Ragnhild Brøvig

Bilde av Ragnhild Brøvig
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Telefon +47 22844409
Mobiltelefon +47 47625395
Rom V02-16
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Brukernavn
Besøksadresse Forskningsveien 3A Harald Schjelderups hus 0373 Oslo. Postadresse: P.O. Box 1133 Blindern 0318 Oslo Norway
Postadresse Postboks 1017 Blindern 0315 Oslo

Ragnhild Brøvig er professor ved Institutt for musikkvitenskap og RITMO senter for tverrfaglig forskning på rytme, tid og bevegelse, ved Universitetet i Oslo. Hun har publisert artikler og bokkapitler på temaene musikkproduksjon, digitale medier, remiks og mashup kultur, rytme og groove, og sound, og er forfatter av bøkene Parody in the Age of Remix: Mashup Creativity vs. the Takedown (MIT Press, forthcoming) og Digital Signatures: The Impact of Digitization on Popular Music Sound (med Anne Danielsen, MIT Press, 2016). Hun leder for tiden et NFR-finansiert forskningsprosjekt på mashup musikk, internett-plattformer og opphavsrettsregulering (MASHED), samt et RITMO-prosjekt på musikalsk fragmentering (Musical Fragmentation). Hun har tidligere tatt del i to forskningsprosjekter på rytme (TIME og RADR).

Spesialkompetanse og veiledningsemner:

  • Sampling and Remixing
  • Popular Music
  • Music Production
  • Music and Digital Technology
  • Rhythm and Groove
  • Sound Analysis
  • Cut-and-Paste and Glitch Aesthetics
  • Music and Internet Platforms
  • Sampling and Copyright Exceptions
  • Music and Humor, Parody and Politics
  • Music Aesthetics
  • Music and Culture
  • Music and Media

Pågående prosjekter:

Leder for prosjektgruppen Musical Fragmentation ved RITMO Centre for Interdisciplinary Studies of Rhythm, Time and Motion (RCN Centre of Excellence)

Prosjektleder: MASHED: Mashup Music, Copyright, and Platform Regulation (RCN-FRIHUMSAM Young Research Talents). Project period: 2018–2021.

Forsker på prosjektet TIME: Timing and Sound in Musical Microrhythm (RCN-TOPPFORSK). Project period: 2016-2022.

 

Emneord: Populærmusikk, Musikkteknologi, Samfunn og musikk, Medier og musikk, Musikkanalyse, teknologihistorie

Publikasjoner

Books and PhD thesis:

Brøvig, Ragnhild. Forthcoming 2023. Parody in the Age of Remix: Mashup Creativity vs. the Takedown. Cambridge, MA: MIT Press.

Brøvig-Hanssen, Ragnhild, and Anne Danielsen. 2016. Digital Signatures: The Impact of Digitization on Popular Music Sound. Cambridge, MA: MIT Press.

Brøvig-Hanssen, Ragnhild. 2013. Music in Bits and Bits of Music: Signatures of Digital Mediation in Popular Music Recordings. PhD diss., University of Oslo.

Articles and Book Chapters:

Brøvig, Ragnhild. 2022. “It Ain’t but One Kind of Blues”: Kid Koala’s Bluesy Embrace of the Fragmented. In Analyzing Recorded Music: Collected Perspectives, eds. William Moylan, Lori Burns, and Mike Alleyne. New York: Routledge.

Brøvig, Ragnhild, Bjørnar E. Sandvik, and Jon Marius Aareskjold-Drecker. 2022. “Influence du traitement de plage dynamique sur le rythme perçu dans l’EDM.” In L’Interaction dans la musique. Son, geste, dispositifs dans les musiques électroniques et électroacoustiques (Collection Aesthetica). Presses universitaires de Rennes. 

Brøvig-Hanssen, Ragnhild, Bjørnar E. Sandvik, Jon Marius Aareskjold-Drecker, and Anne Danielsen. 2021. The Organic Grid: Sound and Timing in Electronic Dance Music. Music Theory Spectrum 44/1.

