Hans T. Zeiner-Henriksen

Zeiner-Henriksen, Hans T. (2010). The "PoumTchak" Pattern: Correspondences Between Rhythm, Sound, and Movement in Electronic Dance Music. Doktoravhandling.

Zeiner-Henriksen, Hans T. (2010). Moved by the Groove: Bass Drum Sounds and Body Movements in Electronic Dance Music, i Anne Danielsen (red.);  Musical Rhythm in the Age of Digital Reproduction.  Ashgate.  ISBN 9781409403401.  Kap. 8.  s 121 - 139

Zeiner-Henriksen, Hans T. (2011). Röyksopp: Melody A.M.. Falck Forlag.  ISBN 978-82-93039-21-1.  126 s.

Zeiner-Henriksen, Hans T. (2012). 1980- og 1990-tallets pop og rock, i Erlend Hovland (red.) Vestens musikkhistorie: Fra 1600 til vår tid.  Cappelen Damm AS.  ISBN 9788202277284.  Kap. 10.  s 412 - 430.

• Aareskjold-Drecker, Jon Marius & Zeiner-Henriksen, Hans T. (2026). LLMs and Custom GPTs as a Tool for Academic Research | 2 | Innovation. I Andersen, Claus Sohn; Gullö, Jan-Olof; Hepworth-Sawyer, Russ; Marrington, Mark; Paterson, Justin & Toulson, Rob (Red.), Innovation in Music: Current Research Perspectives. Routledge. ISSN 9781032757858. s. 3–11. doi: 10.4324/9781003475675-2. Fulltekst i vitenarkiv Vis sammendrag

  This study explores the accuracy and usefulness of OpenAI’s large language models (LLMs), particularly focusing on a customized GPT model trained on a specific dataset of musicology research. The research compares the performance of the custom model against the general ChatGPT-4.o model in an academic setting. The customized GPT, tailored to retrieve information from a controlled set of scholarly articles, was tested by a group of musicology experts, including authors whose works were part of the dataset. Results indicate that the custom GPT generally provides more precise and research-based responses compared to the general model. However, issues such as hallucinations, inconsistent performance, and ethical concerns regarding copyright and the use of LLMs in academic work were observed. The study concludes that while customized GPTs can enhance academic research, their use should be approached with caution due to ongoing challenges in accuracy and ethical implications.

• Zeiner-Henriksen, Hans T. (2016). Emotional Experiences of Ascending Melodic Lines. I Kronland-Martinet, Richard; Aramaki, Mitsuko & Ystad, Sølvi (Red.), Music, Mind, and Embodiment :11th International Symposium, CMMR 2015, Plymouth, UK, June 16-19, 2015, Revised Selected Papers. Springer. ISSN 9783319462813. s. 373–386. doi: 10.1007/978-3-319-46282-0_24. Fulltekst i vitenarkiv
• Zeiner-Henriksen, Hans T. (2014). Old Instruments, New Agendas: The Chemical Brothers and the ARP 2600. Dancecult: Journal of Electronic Dance Music Culture. 6(1), s. 26–40. doi: 10.12801/1947-5403.2014.06.01.02. Fulltekst i vitenarkiv
• Zeiner-Henriksen, Hans T. (2012). 1980- og 1990-tallets pop og rock, Vestens musikkhistorie: Fra 1600 til vår tid. Cappelen Damm AS. ISSN 9788202277284. s. 412–430. Fulltekst i vitenarkiv
• Zeiner-Henriksen, Hans T. (2010). Moved by the Groove: Bass Drum Sounds and Body Movements in Electronic Dance Music. I Danielsen, Anne (Red.), Musical Rhythm in the Age of Digital Reproduction. Ashgate. ISSN 9781409403401. s. 121–139. Fulltekst i vitenarkiv

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• Zeiner-Henriksen, Hans T. (2011). Röyksopp Melody A.M. Falck Forlag. ISBN 9788293039211. 126 s. Fulltekst i vitenarkiv

