Ellen Rees

2023. Den populærkulturelle Ibsen: En studie i nyere norsk resepsjon. Oslo: Scandinavian Academic Press.

2023. “Ibsen, Sancthansnatten og de ‘saakaldte lavere Kunstarter.’” Edda 110 (2): 74-89.

2022. “Peer Gynt: The Missing Years.” In Silent Ibsen: Transnational Film Adaptation in the 1910s and 1920s, edited by Eirik Frisvold Hanssen and Maria Fosheim Lund, 125–46. Oslo: National Library of Norway. 

2022. “Tropes Revisited: Evert Sprinchorn’s Ibsen’s Kingdom: The Man and His Works and Recent Historical Research in Ibsen Studies.” Review essay. Scandinavian Studies 94 (4): 530–45.

Ellen Rees and Thor Holt. 2022. “Entanglements of Adaptation, Allegory, and Reception: Jaws and An Enemy of the People.” Journal of Aesthetics and Culture 14 (1): electronic publication.

2021. “Mass Media and Popular Reception.” In Ibsen in Context, edited by Narve Fulsås and Tore Rem, 264–71. Cambridge, UK: Cambridge University Press. 

2020. “Fogden, kvinnen og taterungen: omstreifermotivet i Ibsens Brand.” Edda 107 (4): 242–253.

2020. “Oslo/Kristiania/Christiania: Ibsen, Hamsun, and the Modern Urban Breakthrough.” In The Palgrave Encyclopaedia of Urban Literary Studies, edited by Jeremy Tambling. London: Palgrave Macmillan, Cham.

2016. “Dramatizing Biographers: Michael Meyer’s A Meeting in Rome and Robert Ferguson’s Dr. Ibsen’s Ghosts.” Modern Drama 59 (1): 75-94.

2016. “Den barmhjertige Ibsen: Simon Strangers Gjengangeren.” In Modernitet, barndom, historie. Festskrift til Harald Bache-Wiig, edited by Åse Marie Ommundsen, Per Thomas Andersen and Liv Bliksrud, 141-153. Oslo: Novus.

2016. “Tracing the Self in Peer Gynt: A Critique of Johnston’s Hegelian Reading.” In Ibsen Between Tradition and Contemporaneity, edited by B. Ananthakrishnan and Ellen Rees, 1–6. Hyderabad, India: S.N. School of Arts and Communications. 

2015. "Post-Secular Salvation: Hallvard Bræin's Gatas Gynt." Nordlit 34: 373-380.

2015. "Henrik Ibsen som tegneseriefigur: fra Sfinksen til Dovregubben." Kunst og kultur 98 (1): 14-27.

2014. Ibsen's Peer Gynt and the Production of Meaning. Acta Ibseniana XI. Oslo: Centre for Ibsen Studies.

2014. “Ibsen Exposed: Atle Næss’s Sensommer and Niels Fredrik Dahl’s Henrik og Emilie.” European Journal of Scandinavian Studies 44 (2): 186-204.

2013. “Melodramatic Traces and Places in The Lady from the Sea.” Ibsen Studies 12 (2): 79-100.

2013. “Body, Corpus, and Corpse: Delineating Ibsen in A.S. Byatt’s The Biographer’s Tale.” In Crossing Borders, Dissolving Boundaries, edited by Hein Viljoen, 156-181. Amsterdam: Rodopi Press, 2013.

2011. “By the Open Sea: Ibsen's Fruen fra Havet and Jon Fosse’s Nokon kjem til å komme.” Ibsen Studies 10 (2): 192-222.

2011. "Bjerregaard’s (and Thrane’s, Wergeland’s, Aasen’s, Ibsen’s, Bjørnson’s and Garborg’s) Fjeldeventyret (1825, 1844, 1853, 1857, 1865, and 1925), IASS 2010 Proceedings: Föredrag vid den 28:e studiekonferensen i International Association of Scandinavian Studies (IASS) i Lund 3-7 augusti 2010, edited by Claes-Göran Holmberg and Per Erik Ljung. Lund: Lund University Open Access.

2010. “Problems of Landscape and Representation in Ibsen’s Når vi døde vågner.” Ibsen Studies 9 (2): 37-61.

