Stan Hawkins

Selected Publications:

The Routledge Research Companion to Popular Music and Gender (New York: Routledge, 2017) ISBN 9781472456830.

Queerness in Pop Music: Aesthetics, gender Norms, and Temporality (New York: Routledge, 2016) ISBN: 978-1-138-82087-6.

Critical Musicological Reflections (Farnham: Ashgate, 2012) ISBN 978-1-4094-2560-1

Prince: The Making of a Pop Music Phenomenon (Farnham: Ashgate, 2011) - co-authored with Sarah Niblock  ISBN 978-0-7546-68763

The British Pop Dandy: Masculinity, Popular Music and Culture (Farnham: Ashgate, 2009)  ISBN 978-0-7546-5858-0

Music, Space and Place: Popular Music and Cultural Identity S.Hawkins, A. Bennett & S. Whiteley (eds.) (Aldershot: Ashgate, 2004)  ISBN 0-7546-3737-9

Settling the Pop Score: Pop texts and identity politics (Aldershot: Ashgate, 2002)  ISBN 0-7546-0352-0

• Bresler, Zack; Hawkins, Stan & Holte, Lisa Karolyn (2023). Lil Nas X's Hedonistic Travels of Earthly Delights. I Jirsa, Tomáš & Korsgaard, Mathias Bonde (Red.), Traveling Music Videos. Bloomsbury Academic. ISSN 9781501398001. s. 153–168. doi: 10.5040/9781501398025.ch-9. Fulltekst i vitenarkiv
• Hawkins, Stan & Bresler, Zack (2023). Masking: Queer Aesthetics and Production Tricks in Orville Peck's "Hope to Die" (2019). I Moylan, William; Burns, Lori & Alleyne, Mike (Red.), Analyzing Recorded Music: Collected Perspectives on Popular Music Tracks. Routledge. ISSN 9780367546328. s. 339–357. doi: 10.4324/9781003089926-28. Fulltekst i vitenarkiv Vis sammendrag

  Based on a critical analysis of Orville Peck's music video “Hope to Die” (2019), we explore the correlations between sound production, visual imagery, and gendered subjectivities. Peck, who identifies as gay, signals a breakthrough in country music, as much for his masked looks as his music. Our intention is to unravel the audiovisual details of production in order to disclose Peck's subjectivity. We investigate the aesthetic effects of “Hope to Die” in terms of production, audio engineering, and compositional design, while our hermeneutic approach seeks to uncover the congruences between technology, performativity, subjectivity, and agency. In the main, we argue that the inner workings of the track and video harness an Americana stylistic aesthetic that challenges heteronormative tendencies within mainstream country music through a process of resignification.

• Bresler, Zachary & Hawkins, Stan (2022). ‘A Swarm of Sound’: Audiovisual Immersion in Björk’s VR Video ‘Family’. Music, Sound, and the Moving Image. ISSN 1753-0768. 16(1), s. 29–52. doi: 10.3828/msmi.2022.2. Fulltekst i vitenarkiv Vis sammendrag

  This article explores the idea of audiovisual immersion through the portal of the virtual reality music video. Our focus falls on a close reading of Björk’s video, ‘Family’, which addresses questions of immersion in relation to user-experience, staging, and technological innovation. This article draws on the authors’ responses to the video by considering the implications of VR immersion in a new generation of music video productions. As part of the methodology on offer, a model for music analysis is devised for conceptualising virtual audiovisual space (VAVS) and the inextricable relationships between production and compositional design.

• Hawkins, Stan & Nielsen, Nina (2020). Gaahl—Monster or Postmodern Prometheus? Masculinity, Class, and Norwegian Black Metal. I Peddie, Ian (Red.), The Bloomsbury Handbook of Popular Music and Social Class. Bloomsbury Academic. ISSN 9781501345364. s. 185–204. doi: 10.5040/9781501345395.ch-010. Fulltekst i vitenarkiv
• Danielsen, Anne & Hawkins, Edgar Stanley (2020). “The Right Amount of Odd”: Vocal Compulsion, Structure, and Groove in Two Love Songs from Around the World in a Day. Popular music and society. ISSN 0300-7766. 43(3). doi: 10.1080/03007766.2020.1757814. Fulltekst i vitenarkiv Vis sammendrag

  In this music-analytic interpretation of two love songs from Prince’s Around the World in a Day album, we investigate the properties of groove, arrangement, and vocality, all of which contribute to the artist’s inimitable signature. With a disciplinary grounding in musicology, we demonstrate ways whereby musical features are associated with meaning in recorded songs. Underlying the approach is the notion that it is in the music where Prince’s ingenuity mainly lies. The analysis is informed by an understanding of the technological ramifications of the process on the part of Prince and his audio engineer Susan Rogers.

