Peter Edwards

Førsteamanuensis - IMV stab
Bilde av Peter Edwards
English version of this page
Telefon +47 22844123
Mobiltelefon 99526475
Rom 316
Treffetider Etter avtale
Brukernavn
Besøksadresse Institutt for musikkvitenskap ZEB-bygningen 2. etasje Sem Sælands vei 2 0371 OSLO
Postadresse Postboks 1017 Blindern 0315 Oslo

Vennligst se engelsk nettside for mer informasjon. 

Emneord: Klassisk- og samtidsmusikk, Modernisme, Musikkestetikk, Samfunn og musikk, Musikkhistorie, Musikkanalyse, modernisme/postmodernisme, Musikkvitenskap

Publikasjoner

 

  • Edwards, Peter (2024). Critical Composition, Creativity and Style in "Le Grand Macabre". I Hiekel, Jörn Peter & Eule, Johann Casimir (Red.), Zwischen Apokalypse und Groteske György Ligeti: LE GRAND MACABRE. Edition text+kritik (et+k). ISSN 978-3-96707-846-6. s. 85–96.
  • Edwards, Peter & Sailer, Uta (2023). Death in Music and Music in Death: Reflections on Mortality and Listening in the Performances of Marino Formenti. I Marx, Wolfgang (Red.), Music and Death. Funeral Music, Memory and Re-Evaluating Life.. Boydell & Brewer. ISSN 9781837650644. s. 155–169.
  • Edwards, Peter (2022). Analysing the Concerto for Violin and Orchestra: Apparitions of the Past and Future. I Marx, Wolfgang (Red.), I Don’t Belong Anywhere: György Ligeti at 100. Brepols. ISSN 978-2-503-60240-0. s. 93–109.
  • Edwards, Peter (2021). Ideology, Performance, and Ironic Distance in Musical Slapstick. I Malakaj, Ervin & Lyons, Alena E. (Red.), Slapstick: An Interdisciplinary Companion. Walter de Gruyter (De Gruyter). ISSN 9783110570793. s. 37–52. doi: 10.1515/9783110571981-004. Fulltekst i vitenarkiv
  • Edwards, Peter (2017). Bartók, Ligeti and the Innovative Middle Road. I Bauer, Amy & Kerékfy, Márton (Red.), György Ligeti's Cultural Identities. Routledge. ISSN 978-1472473646. s. 149–162. doi: 10.4324/9781315592411-10. Fulltekst i vitenarkiv
  • Edwards, Peter (2015). Remembrance and Prognosis in the Music of György Ligeti. I Guldbrandsen, Erling E. & Johnson, Julian (Red.), Transformations of Musical Modernism. Cambridge University Press. ISSN 9781107127210. s. 190–200. doi: 10.1017/cbo9781316411766.011. Fulltekst i vitenarkiv
  • Edwards, Peter (2015). Convergences and Discord in the Correspondence between Ligeti and Adorno. Music & Letters. ISSN 0027-4224. 96(2), s. 228–258. doi: 10.1093/ml/gcu132.
  • Edwards, Peter (2015). Resisting Closure: The Passacaglia Finale from György Ligeti's Le Grand Macabre. Music Analysis. ISSN 0262-5245. doi: 10.1111/musa.12056. Fulltekst i vitenarkiv

Se alle arbeider i Cristin

  • Edwards, Peter (2016). György Ligeti's Le Grand Macabre: Postmodernism, Musico-Dramatic Form and the Grotesque. Routledge. ISBN 9781472456984. 166 s.

