Ragnhild Brøvig-Hanssen

Bilde av Ragnhild Brøvig-Hanssen
English version of this page
Telefon +47 22844409
Mobiltelefon +47 47625395
Rom V02-16
Treffetider Etter avtale
Brukernavn
Besøksadresse Forskningsveien 3A Harald Schjelderups hus 0373 Oslo. Postadresse: P.O. Box 1133 Blindern 0318 Oslo Norway
Postadresse Postboks 1017 Blindern 0315 Oslo

Ragnhild Brøvig-Hanssen er førsteamanuensis ved Institutt for musikkvitenskap og RITMO senter for tverrfaglig forskning på rytme, tid og bevegelse, ved Universitetet i Oslo. Hun har publisert artikler og bokkapitler på temaene musikkproduksjon, digitale medier, remiks og mashup kultur, rytme og groove, og sound, og er forfatter av bøkene Parody in the Age of Remix: Mashup Creativity vs. the Takedown (MIT Press, forthcoming) og Digital Signatures: The Impact of Digitization on Popular Music Sound (med Anne Danielsen, MIT Press, 2016). Hun leder for tiden et NFR-finansiert forskningsprosjekt på mashup musikk, internett-plattformer og opphavsrettsregulering (MASHED), samt et RITMO-prosjekt på musikalsk fragmentering (Musical Fragmentation). Hun har tidligere tatt del i to forskningsprosjekter på rytme (TIME og RADR).

Spesialkompetanse og veiledningsemner:

  • Sampling and Remixing
  • Popular Music
  • Music Production
  • Music and Digital Technology
  • Rhythm and Groove
  • Sound Analysis
  • Cut-and-Paste and Glitch Aesthetics
  • Music and Internet Platforms
  • Sampling and Copyright Exceptions
  • Music and Humor, Parody and Politics
  • Music Aesthetics
  • Music and Culture
  • Music and Media

Pågående prosjekter:

Prosjektleder: MASHED: Mashup Music, Copyright, and Platform Regulation (RCN-FRIHUMSAM Young Research Talents). Project period: 2018–2021.

Forsker på prosjektet TIME: Timing and Sound in Musical Microrhythm (RCN-TOPPFORSK). Project period: 2016-2022.

Leder for prosjektgruppen Musical Fragmentation ved RITMO Centre for Interdisciplinary Studies of Rhythm, Time and Motion (RCN Centre of Excellence)

Emneord: Populærmusikk, Musikkteknologi, Samfunn og musikk, Medier og musikk, Musikkanalyse, teknologihistorie

Publikasjoner

Books and PhD thesis:

Brøvig-Hanssen, Ragnhild. Forthcoming 2023. Parody in the Age of Remix: Mashup Creativity vs. the Takedown. Cambridge, MA: MIT Press.

Brøvig-Hanssen, Ragnhild, and Anne Danielsen. 2016. Digital Signatures: The Impact of Digitization on Popular Music Sound. Cambridge, MA: MIT Press.

Brøvig-Hanssen, Ragnhild. 2013. Music in Bits and Bits of Music: Signatures of Digital Mediation in Popular Music Recordings. PhD diss., University of Oslo.

Articles and Book Chapters:

Brøvig-Hanssen, Ragnhild, forthcoming 2022. “It Ain’t but One Kind of Blues”: Kid Koala’s Bluesy Embrace of the Fragmented. In Analyzing Recorded Music: Collected Perspectives, eds. William Moylan, Lori Burns, and Mike Alleyne. New York: Routledge.

Brøvig-Hanssen, Ragnhild, Bjørnar E. Sandvik, and Jon Marius Aareskjold. Forthcoming 2022. “Influence du traitement de plage dynamique sur le rythme perçu dans l’EDM.” In L’Interaction dans la musique. Son, geste, dispositifs dans les musiques électroniques et électroacoustiques (Collection Aesthetica). Presses universitaires de Rennes. 

Brøvig-Hanssen, Ragnhild, Bjørnar E. Sandvik, Jon Marius Aareskjold-Drecker, and Anne Danielsen. 2021. The Organic Grid: Sound and Timing in Electronic Dance Music. Music Theory Spectrum 44/1.

