2025

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Time and place: –, OCEH Lab, 4th floor, P.A. Munchs hus, University of Oslo

Sadie Menicanin — The Air of the Vienna Woods / Die Luft vom Wienerwald
Forest air and music in fin-de-siècle Vienna.

Time and place: –, OCEH Lab, 4th floor, P.A. Munchs hus, University of Oslo

Narrative arcs and constitutive absences in whale tourism.

Time and place: –, OCEH Lab, 4th floor, P.A. Munchs hus, University of Oslo

Capitalist modes of agricultural production - premised on the acceleration and simplification of agricultural landscapes and the creation of markets for cheaply produced yet unhealthful products - are undermining efforts to foster just and sustainable planetary futures. 

Time and place: –, OCEH Lab, 4th floor, P.A. Munchs hus, University of Oslo

How has the Sámi political space changed over time due to shifts in environmental discourses?

Time and place: –, OCEH Lab, 4th floor, P.A. Munchs hus, University of Oslo

“Ameliorating policies, restoring order and being sincere in affairs is the way to end calamities”: thus wrote county magistrate Zhao Xinshi in 1673, a generation after his jurisdiction Jiading was plagued by drought, epidemic, famine and warfare. 

Time and place: –, OCEH Lab, 4th floor, P.A. Munchs hus, University of Oslo

The UiO Green Office works toward making sustainability an integral part of the University.

Time and place: –, OCEH Lab, 4th floor, P.A. Munchs hus, University of Oslo

Quranic cosmology draws on a more-than-human reality, encapsulating a world animated by vibrant animate, inanimate, and supernatural beings that are interactional, performative, and communicative.

Time and place: –, OCEH Lab, 4th floor, P.A. Munchs hus, University of Oslo

The issue of sewage pollution in England’s rivers.

Time and place: –, OCEH Lab, 4th floor, P.A. Munchs hus, University of Oslo

How do we build homes that are not just shelters, but living, responsive environments? 

Time and place: –, OCEH Lab, 4th floor, P.A. Munchs hus, University of Oslo

Writer, spearfisher, and freediver Ting J. Yiu explores the intersection of environmental and cultural “water worlds” in her work, drawing connections between epic eel migrations, whale strandings, and fish hunting to mermaid ancestors, sea goddesses, and pirate queens.