Maria Fosheim Lund

• Lund, Maria Fosheim (2026). Stitching It Together: Loose Threads and First Film Costume Designers in Norwegian Cinema. I Holtar, Ingrid Synneva; Hanssen, Eirik Frisvold; Rossholm, Anna Sofia & Wallenberg, Louise (Red.), Women's Film Histories in Scandinavia: Historiography, Screenwriting and Costume. Nasjonalbiblioteket. ISSN 9788279656135. s. 333–360. doi: https:/issuu.com/nasjonalbiblioteket/docs/women_s_film_histories_in_scandinavia. Fulltekst i vitenarkiv
• Lund, Maria Fosheim; Servoll, Johanne Kielland & Holtar, Ingrid Synneva (2024). Expressions of a backlash: Challenging the story of success in Norwegian cinema of the 1980s and 1990s. Nordic Journal of Media Studies. 6(1), s. 136–156. doi: 10.2478/njms-2024-0007. Fulltekst i vitenarkiv
• Holtar, Ingrid Synneva; Lund, Maria Fosheim & Servoll, Johanne Kielland (2022). A revelation: Addressing feminist agency in Norwegian film history. Journal of Scandinavian Cinema. ISSN 2042-7891. 12(2), s. 119–133. doi: 10.1386/jsca_00068_1. Fulltekst i vitenarkiv Vis sammendrag

  This article examines how gender balance in the Norwegian film sector has been narrativized, and as such is a historiographical challenge to a tendency to delineate the presence of women film directors at key dates as markers of equality. To suggest alternative trajectories, this article adopts a methodology of constellation, putting into dialogue the little-known women’s film and television network Women’s Film Forum (1982–89) and Women in Film and Television Norway (2005–present) as well as the production practices of director-writers Vibeke Løkkeberg, whose career began in the 1970s, and Itonje Søimer Guttormsen, whose first feature film premiered in 2021. Through these constellations, we explore ways to acknowledge the strategies and agencies of individual filmmakers and grassroots organizations that have addressed gender inequalities in the film and TV sectors for more than four decades and to re-frame the present moment beyond official film policies.

• Lund, Maria Fosheim (2020). Voices, faces, places: Life in Frogner. Journal of Scandinavian Cinema. ISSN 2042-7891. 10(3), s. 281–285. doi: 10.1386/jsca_00031_1. Fulltekst i vitenarkiv Vis sammendrag

  This examination of Anne Haugsgjerd’s first short film, Livet på Frogner (Life in Frogner) (1986) views it as a postmodern project. In many ways it pioneered an aesthetic mode that became more prominent in Norwegian film decades later ‐ the genre-expanding hybrid film ‐ while also using the female voice-over in new and experimental ways.

• Lund, Maria Fosheim (2019). A Company of One’s Own: The Star-Name Company of Norwegian Film Pioneer Aud Egede-Nissen. I Pons, Jordi & Quintana, Àngel (Red.), Presences and representations of women in the early years of cinema (1895-1920). Fundacio Museu del Cinema. ISSN 9788484962618. s. 95–100. Fulltekst i vitenarkiv
• Lund, Maria Fosheim (2017). Disappearing act: The silent film career of Aud Egede Nissen (1893–1974). Journal of Scandinavian Cinema. ISSN 2042-7891. 7(2), s. 135–147. Fulltekst i vitenarkiv

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• Hanssen, Eirik Frisvold & Lund, Maria Fosheim (2022). Silent Ibsen. Transnational Film Adaptation in the 1910s and 1920s. National Library of Norway. ISBN 9788279655275. 247 s. Fulltekst i vitenarkiv Vis sammendrag

  The silent era represents the height of Henrik Ibsen’s popularity as a source for film adaptations, and as a reference in debates on cinema. About thirty known silent film adaptations of Ibsen’s works were made in several countries. In this book, leading international Ibsen scholars and film historians examine the nine silent Ibsen films that are known to be extant, made in the period 1911-1926 in the United States, Sweden, Germany, and Italy. The films are placed in their specific film historical and industrial settings, as well as broader sociopolitical frameworks, and Ibsen’s various and shifting positions within these different national and cultural contexts. The book also includes a filmography of silent Ibsen film adaptations.