2008. “Tropological Turns in Peer Gynt.” Ibsen Studies 8 (2): 112-134.

2007. “Gyntian Simulacra: Twenty-First-Century Appropriations of Peer Gynt.” Scandinavian Studies 79 (4): 427-448.

• Rees, Ellen (2023). Nordic Romanticism: Translation, Transmission, Transformation ed. by Cian Duffy and Robert W. Rix (review). Scandinavian Studies. ISSN 0036-5637. 95(4), p. 552–556.
• Rees, Ellen (2023). A Brief History of the Centre for Ibsen Studies. Ibsen Studies. ISSN 1502-1866. doi: 10.1080/15021866.2023.2268354. Full text in Research Archive
• Rees, Ellen; D'Amico, Giuliano & Holt, Thor (2023). Ibsen in Performance. Ibsen Studies. ISSN 1502-1866. 23(2), p. 250–267. doi: 10.1080/15021866.2023.2268353. Full text in Research Archive
• Rees, Ellen (2023). Preface. Ibsen Studies. ISSN 1502-1866. 23(1), p. 1–5. doi: 10.1080/15021866.2023.2215001.
• Rees, Ellen (2023). Ibsen, Sancthansnatten og de "saakaldte lavere Kunstarter". Edda. Nordisk tidsskrift for litteraturforskning. ISSN 0013-0818. 110(2), p. 74–89. doi: 10.18261/edda.110.2.2. Full text in Research Archive
• Rees, Ellen (2022). Peer Gynt: The Missing Years. Peer Gynt (1915), Peer Gynts Jugend and Peer Gynts Wanderjahre und Tod (1919). In Hanssen, Eirik Frisvold & Lund, Maria Fosheim (Ed.), Silent Ibsen. Transnational Film Adaptation in the 1910s and 1920s. National Library of Norway. ISSN 9788279655275. p. 125–146. Full text in Research Archive Show summary

  The silent era represents the height of Henrik Ibsen’s popularity as a source for film adaptations, and as a reference in debates on cinema. About thirty known silent film adaptations of Ibsen’s works were made in several countries. In this book, leading international Ibsen scholars and film historians examine the nine silent Ibsen films that are known to be extant, made in the period 1911-1926 in the United States, Sweden, Germany, and Italy. The films are placed in their specific film historical and industrial settings, as well as broader sociopolitical frameworks, and Ibsen’s various and shifting positions within these different national and cultural contexts. The book also includes a filmography of silent Ibsen film adaptations.