• Hawkins, Stan (2020). Personas in Rock: "We Will, We Will Rock You". I Moore, Allan & Carr, Paul (Red.), The Bloomsbury Handbook of Rock Music Research. Bloomsbury Academic. ISSN 9781501330452. s. 239–254. Fulltekst i vitenarkiv
• Danielsen, Anne & Hawkins, Stan (2020). The Quest of Princian Research. Popular music and society. ISSN 0300-7766. 43(3), s. 231–236. doi: 10.1080/03007766.2020.1757811. Fulltekst i vitenarkiv
• Hawkins, Stan & Størvold, Tore (2019). Justin Timberlake's "Man of the Woods": Lumbersexuality, Nature, and Larking Around. I Hawkins, Stan & Burns, Lori A. (Red.), The Bloomsbury Handbook of Popular Music Video Analysis. Bloomsbury Academic. ISSN 9781501342332. s. 317–336. doi: 10.5040/9781501342363.ch-018. Fulltekst i vitenarkiv
• Hawkins, Stan & Ålvik, Jon Mikkel Broch (2018). A-ha's "Take on Me": Melody, Vocal Compulsion, and Retroscoping. I Scotto, Ciro; Smith, Kenneth M. & Brackett, John (Red.), The Routledge Companion to Popular Music Analysis: Expanding Approaches. Routledge. ISSN 9781138683112. s. 77–94. Fulltekst i vitenarkiv
• Hawkins, Stan (2018). Performative Strategies and Musical Markers in the Eurythmics’ Album Savage. I Burns, Lori & Lacasse, Serge (Red.), The Pop Palimpsest: Intertextuality in Recxorded Popular Music. University of Michigan Press. ISSN 9780472130672. s. 252–272. Fulltekst i vitenarkiv
• Hansen, Kai Arne & Hawkins, Stan (2018). Azealia Banks: 'Chasing Time', erotics, and body politics. Popular Music. ISSN 0261-1430. 37(2), s. 157–174. doi: 10.1017/S0261143018000053. Fulltekst i vitenarkiv Vis sammendrag

  During the 2010s a new generation of queer hip hop artists emerged, providing an opportunity to engage with a set of politics defined by art, fashion, lyrics and music. A leading proponent of this movement was Azealia Banks, the controversial rapper, artist and actress from New York. This study instigates a critical investigation of her performance strategies in the track and video, ‘Chasing Time’ (2014), offering up various perspectives that probe into queer agency. It is suggested that techniques of sonic styling necessitate a consideration of subjectivity alongside genre and style. Employing audiovisual methods of analysis, we reflect on the relationship between gendered subjectivity and modalities of queerness as a means for demonstrating how aesthetics are staged and aligned to advanced techniques of production. It is argued that the phenomenon of eroticised agency, through hyperembodied display, is central to understanding body politics. This article opens a space for problematising issues of black female subjectivity in a genre that is traditionally relegated to the male domain.

• Hawkins, Stan (2018). Introduction: David Bowie (1947-2016). Contemporary Music Review. ISSN 0749-4467. 37(3), s. 189–192. doi: 10.1080/07494467.2018.1507349. Fulltekst i vitenarkiv
• Hawkins, Stan (2017). Masculinity, Race, and Transculturalism in a Norwegian Context. I Holt, Fabian & Kärje, Antti-Ville (Red.), The Oxford Handbook of Popular Music in the Nordic Countries. Oxford University Press. ISSN 9780190603908. s. 295–310. doi: 10.1093/oxfordhb/9780190603908.013.16. Fulltekst i vitenarkiv
• Hawkins, Stan (2017). Introduction: Sensing gender in popular music, The Routledge Research Companion to Popular Music and Gender. Routledge. ISSN 9781472456830. s. 1–12. Fulltekst i vitenarkiv
• Hawkins, Stan (2017). Introduction chapters: Part1: Masculinities, femininities, community and transcultural practice Part 2: Audiovisuality, sex(uality), women, and the politics of looking Part 3: Vernacular soundworlds, narratives and stardom Part 4: Gender, race, and the female celebrity Part 5: Challenging hegemonic practices: new masculinities, queerness, and transgenderism. I Hawkins, Stan (Red.), The Routledge Research Companion to Popular Music and Gender. Routledge. ISSN 9781472456830. Fulltekst i vitenarkiv
• Hawkins, Stan (2017). The Sun, the Moon and Stars: Prince Roger Nelson, 1958-2016. Popular music and society. ISSN 0300-7766. 40(1), s. 124–128. doi: 10.1080/03007766.2016.1245482. Fulltekst i vitenarkiv
• Hawkins, Stan (2016). 'Remembering Sheila Whiteley'. Popular Music. ISSN 0261-1430. 35(1), s. 118–121. doi: 10.1017/S0261143015000847. Fulltekst i vitenarkiv
• Bjorøy, Karl-Magnus & Hawkins, Stan (2014). "When Light turns into darkness:" Inscriptions of music and terror in Oslo 22 July 2011. I Knudsen, Jan Sverre; Skånland, Marie Strand & Trondalen, Gro (Red.), Musikk etter 22. juli. Norges musikkhøgskole. ISSN 9788278530924. s. 139–162. Fulltekst i vitenarkiv Vis sammendrag

  The objective of this article is to examine the links between music, terror and gender through the politics of right extremism. Six hours before the bombing of Oslo’s centre and the massacre on the island of Utøya on 22 July 2011, a sinister YouTube video was released. This would be the precursor for the dispatchment of the manifesto of the Norwegian terrorist Anders Behring Breivik. Music would contribute significantly to his chilling message. An interpretation of the role of music in this attack on Norway addresses critical questions of white masculinity, ethnicity, nationalism, and the function of music in war games.