• Hanssen, Eirik Frisvold & Lund, Maria Fosheim (2017). Small Country, Long Journeys : Norwegian Expedition Films. Nasjonalbiblioteket. ISBN 9788279653455. 256 s. Fulltekst i vitenarkiv Vis sammendrag

  Den tiende utgivelsen i Nota bene, Nasjonalbibliotekets vitenskapelige skriftserie, er antologien Small Country, Long Journeys: Norwegian Expedition Films, som tar for seg norsk ekspedisjonsfilm fra Amundsens sydpolekspedisjon til Heyerdahls ferd med Kon-Tiki.

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• Hanssen, Eirik Frisvold; Holtar, Ingrid Synneva & Lund, Maria Fosheim (2026). Boklansering: Women's Film Histories in Scandinavia. Fulltekst i vitenarkiv
• Hanssen, Eirik Frisvold; Lund, Maria Fosheim; Rossholm, Anna Sofia; Wallenberg, Louise; Bachmann, Anne & Soila, Tytti [Vis alle 8 forfattere av denne artikkelen] (2026). Book Launch - Women's Film Histories in Scandinavia. Fulltekst i vitenarkiv
• Lund, Maria Fosheim (2025). Melodrama of Marriage. Aud Egede-Nissen’s filmmaking 1916-1920. Fulltekst i vitenarkiv Vis sammendrag

  This presentation will focus on two of the Egede Nissen Film Compagnie’s films from 1918, Leuchtende Punkte and Der Todestraum, both from 1918. The films place themselves within what is arguably the least-studied time period of German cinema, as they were produced after the years covered in Heide Schlüpmann’s study of 1911-1914 pre-WWI German filmmaking, but before the Weimar era. This presentation proposes that Aud Egede-Nissen developed a signature cinema that can be called a melodrama of marriage. Like the comedy of marriage, the melodrama of marriage reflect contemporary ideas and anxieties about the societal role of women. As a working woman, Aud Egede-Nissen negotiated this role both on-screen and off. In German Wilhelmine Society, women were disenfranchised of all legal rights. Thus, for all practical, bureaucratic, and legal reasons, women needed a man by their side to register a film company. While the husband held all administrative rights over his wife’s property and earnings. This presentation will focus on the role of marriage as it is portrayed in Aud Egede-Nissen’s films, read against the contemporary backdrop of women’s civil rights status in 1910s Germany.

• Lund, Maria Fosheim (2024). The entanglements of Aud Egede-Nissen. Fulltekst i vitenarkiv
• Lund, Maria Fosheim & Holtar, Ingrid Synneva (2024). Costume Design in The Norwegian Filmography. Fulltekst i vitenarkiv
• Lund, Maria Fosheim (2023). Stardom and agency: How Aud Egede-Nissen became a film star (and capitalized on it!). Fulltekst i vitenarkiv
• Lund, Maria Fosheim (2023). Aud Egede-Nissen, a silent film star. A digital humanities approach. Fulltekst i vitenarkiv
• Lund, Maria Fosheim (2023). Marginal legacies? Film costume designers in Norwegian film history. Fulltekst i vitenarkiv
• Lund, Maria Fosheim (2023). Marginal legacies: Film costume designers in Norwegian film history. Fulltekst i vitenarkiv
• Lund, Maria Fosheim (2022). Opp av plastposene: Kvinnenes Filmforum 1982-89. Fulltekst i vitenarkiv
• Lund, Maria Fosheim (2022). Caught in a Moment of Trans-Nationalism: Aud Egede Nissen. Fulltekst i vitenarkiv
• Lund, Maria Fosheim (2022). Moderator: A safer life for Egypt's women? A conversation with Samaher Alqadi, Mariam Kirollos, and Teresa Pepe. Fulltekst i vitenarkiv
• Lund, Maria Fosheim (2022). Innledning til visning av filmen Sauerbruch Hutton Architects (Harun Farocki, 2013). Fulltekst i vitenarkiv
• Lund, Maria Fosheim (2022). Trading on German film industry experiences in a Norwegian context. Aud Egede-Nissen and the production of Die Frau im Talar / Frøken Statsadvokat. Fulltekst i vitenarkiv
• Lund, Maria Fosheim (2022). Silent Ibsen: Filmography. I Hanssen, Eirik Frisvold & Lund, Maria Fosheim (Red.), Silent Ibsen. Transnational Film Adaptation in the 1910s and 1920s. National Library of Norway. ISSN 9788279655275. s. 222–243. Fulltekst i vitenarkiv Vis sammendrag

  The silent era represents the height of Henrik Ibsen’s popularity as a source for film adaptations, and as a reference in debates on cinema. About thirty known silent film adaptations of Ibsen’s works were made in several countries. In this book, leading international Ibsen scholars and film historians examine the nine silent Ibsen films that are known to be extant, made in the period 1911-1926 in the United States, Sweden, Germany, and Italy. The films are placed in their specific film historical and industrial settings, as well as broader sociopolitical frameworks, and Ibsen’s various and shifting positions within these different national and cultural contexts. The book also includes a filmography of silent Ibsen film adaptations.

