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  • Bentsen, Lars Ødegaard; Simionato, Riccardo; Wallace, Benedikte & Krzyzaniak, Michael Joseph (2022). Transformer and LSTM Models for Automatic Counterpoint Generation using Raw Audio. Proceedings of the SMC Conferences. ISSN 2518-3672. doi: 10.5281/zenodo.6572847.
  • Kjus, Yngvar; Spilker, Hendrik Storstein & Kiberg, Håvard (2022). Liveness online in deadly times: How artists explored the expressive potential of live-streamed concerts at the face of COVID-19 in Norway. First Monday. ISSN 1396-0466. 27(6). doi: 10.5210/fm.v27i6.12398.
  • Kjus, Yngvar & Jacobsen, Roy Aulie (2022). Will the EU’s directive on copyright in the digital market change the power balance of the music industry? Views from Norway. . Nordisk kulturpolitisk tidsskrift. ISSN 1403-3216. 25(1), p. 28–42. doi: 10.18261/nkt.25.1.3.
  • Herrebrøden, Henrik & Bjørndal, Christian T. (2022). Youth International Experience Is a Limited Predictor of Senior Success in Football: The Relationship Between U17, U19, and U21 Experience and Senior Elite Participation Across Nations and Playing Positions. Frontiers in Sports and Active Living. ISSN 2624-9367. 4. doi: 10.3389/fspor.2022.875530.
  • Kwak, Dongho; Combriat, Thomas Michel Daniel; Wang, Chencheng; Scholz, Hanne; Danielsen, Anne & Jensenius, Alexander Refsum (2022). Music for Cells? A Systematic Review of Studies Investigating the Effects of Audible Sound Played Through Speaker-Based Systems on Cell Cultures . Music & Science. ISSN 2059-2043. 5. doi: 10.1177/20592043221080965.
  • Mangaoang, Áine (2022). Shakespear's Sister, "Stay"(1992). In Hill, Sarah (Eds.), One-Hit Wonders: An Oblique History of Popular Music. Bloomsbury. ISSN 9781501368417.
  • Louviot, Manon (2021). UNCOVERING the DOUAI FRAGMENT: COMPOSING POLYPHONY and ENCODING A COMPOSER in the LATE FOURTEENTH CENTURY. Early Music History. ISSN 0261-1279. 40, p. 85–166. doi: 10.1017/S0261127920000121.
  • Gasper, Giles E.M.; Tanner, Brian K.; Sønnesyn, Sigbjørn Olsen & El-Bizri, Nader (2021). Travelling Optics: Robert Grosseteste and the Optics behind the Rainbow. In Etheridge, Christian & Campopiano, Michele (Ed.), Medieval Science in the North: Travelling Wisdom, 1000–1500. Brepols. ISSN 978-2-503-58804-9. p. 45–76.
  • Mangaoang, Áine (2021). “A reward rather than a right”: Facilitators’ perspectives on the place of music in Norwegian prison exceptionalism. Musicae Scientiae. ISSN 1029-8649. Full text in Research Archive
  • Godøy, Rolf Inge (2021). Constraint-Based Sound-Motion Objects in Music Performance. Frontiers in Psychology. ISSN 1664-1078. 12, p. 1–17. doi: 10.3389/fpsyg.2021.732729. Full text in Research Archive
  • Danielsen, Anne; Nymoen, Kristian; Langerød, Martin Torvik; Jacobsen, Eirik; Johansson, Mats Sigvard & London, Justin (2021). Sounds familiar(?): Expertise with specific musical genres modulates timing perception and micro-level synchronization to auditory stimuli. Attention, Perception & Psychophysics. ISSN 1943-3921. doi: 10.3758/s13414-021-02393-z. Full text in Research Archive
  • Kelkar, Tejaswinee (2021). Body Data for Music Information Retrieval Tasks . In Wieczorkowska, Alicja & Tsumoto, Shusaku (Ed.), Recommender Systems for Medicine and Music . Springer Nature Switzerland AG 2021. ISSN 978-3-030-66448-0. p. 153–165. doi: https%3A/doi.org/10.1007/978-3-030-66450-3_10.
  • Eriksen, Asbjørn Øfsthus (2021). A ‘completion’ of Liszt’s transcendental studies with a Russian imprint: Modality and topics in Sergey Lyapunov’s 12 Études d’exécution transcendante (1897–1905) . Svensk tidskrift för musikforskning. ISSN 2002-021X. 103, p. 61–88. Full text in Research Archive
  • Hagen, Anja Nylund (2021). Datafication, Literacy, and Democratization in the Music Industry. Popular music and society. ISSN 0300-7766. p. 1–19. doi: 10.1080/03007766.2021.1989558.