• Hawkins, Stan (2014). 'I'll Bring You Down, Down, Down': Lady Gaga's Performance in 'Judas'. I Iddon, Martin & Marshall, Melanie L. (Red.), Lady Gaga and Popular Music: Performing Gender, Fashion, and Culture. Routledge. ISSN 9780415824521. s. 9–26. Fulltekst i vitenarkiv
• Hawkins, Stan (2013). 'Aesthetics and Hyperembodiment in Pop Videos: Rihanna's "Umbrella". I Richardson, John; Gorbman, Claudia & Vernallis, Carol (Red.), The Oxford Handbook of New Audiovisual Aesthetics. Oxford University Press. ISSN 9780199733866. s. 466–482. Fulltekst i vitenarkiv
• Hawkins, Stan (2012). You rocked our world, Michael: your moves, your look, your music, everything! Popular music and society. ISSN 0300-7766. 35(2), s. 145–149. doi: 10.1080/03007766.2011.616295. Fulltekst i vitenarkiv
• Hawkins, Stan (2012). Great, Scott! I Hawkins, Stan (Red.), Critical Musicological Reflections: Essays in Honour of Derek B. Scott. Ashgate. ISSN 9781409425601. Fulltekst i vitenarkiv
• Hawkins, Stan & Richardson, John (2011). 'Remodeling Britney Spears: Matters of Intoxication and Mediation'. I Hawkins, Stan (Red.), Pop Music and Easy Listening: The Library of Essays on Popular Music. Ashgate. ISSN 9780754629528. s. 57–81. doi: 10.4324/9781315089669-4. Fulltekst i vitenarkiv
• Hawkins, Stan (2011). Essay Review: Composing Apartheid: Music for and against Apartheid (ed. G. Olwage). Journal of the Musical Arts in Africa. ISSN 1812-1004. 8, s. 117–120. Fulltekst i vitenarkiv
• Hawkins, Stan (2010). Unsettling Differences: Music and Laddism in Britpop. I Bennett, Andy & Stratton, Jon (Red.), Britpop and the English Music Tradition. Ashgate. ISSN 9780754668053. s. 145–162. Fulltekst i vitenarkiv
• Hawkins, Stan (2009). 'Chelsea Rodgers' was a model - Vocality in Prince of the Twenty-first Century. I Scott, Derek (Red.), The Ashgate Research Companion to Popular Musicology. Ashgate. ISSN 9780754664765. Fulltekst i vitenarkiv
• Hawkins, Stan (2008). Temporal Turntables: On Temporality and Corporeality in Dance Music. I Baur, S.; Knapp, R. & Warwick, J. (Red.), Musicological Identities: Essays in Honour of Susan McClary. Ashgate. ISSN 9780754663027. Fulltekst i vitenarkiv
• Hawkins, Stan (2007). [Un]Justified: Gestures of Straight-Talk in Justin Timberlake's Songs. I Jarman-Ivens, Freya (Red.), Oh Boy! Masculinities and Popular Music. Routledge. ISSN 9780415978217. s. 197–212. Fulltekst i vitenarkiv
• Hawkins, Stan & Richardson, John (2007). 'Remodeling Britney Spears: Matters of Intoxication and Mediation'. Popular music and society. ISSN 0300-7766. 30(5), s. 605–629. Fulltekst i vitenarkiv Vis sammendrag

  In our investigation, we seek new directions for audiovisual analysis and attempt to explore the music texts alongside symbolic meanings mediated by the video 'Toxic'.

• Hawkins, Stan (2007). Those Norwegians: Deconstructing the Nation-State in Europe through Fixity and Indifference in Norwegian Club Music. I Biddle, Ian & Knights, Vanessa (Red.), Music, National Identity and the Politics of Location: Between the Global and the Local. Ashgate. ISSN 9780754640554. s. 179–189. Fulltekst i vitenarkiv Vis sammendrag

  That music informs us of a sense of identity within the context of national boundaries is of symbolic importance and has far-reaching implications for music studies. Through an analysis of a dance track, 'Da Kingue D'Mazda' by the Norwegian group. Those Norwegians, this chapter presents an analysis that foregrounds the question of local identity and how it can be brought into dialogue with music criticism.

• Hawkins, Stan (2007). Aphex Twin: monstrous hermaphrodites, madness and the strain of independent dance music. I Hawkins, Stan & Richardson, John (Red.), Essays on Sound and Vision. Helsinki University Press (HUP). ISSN 9789515707260. s. 27–53. Fulltekst i vitenarkiv
• Hawkins, Stan (2007). Introduction. I Hawkins, Stan & Richardson, John (Red.), Essays on Sound and Vision. Helsinki University Press (HUP). ISSN 9789515707260. s. 13–23. Fulltekst i vitenarkiv
• Hawkins, Stan (2006). On Male Queering in Mainstream Pop. I al, Sheila Whiteley et (Red.), Queering the Popular Pitch. Routledge. ISSN 9780415978057. s. 279–294. Fulltekst i vitenarkiv Vis sammendrag

  That queering can be a matter of enjoyment and pleasure beyond the bounds of pain and violation is clearly bound up with rhetorical devices that will never constitute an authentic identity. Rather, queering constructs a structural order that is conditional on the imperative of representations and the ongoing ordering of homophobic oppression.

• Hawkins, Stan (2006). Normalitet og musikk i norsk reklame i 2006. I Eriksen, Thomas Hylland & Breivik, Jan-Kåre (Red.), Normalitet. Universitetsforlaget. ISSN 9788215010625. s. 253–274. Fulltekst i vitenarkiv
• Hawkins, Stan (2005). Overskridende maskulinitet i popmusikken. Arr - Idéhistorisk tidsskrift. ISSN 0802-7005. s. 55–67. Fulltekst i vitenarkiv
• Hawkins, Stan; Whiteley, Sheila & Bennett, Andy (2004). Introduction: Musical production and the Politics of Desire. I Hawkins, Stan (Red.), Music, Space and Place: Popular Music and Cultural Identity. Ashgate. ISSN 9780754637370. s. 16–22. Fulltekst i vitenarkiv
• Hawkins, Stan (2004). On performativity and production in Madonna's 'Music'. I Hawkins, Stan (Red.), Music, Space and Place: Popular Music and Cultural Identity. Ashgate. ISSN 9780754637370. s. 180–190. Fulltekst i vitenarkiv
• Hawkins, Stan (2004). Dragging out camp: narrative agendas in Madonna's musical production. I Fouz-Hernández, Santiago & Jarmen-Ivens, Freya (Red.), Madonna's Drowned Worlds: New Approaches to her Cultural Transformations, 1983-2003. Ashgate. ISSN 9780754633716. s. 3–21. Fulltekst i vitenarkiv Vis sammendrag

  The position adopted in this chapter is directed at a search for a theory of constructed performance that concentrates on the issue of style through camp mannerism. This chapter pursues the interrelationship of the two terms, camp and pop, which, in their combination, allow for the surplus sensibility of a disposable culture that invokes signifiers of fun and pleasure that are oppositional.