Brøvig-Hanssen, Ragnhild, and Ellis Jones. 2021. Remix’s Retreat? The Impact of Platform Detection Procedures on Mashups. New Music & Society. DOI: 10.1177/14614448211026059

Brøvig-Hanssen, Ragnhild, Bjørnar E. Sandvik, and Jon Marius Aareskjold-Drecker. 2020. “Dynamic Range Processing’s Influence on Perceived Timing in Electronic Dance Music.” Music Theory Online, 26/2. DOI: 10.30535/mto.26.2.3

Brøvig-Hanssen, Ragnhild, and Ellis Jones. 2020. “Remiksens retrett? Innvirkningen av plattformers gjenkjenninsprosedyrer på mashups.” Norsk medietidsskrift, 3/2020. DOI: https://doi.org/10.18261/ISSN.0805-9535-2020-03-02

Brøvig-Hanssen, Ragnhild, and Ellis Jones. 2020. Detection Algorithms and their Implications for Participation: The Case of Mashups. AoIR SPIR (Selected Paper of Internet Research, the 21 Annual Conference of the Association of Internet Researchers). DOI: https://doi.org/10.5210/spir.v2020i0.11181

Brøvig-Hanssen, Ragnhild and Aram Sinnreich. 2019. Do You Wanna Build a Wall? Remix Tactics in the Age of Trump. Popular Music and Society, 43/5: 535–549. DOI: https://doi.org/10.1080/03007766.2019.1650990

Brøvig-Hanssen, Ragnhild. 2019. Humor’s Role in Mashups and Remixes. In On Popular Music and Its Unruly Entanglements, eds. Nick Brae and Kai Arne Hansen, pp. 189–207. Palegrave Macmillan. 

Brøvig-Hanssen, Ragnhild. 2019. Mixing with Quotations: Mashups and Contextual Transformation. In The Art of Record Production: Creative Practice in the Studio, Volume 2, eds. Simon Zagorski-Thomas, Katia Isakoff, Sophie Stévance, and Serge Lacasse, pp. 50–65. Oxon/New York: Routledge.

Brøvig-Hanssen, Ragnhild. 2018. Listening To or Through Technology: Opaque and Transparent Mediation in Popular Music. In Critical Approaches to the Production of Music and Sound, eds. Samantha Bennett and Eliot Bates, pp. 195–210. New York/London: Bloomsbury Academic.

Brøvig-Hanssen, Ragnhild. 2018. Musical Recycling: Mashup Aesthetics and Authorship. AoIR SPIR (Selected Paper of Internet Research, the 17th Annual Conference of the Association of Internet Researchers).

Brøvig-Hanssen, Ragnhild, and Anne Danielsen. 2017. Music Production: Recording Technologies and Acousmatic Lisetning. In Routledge Companion to Music Cognition, eds. Richard Ashley and Renee Timmers, pp. 191–201. New York: Routledge.

Brøvig-Hanssen, Ragnhild. 2016. Justin Bieber featuring Slipknot: Consumption as Mode of Production. In Music and Virtuality, eds. Sheila Whiteley and Shara Rambarran, pp. 266–81. Oxford: Oxford University Press.

Brøvig-Hanssen, Ragnhild, and Anne Danielsen. 2013. The Naturalised and the Surreal: Changes in the Perception of Popular Music Sound. Organised Sound 18/1: 72–81. DOI: https://doi.org/10.1017/S1355771812000258

Brøvig-Hanssen, Ragnhild. 2013. The Magnetic Tape Recorder: Recording Aesthetics in the New Era of Schizophonia. In Material Culture and Electronic Sound, eds. Frode Weium and Tim Boon, pp. 131–57. Washington, D.C.: Smithsonian Institution Scholarly Press/Rowman and Littlefield Publishers.

