghegan, BD. “The Navigable Image: Vermeer, Melville, and the Maritime Coordinates of Computer Graphics,” Critical Inquiry 52, no. 1, 2025, pp. 99-130. DOI: 10.1086/737081

• Geoghegan, BD. “The Geo-Scopic Drive: How Codes Bridge Architecture, Media, and Design,” Technology|Architecture + Design 8, 2024, pp. 178-182. DOI: 10.1080/24751448.2024.2405342

• Geoghegan, BD. “Response to roundtable on Code,” History of Anthropology Review, 8 July 2024.

• Geoghegan, BD. “The Bitmap is the Territory: How Digital Formats Render Global Positions.” MLN 136, December 2021, 1093-1113. doi:10.1353/mln.2021.0081.

• Geoghegan, BD. “Nine Pails of Ashes: Social Networks, Genocide, and the Structuralists’ Database of Language,” History of Anthropology Review 45, August 2021.

• Geoghegan, BD. “Orientalism and Informatics: Alterity from the Chess-Playing Turk to Amazon’s Mechanical Turk.” Ex-Position 43, June 2020, pp. 45–90. DOI: 10.6153/EXP.202006_(43).0004.

• Geoghegan, BD. “Textocracy, or, the Cybernetic Logic of French Theory.” History of the Human Sciences 33, no. 1, 2020, pp. 52–79.

• Geoghegan, BD. “An Ecology of Operations: Vigilance, Radar, and the Birth of the Computer Screen.” Representations 147, no. 1, Aug. 2019, pp. 59–95. DOI: 10.1177/0952695119864241.

• Halpern, R, R Mitchell, and BD Geoghegan. “The Smartness Mandate: Notes Towards a Critique.” Grey Room 68 (Summer 2017), 106–129. DOI: 10.1162/GREY_a_00221. (Third author responsible for brainstorming and co-authoring first draft based on research concept from Halpern; Mitchell and Halpern revised final text.)

• Geoghegan, BD. “The Family as Machine: Film, Infrastructure, and Cybernetic Kinship in Suburban America.” Grey Room 66 (Winter 2017), 70-101. DOI: 10.1162/GREY_a_00212.

o In Chinese: 作为机器的家庭：美国郊区的电影，基础设施和控制论亲属关系, [Cultural Studies], forthcoming.

• Geoghegan, BD. “What Bound the Double-Bind?” Grey Room 66 (Winter 2017), 102-109. DOI: 10.1162/GREY_a_00213.

• Geoghegan, BD. “The Spirit of Media: An Introduction.” Critical Inquiry 42, no. 4 (Summer 2016): 809–14. DOI: 00093-1896/16/4204-0003.

• Geoghegan, BD. “Mind the Gap: Spiritualism and the Infrastructural Uncanny.” Critical Inquiry 42, no. 4 (Summer 2016): 899–922. DOI: 00093-1896/16/4204-0004.

• Geoghegan, BD and C. Kassung. “Friedrich A. Kittler, Professor.” Critical Inquiry 42, no. 4 (Summer 2016): 963–77. DOI: 00093-1896/16/4204-0005. (First author, responsible for about 90% of composition and conceptualisation.)

• Geoghegan, BD. “Ecologies of Disclosure: On Aesthetic Compositions of Technics and Life.” Spheres 2 (December 2015). DOI: https://doi.org/10.25969/mediarep/3829.

• Geoghegan, BD. “Occult Communications: On Instrumentation, Esotericism, and Epistemology.” Communication +1 4, no. 1 (2015). DOI: 10.5072/FK27S7PH9B.

• Geoghegan, BD. “Visionäre Informatik: Notizen über Vorführungen von Automaten und Computern, 1769-1962,” tr. Lisa Åkervall. Jahrbuch für Historische Bildungsforschung 20, 2015, 177–98. ISBN 978-3-7815-2022-6.

• Geoghegan, BD. “In Memoriam: Friedrich A. Kittler, 1943-2011.” Critical Inquiry 41, no. 2 (Winter 2015): 484–88. DOI: 0093-1896/15/4102-0009.

• Geoghegan, BD. “After Kittler: On the Cultural Techniques of Recent German Media Theory.” Theory, Culture & Society 30, no. 6 (November 2013): 66–82. DOI: 10.1177/0263276413488962.

o In Korean: 키틀러 이후: 최근 독일 미디어 이론으로서 문화기술학에 관하여, 문화과학 (Cultural Science) 94, (2018) pp: 236-260.