• Hawkins, Stan (2002). Erlkönig revisited - musical modelling, appropriation, and reconfiguration in Norways Wunderkammer. Studia Musicologica Norvegica. ISSN 0332-5024. 28, s. 63–81. Fulltekst i vitenarkiv Vis sammendrag

  A textual analysis of the song, Erlkönig, by the Stavanger group Wunderkammer, seeks to raise questions linked to musical expression through performance, and the nature of empathic delivery when enacted through the dialogics of recorded performance. Wunderkammer's music appropriates Goethe's poem by contending with it in a way that contests a variety of traditions.

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• Hawkins, Stan & Burns, Lori A. (2019). The Bloomsbury Handbook of Popular Music Video Analysis. Bloomsbury Academic. ISBN 9781501342332. 445 s. Fulltekst i vitenarkiv
• Hawkins, Stan (2017). The Routledge Research Companion to Popular Music and Gender. Routledge. ISBN 9781472456830. 382 s. Fulltekst i vitenarkiv
• Hawkins, Stan (2017). The Routledge Research Companion to Popular Music and Gender. Routledge. ISBN 9781472456830. 382 s. Fulltekst i vitenarkiv
• Hawkins, Stan (2016). Queerness in Pop Music: Aesthetics, Gender Norms, and Temporality. Routledge. ISBN 9781138820876. 243 s. Fulltekst i vitenarkiv
• Hawkins, Stan (2012). Critical Musicological Reflections: Essays in Honour of Derek B. Scott. Ashgate. ISBN 9781409425601. 257 s. Fulltekst i vitenarkiv
• Hawkins, Stan & Niblock, Sarah (2011). Prince: The Making of a Pop Music Phenomenon. Ashgate. ISBN 9780754668763. 195 s. Fulltekst i vitenarkiv Vis sammendrag

  This interdisciplinary analysis of Prince is the first of its kind to examine critically this artist's music, performances, sounds, lyrics and plethora of accompanying visual material, such as album covers, posters, fashions, promotional videos and feature films.

• Hawkins, Stan (2011). Pop Music and Easy Listening: The Library of Essays on Popular Music. Ashgate. ISBN 9780754629528. 523 s. Fulltekst i vitenarkiv
• Hawkins, Stan (2009). The British pop dandy : masculinity, popular music and culture. Ashgate. ISBN 9780754658580. 222 s. Fulltekst i vitenarkiv Vis sammendrag

  Ranging form the sixties to beyond the twenieth century, The British Pop Dandy, considers the construction of the male pop icon through the spectacle of videos, live concerts and films. Who are pop dandies? Why are stars like David Bowie, Jarvis Cocker, Pete Doherty and Robbie Williams so dandified? Taking up a wide range of British pop stars, Hawkins seeks to find out why so many have cast themselves in roles that often take style to absurd extremes. In this study, male pop artists are mapped against a cultural and historical background through a genealogy of personalities, such as Oscar Wilde, W.H. Auden, Andy Warhol, Noël Coward, Derek Jarmen, David Beckham and countless others. A critical analysis of issues and approaches to musical performance through masculinity becomes the focal point of this fascinating study. Ranging from the sixties to beyond the twentieth century, The British Pop Dandy considers the construction of the male pop icon through the spectacle of videos, live concerts and films. Why do we derive pleasure from the performing body, and how is entertainment linked to categories of gender and sexuality? The author insists that pop performances can be understood through human characteristics that relate to the particulars of dandyism, camp and glamour, and this he theorizes through the work of Charles Baudelaire. One of the political objectives of the dandy is to liberate himself through a denial of the structures that assume fixed identity. Not least, it is acts of queering in pop music that characterize entire generations of male artists in the UK. Setting out to discover what distinguishes the British pop dandy, Hawkins considers the role of music and performance in the articulation of hyperbolic display. It is argued that the recorded voice is a construction that idealizes self-representation, and absorbs the listener's attention. Particularly, camp address in singing practice is taken up in conjunction with a discussion of intimacy, which forms part of the strategy of the performer. In a range of songs and videos selected for music analysis, Hawkins points to the uniqueness of the voice as it expresses a transgressive quality that often comes across 'put-on', naive and vulnerable. To this end, vocal performativity is considered part of music's discursive disciplining through some of the greatest pop tracks, videos, concerts and films of our time. It is also argued that shifting signs of masculinity can be understood through musical process and style. While musicological in its main focus, this study is interdisciplinary and sets out to open new modes of thinking on the complex issues surrounding how masculinity, music and culture have developed in the UK. Stan Hawkins is professor at the Department of Musicology, University of Oslo, and adjunct professor at the University of Agder, Kristiansand, Norway

• Hawkins, Stan & Richardson, John (2007). Essays on Sound and Vision. Helsinki University Press (HUP). ISBN 9789515707260. 452 s. Fulltekst i vitenarkiv
• Hawkins, Stan (2004). Music, Space and Place: Popular Music and Cultural Identity. Ashgate. ISBN 9780754637370. 224 s. Fulltekst i vitenarkiv
• Hawkins, Stan (2003). Feel the beat come down: house music as rhetoric. Cambridge University Press. ISBN 9780521771207. 270 s. Fulltekst i vitenarkiv Vis sammendrag

  in Analyzing Popular Music edited Allan F. Moore

• Hawkins, Edgar Stanley (2002). Settling the Pop Score: Pop texts and identity politics. Ashgate. ISBN 9780754603528. 220 s. Fulltekst i vitenarkiv Vis sammendrag

  Through the interpretation of aspects of the compositional design and production of various artists and their songs, the author suggests ways in which stylistic and technical elements of music relate to identity formation and its political motivations. This book examines the role of irony and empathy, the questions of gender and race and sexuality, and most of all the relevance of textual analysis in the study of popular music.