• Rees, Ellen (2022). Between the Map and the Terrain: Erlend O. Nødtvedt's Vestlandet. European Journal of Scandinavian Studies. ISSN 2191-9399. 52(1), p. 103–122. doi: 10.1515/ejss-2022-2066. Full text in Research Archive
• Rees, Ellen & Holt, Thor (2022). Entanglements of Adaptation, Allegory, and Reception: Jaws and An Enemy of the People. Journal of Aesthetics and Culture. ISSN 2000-4214. 14(1). doi: 10.1080/20004214.2021.2022864. Full text in Research Archive
• Rees, Ellen (2021). Mass Media and Popular Reception. In Fulsås, Narve & Rem, Tore (Ed.), Ibsen in Context. Cambridge University Press. ISSN 978-1-108-42220-8. p. 264–271. doi: https:/doi.org/10.1017/9781108381130.037.
• Rees, Ellen (2021). Neokolonialistisk maskulinitet og «alt-right»-ideologi i bøkene om Kongo-saken, Minoritetsdiskurser i norsk litteratur. Universitetsforlaget. ISSN 9788215045320. p. 201–220. doi: 10.18261/9788215045320-2021.
• Rees, Ellen Rebecca (2021). Abject Masculinity in Niels Fredrik Dahl's Herre. Scandinavian Studies. ISSN 0036-5637. 93(2), p. 266–286. doi: 10.5406/scanstud.93.2.0266. Full text in Research Archive
• Rees, Ellen Rebecca (2020). Hytte-humor -- om sanitetsbind og begjær. European Journal of Scandinavian Studies. ISSN 2191-9399. 50(2), p. 302–313. doi: 10.1515/ejss-2020-2015. Full text in Research Archive
• Rees, Ellen Rebecca (2020). Fogden, kvinnen og taterungen. Omstreifermotivet i Ibsens Brand. Edda. Nordisk tidsskrift for litteraturforskning. ISSN 0013-0818. 107(4), p. 242–253. doi: 10.18261/issn.1500-1989-2020-04-02. Full text in Research Archive
• Rees, Ellen Rebecca (2020). Bjørnsons Sigurd Slembe og samenes plass i Norges kulturelle arkiv . Norsk Litteraturvitenskapelig Tidsskrift. ISSN 0809-2044. 23(1-2020), p. 40–52. doi: 10.18261/issn.1504-288X-2020-01-04. Full text in Research Archive
• Rees, Ellen Rebecca (2018). Åsne Seierstad's En av oss: Perpetrator and Victim in the Construction of National Innocence. Scandinavian Studies. ISSN 0036-5637. 90(1), p. 1–22. doi: 10.5406/scanstud.90.1.0001. Full text in Research Archive
• Rees, Ellen Rebecca (2017). Seasonal secondary dwellings. In Sondrup, Steven P.; Sandberg, Mark; Thomas A., DuBois & Ringgaard, Dan (Ed.), Nordic Literature: A Comparative History. Volume 1: Spatial Nodes. John Benjamins Publishing Company. ISSN 9789027234681. p. 478–485. doi: 10.1075/chlel.xxxi.38ree.
• Rees, Ellen Rebecca (2017). Norsk skyld i Jo Nesbøs Flaggermusmannen og Kakerlakkene. In Bakken, Jonas & Oxfeldt, Elisabeth (Ed.), Åpne dører mot verden. Norske ungdommers møte med fortellinger om skyld og privilegier. Universitetsforlaget. ISSN 978-82-15-03022-7. p. 163–180. doi: 10.18261/9788215030227-2017-10. Full text in Research Archive
• Rees, Ellen Rebecca (2016). “Ingvar Ambjørnsens hytte-noir”. European Journal of Scandinavian Studies. ISSN 2191-9399. 46(2), p. 234–249. doi: 10.1515/ejss-2016-0021.
• Rees, Ellen Rebecca (2016). Den barmhjertige Ibsen: Simon Strangers Gjengangeren. In Ommundsen, Åse Marie; Andersen, Per Thomas & Bliksrud, Liv (Ed.), Modernitet, barndom, historie. Festskrift til Harald Bache-Wiig. Novus Forlag. ISSN 978-82-7099-851-7. p. 141–153.
• Rees, Ellen Rebecca (2016). Privilege, innocence, and "petro-guilt" in Maria Sødahl's Limbo. Scandinavian Studies. ISSN 0036-5637. 88(1), p. 42–59. doi: 10.5406/scanstud.88.1.42.