  • Laeng, Bruno; Kuyateh, Sarjo & Kelkar, Tejaswinee (2021). Substituting facial movements in singers changes the sounds of musical intervals. Scientific Reports. ISSN 2045-2322. 11(1). doi: 10.1038/s41598-021-01797-z. Full text in Research Archive
  • Hui, Alan (2021). Mashup music as expression displaced and expression foregone. Internet Policy Review. ISSN 2197-6775. 10(4). doi: 10.14763/2021.4.1604. Full text in Research Archive
  • Edwards, Peter (2021). Ideology, Performance, and Ironic Distance in Musical Slapstick. In Malakaj, Ervin & Lyons, Alena E. (Ed.), Slapstick: An Interdisciplinary Companion. Walter de Gruyter (De Gruyter). ISSN 9783110570793. p. 37–52. doi: 10.1515/9783110571981-004. Full text in Research Archive
  • Aubinet, Stéphane (2021). The Problem of Universals in Cross-Cultural Studies: Insights from Sámi Animal Melodies (Yoik). Psychology of Music. ISSN 0305-7356. 49(3). doi: 10.1177/03057356211024346. Full text in Research Archive
  • Aubinet, Stephane Vincent B & Malay, Olivier E. (2021). Transition and Resilience in Music: Insights from Folk Bals. International Review of the Aesthetics and Sociology of Music. ISSN 0351-5796. 52(1), p. 147–164.
  • Kjus, Yngvar (2021). Twists and turns in the 360 deal: Spinning the risks and rewards of artist–label relations in the streaming era. European Journal of Cultural Studies. ISSN 1367-5494. 25(2), p. 463–478. doi: 10.1177/13675494211044731.
  • Weisethaunet, Hans (2021). «Jazz som konservatoriefag i Norge – en (u)mulig historie?». Studia Musicologica Norvegica. ISSN 0332-5024. 47(1), p. 27–44. doi: 10.18261/issn.1504-2960-2021-01-03.
  • Weisethaunet, Hans (2021). «Å høre hjemme i verden. Om «jazzutdanning» og lytting som kunnskap». In Bostad, Inga (Eds.), Å høre hjemme i verden. Introduksjon til en pedagogisk hjemstedsfilosofi.. Spartacus. ISSN 978-82-304-0291-7. p. 251–284.
  • Eerola, Tuomas; Vuoskoski, Jonna K.; Kautiainen, Hannu; Peltola, Henna-Riikka; Putkinen, Vesa & Schäfer, Katharina (2021). Being moved by listening to unfamiliar sad music induces reward-related hormonal changes in empathic listeners. Annals of the New York Academy of Sciences. ISSN 0077-8923. 1502(1), p. 121–131. doi: 10.1111/nyas.14660. Full text in Research Archive
  • Colbjørnsen, Terje; Hui, Alan & Solstad, Benedikte (2021). What do you pay for all you can eat? Pricing practices and strategies in streaming media services. Journal of Media Business Studies. ISSN 1652-2354. doi: 10.1080/16522354.2021.1949568. Full text in Research Archive
  • Fasciani, Stefano & Goode, Jackson Montgomery (2021). 20 NIMEs: Twenty Years of New Interfaces for Musical Expression. In Dannenberg, Roger & Xiao, Xiao (Ed.), Proceedings of the International Conference on New Interfaces for Musical Expression. The International Conference on New Interfaces for Musical Expression. ISSN 2220-4792. doi: https%3A/doi.org/10.21428/92fbeb44.b368bcd5. Full text in Research Archive
  • Copiaco, Abigail; Ritz, Christian; Abdulaziz, Nidhal & Fasciani, Stefano (2021). A Study of Features and Deep Neural Network Architectures and Hyper-Parameters for Domestic Audio Classification. Applied Sciences. ISSN 2076-3417. 11(11). doi: 10.3390/app11114880.
  • Dybsand, Øyvin (2021). Johan Halvorsen as Young Violin Student in Leipzig, “The City of Music”, in the Late 1880s. In Dinslage, Patrick & Keym, Stefan (Ed.), Edvard Grieg und seine skandinavischen Kollegen in ihren Beziehungen zu Leipzig: 8. Deutscher Edvard-Grieg-Kongress vom 15. bis 17. Oktober 2020 in Leipzig. Gudrun Schröder Verlag. ISSN 9783926196828. p. 243–261.
  • Copiaco, Abigail; Ritz, Christian; Fasciani, Stefano & AbdulAziz, Nidhal (2021). Identifying Sound Source Node Locations Using Neural Networks Trained with Phasograms. Proceedings of IEEE International Symposium on Signal Processing and Information Technology (ISSPIT). ISSN 2641-5542. doi: 10.1109/ISSPIT51521.2020.9408643.
  • Zickfeld, Janis Heinrich; van de Ven, Niels; Pich, Olivia; Schubert, Thomas; Vuoskoski, Jonna Katariina & Vingerhoets, Ad J.J.M. (2021). Tears evoke the intention to offer social support: A systematic investigation of the interpersonal effects of emotional crying across 41 countries. Journal of Experimental Social Psychology. ISSN 0022-1031. doi: 10.1016/j.jesp.2021.104137. Full text in Research Archive
  • Kjus, Yngvar (2021). License to stream? A study of how rights-holders have responded to music streaming services in Norway. The International Journal of Cultural Policy. ISSN 1028-6632. 28(1), p. 61–73. doi: 10.1080/10286632.2021.1908276.