Brøvig-Hanssen, Ragnhild, and Paul Harkins. 2012. Contextual Incongruity and Musical Congruity: The Aesthetics and Humour in Mash-Ups. Popular Music 31/1: 87–104. DOI: https://doi.org/10.1017/S026114301100047X

Brøvig-Hanssen, Ragnhild. 2010. Opaque Mediation: The Cut-and-Paste Groove in DJ Food’s “Break.” In Musical Rhythm in the Age of Digital Reproduction, ed. Anne Danielsen, pp. 159–75. Farnham, Surrey: Ashgate.

Brøvig-Andersen, Ragnhild. 2007. Musikk og mediering: Teknologi relatert til sound og groove i trip-hop-musikk [Music and Mediation: Technology related to Sound and Groove in Trip-Hop Music]. MA thesis, Department of Musicology, University of Oslo.

  • Danielsen, Anne; Johansson, Mats Sigvard; Brøvig, Ragnhild; Sandvik, Bjørnar Ersland & Bøhler, Kjetil Klette (2023). Shaping rhythm: Timing and sound in five groove-based genres. Popular Music. ISSN 0261-1430.
  • Brøvig, Ragnhild (2022). "It ain't but one kind of Blues": Kid Koala's Bluesy Embrace of the Fragmented ("1 bit Blues," 2012). I Moylan, William; Burns, Lori & Mike, Alleyne (Red.), Analyzing Recorded Music: Collected Perspectives on Popular Music Tracks (1st ed.). Focal Press. ISSN 9781003089926. s. 248–258. doi: https%3A/doi.org/10.4324/9781003089926.
  • Brøvig, Ragnhild; Sandvik, Bjørnar Ersland & Aareskjold-Drecker, Jon Marius (2022). Influence du traitement de plage dynamique sur le rythme perçu dans l’EDM. I Parent, Emmanuel; Gohon, Kévin & Pierre, Couprie (Red.), La musique et la machine: Penser l'interaction dans les musiques électroniques. Presses Universitaires de Rennes. ISSN 978-2-7535-8685-7. s. 187–206.
  • Brøvig-Hanssen, Ragnhild; Sandvik, Bjørnar; Aareskjold-Drecker, Jon Marius & Danielsen, Anne (2021). A Grid in Flux: Sound and Timing in Electronic Dance Music. Music Theory Spectrum. ISSN 0195-6167. 44(1). doi: 10.1093/mts/mtab013. Fulltekst i vitenarkiv
  • Brøvig-Hanssen, Ragnhild & Jones, Ellis Nathaniel (2021). Remix’s Retreat? Content moderation, copyright law and mashup music. New Media & Society. ISSN 1461-4448. doi: 10.1177/14614448211026059. Fulltekst i vitenarkiv
  • Brøvig-Hanssen, Ragnhild & Jones, Ellis Nathaniel (2020). Detection Algorithms and their Implications for Participation: The Case of Mashups. Selected Papers of Internet Research, SPIR. ISSN 2162-3317. 2020: AoIR2020. doi: 10.5210/spir.v2020i0.11181.