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• Granbo, Kristin; Hellstrand, Ingvil; Refshauge, Andreas; Sande, Paal Hetland; Martinsen, Tarinii & Hawkins, Stan (2026). Farvel anonyme gubbe, velkommen påfugl - NRK. [Internet]. NRK.no. Fulltekst i vitenarkiv Vis sammendrag

  Klassisk herremote er i oppløsning, mener forsker. Nå er vinduet åpnet for at også mannen kan vise sitt sanne jeg.

• Hawkins, Stan (2021). Popular Music Books in Process Series - "In Concert: Performing Musical Persona" with Phil Auslander and Stan Hawkins. Fulltekst i vitenarkiv
• Hawkins, Stan (2020). Keynote address: On a Journey to the End of Playfulness: Queerness and Music. Fulltekst i vitenarkiv Vis sammendrag

  Susanna Välimäki’s writings have been pathbreaking in decoding and upsetting the dominant-hegemonic positioning of gendered identity in popular music. Her research into LGBTIQ activism in Finnish pop music reveals that 5-15% of the population of Finland belong to minority groups, and that queer music-making abounds in both mainstream and underground practices. Indeed, queer lives on display in pop, occupy spaces for thinking about the possibility of futurity and activist music research. As well as the musical genres that traditionally fall into the queer zone, queer artists play a major role in the ‘public agenda’. I argue for queerness as a survival strategy for people functioning within and outside the mainstream. Queer pop is characterised by transformative politics, where experiencing fun or playfulness also demands ethical awareness of the pervasive problem of discrimination.

• Hawkins, Stan & Stuen, Eivend Augst Westad (2020). Stan Hawkins: Fra samtidskomponist til popforsker. [Journal]. KILDEN. Fulltekst i vitenarkiv
• Hawkins, Stan (2020). Approaching queerness in popular music. Fulltekst i vitenarkiv
• Hawkins, Stan (2020). Keynote Paper: Dandified Personas in Pop Music. Fulltekst i vitenarkiv
• Hawkins, Stan (2020). "Made in Ireland" book launch - keynote address. Fulltekst i vitenarkiv
• Hawkins, Stan (2020). Keynote IASPM Conference: Staging the Spectacle: The Dandyist Theatrics of Jacques Dutronc. Fulltekst i vitenarkiv Vis sammendrag

  Theatricality is a recalibration of everyday life. It is part of every performance. It gives credence to popular music and its cultural and political traditions. This presentation opts for an interdisciplinary and intertextual approach in a bid to argue the inextricable links between theatricality, musical personae, and identity. Popular music studies has come a long way in complementing the scholarship of major opera, film, and musical scholars, which has led to an abundance of work on personae, agency, and the problems of authenticity. To show how popular music performances function as powerful arbitrations of the ‘natural’ as much as the artistic, I discuss how masculinity was forged by a Mod sensibility in the 1960s. My focus falls primarily on Paris. If Serge Gainsbourg was considered the Leonard Cohen of French pop music, then Jacques Dutronc (1943) was most definitely le dandy cool, the Gallic Bob Dylan.

• Hawkins, Stan (2020). Maskulinitet er i endring i norsk black metal. [Journal]. KILDEN. Fulltekst i vitenarkiv
• Hawkins, Stan (2019). Black Poesis III: What Makes a Hiphop Classic? Panel debate. Fulltekst i vitenarkiv
• Hawkins, Stan (2019). Rock Personas and Issues of Vocality. Fulltekst i vitenarkiv
• Hawkins, Stan (2019). Introduction: Nordic Study Day. Fulltekst i vitenarkiv
• Nielsen, Nina Urholt & Hawkins, Stan (2018). Agency, Class and Masculinity in Norwegian Black Metal. To be Gaahl. Fulltekst i vitenarkiv
• Hawkins, Stan (2018). Institutionalizing Cosmopolitanism and White Masculinity: Dandyism in Popular Music. Fulltekst i vitenarkiv
• Hawkins, Stan (2018). Countless Ways to Study and Research Into Pop Music. I Kitts, Thomas (Red.), Celebrity for the Curious: Why Study Celebrity, Music, and Film Studies?. Curious Academic Publishing. ISSN 9781925128598. Fulltekst i vitenarkiv
• Hawkins, Stan (2018). Nordic Utopias and the Project of Daydreaming. Fulltekst i vitenarkiv
• Hawkins, Stan (2017). Dance Music Research Today. Fulltekst i vitenarkiv
• Hawkins, Stan (2017). Nordic Popular Music Today. Fulltekst i vitenarkiv
• Hawkins, Stan (2017). The Routledge Companion to Popular Music and Gender. Fulltekst i vitenarkiv
• Hawkins, Stan (2017). Ny bølge med protest musikk under Trump ((interview by Matunda Bigirimana) https://www.nrk.no/kultur/ekspert-tror-pa-ny-bolge-med-protestmusikk-under-trump-1.13339643. [Internet]. NRK Kultur og Underholdning . Fulltekst i vitenarkiv
• Hawkins, Stan (2016). 'Popikonet Anohni vil få folk til å handle'. [Internet]. Framtida.no http://www.framtida.no/articles/popikonet-anoh. Fulltekst i vitenarkiv Vis sammendrag