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• Zeiner-Henriksen, Hans T. (2019). Analysing the Popular: Corporeal Engagement in the Experience of Music. Fulltekst i vitenarkiv
• Zeiner-Henriksen, Hans T. (2018). Structural verticality in electronic dance music. Fulltekst i vitenarkiv
• Zeiner-Henriksen, Hans T. (2017). MOOCs, online learning and the disruption of traditional education. Fulltekst i vitenarkiv
• Zeiner-Henriksen, Hans T. (2017). Sidechain compression and pulse perception in music production. Fulltekst i vitenarkiv
• Zeiner-Henriksen, Hans T. (2016). Music Moves: Developing a MOOC in Musicology. Fulltekst i vitenarkiv
• Zeiner-Henriksen, Hans T. (2016). MOOCs, online learning and the disruption of traditional education. Fulltekst i vitenarkiv
• Hawkins, Stan; Zeiner-Henriksen, Hans T. & Danielsen, Anne (2015). Record Production in the Internet Age. Journal on the Art of Record Production. Fulltekst i vitenarkiv
• Zeiner-Henriksen, Hans T. (2015). Music and Movement in Perceptual Time: Experiencing Rhythm and Verticality in the Flow of Music. Fulltekst i vitenarkiv
• Zeiner-Henriksen, Hans T. (2015). Questioning How Music Works: the Role of Cognitive Musicology in the Study of Record Production. Fulltekst i vitenarkiv
• Zeiner-Henriksen, Hans T. (2015). Bevegelsesaspekter i musikkproduksjon. Fulltekst i vitenarkiv
• Zeiner-Henriksen, Hans T. (2015). The Experience of Ascending Melodic Lines in the Relationship between Music and Emotions. Fulltekst i vitenarkiv
• Zeiner-Henriksen, Hans T. (2014). The analysis of groove in contemporary pop music. Fulltekst i vitenarkiv
• Jensenius, Alexander Refsum; Thyness, Mons; Wingerei, Ellen K Sjøstrand; Kristensen, Turid; Zeiner-Henriksen, Hans T. & Watne, Åshild [Vis alle 9 forfattere av denne artikkelen] (2013). Semesteråpningskonsert: Oslo mobilorkester. Fulltekst i vitenarkiv
• Zeiner-Henriksen, Hans T. (2013). The Significance of Verticality for Musical Entrainment. Fulltekst i vitenarkiv
• Zeiner-Henriksen, Hans T. (2013). Musikkteknologi og autentisitet. Fulltekst i vitenarkiv
• Zeiner-Henriksen, Hans T. (2013). Vintage Instruments and Retro Technology in Popular Music Culture. Fulltekst i vitenarkiv
• Zeiner-Henriksen, Hans T. (2013). Rhythmic Entrainment and Corporeal Tension-Building in Communicating Emotions through Music. Fulltekst i vitenarkiv
• Zeiner-Henriksen, Hans T. (2013). Feel the Fjords. Urban club culture and arctic scenery in the music of the Norwegian duo Röyksopp. Fulltekst i vitenarkiv
• Zeiner-Henriksen, Hans T. (2013). Schrödingers katt. [TV]. NRK. Fulltekst i vitenarkiv
• Solberg, Ragnhild Torvanger; Zeiner-Henriksen, Hans T. & Engeseth, Njål (2012). Lydverket, NRK3, 19.09.2012. [TV]. NRK3. Fulltekst i vitenarkiv
• Solberg, Ragnhild Torvanger; Zeiner-Henriksen, Hans T. & Aandahl, Trine (2012). Her får han frysninger av Josh Groban. [Internet]. P3.no. Fulltekst i vitenarkiv
• Danielsen, Anne & Zeiner-Henriksen, Hans T. (2012). Pulse and microrhythm in contemporary groove-based music. Fulltekst i vitenarkiv
• Zeiner-Henriksen, Hans T. (2012). Moved by the music: bodily movement in music listening. Fulltekst i vitenarkiv
• Zeiner-Henriksen, Hans T. (2012). Music, motion and emotion - in a Nordic climate. Fulltekst i vitenarkiv
• Zeiner-Henriksen, Hans T. (2012). Musikk og bevegelse. Fulltekst i vitenarkiv
• Zeiner-Henriksen, Hans T. & Ihle, Ole Martin (2012). Musikk og biologi. Fulltekst i vitenarkiv
• Zeiner-Henriksen, Hans T. & Danielsen, Anne (2012). Pulse and microrhythm in contemporary groove-based music. Fulltekst i vitenarkiv
• Zeiner-Henriksen, Hans T. (2012). Bevegelse i elektronisk dansemusikk. Fulltekst i vitenarkiv
• Zeiner-Henriksen, Hans T. (2012). Hvordan berører musikk oss emosjonelt – en diskusjon om melankolsk musikk, gåsehud og kroppslig bevegelse. Fulltekst i vitenarkiv