  • Brøvig-Hanssen, Ragnhild & Jones, Ellis Nathaniel (2020). Remiksens retrett? Innvirkningen av plattformers gjenkjenninsprosedyrer på mashups. Norsk Medietidsskrift. ISSN 0804-8452. 3(2020). Fulltekst i vitenarkiv
  • Brøvig-Hanssen, Ragnhild; Sandvik, Bjørnar Ersland & Aareskjold-Drecker, Jon Marius (2020). Dynamic range processing and its influence on perceived timing in electronic dance music. Music Theory Online. ISSN 1067-3040. 26(2), s. 1–13. doi: 10.30535/MTO.26.2.3. Fulltekst i vitenarkiv
  • Brøvig-Hanssen, Ragnhild & Sinnreich, Aram (2019). Do You Wanna Build a Wall? Remix Tactics in the Age of Trump. Popular music and society. ISSN 0300-7766. 43(5). doi: 10.1080/03007766.2019.1650990.
  • Brøvig-Hanssen, Ragnhild (2019). Mixing with Quotations: Mashups and Contextual Transformation. I Zagorski-Thomas, Simon; Isakoff, Katia; Stévance, Sophie & Lacasse, Serge (Red.), The Art of Record Production, Volume 2: Creative Practice in the Studio. Routledge. ISSN 978-1138205109. s. 50–65. doi: 10.4324/9781315467658-4.
  • Brøvig-Hanssen, Ragnhild (2019). Humor's Role in Mashups and Remixes. I Braae, Nick & Hansen, Kai Arne (Red.), On Popular Music and Its Unruly Entanglements. Palgrave Macmillan. ISSN 978-3-030-18099-7. s. 189–207. doi: 10.1007/978-3-030-18099-7.
  • Brøvig-Hanssen, Ragnhild (2018). Musical Recycling: Mashup Aesthetics and Authorship. Selected Papers of Internet Research, SPIR. ISSN 2162-3317.
  • Brøvig-Hanssen, Ragnhild (2018). Listening To or Through Technology: Opaque and Transparent Mediation. I Bennett, Samantha & Bates, Eliot (Red.), Critical Approaches to the Production of Music and Sound. Bloomsbury Academic. ISSN 9781501332. s. 195–210. doi: 10.5040/9781501332074.0021. Fulltekst i vitenarkiv
  • Brøvig-Hanssen, Ragnhild & Danielsen, Anne (2017). Music Production: Recording Technology and Acousmatic Listening. I Ashley, Richard D & Timmers, Renee (Red.), The Routledge Companion to Music Cognition. Routledge. ISSN 9781138721050. Fulltekst i vitenarkiv
  • Brøvig-Hanssen, Ragnhild (2016). Justin Bieber Featuring Slipknot: Consumption as Mode of Production. I Whiteley, Sheila & Rambarran, Shara (Red.), The Oxford Handbook of Music and Virtuality. Oxford University Press. ISSN 9780199321285. s. 266–281. doi: 10.1093/oxfordhb/9780199321285.013.19. Fulltekst i vitenarkiv