• Rees, Ellen Rebecca (2016). Dramatizing biographers: Michael Meyer's a meeting in Rome and Robert Ferguson's Dr. Ibsen's Ghosts. Modern Drama. ISSN 0026-7694. 59(1), p. 75–94. doi: 10.3138/md.0728.
• Rees, Ellen Rebecca (2015). "The Nordic Quirky 'Feel-Good'". In Kääpä, Pietari & Gustavsson, Tommy (Ed.), Nordic Genre Film: Small Nation Film Cultures in the Global Marketplace. Edinburgh University Press. ISSN 978-0748693184. p. 147–158. doi: 10.3366/edinburgh/9780748693184.003.0011.
• Rees, Ellen Rebecca (2015). Post-Secular Salvation: Hallvard Bræin's Gatas Gynt. Nordlit. ISSN 0809-1668. p. 371–378. doi: 10.7557/13.3382. Full text in Research Archive
• Rees, Ellen Rebecca (2015). Henrik Ibsen som tegneseriefigur: fra Sfinksen til Dovregubben. Kunst og kultur. ISSN 0023-5415. 98(1), p. 14–27.
• Rees, Ellen (2014). Fables of the norwegian intelligentsia. Scandinavian Studies. ISSN 0036-5637. 86(3), p. 352–362. doi: 10.1353/scd.2014.0024.
• Rees, Ellen Rebecca (2014). "Tales of the Norwegian Intelligentsia". Anmeldelse av Nina Witoszeks The Origins of the “Regime of Goodness”: Remapping the Cultural History of Norway (Oslo: Universitetsforlaget, 2011). Scandinavian Studies. ISSN 0036-5637. 86(3), p. 352–362.
• Rees, Ellen Rebecca (2014). "Ibsen Exposed: Atle Næss's Sensommer and Niels Fredrik Dahl's Henrik og Emilie". European Journal of Scandinavian Studies. ISSN 2191-9399. 44(2), p. 186–204. doi: 10.1515/ejss-2014-0011.
• Rees, Ellen Rebecca (2014). “‘Langt borte, sammen og litt hjemme likevel’: det hjemlige og det kosmopolitiske i Helga Flatlands bygdetrilogi.”. In Dingstad, Ståle; Norheim, Thorstein & Rees, Ellen Rebecca (Ed.), Kulturmøter i nordisk samtidslitteratur. Festskrift til Per Thomas Andersen. Novus Forlag. ISSN 9788270997787. p. 91–105.
• Rees, Ellen Rebecca & Houston, Lynn (2014). "Patriarchal Consumption of the Female Body in Cecilie Løveids Måkespisere". In Thomson, C. Claire & Carbone, Elettra (Ed.), Love and Modernity. Norvik Press. ISSN 978-1-8700-41997. p. 349–362.
• Rees, Ellen (2013). The place of the nation in Camilla Collett's Amtmandens Døttre. Scandinavian Studies. ISSN 0036-5637. 85(4), p. 431–454. doi: 10.5406/scanstud.85.4.0431.
• Rees, Ellen Rebecca (2013). Transnational Christmas in Mona J. Hoel's "Dogme 95" Film Når nettene blir lange. Journal of Scandinavian Cinema. ISSN 2042-7891. 3(3), p. 215–226. doi: 10.1386/jsca.3.3.215_1.
• Rees, Ellen Rebecca (2013). Cabins and National Identity in Norwegian Literature. In Isomaa, Saija; Lyytikäinen, Pirjo; Saarikangas, K. & Suominen-Kokkonen, Renja (Ed.), Imagining Spaces and Places. Cambridge Scholars Publishing. ISSN 9781443849562. p. 125–142.
• Rees, Ellen Rebecca (2013). Melodramatic Traces and Places in The Lady from the Sea. Ibsen Studies. ISSN 1502-1866. 13(2), p. 79–100. doi: 10.1080/15021866.2013.849034.
• Rees, Ellen Rebecca (2013). Bjørnsons "Sæterromantik". In Bliksrud, Liv; D'Amico, Giuliano; Wulfsberg, Marius & Åslund, Arnfinn (Ed.), Den Engasjerte kosmopolitt : nye Bjørnson-studier. Novus Forlag. ISSN 9788270997251. p. 203–216.
• Rees, Ellen Rebecca (2013). The Place of the Nation in Camilla Collett's Amtmandens Døttre. Scandinavian Studies. ISSN 0036-5637. 85(4), p. 431–454.
• Rees, Ellen (2013). Body, Corpus, and Corpse: Delineating Henrik Ibsen in A.S. Byatt's The Biographer's Tale. In Viljoen, Hein (Eds.), Crossing Borders, Dissolving Boundaries. Brill|Rodopi. ISSN 978-90-420-3638-3. p. 155–180. doi: 10.1163/9789401209083_009. Show summary