• Zeiner-Henriksen, Hans T. (2011). Lydverket. [TV]. NRK. Fulltekst i vitenarkiv
• Zeiner-Henriksen, Hans T. (2011). Moved by the music: Correspondences between musical motion and physical movement. Fulltekst i vitenarkiv
• Zeiner-Henriksen, Hans T. (2011). Musikkteknologi som autentisitetsmarkør. Fulltekst i vitenarkiv
• Zeiner-Henriksen, Hans T. (2011). Musikkens kroppslige dimensjoner. Fulltekst i vitenarkiv
• Zeiner-Henriksen, Hans T. (2011). Environments and space versus motion and energy. Fulltekst i vitenarkiv
• Zeiner-Henriksen, Hans T. (2010). The PoumTchak Pattern: Correspondences Between Rhythm, Sound, and Movement in Electronic Dance Music. Fulltekst i vitenarkiv
• Zeiner-Henriksen, Hans T. (2010). Music Technology and Issues of Authenticity in the Production of Dance Music. Fulltekst i vitenarkiv
• Zeiner-Henriksen, Hans T. (2009). Body Movement in the Analysis of Groove-Based Music. Fulltekst i vitenarkiv
• Zeiner-Henriksen, Hans T. (2009). Moved by the music: Correspondences between musical motion and physical movement. Fulltekst i vitenarkiv
• Zeiner-Henriksen, Hans T. (2008). Embodied aesthetic experience: body movement and participation in music listening. Fulltekst i vitenarkiv
• Zeiner-Henriksen, Hans T. (2007). Decisions on sounds – envisions of movements. Fulltekst i vitenarkiv
• Zeiner-Henriksen, Hans T. (2007). Perception and movement patterns in groove oriented music. Fulltekst i vitenarkiv
• Zeiner-Henriksen, Hans T. (2007). Landeplage - Take On Me. [TV]. NRK (Dinamo). Fulltekst i vitenarkiv
• Zeiner-Henriksen, Hans T. (2006). Chicago house and the "democratization" of music production. Fulltekst i vitenarkiv
• Zeiner-Henriksen, Hans T. (2006). Rytmiske strukturer i Basement Jaxx’s “Jump N’ Shout”. Fulltekst i vitenarkiv
• Zeiner-Henriksen, Hans T. (2006). A comparative study of changes in bass drum sounds from 70s disco to electronic dance music of the 1980s and 1990s. Fulltekst i vitenarkiv
• Zeiner-Henriksen, Hans T. (2006). Rhythm, Sound and Movement. Fulltekst i vitenarkiv
• Zeiner-Henriksen, Hans T. (2010). The "PoumTchak" Pattern: Correspondences Between Rhythm, Sound, and Movements in Electronic Dance Music. Universitetet i Oslo. Fulltekst i vitenarkiv
• Zeiner-Henriksen, Hans T. (2010). The ”PoumTchak” Pattern: Correspondences between Rhythm, Sound, and Movement in Electronic Dance Music. Universitetet i Oslo. Fulltekst i vitenarkiv Vis sammendrag

  The “PoumTchak” pattern is a rhythmic pattern consisting of a continuous alternation between bass drum and hi-hat sounds. It forms the basic rhythmic structure in myriads of dance music tracks. This suggests a connection to body movement, and empirical studies presented in the thesis support a correspondence between the poumtchak pattern and vertical movement patterns like head nodding, upper-body bouncing, and foot tapping. The thesis further presents and discusses various theoretical contributions that elucidate why the poumtchak pattern is especially effective in activating vertical movement patterns within the club-oriented dance music culture. Here, the ecological approach to perception, as well as theories on dynamic attending, entrainment, and musical verticality are central. The thesis employs this correspondence to illuminate musical qualities of dance music tracks through an analytical approach that seeks to interpret the potential for body movement in various musical grooves. Drive, emphasis, tension, and expectation are aspects and qualities that are particularly stressed. The importance of sound parameters, like the use of compression, filter effects, and bass drum sounds with a descending pitch movement, are also discussed. An introductory historical outline of club-oriented dance music genres and production processes from the 1970s to the 1990s is also included.

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