Se alle arbeider i Cristin

  • Edwards, Peter & Nielsen, Nanette (2023). Kunstmusikken lever! Også på Universitetet i Oslo. Scenekunst.no.
  • Edwards, Peter (2023). Musikk og opphavsrett.
  • Edwards, Peter (2023). Talk and concert with asamisimasa.
  • Edwards, Peter (2023). Sakkyndig rapport og vitneforklaring. Borgarting Lagmannsrett (expert testimony and report: Court of Appeals).
  • Edwards, Peter (2022). Frode Olsen – om å synge Fin de partie. Scenekunst.no.
  • Edwards, Peter (2022). Frode Olsen – en karriere i sang. Scenekunst.no.
  • Edwards, Peter (2022). Pønkebadet.
  • Edwards, Peter (2022). Marino Formenti and the transformative concert recital .
  • Edwards, Peter (2022). György Ligeti’s Concerto for Violin and Orchestra: Conceiving Rhythm and Form by Association.
  • Jensenius, Alexander Refsum; Danielsen, Anne & Edwards, Peter (2020). Vi trenger kort og godt mer automagi i Cristin. Khrono.no. ISSN 1894-8995.
  • Jensenius, Alexander Refsum; Danielsen, Anne & Edwards, Peter (2020). Vi trenger kort og godt mer automagi i Cristin. Uniforum. ISSN 1891-5825.
  • Edwards, Peter (2019). VOeX Festival 2019.
  • Edwards, Peter (2019). Udo Zimmermann's Weiße Rose.
  • Edwards, Peter (2019). Frahmtiden er ny-klassisk. [Avis]. Vårt Land.
  • Nielsen, Nanette; Aksnes, Hallgjerd; Edwards, Peter & Kvalbein, Astrid (2018). Launch for Nanette Nielsen’s book _Paul Bekker’s Musical Ethics_. Introduction and moderation by Hallgjerd Aksnes, panel discussion including: Peter Edwards (University of Oslo), Peter Franklin (University of Oxford), Sarah Hibberd (University of Bristol), Astrid Kvalbein (NMH) and Aksel Tollåli (Oslo).
  • Eriksen, Asbjørn Øfsthus & Edwards, Peter (2018). Musikk og humor.
  • Edwards, Peter (2017). Expressive States in Theory and Practice: Spatially-Conceived Forms from East to West. Toru Takemitsu's November Steps.
  • Edwards, Peter (2016). Dash against the quiet.
  • Edwards, Peter (2016). Musical Sketches in the late Twentieth Century: György Ligeti and the Creative Process.
  • Edwards, Peter (2016). The Performance of Orchestral Overload in the Music of Zimmermann and Nørgård.
  • Edwards, Peter (2016). ’Leit-Characteristics’ and Expressive States in Ligeti’s Le Grand Macabre.
  • Edwards, Peter (2016). The Impossibility of the Return in Bernd Alois Zimmermann’s Musique pours les soupers du Roi Ubu.
  • Edwards, Peter (2016). Death and Process in Music of the Late Twentieth and Early Twenty-First Centuries.
  • Edwards, Peter (2015). Musikkens historie og aktualitet: Et fag under fornyelse.
  • Edwards, Peter; Mattes, Arnulf Christian; Kvalbein, Astrid & Orning, Tanja (2015). Listening to the Twentieth Century.
  • Edwards, Peter (2014). By the sound of its voice (13.10.2014).
  • Edwards, Peter (2014). By the sound of its voice (10.10.2014).
  • Edwards, Peter (2014). Nye former for lytting, nye former for musikkforståelse.
  • Dirdal, Linn Carin; Orning, Tanja; Edwards, Peter & Jensenius, Alexander Refsum (2014). – Lytting er et arbeid. [Internett]. Ballade.
  • Edwards, Peter (2014). Boulez Springar (performance Ultima 13.09.14).
  • Edwards, Peter (2014). Ligeti and Adorno: The Letter Correspondence.
  • Kildahl, Mari; Orning, Tanja; Edwards, Peter & Jensenius, Alexander Refsum (2014). We no longer really listen to music. [Internett]. ScienceNordic.
  • Kildahl, Mari; Orning, Tanja; Edwards, Peter & Jensenius, Alexander Refsum (2014). Vi lytter ikke lenger som før. [Internett]. Forskning.no.
