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Giuliano D'Amico

Director - Professor of Scandinavian literature
Image of Giuliano D'Amico
Phone +47 22 85 86 89
Room HW 232
Available hours By appointment
Username
Visiting address Henrik Wergelands hus Niels Henrik Abels 32 Oslo
Postal address Box 1166 Blindern 0317 Oslo (Norway)

Academic interests

My research is focused on Scandinavian literature from the 19th century up till today, with a main focus on Henrik Ibsen. My main research interests include the reception and translation history of Scandinavian authors like Henrik Ibsen, Bjørnstjerne Bjørnson, August Strindberg and Knut Hamsun in Europe (especially England, France, Germany and Italy). In connection to these areas I have also developed an interest in copyright history and how it can be used for a better understanding of literary history. My first monograph, Domesticating Ibsen for Italy, was published in 2013. More recently, I have developed an interest in the academic study of Western esotericism and how it has influenced selected Scandinavian authors. In 2020 I wrote Tilbake til fremtiden (Back to the future), the first academic monograph on Scandinavian retrogardism and the poetry of Håkan Sandell. At the moment  I am working at a book project on spectrality in Ibsen's plays.

Courses taught

Ibsen Studies (master's 2-years)

IBS2101/4101 – Ibsen's works: History, Text, Performance

IBS2205/4205 – New Perspectives in Ibsen Studies

IBS2210/4210 – Ibsen i praksis

IBS2220/4220 – Ibsen og det moderne drama

Appointments and other projects

Director of the Centre for Ibsen Studies (2023-2027)

Co-editor of Ibsen Studies (2018-)

Secretary and member of The International Ibsen Committee (2018-2020, 2023-2027)

Teaching coordinator at the Centre for Ibsen Studies (2018-2020)

Background

Associate professor of Scandinavian literature, University of Oslo (2017-2023)

Associate professor of Scandinavian literature, NTNU (2015-2017)

Associate professor of Scandinavian literature, Volda University College (2012-2015)

Post-doc, University of Oslo (2011-2012)

Ph.D. in comparative literature, University of Oslo (2008-2010)

Teacher of Scandinavian literature, University of Milan (2009-2011)

Teacher of Norwegian language and literature, University of Turin (2006-2011)

Visiting scholarships

Ca' Foscari University of Venice (2022)

University of Strasbourg (2017)

University of Palermo (2010)

University of Turin (2008-2010)

Partnerships

Research project Made Abroad: Producing Norwegian World Literature in a Time of Rupture, 1900-50 (National Library of Norway)

Tags: Ibsen, Scandinavian literature, Western esotericism, Translation Studies, History of the Book, Reception Studies, Sociology of Literature

Publications

Monographs

2020        Tilbake til fremtiden. Håkan Sandell og den nordiske retrogardismen. Oslo: Scandinavian Academic Press. 331 p.

2013        Domesticating Ibsen for Italy. Enrico and Icilio Polese’s Ibsen Campaign. Bari: Edizioni di Pagina. 376 p.

 

Articles and book chapters

2026          "Is it you, Bjørnson? Ragna Nielsen's Spiritualism as a Hauntology of the Modern Breakthrough." Women's Writing 33 (1): 133–151.

2024          "Sometimes a Ghost is Just a Ghost: Agnes and Spectrality in Ibsen's Brand." European Journal of Scandinavian Studies 54 (1): 19–41.

2024          "Boksamling og bokhistorie i en nordisk kontekst: Et bokessay." Tidskrift för litteraturvetenskap 53 (2–3): 31–57.

2023          "A Short History of Ibsen Reception Studies." Ibsen Studies 23 (2): 199–213.

2023          "Mennesket som medium" (with Gerd Karin Omdal). In Litteratur og Medier. Medieestetiske lesninger av det sene 1800-tallets litteratur, edited by Silje Warberg et al., 244–301. Oslo: Scandinavian Academic Press.

2023          "The Fantasy of Peer Gynt: Ibsen and Thesophy in Early Twentieth-Century Scotland." Correspondences: Journal for the Study of Esotericism 10 (2): 173–208.

2022          "Henrik Ibsen and Conspiracy Thinking: The Case of Peer Gynt." Scandinavian Studies 94 (3): 281–315.

2022          "'Rather Than Buddha’s Calm, I Choose the Crucifixion': Håkan Sandell’s Christian Palimpsests." In Aesthetics of Protestantism in Northern Europe, edited by Joachim Grage, Thomas Mohnike and Lena Rohrbach, 233–245. Turnhout: Brepols.

2021          "Copyright." In Ibsen in Context, edited by Tore Rem and Narve Fulsås, 149–156. Cambridge: Cambridge University Press.

2019          “Solguden and Other Stories: Hamsun, Ibsen and Forgery.” Edda 119 (4): 249–263.

2018          “Retrogardism and Occulture in Håkan Sandell’s Poetry.” In Occult Modernism: The Occult in Modernist Art, Literature and Cinema, edited by Henrik Johnsson and Tesseel M. Bauduin, 215–234. Cham: Palgrave Macmillan.

2017          “Henrietta Frances Lord: Translating Ibsen for the Theosophical Movement.” Scandinavica 56 (1): 96–122.

2015        “The Whole World is One Atom Station: Laxness, the Cold War, Postcolonialism and the Economic Crisis in Iceland.” Scandinavian Studies 87 (4): 457–488.

2015        “Sinne, selvinnsikt og det politisk ukorrekte: Raseri av Cornelius Jakhelln.”In Forms of Autobiographical Narration in Scandinavian Literatures, edited by Massimo Ciaravolo et al., 307–318. Florence: Firenze University Press.