  Intervjuet av Runar Bjørvik Mæland

• Hawkins, Stan (2016). Keynote Address: New trends in Hip Hop. Fulltekst i vitenarkiv
• Hawkins, Stan (2016). Introduction at book launch: Peter Edward's book launch: György Ligeti's Le Grand Macabre: Postmodernism, Musico-Dramatic Form and the Grotesque. Fulltekst i vitenarkiv
• Hawkins, Stan (2016). Moderator at Book launch: 'Digital Signatures'. Fulltekst i vitenarkiv Vis sammendrag

  Moderator at book launch of new book, Digital Signatures, by Ragnhild Brøvig-Hanssen and Anne Danielsen

• Hawkins, Stan (2016). Masculinity and Gender Norms in Popular Music. Fulltekst i vitenarkiv
• Hawkins, Stan (2016). Opening Keynote address A Very Queer Construct: The Pet Shop Boys in Retrospect. Fulltekst i vitenarkiv
• Hawkins, Stan (2016). Moderator: Prince seminar with Susan Rogers, Prince Charles Alexander, Sarah Niblock and Anne Danielsen. Fulltekst i vitenarkiv
• Hawkins, Stan (2016). Book Launch: 'Queerness in Pop' (New York: Routledge) with guest response by Dr Freya Jarman (University of Liverpool, UK). Fulltekst i vitenarkiv
• Hawkins, Stan (2016). Hip Hop vert skeiva. [Journal]. Universitas - Forskerintervju med Runer B. Mæland. Fulltekst i vitenarkiv
• Hawkins, Stan & Lund, Joacim (2016). Bowie går nye veier – igjen. [Journal]. Aftenposten. Fulltekst i vitenarkiv
• Hawkins, Stan (2016). Moderator: Book launch of 'Tranformations of Musical Modernism', eds. E.E.Guldbrandsen and Julian Johnson. Fulltekst i vitenarkiv
• Hawkins, Stan (2016). Jente eller gutt?Kjønn og seksualitet gjorde Prince til en superstjerne. [Journal]. Aftenposten (Journalist: Joacim Lund). Fulltekst i vitenarkiv
• Hawkins, Stan; Zeiner-Henriksen, Hans T. & Danielsen, Anne (2015). Record Production in the Internet Age. Journal on the Art of Record Production. Fulltekst i vitenarkiv
• Hawkins, Stan (2015). Gender Production in Azealia Banks' 'Chasing Time'. Fulltekst i vitenarkiv
• Hawkins, Stan (2015). New methods and theories in Popular Music Research. Fulltekst i vitenarkiv
• Hawkins, Stan (2015). Clues to Efficiency in PhD Supervision (with presentations by Professors Georgina Born and Øivind Varkøy) and organised by PhD leader, Nanette Nielsen. Fulltekst i vitenarkiv
• Hawkins, Stan (2014). Moderator at Panel on Popular Music and Transculturalism, with introduction to the field. Fulltekst i vitenarkiv
• Hawkins, Stan (2014). Popular Music & Gender in a Transcultural Context. Fulltekst i vitenarkiv
• Hawkins, Stan (2014). Popmusikk på utstilling. [Journal]. Ballade (intervjuet av Linn Carin Dirdal). Fulltekst i vitenarkiv
• Hawkins, Stan (2014). Gender Performativity and Agency in Popular Music. Fulltekst i vitenarkiv
• Hawkins, Stan (2014). Fakta biter ikke på ekte menn! Intervju med Joacim Lund om kjønn og musikk. [Journal]. Aftenposten. Fulltekst i vitenarkiv
• Hawkins, Stan (2014). Finding results in Research project. Fulltekst i vitenarkiv
• Hawkins, Stan (2013). Typisk norsk musikk. [Journal]. Morgenbladet. Fulltekst i vitenarkiv Vis sammendrag

  "Om den presenteres utenfor kontekst skal man være ekspert for å høre de minimale forskjellene på norsk, svensk, dansk og baltisk folkemusikk" - sitat fra intervju av Solveig Nyaard Langvad

• Hawkins, Stan (2013). Michael Jackson: grasping the spectacle. Edited by Christopher R. Smit. Farnham and Burlington, VT: Ashgate, 2012. 243 pp. ISBN 978-1-4094-4696-5. Popular Music. ISSN 0261-1430. 32(3), s. 521–523. doi: 10.1017/S0261143013000354. Fulltekst i vitenarkiv
• Hawkins, Stan (2013). Music in a Transcultural Space: Inscriptions of Representation through Performance. Fulltekst i vitenarkiv
• Hawkins, Stan (2013). Norsk popmusikk er ikke typisk norsk. [Internet]. forskning.no. Fulltekst i vitenarkiv Vis sammendrag

  Den norske popmusikken fremstår som norsk fordi vi tror den er det, mener professor Stan Hawkins. Intervju med Kamilla Simonnes

• Hawkins, Stan (2013). Hyperembodiment and Aesthetics in Pop Videos. Fulltekst i vitenarkiv
• Hawkins, Stan (2013). 'Queer Pop's Compulsion': 'Love is a Bourgeois Construct'. Fulltekst i vitenarkiv
• Hawkins, Stan (2013). Review: Michael Jackson: Grasping the Spectacle, ed. Christopher Smit. Popular Music. ISSN 0261-1430. 32(03), s. 521–523. Fulltekst i vitenarkiv
• Hawkins, Stan (2012). 'An Altered State: Terror, Music and War Games'. Fulltekst i vitenarkiv
• Hawkins, Stan (2012). On Critical Musicological Reflections. Fulltekst i vitenarkiv Vis sammendrag

  The lecture picked up on a number of points that takes into perspective the recent changes in musicology primarily in the UK and USA. In his recently edited volume of essays, 'Critical Musicological Reflections', Stan Hawkins set out to address a range of approaches in theorizing music that crosses a wide range of repertoires. In particular a discussion of critical musicology was taken up through its dialogue with other neighboring disciplines, such as history, anthropology, cultural studies, feminism, sociology and film music studies.