Se alle arbeider i Cristin

  • Brøvig-Hanssen, Ragnhild & Danielsen, Anne (2016). Digital Signatures: The Impact of Digitization on Popular Music Sound. MIT Press. ISBN 9780262034142. 188 s.

Se alle arbeider i Cristin

  • Brøvig, Ragnhild (2022). Genre in the Context of Digital Media Culture Seminar and Doctoral Workshop.
  • Brøvig, Ragnhild (2022). Machine Rhythms?
  • Brøvig, Ragnhild (2022). PhD course on academic formats: monograph, article, kappe.
  • Brøvig, Ragnhild & Aareskjold-Drecker, Jon Marius (2022). Vocal Chops: Another Human/Machine Hybrid.
  • Kjus, Yngvar; Brøvig, Ragnhild & Wang, Solveig Margrethe (2022). Encountering new technology: A study of how female creators explore DAWs.
  • Kjus, Yngvar; Brøvig-Hanssen, Ragnhild & Wang, Solveig Margrethe (2022). Getting onto the platforms of music production: How women negotiate the creative opportunities of digital audio workstations.
  • Brøvig-Hanssen, Ragnhild; Johansson, Mats Sigvard; Sandvik, Bjørnar; Jacobsen, Eirik; Aareskjold-Drecker, Jon Marius & Danielsen, Anne (2022). Musical rhythm. Qualitative investigations.
  • Brøvig-Hanssen, Ragnhild (2022). Formidlingsformer i forskning.
  • Brøvig-Hanssen, Ragnhild; Sandvik, Bjørnar & Aareskjold-Drecker, Jon Marius (2021). Slow Attacks, Peculiar Accents, and Pumping Grooves: Perceptual Interaction between Timing and Intensity in Music Production.
  • Brøvig-Hanssen, Ragnhild (2021). Rhythm, Repetition, and Expectations.
  • Kjus, Yngvar & Brøvig-Hanssen, Ragnhild (2021). Møter med teknologi: Kvinnelige skaperes utforsking av DAWs.
  • Brøvig-Hanssen, Ragnhild (2020). A Doubled Now: Parody Theories.
  • Brøvig-Hanssen, Ragnhild & Sandvik, Bjørnar Ersland (2020). Timing in Electronic Dance Music.
  • Brøvig-Hanssen, Ragnhild (2020). “Parody in the Age of Remix and Takedowns” .
  • Brøvig-Hanssen, Ragnhild & Smedsrud, Morten Skipenes (2020). Algoritmene lammer kreativiteten. [Fagblad]. Apollon.
  • Brøvig-Hanssen, Ragnhild & Jones, Ellis Nathaniel (2020). Detection Algorithms and their Implications for Participation: The Case of Mashups.
  • Brøvig-Hanssen, Ragnhild (2020). Presentasjon av MASHED-prosjektet.
  • Brøvig-Hanssen, Ragnhild (2020). Mashup Music, Intertextuality, and Copyright.
  • Brøvig-Hanssen, Ragnhild (2020). Slutten på mashup musikk?
  • Brøvig-Hanssen, Ragnhild (2020). Playful Rhythms and Mosaic Flow.
  • Brøvig-Hanssen, Ragnhild & Jones, Ellis Nathaniel (2020). Slutten på remix? Spenningsforholdet mellom mashup-musikk og automatiske reguleringsverktøy.
  • Brøvig-Hanssen, Ragnhild (2019). Music Listening - Meso time.
  • Brøvig-Hanssen, Ragnhild & Aareskjold, Jon Marius (2019). Vocal Chops and it's aesthetics.
  • Brøvig-Hanssen, Ragnhild (2019). Mashups as Bisociative.
  • Brøvig-Hanssen, Ragnhild (2019). Presentation of MASHED; TIME; and MusFrag.
  • Brøvig-Hanssen, Ragnhild (2019). Musical Fragmentation and Dual-Planed Temporality.
  • Brøvig-Hanssen, Ragnhild (2019). Mashup and Parody.
  • Brøvig-Hanssen, Ragnhild & Aareskjold, Jon Marius (2019). Vocal chops and Rhythm.
  • Brøvig-Hanssen, Ragnhild (2019). Musical Fragmentation and Pleasure.
  • Kjus, Yngvar; Brøvig-Hanssen, Ragnhild; Askerøi, Eirik; Hartung, Mike; Wergeland Juell, Magnus & Karoliussen, Sara (2019). Musikkprodusentens rolle.