• Lund, Maria Fosheim (2021). Historien med liten h. Krigen med liten k. I Ghosh, Ida Lykken & Norton, Nicholas (Red.), Birgitte Sigmundstad. Hva vi snakker om når vi snakker om krigen.. Atelier Nord. ISSN 9788299939676. Fulltekst i vitenarkiv
• Lund, Maria Fosheim (2021). True Gritt. Appreciations. International Film festival Rotterdam.. Fulltekst i vitenarkiv Vis sammendrag

  A text on Itonje Søimer Guttormsen's debut feature film GRITT

• Holtar, Ingrid Synneva; Servoll, Johanne Kielland & Lund, Maria Fosheim (2021). K for kunstnerisk regissør. Morgenbladet. ISSN 0805-3847. Fulltekst i vitenarkiv
• Lund, Maria Fosheim (2020). Birkebeinere, eventyrere og motstandshelter - intervju med kostymedesigner Anne Hamre. [Journal]. Nordic Women in Film. Fulltekst i vitenarkiv
• Lund, Maria Fosheim (2019). The Norwegian Egede-Nissen Film Compagnie in Berlin. Fulltekst i vitenarkiv
• Lund, Maria Fosheim (2019). Innledning. Fulltekst i vitenarkiv
• Lund, Maria Fosheim (2019). A Company of Her Own? The Norwegian Egede-Nissen Film Compagnie in WWI-Berlin. Fulltekst i vitenarkiv
• Lund, Maria Fosheim (2019). Innledning. Fulltekst i vitenarkiv
• Lund, Maria Fosheim (2019). Klar med sikkerhetsnåler - Intervju med kostymedesigner Wenche Petersen. [Journal]. Nordic Women in Film. Fulltekst i vitenarkiv
• Lund, Maria Fosheim (2018). Bilder som skjelver. [Journal]. Nordic Women in Film. Fulltekst i vitenarkiv
• Lund, Maria Fosheim (2018). Var hun den første, norske kvinnelige filmregissøren? Nordic Women in Film. Fulltekst i vitenarkiv
• Lund, Maria Fosheim (2017). Owning a company of one’s own. The star-name company of Norwegian film pioneer Aud Egede-Nissen. Fulltekst i vitenarkiv
• Lund, Maria Fosheim (2016). Filmen i folkeopplysinga si teneste: tradisjonar (Thure Erik Lund og Trond Lundemo i samtale med Maria Fosheim Lund). Fulltekst i vitenarkiv
• Lund, Maria Fosheim (2016). Anja Breien: The Ambivalent Auteur. Fulltekst i vitenarkiv
• Lund, Maria Fosheim (2016). Pan si Dong – innledning til filmen. Fulltekst i vitenarkiv
• Lund, Maria Fosheim (2016). Oppdro folket med film. (Intervju om Statens Filmsentral). [Journal]. Klassekampen. Fulltekst i vitenarkiv
• Lund, Maria Fosheim (2015). Om "Tre nøtter til Askepott"s popularitet i Norge, og den digitale restaureringen av filmen. [Radio]. Østlandssendingen NRK P1. Fulltekst i vitenarkiv
• Lund, Maria Fosheim (2015). Om "Tre nøtter til Askepott"s popularitet i Norge, og den digitale restaureringen av filmen. [Radio]. Radio Norge. Fulltekst i vitenarkiv
• Lund, Maria Fosheim (2015). Om restaureringen av filmen "Tre nøtter til Askepott". [TV]. Distriktsnyheter, Østlandssendingen NRK. Fulltekst i vitenarkiv
• Lund, Maria Fosheim (2015). Om "Tre nøtter til Askepott"s popularitet i Norge, og den digitale restaureringen av filmen. [TV]. TV2: God morgen, Norge. Fulltekst i vitenarkiv
• Lund, Maria Fosheim; Ytreberg, Espen & Gaines, Jane M. (2026). Aud Egede-Nissen: Star Producer. Universitetet i Oslo. Fulltekst i vitenarkiv

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