• Hawkins, Stan (2012). Transcultural Intertextuality in a Norwegian Space and Place. Fulltekst i vitenarkiv Vis sammendrag

  Popular Music and Gender in a Transcultural Context - NFR Project

• Johansson, Mats & Hawkins, Stan (2012). Transcultural intertextuality in a Norwegian space and place. Fulltekst i vitenarkiv
• Hawkins, Stan (2012). Keynote address: 'Terror, Masculinity, and Music: Implications for the Nordic Identity'. Fulltekst i vitenarkiv
• Hawkins, Stan & Niblock, Sarah (2012). WDR 3 Deutschland Aftershow: Das Prinzip Prince Redaktion: Markus Heuger. Fulltekst i vitenarkiv
• Hawkins, Stan (2011). Gender and Popular Music. Fulltekst i vitenarkiv
• Hawkins, Stan (2011). Spoof and Hyperembodiment in Pop Videos. Fulltekst i vitenarkiv
• Hawkins, Stan (2011). Localizing the Transcultural. Fulltekst i vitenarkiv
• Hawkins, Stan (2011). Music, Masculinity and Terrorism in Norway. Fulltekst i vitenarkiv
• Hawkins, Stan (2011). ‘You Have Killed Me’ – Tropes of Hyperbole and Sentimentality in Morrissey’s Musical Expression. I Devereux, Eoin; Dillane, Aileen & Power, Martin (Red.), Morrissey : fandom, representations and identities. Intellect Ltd.. ISSN 9781841505961. s. 307–323. Fulltekst i vitenarkiv
• Hawkins, Stan (2010). Intervju om internasjonal monografi, The British Pop Dandy. [Radio]. West Deutsch Rundfunk (WDR 3). Fulltekst i vitenarkiv Vis sammendrag

  Lenken: http://www.wdr3.de/open-freiraum/details/artikel/maennlichke

• Hawkins, Stan (2010). 'Third Time Very Lucky!' "Take On Me" made the video star. Fulltekst i vitenarkiv
• Hawkins, Stan (2010). "Prince Vilikke". [Journal]. Aftenposten. Fulltekst i vitenarkiv
• Hawkins, Stan (2010). Intervju om Prince. [Radio]. NRK P2 Musikkredaksjon. Fulltekst i vitenarkiv
• Hawkins, Stan (2009). Reviewing the Reviewers. Fulltekst i vitenarkiv
• Hawkins, Stan (2009). Morrissey. [Radio]. NRK P2. Fulltekst i vitenarkiv
• Hawkins, Stan (2009). Intervju om Stan Hawkins' ny bok. [Radio]. NRK P2 - Musikk Redaksjon (med Linn Bølstad). Fulltekst i vitenarkiv
• Hawkins, Stan (2009). Parodisk og politisk pop (journalist: Kristin Engh Førde). [Internet]. Kilden: Informasjonssenter for kjønnsforskning (Kristin Engh. Fulltekst i vitenarkiv
• Hawkins, Stan (2009). 'You have Killed Me!' - Tropes of hyperbole and sentimentality in Morrissey's musical performance. Fulltekst i vitenarkiv
• Hawkins, Stan (2008). Hvordan jeg til syvende og sist fant fram på Blindern. Fulltekst i vitenarkiv
• Hawkins, Stan (2008). Seminar: Music, Gender and Audio-visuality. Fulltekst i vitenarkiv
• Hawkins, Stan (2008). Making Sense of the Recorded Voice. Fulltekst i vitenarkiv
• Hawkins, Stan (2008). 'Beyond Seduction: The pop video, complicity and myth making'. Fulltekst i vitenarkiv
• Hawkins, Stan (2008). Publishing in International Journals. Fulltekst i vitenarkiv
• Hawkins, Stan (2007). Britpop: Manic Lads and Blurred Lashings. Fulltekst i vitenarkiv
• Hawkins, Stan (2007). 'Unsettling difference: music and identity in Britpop'. Fulltekst i vitenarkiv
• Hawkins, Stan (2006). 'Common People': on the subject of social class and performativity in nation building. Fulltekst i vitenarkiv
• Hawkins, Stan (2006). On Musical Performativity in Norwegian Advertising. Fulltekst i vitenarkiv
• Hawkins, Stan (2006). Leder. Studia Musicologica Norvegica. ISSN 0332-5024. 32, s. 3–6. Fulltekst i vitenarkiv
• Hawkins, Stan (2006). THINKING ALLOWED - Radio 4. [Radio]. BBC London. Fulltekst i vitenarkiv Vis sammendrag

  Musical Bonds & boundaries project

• Hawkins, Stan (2005). Issues in Music Video Analysis - keynote address. Fulltekst i vitenarkiv
• Hawkins, Stan & Knudsen, Jan Sverre (2005). Glatte gater - musikkproduksjon i et urbant ungdomsmiljø. Fulltekst i vitenarkiv
• Hawkins, Stan (2005). Leder. Studia Musicologica Norvegica. ISSN 0332-5024. 31, s. 3–6. Fulltekst i vitenarkiv
• Hawkins, Stan (2005). Aphex Twin collides with Justin Timberlake: Spectacular Bodies in Music Videos. Fulltekst i vitenarkiv
• Hawkins, Stan (2005). Dance through temporal mediation. Fulltekst i vitenarkiv
• Hawkins, Stan (2005). "Mentasm" � Tracking Beltram's Production and the Aesthetics of the Mix. Fulltekst i vitenarkiv
• Hawkins, Stan (2004). Popular Music Analysis and New Perspectives. Fulltekst i vitenarkiv
• Hawkins, Stan (2004). Contagious genealogies in "Moulin Rouge" - joint presentation with Erik Steinskog. Fulltekst i vitenarkiv
• Hawkins, Stan (2004). Bonds and Boundaries within musical activity in Norway. Fulltekst i vitenarkiv
• Hawkins, Stan (2004). Leder. Studia Musicologica Norvegica. ISSN 0332-5024. 30, s. 3–7. Fulltekst i vitenarkiv Vis sammendrag