  • Hui, Alan; Brøvig-Hanssen, Ragnhild & Jones, Ellis Nathaniel (2019). Grey Tuesday (Musikk I gråsonen).
  • Kjus, Yngvar & Brøvig-Hanssen, Ragnhild (2019). Med opphavsrett på studieplanen. [Fagblad]. Ballade.no.
  • Brøvig-Hanssen, Ragnhild (2019). Humor, Parody and Mashups.
  • Brøvig-Hanssen, Ragnhild & Sinnreich, Aram (2019). Paper on the Panel Resist, Rebel, Remix: Politics and Practice in Digital Culture.
  • Brøvig-Hanssen, Ragnhild; Théberge, Paul; Lefford, Nyssim; Provenzano, Catherine & Williams, Alan (2019). Methodology Panel.
  • Brøvig-Hanssen, Ragnhild & Aareskjold, Jon Marius (2019). Vocal Chops and its Aesthetics.
  • Cederkvist, Vibeke & Brøvig-Hanssen, Ragnhild (2019). Musikkverdenen voksne ikke forstår. [Internett]. NRK.no.
  • Marte, Dæhlen & Brøvig-Hanssen, Ragnhild (2019). Hvem er den egentlige artisten bak mashups og sample-musikk? [Fagblad]. Forskning.no.
  • Brøvig-Hanssen, Ragnhild (2019). Presentation of the MASHED-project.
  • Brøvig-Hanssen, Ragnhild; Jones, Ellis Nathaniel & Perrett, Josh (2019). Invitation video for survey participation related to the research project MASHED: Mashup Music, Copyright, and Platform Regulation.
  • Brøvig-Hanssen, Ragnhild; Jones, Ellis Nathaniel; Hui, Alan; Perrett, Josh & Manning, Maddie (2019). Promo video of the research project MASHED: Mashup Music, Copyright, and Platform Regulation.
  • Brøvig-Hanssen, Ragnhild (2018). Panel ved boklansering av Yngvar Kjus bok "Live and Recorded: Music Experience in the Digital Millennuim".
  • Brøvig-Hanssen, Ragnhild; Aareskjold, Jon Marius & Sandvik, Bjørnar (2018). EDM Producers' Reflections on Groove.
  • Brøvig-Hanssen, Ragnhild & Sinnreich, Aram (2018). Do You Wanna Build a Wall? Remix Tactics in the Age of Trump.
  • Brøvig-Hanssen, Ragnhild (2017). Mashups, Politics, and Humor Theories.
  • Brøvig-Hanssen, Ragnhild & Sandvik, Bjørnar (2017). Dynamic Range Compression’s Influence on Perceived Timing.
  • Brøvig-Hanssen, Ragnhild & Sandvik, Bjørnar (2017). Dynamic Range Processing’s Influence on Perceived Timing.
  • Brøvig-Hanssen, Ragnhild & Sandvik, Bjørnar (2017). Dynamic Range Compression’s Influence on Perceived Timing in EDM Music.
  • Brøvig-Hanssen, Ragnhild (2017). Digitale signaturer: Digitaliseringens påvirkning på populærmusikk-estetikken.
  • Brøvig-Hanssen, Ragnhild & Sandvik, Bjørnar (2017). Does Compression Influence Timing? A Case Study in EDM Music.
  • Jensenius, Alexander Refsum; Kvifte, Tellef; Innervik, Kjell Tore; Martin, Charles Patrick; Brøvig-Hanssen, Ragnhild & Lossius, Trond [Vis alle 7 forfattere av denne artikkelen] (2017). Panel: New Interfaces for Musical Expression.
  • Brøvig-Hanssen, Ragnhild & Danielsen, Anne (2016). Listening to Recordings: Ecological Constraints and the Tuning of the Ear.
  • Brøvig-Hanssen, Ragnhild & Danielsen, Anne (2016). Book presentation: Digital Signatures.
  • Brøvig-Hanssen, Ragnhild (2016). Music and Virtuality.
  • Brøvig-Hanssen, Ragnhild (2016). Musical Recycling: Mashup Aesthetics and Authorship.
  • Brøvig-Hanssen, Ragnhild & Danielsen, Anne (2016). Book launch: Digital Signatures.
  • Brøvig-Hanssen, Ragnhild & Øgrim, Tellef (2016). Ikke helt topp for laptop ennå. [Fagblad]. Ballade.