2015        “Between Occultism and Drama: Henrik Ibsen and Aleister Crowley.” Nordlit 34: 95–103.

2014        “Six Points for a Comparative Ibsen Reception History.” Ibsen Studies 14 (1): 4–37.

2014        “Editore-traditore? Knut Hamsun lest, oversatt og publisert av italienske neofascister.” Edda 114 (1): 33–51.

2013        “Man ejer ikke Bøger, som man ejer Hus: Bjørnson og opphavsrett.” In Den engasjerte kosmopolitt. Nye Bjørnson-studier, edited by Liv Bliksrud et al., 31–43. Oslo: Novus.

2012          “Aleister Crowley reads Inferno: Towards an Occult Reception of Strindberg.”Scandinavian Studies 84 (3): 323–334.

2011        “Bjørnstjerne Bjørnson e il dramma storico: un rapporto complesso.” In L’uso della storia nelle letterature nordiche. Le lingue nordiche tra storia e attualità, edited by Massimo Ciaravolo and Andrea Meregalli, 69–88. Milan: Istituto Editoriale Universitario Cisalpino.

2010          “The Father in Strindberg’s French Self-Translation.” Edda 110 (2): 125–140.

2009        “Fighting for the Cause of Ibsen: William Archer and the Translation of The Wild Duck.” Northern Studies 40: 82–101.

2008          “From Sentimentalism to Realism: Materials on the Early Italian Reception of A Bankruptcy by Bjørnstjerne Bjørnson.” North-West Passage 5: 97–115.

2007          “Italians do it better? Four Nordic Reviews of Early Ibsen Performances in Italy.” North-West Passage 4: 129–146.

2006          “Grasping Ibsen’s «sprogtone»: Reflections on Inga-Stina Ewbank and the Translation of The Wild Duck by Frances E. and William Archer.” North-West Passage 3: 157–169.

  • D'Amico, Giuliano (2026). “Is it you, Bjørnson?” Ragna Nielsen’s Spiritualism as a Hauntology of the Modern Breakthrough. Women's Writing. ISSN 0969-9082. 33(1), p. 133–151. doi: 10.1080/09699082.2026.2583645. Full text in Research Archive
  • D'Amico, Giuliano (2024). Sometimes a Ghost is Just a Ghost: Agnes and Spectrality in Henrik Ibsen’s "Brand". European Journal of Scandinavian Studies. ISSN 2191-9399. 54(1), p. 19–41. doi: 10.1515/ejss-2024-2002. Full text in Research Archive
  • Rees, Ellen; D'Amico, Giuliano & Holt, Thor (2023). Ibsen in Performance. Ibsen Studies. ISSN 1502-1866. 23(2), p. 250–267. doi: 10.1080/15021866.2023.2268353. Full text in Research Archive
  • D'Amico, Giuliano (2023). A Short History of Ibsen Reception Studies. Ibsen Studies. ISSN 1502-1866. 23(2), p. 199–213. doi: 10.1080/15021866.2023.2268355. Full text in Research Archive
  • Omdal, Gerd Karin & D'Amico, Giuliano (2023). Mennesket som medium. In Boasson, Frode Lerum; Malvik, Anders Skare & Warberg, Silje Haugen (Ed.), Det mediale gjennombruddet. Medieestetiske lesninger av det sene 1800-tallets litteratur. Scandinavian Academic Press. ISSN 9788230402511. p. 244–301. Full text in Research Archive
  • D'Amico, Giuliano (2023). The Fantasy of Peer Gynt. Ibsen and Theosophy in Early Twentieth-Century Scotland. Correspondences: Online Journal for the Academic Study of Western Esotericism. 11(2), p. 1–36. Full text in Research Archive
  • D'Amico, Giuliano (2022). "Rather Than Buddha’s Calm, I Choose the Crucifixion” – Håkan Sandell’s Christian Palimpsests. In Grage, Joachim; Mohnike, Thomas & Rohrbach, Lena (Ed.), Aesthetics of Protestantism in Northern Europe. Exploring the Field. Brepols. ISSN 9782503601601. p. 233–245. Full text in Research Archive
  • D'Amico, Giuliano (2022). Henrik Ibsen and Conspiracy Thinking: The Case of Peer Gynt. Scandinavian Studies. ISSN 0036-5637. 94(3), p. 281–315. Full text in Research Archive
  • D'Amico, Giuliano (2022). "Al di là delle forze umane." Bjørnstjerne Bjørnson e il dibattito sul mesmerismo. In Brunetti, Simona; Petrini, Armando & Randi, Elena (Ed.), «Vi metto fra le mani il testo affinché ne possiate diventare voi gli autori.» Scritti per Franco Perrelli. Edizioni di Pagina. ISSN 9788874708697. p. 36–45. Full text in Research Archive
  • D'Amico, Giuliano (2021). Copyright. In Fulsås, Narve & Rem, Tore (Ed.), Ibsen in Context. Cambridge University Press. ISSN 9781108422208. p. 149–156. Full text in Research Archive
  • D'Amico, Giuliano (2019). Solguden and Other Stories. Hamsun, Ibsen and Forgery. Edda. Nordisk tidsskrift for litteraturforskning. ISSN 0013-0818. 106(4-2019), p. 249–263. doi: 10.18261/issn.1500-1989-2019-04-02. Full text in Research Archive

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Published Aug. 15, 2017 2:04 PM - Last modified Jan. 23, 2026 2:01 PM