  Hvis du åpner hvilket som helst musikkvitenskapelig tidsskrift i dag, vil du finne et bredt spekter av perspektiver. Men hvordan definerer vi musikkvitenskap, og i hvilke retninger beveger vi oss i 2004?

• Hawkins, Stan (2004). Invited panel member in discussion on keynote address by Keynote speaker: CARL SCHACHTER (USA) on "The Scherzo of Schubert's Piano Sonata in B flat, D. 960: Analysis and Performance.". Fulltekst i vitenarkiv
• Hawkins, Stan (2003). Thirteen commissioned articles on popular music artists. I Freeland, David (Red.), Baker's Biographical Dictionary of Popular Musicians since 1990. Schirmer Reference. ISSN 9780028657998. Fulltekst i vitenarkiv
• Hawkins, Stan (2003). Nineteen commissioned articles. I Shepherd, John (Red.), Continuum Encyclopedia of Popular Music of the World. Volume II: Performance and Production. Continuum. ISSN 9780826463227. Fulltekst i vitenarkiv
• Hawkins, Edgar Stanley (2002). Matters of Popular Music Analysis and Gender Theory. Fulltekst i vitenarkiv Vis sammendrag

  The function and relevance of gender studies within readings of popular music texts from a musicological perspective formed the main focus of this lecture.

• Hawkins, Edgar Stanley (2002). Unpacking Pleasures in Musical Expression. Fulltekst i vitenarkiv Vis sammendrag

  Accounting for pleasure is complex and subjective as the author Roger Scruton reminds us when he attacks popular music and jazz. Pleasure is not something that can be essentialised. Aesthetic practices in European music have historically been engaged with music as a political realm for measuring good or bad taste. This paper problematises how music is culturally and socially imbricated by a close look at a range of musicological critiques.

• Hawkins, Stan (2002). Intervju om engelskgruppe Super-Collider. [Radio]. Oslo NRK : P2 Radio - Popfront (Eystein Sandvik). Fulltekst i vitenarkiv
• Hawkins, Edgar Stanley & Tønsberg, Knut (2023). Developing Practices and Approaches to Electronic Popular Music in Education. Universitetet i Agder. Fulltekst i vitenarkiv
• Bresler, Zack; Hawkins, Stan & Aareskjold-Drecker, Jon Marius (2022). Immersed in Pop! Excursions into Compositional Design. Universitetet i Agder. ISSN 9788284270616. Fulltekst i vitenarkiv Vis sammendrag

  Recent changes in consumer audio and music technology and distribution - for example the addition of 3D audio formats such as Dolby Atmos to music streaming services, the recent release of “Spatial Audio” on Apple and Beats products, the proliferation of musical content in virtual reality and 360º videos, etc. - have reignited a public discourse on concepts of immersion and interactivity in popular music and media. This raises questions and necessitates a deepening of popular musicological discourse in these areas. This thesis thus asks: what is the relationship between so-called immersive media and immersive experience? How are immersive and interactive experiences of audiovisual popular music compositionally designed? And to what degree do interpretations of immersion and interactivity in popular music imply agency on part of the listener/viewer? To address these questions, Bresler has authored or co-authored four articles and book chapters on music in immersive and interactive media with a focus on compositional design and immersion in pop music. In the framing chapter, these articles are contextualized through the coining of the term immersive staging, which is a framework for understanding how the perceived relationship between the performer and listener is mediated through technology, performativity, audiovisual compositional design, and aesthetics. Additionally, the chapter makes a case for the hermeneutic methodologies employed throughout.

• Askerøi, Eirik & Hawkins, Stan (2005). Man/Machine - mot en åpning av soundbegrepet. Universitetet i Oslo. Fulltekst i vitenarkiv Vis sammendrag

  Det finnes mange dekkende begreper som refererer til den musikalske helheten, men ”sound” er sannsynligvis den termen som benyttes mest eksplisitt i denne sammenheng. På norsk har det vært vanlig å oversette sound enten med lyd eller lydbilde, men av forskjellige årsaker som jeg kommer nærmere inn på i oppgaven, har jeg valgt å benytte ”sound”. Den utbredte bruken av begrepet i et utall forskjellige betydninger og sammenhenger har imidlertid medvirket til en viss grad av tåkelegging, og jeg har hatt som mål å peke på de ulike elementene som bidrar til å påvirke soundet. Med utgangspunkt i tanken om at noen musikalske parametere virker soundbestemmende, har jeg utviklet en modell for å betrakte soundet som resultat av teknologiske og stilistiske parametere. Interaksjonen mellom teknologi og spillestil står sentralt i denne oppgaven, og jeg ser blant annet nærmere på hvordan gal eller ikke-intendert bruk av teknologisk utstyr har gitt seg utslag i ulike musikalske utrykk. I oppgaven tar jeg også for meg hvordan elgitar og vokal gjennom teknologisk iscenesettelse fungerer soundbestemmende på hver sin måte. Det teoretiske fundamentet fra de første kapitlene fungerer som springbrett for de auditive analysene i det siste kapittelet.

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