Guest lectures and seminars - Page 2

Marzia D’Angelo (University of Naples Federico II)

The Philosophical Seminar With Pauline Kleingeld (University of Groningen)

Join us for a seminar discussion of debates about improvement in Eighteenth-Century Europe.

Between Warsaw and Cambridge, between then and now: Janina Hosiasson-Lindenbaum

Margaretha Miles (MA-student at IFIKK)

I will be presenting passages about Artemis from both the Iliad and the Odyssey, which I will be analysing and discussing in my MA project to highlight her different roles.

Antti Lampinen (Univ. of Turku)

Science Gallery is the world’s first university-linked network dedicated to public engagement with science and art. Speak by Jahnavi Phalkey.

The Philosophical Seminar With Guy Kahane

Brent Nongbri (MF Vitenskapelig høyskole)

Can the goals of revolution justify the means, or are societal upheavals of this kind always wrong? Professor Lea Ypi (LSE) explores these questions in this year's Exphil lecture. 

Giulia Frigerio (Univ. of Kent)

In this lecture, Dr. Genevieve Liveley (University of Bristol) will discuss whether narratologists and futurists might mutually benefit from a critical toolkit for understanding foretelling as a narrative practice.

The Philosophical Seminar with Louise Hanson

Boris Maslov (IFIKK)

Eco-Racism in the History of Philosophy: From Buffon to Hegel

Guy Bradley (Univ. of Cardiff)

Philosophical Seminar with Rob Simpson

In this lecture, Christina Kiaer (Northwestern University) will discuss the complex conditions of art and art historical research in Russia during the 30-year window between the fall of the Soviet Union and the restrictions imposed at start of the current war.  

Alek Keersmaekers

Listening to the backgroundification of nature and the silence of extinction in the twentieth century.

Philosophical Seminar with Jens Timmermann

Margaretha Miles (IFIKK)

Jan Bremmer

In this lecture, Seth Brodsky (University of Chicago) will discuss what happens when we question standard psychoanalytic accounts of the "silence of the drives" and instead see it as a point of departure for a new theory of music.