• Hayward, M and BD Geoghegan. “Catching up with Simondon.” SubStance 41, no. 3 (2012): 3–15. DOI: 10.2307/41818934. (Second author, responsible for 25% of text)

• Geoghegan, BD. “La Cybernétique « américaine » au sein du Structuralisme « français ».” La Revue d’Anthropologie Des Connaissances 6, no. 3 (2012): 335–51.

• Geoghegan, BD. “From Information Theory to French Theory: Jakobson, Lévi-Strauss, and the Cybernetic Apparatus.” Critical Inquiry 38, no. 1 (2011): 96–126. DOI: 0093-1896/11/3801-0007.

o In Chinese as “从信息论到法国理论：雅各布森、列维—斯特劳斯和控制论装 置, tr. 胡敏 (Hu Min), 理论 [Critical Theory], 8, no. 2, (2024): 67-98, DOI: 10.12184/wspppllWSP2515-527X03.20240802.

• Geoghegan, BD. “Agents of History: Autonomous Agents and Crypto-Intelligence.” Interaction Studies 9, no. 3 (2008): 403–14.

• Geoghegan, BD. “The Historiographic Conception of Information: A Critical Survey.” The IEEE Annals on the History of Computing 30, no. 1 (2008): 66–81. ISSN: 1058-6180.

Book Chapters

• Geoghegan, BD. “Le régime scopique du numérique.” In Vivre par(mi) les écrans : passé et avenir, tr. Gael Caignard, eds. Mauro Carbone and Jacopo Bodini. Sesto San Giovanni: Éditions Mimésis, 2025.

• Sun, Yijun and BD Geoghegan. “Carried Away: The Carrier Bag Theory of Media.” In Technē, Technique, and Technology (Key Debates), eds. Annie van den Oever and Nicholas Baer, 169-185. Amsterdam: Amsterdam University Press, 2024. (second author, responsible for 50% of composition).

• Geoghegan, BD. “Philosophy of Affordances: The Interface, Gallery, and Workshop as Media Environments.” In Beyond Matter, Within Space: Curatorial and Art Mediation Techniques on the Verge of Virtual Reality, 186–93. Karlsruhe: ZKM & Hatje Cantz, 2023.

• Geoghegan, BD. “The Statistical Order of Discourse: How Information Theory Encoded Industrial and Political Discipline.” In Articulating Media: Genealogy, Interface, Situation, edited by James Gabrillo and Nathaniel Zetter, 56–76. London: Open Humanities Press, 2023.

• Geoghegan, BD. “Catch the Vapors: Getting Steamrolled by Environing Media.” In Environing Media, edited by Adam Wickberg and Johan Gärdebo, 167-176. London: Routledge, 2022.

• Casetti, F. and BD Geoghegan. “Screen” In Information Keywords, edited by Jonathan E. Abel, Samuel Frederick, Michele Kennerly, general editor Eric Hayot, 162-173. New York: Columbia University Press, 2021. ISBN 0231198779 [peer-reviewed]. (Second author, responsible for 50% of composition). (Portuguese translation)

• Åkervall, L, and BD Geoghegan. “I’ll Be Your Screen.” In La galassia Casetti: Lettere di amicizia, stima, provocazione, edited by Eugeni Ruggero and Mariagrazia Fanchi, 3-5. Milan: Vita e Pensiero, 2017. ISBN 8834333276. (Second author, responsible for 50% composition).

• Geoghegan, BD. “Architectures of Information: A Comparison of Wiener’s and Shannon’s Theories of Information.” Computer Architectures: Constructing the Common Ground, ed. by Vardouli and O. Touloumi, Routledge, 2019, pp. 135–59. ISBN 081539652X.

• Geoghegan, BD. “Claude Lévi-Strauss et les communications.” In Les résonances des structuralismes, edited by Jean-François Bert and Jérôme Lamy, 113–19. Paris: éditions des archives contemporaines, 2016. ISBN 9782813002433.

• Geoghegan, BD. “Information.” In Digital Keywords: A Vocabulary of Information Society & Culture, edited by Benjamin Peters, 173–83. Princeton: Princeton University Press, 2016. ISBN: 9780691167336. [peer reviewed].

• Geoghegan, BD and B Peters. “Cybernetics.” In The Johns Hopkins Guide to the Digital Humanities, edited by Lori Emerson, Benjamin Robertson, and Ryan Marie-Laure, 109–12. Baltimore: Johns Hopkins University Press, 2014. ISBN 978-1-4214-1223-8. [peer reviewed]. (First author responsible for approximately 60% of composition).