  Borders separate but also connect self and other, and literary texts not only enact these bordering processes, but form part of such processes. This book gestures towards a borderless world, stepping, as it were, with thousand-mile boots from south to north (even across the Atlantic), from South Africa to Scandinavia. It also shows how literary texts model and remodel borders and bordering processes in rich and meaningful local contexts. The essays assembled here analyse the crossing and negotiation of borders and boundaries in works by Nadine Gordimer, Ingrid Winterbach, Deneys Reitz, Janet Suzman, Marlene van Niekerk, A.S. Byatt, Thomas Harris, Frank A. Jenssen, Eben Venter, Antjie Krog, and others under different signs or conceptual points of attraction. These signs include a spiritual turn, eventfulness, self-understanding, ethnic and linguistic mobilization, performative chronotopes, the grotesque, the carceral, the rhetorical, and the interstitial. Contributors: Ileana Dimitriu, Heilna du Plooy, John Gouws, Anne Heith, Lida Krüger, Susan Meyer, Adéle Nel, Ellen Rees, Johan Schimanski, Tony Ullyatt, Phil van Schalkwyk, Hein Viljoen.

• Rees, Ellen (2012). Nikolaj Frobenius's Teori og praksis in Theory and Practice. Scandinavian Studies. ISSN 0036-5637. 84(1), p. 59–86.
• Rees, Ellen (2011). Trolls, Monster Masts, and National Neurosis: André Øvrelid's The Troll Hunter. Scandinavica - An International Journal of Scandinavian Studies. ISSN 0036-5653. 50(2), p. 52–62.
• Rees, Ellen (2011). Cora Sandels fiksjon/Cora Sandel som fiksjon. Bøygen: Organ for nordisk språk og litteratur. ISSN 0806-8623. p. 8–16.
• Rees, Ellen (2011). Hamsun's Problematic "I": The Wanderer Trilogy as Performative Biographism. In Dingstad, Ståle; Frøjd, Ylva; Oxfeldt, Elisabeth & Rees, Ellen (Ed.), Knut Hamsun: Transgression and Worlding. Tapir Akademisk Forlag. ISSN 9788251927284. p. 65–83.
• Rees, Ellen (2011). By the open sea: Ibsen's Fruen fra havet and Fosse's Nokon kjem til å komme. Ibsen Studies. ISSN 1502-1866. 11(2), p. 192–222. doi: 10.1080/15021866.2011.610592.
• Rees, Ellen (2011). "Det egentlige Norge" - hytter i norsk litteratur, ca 1814-2005. In Gansmo, Helen Jøsok; Berker, Thomas & Jørgensen, Finn Arne (Ed.), Norske hytter i endring. Om bærekraft og behag. Tapir Akademisk Forlag. ISSN 9788251927901. p. 23–36.
• Rees, Ellen (2011). Bjerregaard's (and Thrane's, Wergeland's, Aasen's, Ibsen's, Bjørnson's, and Garborg's) Fjeldeventyret (1825, 1844, 1853, 1857, 1865, and 1925). In Holmberg, Claes-Göran & Ljung, Per Erik (Ed.), IASS 2010 Proceedings. Föredrag vid den 28:e studiekonferansen i International Association of Scandinavian Studies (IASS) i Lund 3 - 7 august 2010. Lund University Open Access. ISSN 978-91-7473-839-1.
• Rees, Ellen (2011). Domesticated Wilderness in Two Norwegian Children's Classics. Scandinavian Studies. ISSN 0036-5637. 83(1), p. 45–62.
• Rees, Ellen (2011). Straight Queers: Anne Holt's Transnational Lesbian Detective Fiction. In Nestingen, Andrew & Arvas, Paula (Ed.), Scandinavian Crime Fiction. University of Wales Press. ISSN 9780708323304. p. 100–114.

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• Rees, Ellen (2023). Den populærkulturelle Ibsen - En studie i nyere norsk resepsjon. Scandinavian Academic Press. ISBN 9788230402887. 370 p.
• Rees, Ellen; Karlsen, Heidi; Brovold, Madelen & Dingstad, Ståle (2021). Minoritetsdiskurser i norsk litteratur. Universitetsforlaget. ISBN 9788215045320.
• Dingstad, Ståle; Norheim, Thorstein & Rees, Ellen Rebecca (2014). Kulturmøter i nordisk samtidslitteratur. Festskrift til Per Thomas Andersen. Novus Forlag. ISBN 9788270997787. 283 p.
• Rees, Ellen Rebecca (2014). Ibsen's Peer Gynt and the Production of Meaning. Senter for Ibsen-studier. ISBN 9788291540177. 157 p.
• Rees, Ellen Rebecca (2014). Cabins in Modern Norwegian Literature: Negotiating Place and Identity. Fairleigh Dickinson University Press. ISBN 9781611476484. 195 p.
• Dingstad, Ståle; Frøjd, Ylva; Oxfeldt, Elisabeth & Rees, Ellen (2011). Knut Hamsun: Transgression and Worlding. Tapir Akademisk Forlag. ISBN 9788251927284. 310 p.