Brøvig-Hanssen, Ragnhild, and Ellis Jones. 2021. Remix’s Retreat? The Impact of Platform Detection Procedures on Mashups. New Music & Society. DOI: 10.1177/14614448211026059

Brøvig-Hanssen, Ragnhild, Bjørnar E. Sandvik, and Jon Marius Aareskjold-Drecker. 2020. “Dynamic Range Processing’s Influence on Perceived Timing in Electronic Dance Music.” Music Theory Online, 26/2. DOI: 10.30535/mto.26.2.3

Brøvig-Hanssen, Ragnhild, and Ellis Jones. 2020. “Remiksens retrett? Innvirkningen av plattformers gjenkjenninsprosedyrer på mashups.” Norsk medietidsskrift, 3/2020. DOI: https://doi.org/10.18261/ISSN.0805-9535-2020-03-02

Brøvig-Hanssen, Ragnhild, and Ellis Jones. 2020. Detection Algorithms and their Implications for Participation: The Case of Mashups. AoIR SPIR (Selected Paper of Internet Research, the 21 Annual Conference of the Association of Internet Researchers). DOI: https://doi.org/10.5210/spir.v2020i0.11181

Brøvig-Hanssen, Ragnhild and Aram Sinnreich. 2019. Do You Wanna Build a Wall? Remix Tactics in the Age of Trump. Popular Music and Society, 43/5: 535–549. DOI: https://doi.org/10.1080/03007766.2019.1650990

Brøvig-Hanssen, Ragnhild. 2019. Humor’s Role in Mashups and Remixes. In On Popular Music and Its Unruly Entanglements, eds. Nick Brae and Kai Arne Hansen, pp. 189–207. Palegrave Macmillan. 

Brøvig-Hanssen, Ragnhild. 2019. Mixing with Quotations: Mashups and Contextual Transformation. In The Art of Record Production: Creative Practice in the Studio, Volume 2, eds. Simon Zagorski-Thomas, Katia Isakoff, Sophie Stévance, and Serge Lacasse, pp. 50–65. Oxon/New York: Routledge.

Brøvig-Hanssen, Ragnhild. 2018. Listening To or Through Technology: Opaque and Transparent Mediation in Popular Music. In Critical Approaches to the Production of Music and Sound, eds. Samantha Bennett and Eliot Bates, pp. 195–210. New York/London: Bloomsbury Academic.

Brøvig-Hanssen, Ragnhild. 2018. Musical Recycling: Mashup Aesthetics and Authorship. AoIR SPIR (Selected Paper of Internet Research, the 17th Annual Conference of the Association of Internet Researchers).

Brøvig-Hanssen, Ragnhild, and Anne Danielsen. 2017. Music Production: Recording Technologies and Acousmatic Lisetning. In Routledge Companion to Music Cognition, eds. Richard Ashley and Renee Timmers, pp. 191–201. New York: Routledge.

Brøvig-Hanssen, Ragnhild. 2016. Justin Bieber featuring Slipknot: Consumption as Mode of Production. In Music and Virtuality, eds. Sheila Whiteley and Shara Rambarran, pp. 266–81. Oxford: Oxford University Press.

Brøvig-Hanssen, Ragnhild, and Anne Danielsen. 2013. The Naturalised and the Surreal: Changes in the Perception of Popular Music Sound. Organised Sound 18/1: 72–81. DOI: https://doi.org/10.1017/S1355771812000258

Brøvig-Hanssen, Ragnhild. 2013. The Magnetic Tape Recorder: Recording Aesthetics in the New Era of Schizophonia. In Material Culture and Electronic Sound, eds. Frode Weium and Tim Boon, pp. 131–57. Washington, D.C.: Smithsonian Institution Scholarly Press/Rowman and Littlefield Publishers.

Brøvig-Hanssen, Ragnhild, and Paul Harkins. 2012. Contextual Incongruity and Musical Congruity: The Aesthetics and Humour in Mash-Ups. Popular Music 31/1: 87–104. DOI: https://doi.org/10.1017/S026114301100047X

Brøvig-Hanssen, Ragnhild. 2010. Opaque Mediation: The Cut-and-Paste Groove in DJ Food’s “Break.” In Musical Rhythm in the Age of Digital Reproduction, ed. Anne Danielsen, pp. 159–75. Farnham, Surrey: Ashgate.