Non-peer Reviewed Encyclopedia Entries and Brief Texts

• Galloway, AR and BD Geoghegan. “Shaky Distinctions: A Dialogue on the Analog and the Digital.” E-Flux Journal 121, October 2021. (Second author, responsible for 50% of composition and conceptualization.)

• Geoghegan, BD. “The Radar-Type.” In Dispatches: From the Institute of Incoherent Geography, Vol. 1. Pittsburgh: Flugschriften, 2019, pp. 113-119. ISBN-10: 1-7335365-3-1

• Geoghegan, BD. “The Dura-Europos Roman Shields.” In Artwork as Screen, edited by Francesco Casetti, Bernard Geoghegan and Karl Regina. New Haven: Yale University Art Gallery, 2016.

• Geoghegan, BD and E. Schüttpelz. “Claude Lévi-Strauss.” In The International Encyclopedia of Communication Theory and Philosophy, edited by Klaus Bruhn Jensen, Jefferson D. Pooley, Robert T. Craig, and Eric W. Rothenbuhler. Hoboken: Wiley-Blackwell, 2016. DOI: 10.1002/9781118766804.wbiect173. (First author, responsible for 75% of composition and conceptualization.)

• Geoghegan, BD and B Peters. “Cybernetics.” In The International Encyclopedia of Communication Theory and Philosophy, edited by Klaus Bruhn Jensen, Jefferson D. Pooley, Robert T. Craig, and Eric W. Rothenbuhler. Hoboken: Wiley-Blackwell, 2016. DOI: 10.1002/9781118766804.wbiect041. (First author, responsible for 60% of conceptualization and writing.)

White Papers

• “Abstraction as a formalizing practice.” Models-Abstraction-Scale: Understanding Historical and Societal Impacts of Artificial Intelligence, privately circulated paper for American Academy of Berlin workshop, December 2023.

• Klingan, K, B Geoghegan, and C. Rosol. “The Technosphere: Signal/Noise Ratios.” Berlin: Haus der Kulturen der Welt, 2015. (Second of three authors, responsible for 40% conceptualization and 70% of writing.)

• Gobé, M and B Geoghegan. “Brand America and the New Model of Leadership” (second author with Marc Gobé, responsible for approx. one third of conceptualization and writing). New York: d/g*, 2005.

Book Reviews

• Geoghegan, BD. “Bernard Dionysius Geoghegan reviews The Digitally Disposed. Seb Franklin. The Digitally Disposed: Racial Capitalism and the Informatics of Value. Minneapolis: University of Minnesota Press, 2021. 254 pp.” Critical Inquiry, 29 June 2022.

• Geoghegan, BD. “Bernard Dionysius Geoghegan reviews Image Objects. Jacob Gaboury. Image Objects: An Archaeology of Computer Graphics. Cambridge, Mass.: MIT Press, 2021. 312 pp,” Critical Inquiry, 3 November, 2021.

• Geoghegan, BD. “Toward Liberal Histories of Computing: Fred Turner, The Democratic Surround.” Technology and Culture 56, no. 3 (July 2015): 745–48. DOI: 10.1353/tech.2015.0090.

• Geoghegan, BD. “Untimely Mediations: On Two Recent Contributions to ‘German Media Theory.’” Paragraph 37, no. 3 (2014): 419–25. DOI: 10.3366/para.2014.0138.

Translations

• Radlmaier, Julian (dir.). Selbstkritik eines bürgerlichen Hundes. 2017. (Minor corrections of prepared translations by Bernard Dionysius Geoghegan, at director’s request.)

• Kittler, Friedrich. “Farewell to Sophienstraße.” Tr. Bernard Dionysius Geoghegan and Christian Kassung. Critical Inquiry 42, no. 2 (Summer 2016): 959-62. DOI: 10.1086/686946. (First of two translators, responsible for 90% of translating.)

• Stiegler, Bernard. “The Tongue of the Eye: What ‘Art History’ Means.” In Releasing the Image: From Literature to New Media, edited by Jacques Khalip and Robert Mitchell, tr. T. Ravindranathan with B Geoghegan, 222–35. Stanford: Stanford University Press, 2011. ISBN 978-o-8047-6r37-6. (Second translator, responsible for first rough draft given final definitive translation by first translator.)

Popular Media and Interviews

• “Episode 5,” intervention in Things They Don’t in Florida lecture series for Crimson Coast Dance (Canada), April 2024.