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• Rees, Ellen (2022). Tropes Revisited: Evert Sprinchorn’s Ibsen’s Kingdom: The Man and His Works and Recent Historical Research in Ibsen Studies. Scandinavian Studies. ISSN 0036-5637. 94(4), p. 530–545. doi: 10.5406/21638195.94.4.06.
• Rees, Ellen (2021). Preface. Ibsen Studies. ISSN 1502-1866. 21(1), p. 1–3. doi: 10.1080/15021866.2021.1932277.
• Rees, Ellen (2021). The Book History/Distant Reading/Reception Studies Nexus.
• Rees, Ellen (2021). Embodying Ibsen: Biofiction on Stage.
• Rees, Ellen; Karlsen, Heidi; Brovold, Madelen & Dingstad, Ståle (2021). Innledning: Norden i verden – verden i Norden, Minoritetsdiskurser i norsk litteratur. Universitetsforlaget. ISSN 9788215045320. doi: 10.18261/9788215045320-2021-01.
• D'Amico, Giuliano; Rees, Ellen & Helland, Frode (2021). På dette senteret har langt de fleste bakgrunn fra utlandet. [Internet]. Khrono.no.
• Rees, Ellen Rebecca (2021). "Mellem evne og higen": forskning på NRK Radioteatret og Fjernsynsteatret.
• Rees, Ellen Rebecca (2021). IBSENtalks: Koronavaksine i lys av En folkefiende. [Internet]. Skien kommune/YouTube.
• Rees, Ellen Rebecca (2020). (Re-)Imagining Norway: Practices of Literary Inclusion and Exclusion.
• Rees, Ellen Rebecca (2020). Om "at lade afdøde Digters Værker leve opp igjen". Anmeldelse av Erik Bjerck Hagens Norsk litteratur 1830–1875. Romantikk, realisme, modernism . Agora. ISSN 0800-7136. p. 453–461.
• Rees, Ellen Rebecca (2020). Oslo/Kristiania/Christiania: Ibsen, Hamsun, and the Modern Urban Breakthrough. In Tambling, Jeremy (Eds.), The Palgrave Encyclopaedia of Urban Literary Studies. Palgrave Macmillan. ISSN 978-3-319-62592-8. doi: https:/doi.org/10.1007/978-3-319-62592-8_273-1.
• Rees, Ellen Rebecca (2020). Retrograde Masculinity: The Case of Joshua French and Tjostolv Moland.
• Rees, Ellen Rebecca (2019). Melodrama med mening. Vagant. ISSN 0802-0736. p. 14–15.
• Rees, Ellen Rebecca (2019). Minoritetsdiskurser i norsk nasjonalromantikk.
• Rees, Ellen Rebecca (2018). A Computational Assessment of Norwegian Literary ’National Romanticism’.
• Rees, Ellen Rebecca (2015). Anmeldelse av Ibsen’s Houses: Architectural Metaphor and the Modern Uncanny, av Mark B. Sandberg. Scandinavian Studies. ISSN 0036-5637. 87(4), p. 544–547.
• Rees, Ellen Rebecca (2015). Preface. Ibsen Studies. ISSN 1502-1866. 15(1), p. 1–2. doi: 10.1080/15021866.2015.1099870.
• Rees, Ellen Rebecca (2015). Anmeldelse av Hvordan lese Ibsen? Samtalen om hans dramatikk 1879-2015 av Erik Bjerck Hagen. Ibsen Studies. ISSN 1502-1866. 15(1), p. 99–102.
• Dingstad, Ståle; Norheim, Thorstein & Rees, Ellen Rebecca (2014). Innledning. In Dingstad, Ståle; Norheim, Thorstein & Rees, Ellen Rebecca (Ed.), Kulturmøter i nordisk samtidslitteratur. Festskrift til Per Thomas Andersen. Novus Forlag. ISSN 9788270997787. p. 9–17.
• Rees, Ellen Rebecca (2014). Mi: Jüri Reinvere's Peer Gynt-Opera. [TV]. ETV.
• Rees, Ellen Rebecca (2014). "Peer Gynt". [Radio]. NRK Kulturhuset.