Brøvig-Andersen, Ragnhild. 2007. Musikk og mediering: Teknologi relatert til sound og groove i trip-hop-musikk [Music and Mediation: Technology related to Sound and Groove in Trip-Hop Music]. MA thesis, Department of Musicology, University of Oslo.

 

Selected Presentations:

“Slow Attacks, Peculiar Accents, and Pumping Grooves: Perceptual Interaction between Timing and Intensity in Music Production,” peer-reviewed poster presentation, with Bjørnar Sandvik and Jon Marius Aareskjold-Drecker, at the Rhythm Production and Perception Workshop (RPPW) 2021, RITMO/virtually, June 22–25, 2021.

“Rhythm, Repetition, and Expectations,” keynote lecture at the PhD summer school “Rhythm: Affect, Technology, Aesthetics,” co-organized by graduate schools in literature, art and cultural studies at the University of Southern Denmark, the University of Copenhagen, and Aarhus University. Sandjberg/virtual, April 13–15, 2021

“Detection Algorithms and their Implications for Participation: The Case of Mashups,” peer-reviewed paper presentation, with Ellis Jones (UiO), at the 21th annual meeting of the Association of Internet Research (AoIR) conference (topic: “Life”), virtually, 26–31 October 2020

“Parody in the Age of Remix and Takedowns,” invited presentation at the public workshop “The Changing Regimes of Authorship” led by the ERC Consolidator project “CREATIVE IPR: The history of Intellectual Property Rights in the Creative Industries,” University of Oslo, Nov. 19, 2020 

“Presentation of the MASHED Project,” invited talk at the School of Communication and Culture, Aarhus University, Danmark, Aug. 13, 2020

“Mashup Music, Intertextuality, and Copyright,” guest lecture at the Department of Musicology, Uppsala University, Sweeden, April 29, 2020

“Playful Rhythms and Mosaic Flow,” peer-reviewed paper presentation at the International seminar Muddy Rhythms and Broken Beats, RITMO, University of Oslo, Norway, Feb 4–5, 2020

“Humor, Parody, and Mashup Music,” peer-reviewed paper presentation at the annual conference of the International Society for Humor Studies (ISHS), University of Texas at Austin, USA, June 24–28, 2019.

“Do You Wanna Build a Wall? Remix Tactics in the Age of Trump,” peer-reviewed paper presentation, with Aram Sinnreich (Am. Uni, USA), at the 69th annual International Communication Association (ICA) conference (Theme: Communication Beyond Boundaries), Washington D.C., USA, 24–28 May 2019. 

Invited speaker on the plenary panel “Methodology Panel 3.0: Technology in Record Production Research: Object, Subject, Variable and Data Collection Tool,” with Nyssim Lefford, Catherine Provenzano, Paul Théberge, and Alan Williams, at the annual international Art of Record Production (ARP) conference, Berklee College of Music, Boston,USA, May 17–19, 2019

“Vocal Chops and its Aesthetic,” peer-reviewed paper presentation, with Jon Marius Aareskjold (UiA, Norway), at the annual international Art of Record Production (ARP) conference (Theme: In C: Creation, Connectivity, Collaboration and Controllers), Berklee College of Music, Boston, USA, May 17–19, 2019

“Do You Wanna Build a Wall? Remix Tactics in the Age of Trump,” peer-reviewed paper presentation, with Aram Sinnreich (Am. Uni, USA), at the Crosstown Traffic Conference (IASPM, ASARP, Dancecult, ISMMS), Univ. of Huddersfield, England, Sept 2018

“EDM Producer’s Reflections on Groove,” peer-reviewed paper presentation, with Bjørnar Sandvik (UiO, Norway) and Jon Marius Aareskjold (UiA, Norway), at the Crosstown Traffic Conference (IASPM, ASARP, Dancecult, ISMMS), Univ. of Huddersfield, England, Sept 2018

Invited speaker on the book launch of “Live and Recorded: Music Experience in the Digital Millennium” (Palegrave Macmillan, 2018) by Yngvar Kjus, University of Oslo, April 6, 2018

“Dynamic Range Compression’s Influence on Perceived Timing in EDM music,” peer-reviewed paper presentation, with Bjørnar Sandvik (UiO, Norway) and Jon Marius Aareskjold (UiA, Norway), at the international Art of Record Production (ARP) conference, Stockholm Univ., Sweden, Dec 2017