  • Edwards, Peter & Guldbrandsen, Erling E. (2013). Et dypdykk i det makabre. Om György Ligetis opera "Le grand macabre" i La Fura dels baus' produksjon. Ballade. ISSN 0332-5148.
  • Edwards, Peter & Guldbrandsen, Erling E. (2013). Highlighting Ligeti: Le Grand Macabre.
  • Edwards, Peter (2013). Gesture and the Poetics of Musical Modernism.
  • Edwards, Peter (2013). Apati og handling. Ballade. ISSN 0332-5148.
  • Edwards, Peter (2013). The Weight.
  • Edwards, Peter (2012). Tradition and the Endless Now: A Study of György Ligeti's Le Grand Macabre.
  • Edwards, Peter (2012). Eivind Grovens renstemte orgel. [TV]. Intervjuet av Stål Talsnes i LørdagsMagasinet på TV2.
  • Edwards, Peter (2012). Gesture and the Flip Side of Tradition.
  • Edwards, Peter (2012). György Ligeti's Le Grand Macabre. [Radio]. "Spillerom" på NRK P2.
  • Edwards, Peter (2012). Boulez Springar (performance Ultima 20.09.14).
  • Edwards, Peter (2012). Reunion: 2012.
  • Edwards, Peter (2012). Boulez Springar.
  • Mattes, Arnulf Christian & Edwards, Peter (2011). Fra romantikken til elektronika: nye perspektiver på klangflatens historie.
  • Edwards, Peter (2011). "Ligeti, Adorno and the Creative Process".
  • Edwards, Peter (2011). Ligeti, Adorno and the Difficulty of Form.
  • Edwards, Peter (2011). Dialectical Horizons in György Ligeti's 'Le Grand Macabre'.
  • Edwards, Peter (2011). Pseudomotivicism in Ligeti's Music.
  • Edwards, Peter (2010). Iterations II.
  • Edwards, Peter (2010). Iterations.
  • Edwards, Peter (2009). B-sides, Undercurrents and Overtones: Peripheries to Popular Music, 1960 to the Present By George Plasketes. Popular Musicology Online. ISSN 1357-0951.
  • Edwards, Peter (2009). Ligeti i vinden. Morgenbladet. ISSN 0805-3847.
  • Edwards, Peter (2009). Samstemmig lidenskap. Morgenbladet. ISSN 0805-3847.
  • Edwards, Peter (2009). Ligeti and Dialectical Progression.
  • Edwards, Peter (2009). Self-fashioning in Modernism.
  • Edwards, Peter (2009). Cognition, Meaning and Analysis in Music; A Study of György Ligeti and his Later Works.
  • Edwards, Peter (2009). Balkansemblet German tour.
  • Edwards, Peter (2009). Curved Grooves.
  • Edwards, Peter (2008). Chiaroscuro.
  • Edwards, Peter (2007). Music and Politics. [Radio]. 'Hear and Now', BBC Radio 3.
  • Edwards, Peter (2007). www.acousticpicnic.com.
  • Edwards, Peter (2007). 1976 Polyphony.
  • Edwards, Peter (2006). Late synthesis: György Ligeti's Violin Concerto. New Notes. ISSN 1350-8989.
  • Edwards, Peter (2006). The Ringing Grooves of Change.
  • Edwards, Peter (2006). Wayfaring Stranger.
  • Edwards, Peter (2005). Confessions.
  • Edwards, Peter (2004). Steep II.
  • Edwards, Peter (2003). Sentient II.
  • Edwards, Peter (2001). Temporalität des Seins.
  • Edwards, Peter (2001). Sentient I.
  • Edwards, Peter (1999). Absence.
  • Edwards, Peter (1999). Steep.
  • Edwards, Peter (1998). World/Astronomy.
  • Edwards, Peter (1998). Little Rooms.
  • Edwards, Peter (1997). Greenlandic Sketch.
  • Edwards, Peter (2023). Tilleggskommentarer og oppsummering av sakkyndig rapport for høyesterett. Høyesterett.
  • Edwards, Peter (2022). Musikkfaglig sakkyndig vitne rapport. Oslo tingrett og Borgarting lagmannsrett. https://lovdata.no/dokument/LBSIV/avgjorelse/lb-2022-26097?q=.
  • Edwards, Peter (2012). Tradition and the Endless Now. A Study of György Ligeti's Le Grand Macabre. Universitetet i Oslo.
  • Edwards, Peter (2005). The Music of György Ligeti and his Violin Concerto. A Study in Analysis, Reception and the Listening Experience. 7Letras.

Se alle arbeider i Cristin

Publisert 16. nov. 2017 09:10 - Sist endret 22. jan. 2024 20:41