• Rees, Ellen Rebecca (2014). Peer Gynt til hverdagsbruk.
• Rees, Ellen Rebecca (2014). Førsteamanuensis Ellen Rees om nordmenns hyttevaner. [TV]. NRK Sommeråpent.
• Rees, Ellen Rebecca (2014). Jakten på den ekte Peer. [Newspaper]. Klassekampen.
• Rees, Ellen Rebecca (2014). Small Screen, Big Ideas: Bentein Baardson's Peer Gynt.
• Rees, Ellen Rebecca (2014). Peer i ei vending.
• Rees, Ellen Rebecca (2014). Hytta skal være enkel. [Radio]. NRK P1 Norgesglasset.
• Rees, Ellen Rebecca (2014). Hytta, så klart. [Newspaper]. Aftenposten.
• Rees, Ellen Rebecca (2013). Hamsun in Tromsø V: Report from the 5th Hamsun International Conference, 2011. Scandinavian Studies. ISSN 0036-5637. 85(4), p. 529–532.
• Rees, Ellen Rebecca (2013). På jakt etter humoren i Når vi døde vågner: Ibsens Nansen-parodi.
• Rees, Ellen Rebecca (2013). anmeldelse av Hamsun i Tromsø V, Even Arntzen, Nils M. Knutsen og Henning Howlid Wærp (red.). Scandinavian Studies. ISSN 0036-5637. 85(4), p. 529–532.
• Rees, Ellen Rebecca (2013). Jakter på norske hyttekoder. [Newspaper]. Aftenposten.
• Rees, Ellen Rebecca (2013). anmeldelse av Ibsen og fotografene: 1800-tallets visuelle kultur, av Peter Larsen. Edda. Nordisk tidsskrift for litteraturforskning. ISSN 0013-0818. p. 244–246.
• Rees, Ellen Rebecca (2013). Fra fattigmannshus til fritidsbolig. [Newspaper]. Valdresmagasinet.
• Rees, Ellen Rebecca (2013). Framing Henrik ibsen: The Comic Book as Criticism.
• Rees, Ellen Rebecca (2013). Litterære hyttebøker. [Newspaper]. Morgenbladet.
• Rees, Ellen Rebecca (2013). Forskning på hytte-Norge. [Radio]. NRK - Norgesglasset.
• Rees, Ellen (2013). Dramatizing Dramatists: Michael Meyer’s A Meeting in Rome.
• Rees, Ellen (2013). Henrik Ibsen, Kung-fu Master and Steampunk Secret Agent.
• Rees, Ellen (2012). A.S. Byatt’s The Biographer’s Tale: An Ibsen Postmortem?
• Rees, Ellen (2012). Postsecular Salvation: Hallvard Bræin’s Gatas Gynt (2008).
• Rees, Ellen (2012). Excess and Asceticism in Norwegian Cabin Culture.
• Rees, Ellen (2012). anmeldelse av Mord og metafysik: Det absolutte, det guddomelige og det overnaturlige i krimien, av Kim Toft Hansen. Edda. Nordisk tidsskrift for litteraturforskning. ISSN 0013-0818.
• Rees, Ellen (2012). Building Cabins and Building Character: The Outdoors in Britain and Norway.
• Rees, Ellen (2012). Cabin Fever.
• Rees, Ellen (2012). Ibsen's The Lady from the Sea and Romantic Theatre.
• Oxfeldt, Elisabeth; Dingstad, Ståle; Frøjd, Ylva & Rees, Ellen (2011). "Editors' Introduction". In Dingstad, Ståle; Frøjd, Ylva; Oxfeldt, Elisabeth & Rees, Ellen (Ed.), Knut Hamsun: Transgression and Worlding. Tapir Akademisk Forlag. ISSN 9788251927284. p. 11–14.
• Rees, Ellen (2011). Trolls, Monster Masts and National Neurosis: André Øvrelid's The Troll Hunter (2010).
• Rees, Ellen (2010). anmeldelse av Knut Hamsun: The Dark Side of Literary Brilliance, av Monika Zagar. Scandinavian Studies. ISSN 0036-5637. 82(2), p. 253–255.

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