“Does Compression Influence Timing? A Case Study in EDM Music,” invited plenary presentation at the international conference Interacting in and with Music (Interact), Rennes 2 Univ., France, Oct 2017

“Mashups, Politics, and Humor Theories,” invited guest lecture at School of Communication, American Univ., Washington, D.C., April 2017

Invited speaker on the plenary panel “Music and Virtuality” at the international Art of Record Production (ARP) conference, Aalborg Univ., Denmark, Dec 2016                           

Plenary presentation of the book Digital Signatures at the international Art of Record Production (ARP) conference, Aalborg Univ., Denmark, Dec. 2016

“Music Production: Recording Technologies and Acousmatic Listening,” peer-reviewed paper presentation, with Anne Danielsen (UiO, Norway), at the international Art of Record Production (ARP) conference, Aalborg Univ., Denmark, Dec. 2016

“Musical Recycling: Mashup Aesthetics and Authorship,” peer-reviewed paper presentation at the 19 annual meeting of the Association of Internet Research (AoIR) conference (topic: “Internet Rules!”), Humboldt-Universität zu Berlin, Germany, 5–8 Oct., 2016.

“Mashups as Interpretative Musical Comments,” peer-reviewed paper presentation at the 10th international Art of Record Production (ARP) conference, Drexel University, Philadelphila, November 2015.

“Consumption as Mode of Production,” peer-reviewed paper presentation at the 8th international Art of Record Production (ARP) conference, Université Laval, Quebéc, July 2013.

“Recording as Virtual Environments: Towards a Framework for Analysing the Sound of Popular Music,” peer-reviewed paper presentation, with Anne Danielsen (UiO, Norway), at the 6th international Art of Record Production (ARP) conference, Leeds Metropolitan University, December 2010.

“The Strange Delights of ‘The Whipped Cream Mixes’: The aesthetics, humour and tradition of mash-ups,” peer-reviewed paper presentation, with Paul Harkins (Edinburgh Uni, UK), at the 6th international Art of Record Production (ARP) conference, Leeds Metropolitan University, December 2010.

“Opaque Mediation as an Aesthetic Ideal,” peer-reviewed paper presentation at the annual International Association for the Study of Popular Music (IASPM) conference, Liverpool, July 2009.

“Opaque Mediation: An exposure of cut-and-paste in Electronica,” peer-reviewed paper presentation at the 4th international Art of Record Production (ARP) conference, University of Lowell (Boston), November 2008.

“Opaque Mediation as Part of the Composition: A study of Portishead’s music,” peer-reviewed paper presentation at the international Rhythm in the Age of Digital Reproduction (RADR) conference, University of Oslo, October 2006.

“Groove in Trip-Hop Music,” peer-reviewed paper presentation at the international Rhythm in the Age of Digital Reproduction (RADR) seminar, University of Oslo, September 2005.