  • klausen, aslaug olette & Brøvig-Hanssen, Ragnhild (2016). Hva vil dø med Soundcloud? [Fagblad]. Ballade.
  • Rognerød, Embret & Brøvig-Hanssen, Ragnhild (2016). Avslører digitale øyeblikk. [Fagblad]. Ballade.
  • Brøvig-Hanssen, Ragnhild & Klausen, Aslaug Olette (2016). Er kvinner interessert i å bli produsent? [Fagblad]. Ballade.
  • Brøvig-Hanssen, Ragnhild & Hope, Tora (2016). Slipknot + Justin Bieber = Sant? [Internett]. Framtida.no.
  • Brøvig-Hanssen, Ragnhild (2015). Mashups as Interpretative Musical Comments.
  • Brøvig-Hanssen, Ragnhild & Hartvin, Jo Morgan (2015). Artister frykter for å skape noe nytt, nå er det det gamle som gjelder. [Internett]. NRK.
  • Bjerke, Marte & Brøvig-Hanssen, Ragnhild (2015). Det perfekte motsetningsforhold. [Fagblad]. MusikkKultur.
  • Veka, Camilla & Brøvig-Hanssen, Ragnhild (2015). "-Å lage russelåter var egentlig ikke min intensjon". [Internett]. Dagbladet.
  • Brøvig-Hanssen, Ragnhild & Klausen, Aslaug Olette (2015). Hva forsvinner med DJ Friendly? [Internett]. Ballade.
  • Brøvig-Hanssen, Ragnhild (2013). Justin Bieber Featuring Slipknot: Consumption as Mode of Production.
  • Brøvig-Hanssen, Ragnhild & NTB, Norsk telegrambyrå (2013). Alt involverer teknologi. [Internett]. Opdalingen.
  • Brøvig-Hanssen, Ragnhild & NTB, Norsk telegrambyrå (2013). Alt involverer teknologi. [Internett]. Avisa Nordland.
  • Brøvig-Hanssen, Ragnhild & NTB, Norsk telegrambyrå (2013). Alt involverer teknologi. [Internett]. Smaalenenes Avis.
  • Brøvig-Hanssen, Ragnhild & NTB, Norsk telegrambyrå (2013). Alt involverer teknologi. [Internett]. Sarpsborg Arbeiderblad.
  • NTB, Norsk telegrambyrå & Brøvig-Hanssen, Ragnhild (2013). Alt involverer teknologi. [Internett]. Østlands-Posten.
  • Brøvig-Hanssen, Ragnhild & NTB, Norsk telegrambyrå (2013). Alt involverer teknologi. [Internett]. Enebakk Avis.
  • Brøvig-Hanssen, Ragnhild & NTB, Norsk telegrambyrå (2013). Alt involverer teknologi. [Internett]. Indre Akershus Blad.
  • Brøvig-Hanssen, Ragnhild & NTB, Norsk telegrambyrå (2013). Alt involverer teknologi. [Internett]. Malvikbladet.
  • Brøvig-Hanssen, Ragnhild & NTB, Norsk telegrambyrå (2013). Alt involverer teknologi. [Internett]. Tvedestrandposten.
  • Brøvig-Hanssen, Ragnhild & NTB, Norsk telegrambyrå (2013). Alt involverer teknologi. [Internett]. Vestby Avis.
  • Brøvig-Hanssen, Ragnhild & NTB, Norsk telegrambyrå (2013). Alt involverer teknologi. [Internett]. Finnmark Dagblad.
  • Brøvig-Hanssen, Ragnhild & NTB, Norsk telegrambyrå (2013). Alt involverer teknologi. [Internett]. Porsgrunns Dagblad.
  • Brøvig-Hanssen, Ragnhild & NTB, Norsk telegrambyrå (2013). Alt involverer teknologi. [Internett]. Hadeland .
  • Brøvig-Hanssen, Ragnhild & NTB, Norsk telegrambyrå (2013). Alt involverer teknologi. [Internett]. Bygdeposten.
  • Brøvig-Hanssen, Ragnhild & NTB, Norsk telegrambyrå (2013). Alt involverer teknologi. [Internett]. Romerikes Blad.
  • Brøvig-Hanssen, Ragnhild & NTB, Norsk telegrambyrå (2013). Alt involverer teknologi. [Internett]. Finnmarken.
  • NTB, Norsk telegrambyrå & Brøvig-Hanssen, Ragnhild (2013). Alt involverer teknologi. [Internett]. Akershus Amtstidende.

Se alle arbeider i Cristin

Publisert 24. juni 2022 13:59 - Sist endret 24. nov. 2022 11:04