• “Operational Theories: A Dialogue” (book talk with Jussi Parikka at the Critical Postmedia Research Network).

• “Computer Graphics,” interview about book-in-progress on High Theory podcast, April 2023.

• “Learning to Code,” lecture on MIT Comparative Media Studies podcast, April 2023.

• “Code: From Information Theory to French Theory,” interview on New Books Network, February 2023.

• “The Chess-Playing Turk,” appearance on public-facing YouTube and podcast channel Following Mechanical Turks, December 2021.

• “Dennis McNulty and Bernard Geoghegan, in conversation.” Interview in TTopology. Carlow: Carlow Visual Arts Center, forthcoming.

• “Bernard Geoghegan on the History of Radar.” Podcast for Field Day, September 2019.

• “The Medium is the Message.” BBC Radio documentary on Marshall McLuhan. December 2018.

• “0/1 oder wie die Code in der Welt Kam.” Kulturwelle radio documentary on the rise of coding and software. September 2015.

• “Bernard Geoghegan on Kittler and Cultural Techniques.” Video podcast. Theory, Culture & Society, February 2015.

• “On Kulturtechniken.” Interview and commentary for Oklahoma Public Radio, April 2012.

Occasional Video Presentations of Work in Progress

• “DCRL Questions: Bernard Geoghegan,” DCRL Vimeo Channel, 2015.

• “Bernard Geoghegan’s IKKM Project,” IKKM Vimeo Channel, 2015.

• “Bernard Geoghegan on Kittler and Cultural Techniques,” Theory, Culture & Society YouTube Channel, 2014.

Edited Collections

• Bateson Dossier. Grey Room 66, ed. B Geoghegan (Winter 2017). (Sole editor)

• The Spirit of Media. Critical Inquiry 42, no. 4, ed. B Geoghegan (Summer 2016). (Sole editor)

• Friedrich Kittler. Special Critical Inquiry 42, no. 4, ed. B Geoghegan (Summer 2016). (Sole editor)

• Occult Communications: Instrumentation, Esotericism, and Epistemology in the Nineteenth-Century. Special Issue of Communication +1 14, no. 1, ed. B Geoghegan (2015). (Sole editor)

• On Gilbert Simondon: Individuation and Technics. Special Issue of SubStance 41, no. 3, Eds. M. Hayward and B Geoghegan. (Co-editor responsible for 50% of editorial work.)

Curation

• Shorts under the Bridge, Film Festival, Vide-O-Tek, Berlin. Co-curated with “Question Architecture” collective, October 2022.

• Forms of Life / Life Forms, cur. K Klingan, N Hood, and BD Geoghegan. Berlin: Haus der Kulturen der Welt, 2019. (Third of three curators, responsible for initial conception and plan.)

• 1948, cur. K Klingan, N Hood, and BD Geoghegan. Berlin: Haus der Kulturen der Welt, 2017. (Third of three curators, responsible for initial conception and plan.)

• Artwork as Screen, ed/cur. F Casetti, B Geoghegan, R Karl. Yale University Art Gallery, 2016. (One of three curators equally responsible for conception w. Casetti focusing on initial concept and Geoghegan and Karl organizing and realizing plan.)

• The Technosphere: Signal-Noise Ratios, cur. K. Klingan, C. Rosol and BD Geoghegan. Haus der Kulturen der Welt, Berlin, 2015-2019. (Responsible for approximately a quarter of overall three-year plan.)

Audio-Visual Media

• “Unring the bell.” Sound installation for Machines-in-Between, Lancaster Conservatory, Fall 2022. Commissioned by John L. Modern and the Henry Luce Foundation.

• “Knowing sounds,” audio response, Cinematologists podcast and Center for Disruptive Media, Spring 2018.

• “The Dura-Europos Roman shields.” Entry in Artwork as Screen, edited by Francesco Casetti, Bernard Geoghegan and Karl Regina. New Haven: Yale University Art Gallery, 2016. Funded by the Mellon Foundation.

• 2012-2014, “Cultural Technologies.” Podcast. Host, producer, editor.

• 2007, “La modernité sans la modernisation.” Digital video for Ligne de temps DH platform. Directed by Bernard Stiegler and produced by the Institute for Research and Innovation (Pompidou Center). Produced and edited interviews featuring N. Katherine Hayles, Bernard Stiegler, André Green, Jean-Luc Nancy, Kevin McLaughlin, Dominique Lecourt and others for online distribution.