  • Brøvig-Hanssen, Ragnhild; Sandvik, Bjørnar; Aareskjold-Drecker, Jon Marius & Danielsen, Anne (2021). A Grid in Flux: Sound and Timing in Electronic Dance Music. Music Theory Spectrum. ISSN 0195-6167. 44(1). doi: 10.1093/mts/mtab013. Fulltekst i vitenarkiv
  • Brøvig-Hanssen, Ragnhild & Jones, Ellis Nathaniel (2021). Remix’s Retreat? Content moderation, copyright law and mashup music. New Media & Society. ISSN 1461-4448. doi: 10.1177/14614448211026059. Fulltekst i vitenarkiv
  • Brøvig-Hanssen, Ragnhild & Jones, Ellis Nathaniel (2020). Detection Algorithms and their Implications for Participation: The Case of Mashups. Selected Papers of Internet Research, SPIR. ISSN 2162-3317. 2020: AoIR2020. doi: 10.5210/spir.v2020i0.11181.
  • Brøvig-Hanssen, Ragnhild & Jones, Ellis Nathaniel (2020). Remiksens retrett? Innvirkningen av plattformers gjenkjenninsprosedyrer på mashups. Norsk Medietidsskrift. ISSN 0804-8452. 3(2020). Fulltekst i vitenarkiv
  • Brøvig-Hanssen, Ragnhild; Sandvik, Bjørnar Ersland & Aareskjold-Drecker, Jon Marius (2020). Dynamic range processing and its influence on perceived timing in electronic dance music. Music Theory Online. ISSN 1067-3040. 26(2), s. 1–13. doi: 10.30535/MTO.26.2.3. Fulltekst i vitenarkiv
  • Brøvig-Hanssen, Ragnhild & Sinnreich, Aram (2019). Do You Wanna Build a Wall? Remix Tactics in the Age of Trump. Popular music and society. ISSN 0300-7766. 43(5). doi: 10.1080/03007766.2019.1650990.
  • Brøvig-Hanssen, Ragnhild (2019). Mixing with Quotations: Mashups and Contextual Transformation. I Zagorski-Thomas, Simon; Isakoff, Katia; Stévance, Sophie & Lacasse, Serge (Red.), The Art of Record Production, Volume 2: Creative Practice in the Studio. Routledge. ISSN 978-1138205109. s. 50–65. doi: 10.4324/9781315467658-4.
  • Brøvig-Hanssen, Ragnhild (2019). Humor's Role in Mashups and Remixes. I Braae, Nick & Hansen, Kai Arne (Red.), On Popular Music and Its Unruly Entanglements. Palgrave Macmillan. ISSN 978-3-030-18099-7. s. 189–207. doi: 10.1007/978-3-030-18099-7.
  • Brøvig-Hanssen, Ragnhild (2018). Musical Recycling: Mashup Aesthetics and Authorship. Selected Papers of Internet Research, SPIR. ISSN 2162-3317.
  • Brøvig-Hanssen, Ragnhild (2018). Listening To or Through Technology: Opaque and Transparent Mediation. I Bennett, Samantha & Bates, Eliot (Red.), Critical Approaches to the Production of Music and Sound. Bloomsbury Academic. ISSN 9781501332. s. 195–210. doi: 10.5040/9781501332074.0021. Fulltekst i vitenarkiv
  • Brøvig-Hanssen, Ragnhild & Danielsen, Anne (2017). Music Production: Recording Technology and Acousmatic Listening. I Ashley, Richard D & Timmers, Renee (Red.), The Routledge Companion to Music Cognition. Routledge. ISSN 9781138721050. Fulltekst i vitenarkiv
  • Brøvig-Hanssen, Ragnhild (2016). Justin Bieber Featuring Slipknot: Consumption as Mode of Production. I Whiteley, Sheila & Rambarran, Shara (Red.), The Oxford Handbook of Music and Virtuality. Oxford University Press. ISSN 9780199321285. s. 266–281. doi: 10.1093/oxfordhb/9780199321285.013.19. Fulltekst i vitenarkiv

Se alle arbeider i Cristin

  • Brøvig-Hanssen, Ragnhild & Danielsen, Anne (2016). Digital Signatures: The Impact of Digitization on Popular Music Sound. MIT Press. ISBN 9780262034142. 188 s.

Se alle arbeider i Cristin

  • Kjus, Yngvar; Brøvig-Hanssen, Ragnhild & Wang, Solveig Margrethe (2022). Encountering new technology: A study of how female creators explore DAWs.
  • Kjus, Yngvar; Brøvig-Hanssen, Ragnhild & Wang, Solveig Margrethe (2022). Getting onto the platforms of music production: How women negotiate the creative opportunities of digital audio workstations.
  • Brøvig-Hanssen, Ragnhild; Johansson, Mats Sigvard; Sandvik, Bjørnar; Jacobsen, Eirik; Aareskjold-Drecker, Jon Marius & Danielsen, Anne (2022). Musical rhythm. Qualitative investigations.
  • Brøvig-Hanssen, Ragnhild (2022). Formidlingsformer i forskning.
  • Brøvig-Hanssen, Ragnhild; Sandvik, Bjørnar & Aareskjold-Drecker, Jon Marius (2021). Slow Attacks, Peculiar Accents, and Pumping Grooves: Perceptual Interaction between Timing and Intensity in Music Production.
  • Brøvig-Hanssen, Ragnhild (2021). Rhythm, Repetition, and Expectations.
  • Kjus, Yngvar & Brøvig-Hanssen, Ragnhild (2021). Møter med teknologi: Kvinnelige skaperes utforsking av DAWs.
  • Brøvig-Hanssen, Ragnhild (2020). A Doubled Now: Parody Theories.
  • Brøvig-Hanssen, Ragnhild & Sandvik, Bjørnar Ersland (2020). Timing in Electronic Dance Music.
  • Brøvig-Hanssen, Ragnhild (2020). “Parody in the Age of Remix and Takedowns” .
  • Brøvig-Hanssen, Ragnhild & Smedsrud, Morten Skipenes (2020). Algoritmene lammer kreativiteten. [Fagblad]. Apollon.
  • Brøvig-Hanssen, Ragnhild & Jones, Ellis Nathaniel (2020). Detection Algorithms and their Implications for Participation: The Case of Mashups.
  • Brøvig-Hanssen, Ragnhild (2020). Presentasjon av MASHED-prosjektet.
  • Brøvig-Hanssen, Ragnhild (2020). Mashup Music, Intertextuality, and Copyright.
  • Brøvig-Hanssen, Ragnhild (2020). Slutten på mashup musikk?
  • Brøvig-Hanssen, Ragnhild (2020). Playful Rhythms and Mosaic Flow.
  • Brøvig-Hanssen, Ragnhild & Jones, Ellis Nathaniel (2020). Slutten på remix? Spenningsforholdet mellom mashup-musikk og automatiske reguleringsverktøy.
  • Brøvig-Hanssen, Ragnhild (2019). Music Listening - Meso time.
  • Brøvig-Hanssen, Ragnhild & Aareskjold, Jon Marius (2019). Vocal Chops and it's aesthetics.
  • Brøvig-Hanssen, Ragnhild (2019). Mashups as Bisociative.
  • Brøvig-Hanssen, Ragnhild (2019). Presentation of MASHED; TIME; and MusFrag.
  • Brøvig-Hanssen, Ragnhild (2019). Musical Fragmentation and Dual-Planed Temporality.
  • Brøvig-Hanssen, Ragnhild (2019). Mashup and Parody.
  • Brøvig-Hanssen, Ragnhild & Aareskjold, Jon Marius (2019). Vocal chops and Rhythm.
  • Brøvig-Hanssen, Ragnhild (2019). Musical Fragmentation and Pleasure.
  • Kjus, Yngvar; Brøvig-Hanssen, Ragnhild; Askerøi, Eirik; Hartung, Mike; Wergeland Juell, Magnus & Karoliussen, Sara (2019). Musikkprodusentens rolle.
  • Hui, Alan; Brøvig-Hanssen, Ragnhild & Jones, Ellis Nathaniel (2019). Grey Tuesday (Musikk I gråsonen).
  • Kjus, Yngvar & Brøvig-Hanssen, Ragnhild (2019). Med opphavsrett på studieplanen. [Fagblad]. Ballade.no.
  • Brøvig-Hanssen, Ragnhild (2019). Humor, Parody and Mashups.
  • Brøvig-Hanssen, Ragnhild & Sinnreich, Aram (2019). Paper on the Panel Resist, Rebel, Remix: Politics and Practice in Digital Culture.
  • Brøvig-Hanssen, Ragnhild; Théberge, Paul; Lefford, Nyssim; Provenzano, Catherine & Williams, Alan (2019). Methodology Panel.
  • Brøvig-Hanssen, Ragnhild & Aareskjold, Jon Marius (2019). Vocal Chops and its Aesthetics.
  • Cederkvist, Vibeke & Brøvig-Hanssen, Ragnhild (2019). Musikkverdenen voksne ikke forstår. [Internett]. NRK.no.
  • Marte, Dæhlen & Brøvig-Hanssen, Ragnhild (2019). Hvem er den egentlige artisten bak mashups og sample-musikk? [Fagblad]. Forskning.no.
  • Brøvig-Hanssen, Ragnhild (2019). Presentation of the MASHED-project.
  • Brøvig-Hanssen, Ragnhild; Jones, Ellis Nathaniel & Perrett, Josh (2019). Invitation video for survey participation related to the research project MASHED: Mashup Music, Copyright, and Platform Regulation.
  • Brøvig-Hanssen, Ragnhild; Jones, Ellis Nathaniel; Hui, Alan; Perrett, Josh & Manning, Maddie (2019). Promo video of the research project MASHED: Mashup Music, Copyright, and Platform Regulation.
  • Brøvig-Hanssen, Ragnhild (2018). Panel ved boklansering av Yngvar Kjus bok "Live and Recorded: Music Experience in the Digital Millennuim".
  • Brøvig-Hanssen, Ragnhild; Aareskjold, Jon Marius & Sandvik, Bjørnar (2018). EDM Producers' Reflections on Groove.
  • Brøvig-Hanssen, Ragnhild & Sinnreich, Aram (2018). Do You Wanna Build a Wall? Remix Tactics in the Age of Trump.
  • Brøvig-Hanssen, Ragnhild (2017). Mashups, Politics, and Humor Theories.
  • Brøvig-Hanssen, Ragnhild & Sandvik, Bjørnar (2017). Dynamic Range Compression’s Influence on Perceived Timing.
  • Brøvig-Hanssen, Ragnhild & Sandvik, Bjørnar (2017). Dynamic Range Processing’s Influence on Perceived Timing.
  • Brøvig-Hanssen, Ragnhild & Sandvik, Bjørnar (2017). Dynamic Range Compression’s Influence on Perceived Timing in EDM Music.
  • Brøvig-Hanssen, Ragnhild (2017). Digitale signaturer: Digitaliseringens påvirkning på populærmusikk-estetikken.
  • Brøvig-Hanssen, Ragnhild & Sandvik, Bjørnar (2017). Does Compression Influence Timing? A Case Study in EDM Music.
  • Jensenius, Alexander Refsum; Kvifte, Tellef; Innervik, Kjell Tore; Martin, Charles Patrick; Brøvig-Hanssen, Ragnhild & Lossius, Trond [Vis alle 7 forfattere av denne artikkelen] (2017). Panel: New Interfaces for Musical Expression.
  • Brøvig-Hanssen, Ragnhild & Danielsen, Anne (2016). Listening to Recordings: Ecological Constraints and the Tuning of the Ear.
  • Brøvig-Hanssen, Ragnhild & Danielsen, Anne (2016). Book presentation: Digital Signatures.
  • Brøvig-Hanssen, Ragnhild (2016). Music and Virtuality.
  • Brøvig-Hanssen, Ragnhild (2016). Musical Recycling: Mashup Aesthetics and Authorship.
  • Brøvig-Hanssen, Ragnhild & Danielsen, Anne (2016). Book launch: Digital Signatures.
  • Brøvig-Hanssen, Ragnhild & Øgrim, Tellef (2016). Ikke helt topp for laptop ennå. [Fagblad]. Ballade.
  • klausen, aslaug olette & Brøvig-Hanssen, Ragnhild (2016). Hva vil dø med Soundcloud? [Fagblad]. Ballade.
  • Rognerød, Embret & Brøvig-Hanssen, Ragnhild (2016). Avslører digitale øyeblikk. [Fagblad]. Ballade.
  • Brøvig-Hanssen, Ragnhild & Klausen, Aslaug Olette (2016). Er kvinner interessert i å bli produsent? [Fagblad]. Ballade.
  • Brøvig-Hanssen, Ragnhild & Hope, Tora (2016). Slipknot + Justin Bieber = Sant? [Internett]. Framtida.no.
  • Brøvig-Hanssen, Ragnhild (2015). Mashups as Interpretative Musical Comments.
  • Brøvig-Hanssen, Ragnhild & Hartvin, Jo Morgan (2015). Artister frykter for å skape noe nytt, nå er det det gamle som gjelder. [Internett]. NRK.
  • Bjerke, Marte & Brøvig-Hanssen, Ragnhild (2015). Det perfekte motsetningsforhold. [Fagblad]. MusikkKultur.
  • Veka, Camilla & Brøvig-Hanssen, Ragnhild (2015). "-Å lage russelåter var egentlig ikke min intensjon". [Internett]. Dagbladet.
  • Brøvig-Hanssen, Ragnhild & Klausen, Aslaug Olette (2015). Hva forsvinner med DJ Friendly? [Internett]. Ballade.
  • Brøvig-Hanssen, Ragnhild (2013). Justin Bieber Featuring Slipknot: Consumption as Mode of Production.
  • Brøvig-Hanssen, Ragnhild & NTB, Norsk telegrambyrå (2013). Alt involverer teknologi. [Internett]. Opdalingen.
  • Brøvig-Hanssen, Ragnhild & NTB, Norsk telegrambyrå (2013). Alt involverer teknologi. [Internett]. Avisa Nordland.
  • Brøvig-Hanssen, Ragnhild & NTB, Norsk telegrambyrå (2013). Alt involverer teknologi. [Internett]. Smaalenenes Avis.
  • Brøvig-Hanssen, Ragnhild & NTB, Norsk telegrambyrå (2013). Alt involverer teknologi. [Internett]. Sarpsborg Arbeiderblad.
  • NTB, Norsk telegrambyrå & Brøvig-Hanssen, Ragnhild (2013). Alt involverer teknologi. [Internett]. Østlands-Posten.
  • Brøvig-Hanssen, Ragnhild & NTB, Norsk telegrambyrå (2013). Alt involverer teknologi. [Internett]. Enebakk Avis.
  • Brøvig-Hanssen, Ragnhild & NTB, Norsk telegrambyrå (2013). Alt involverer teknologi. [Internett]. Indre Akershus Blad.
  • Brøvig-Hanssen, Ragnhild & NTB, Norsk telegrambyrå (2013). Alt involverer teknologi. [Internett]. Malvikbladet.
  • Brøvig-Hanssen, Ragnhild & NTB, Norsk telegrambyrå (2013). Alt involverer teknologi. [Internett]. Tvedestrandposten.
  • Brøvig-Hanssen, Ragnhild & NTB, Norsk telegrambyrå (2013). Alt involverer teknologi. [Internett]. Vestby Avis.
  • Brøvig-Hanssen, Ragnhild & NTB, Norsk telegrambyrå (2013). Alt involverer teknologi. [Internett]. Finnmark Dagblad.
  • Brøvig-Hanssen, Ragnhild & NTB, Norsk telegrambyrå (2013). Alt involverer teknologi. [Internett]. Porsgrunns Dagblad.
  • Brøvig-Hanssen, Ragnhild & NTB, Norsk telegrambyrå (2013). Alt involverer teknologi. [Internett]. Hadeland .
  • Brøvig-Hanssen, Ragnhild & NTB, Norsk telegrambyrå (2013). Alt involverer teknologi. [Internett]. Bygdeposten.
  • Brøvig-Hanssen, Ragnhild & NTB, Norsk telegrambyrå (2013). Alt involverer teknologi. [Internett]. Romerikes Blad.
  • Brøvig-Hanssen, Ragnhild & NTB, Norsk telegrambyrå (2013). Alt involverer teknologi. [Internett]. Finnmarken.
  • NTB, Norsk telegrambyrå & Brøvig-Hanssen, Ragnhild (2013). Alt involverer teknologi. [Internett]. Akershus Amtstidende.
  • Brøvig-Hanssen, Ragnhild & NTB, Norsk telegrambyrå (2013). Alt involverer teknologi. [Internett]. Namdalsavisa.
  • Brøvig-Hanssen, Ragnhild & NTB, Norsk telegrambyrå (2013). Alt involverer teknologi. [Internett]. Helgelendingen .
  • Brøvig-Hanssen, Ragnhild & NTB, Norsk telegrambyrå (2013). Alt involverer teknologi. [Internett]. Lofotposten.
  • Brøvig-Hanssen, Ragnhild & NTB, Norsk telegrambyrå (2013). Alt involverer teknologi. [Internett]. Stjørdalens Blad.
  • Brøvig-Hanssen, Ragnhild & NTB, Norsk telegrambyrå (2013). Alt involverer teknologi. [Internett]. Arbeidets Rett.
  • Brøvig-Hanssen, Ragnhild & NTB, Norsk telegrambyrå (2013). Alt involverer teknologi. [Internett]. Tidens Krav.
  • Brøvig-Hanssen, Ragnhild & NTB, Norsk telegrambyrå (2013). Alt involverer teknologi. [Internett]. Telemarkavisa.

Se alle arbeider i Cristin

Publisert 24. juni 2022 13:59 - Sist endret 27. juni 2022 11:02