  • White, Rebekah C.; Gasper, Giles E. M.; McLeish, Tom C. B.; Tanner, Brian K.; Harvey, Joshua S & Sønnesyn, Sigbjørn Olsen [Show all 8 contributors for this article] (2021). Magnifying Grains of Sand, Seeds, and Blades of Grass: Optical Effects in Robert Grosseteste’s De iride (On the Rainbow) (circa 1228–1230). Isis. ISSN 0021-1753. 112(1), p. 93–107. doi: 10.1086/713724.
  • Peltola, Henna-Riikka & Vuoskoski, Jonna Katariina (2021). “I hate this part right here”: Embodied, subjective experiences of listening to aversive music. Psychology of Music. ISSN 0305-7356. 50(1), p. 159–174. doi: 10.1177/0305735620988596. Full text in Research Archive
  • Weisethaunet, Hans (2021). “Creating Maps, Generating Meanings: Music Criticism.” Chapter 8, 169-188. In Nathaus, Klaus & Rempe, Martin (Ed.), Musicking in Twentieth-Century Europe. A Handbook. Walter de Gruyter (De Gruyter). ISSN 978-3-11-064808-9. p. 169–188.
  • Sønnesyn, Sigbjørn Olsen (2020). Word, Example, and Practice: Learning and the Learner in Twelfth-Century Thought. Journal of Medieval History. ISSN 0304-4181. 46, p. 513–535.
  • Copiaco, Abigail; Ritz, Christian; Fasciani, Stefano & Abdulaziz, Nidhal (2020). An Application for Dementia Patient Monitoring with Sound Level Assessment Tool. In IEEE, . (Eds.), 2020 3rd International Conference on Signal Processing and Information Security (ICSPIS). IEEE. ISSN 978-1-7281-8998-7.
  • Hawkins, Stan & Nielsen, Nina (2020). Gaahl—Monster or Postmodern Prometheus? Masculinity, Class, and Norwegian Black Metal. In Peddie, Ian (Eds.), The Bloomsbury Handbook of Popular Music and Social Class. Bloomsbury Academic. ISSN 978-1-5013-4536-4. p. 185–204. doi: 10.5040/9781501345395.ch-010.
  • Mangaoang, Áine (2020). "I See Music": Beyoncé, YouTube, and the Question of Signed-Songs. In Marshall, Melanie L. & Iddon, Martin (Ed.), Beyoncé: At Work, On Screen, and Online. Indiana University Press. ISSN 9780253052841. p. 189–225.
  • Zelechowska, Agata; Gonzalez Sanchez, Victor Evaristo; Laeng, Bruno; Vuoskoski, Jonna Katariina & Jensenius, Alexander Refsum (2020). Who Moves to Music? Empathic Concern Predicts Spontaneous Movement Responses to Rhythm and Music. Music & Science. ISSN 2059-2043. 3. doi: 10.1177/2059204320974216. Full text in Research Archive
  • Aksnes, Hallgjerd (2020). Making Sense. Studi di estetica. ISSN 0585-4733. anno XLVIII(IV serie, 1/2020), p. 299–306. doi: 10.7413/18258646122. Full text in Research Archive
  • Thompson, Marc Richard & Vuoskoski, Jonna Katariina (2020). Music as embodied experience. Human Technology. ISSN 1795-6889. 16(3), p. 227–232. doi: 10.17011/ht/urn.202011256763. Full text in Research Archive
  • Weisethaunet, Hans (2020). «Keeping time» vs. «making time»: Jon Christensen (1943–2020), Studia Musicologica Norvegica 46, 77-93. Studia Musicologica Norvegica. ISSN 0332-5024. 46(1), p. 77–93. doi: 10.18261/issn.1504-2960-2020-01-07. Full text in Research Archive
  • Mangaoang, Áine (2020). Scenes and Networks. In Mangaoang, Áine (Eds.), Made in Ireland: Studies in Popular Music. Routledge. ISSN 9781138336032. p. 169–172.
  • Mangaoang, Áine (2020). Songs of Love: A Conversation with Neil Hannon (The Divine Comedy). In Mangaoang, Áine (Eds.), Made in Ireland: Studies in Popular Music. Routledge. ISSN 9781138336032. p. 248–262.
  • Mangaoang, Áine; O'Flynn, John & Ó Briain, Lonán (2020). Popular Music in Ireland: Mapping the Field. In Mangaoang, Áine (Eds.), Made in Ireland: Studies in Popular Music. Routledge. ISSN 9781138336032. p. 1–16.
  • Hawkins, Stan (2020). Personas in Rock: "We Will, We Will Rock You". In Moore, Allan & Carr, Paul (Ed.), The Bloomsbury Handbook of Rock Music Research. Bloomsbury Academic. ISSN 978-1-5013-3045-2. p. 239–254.
  • Størvold, Tore (2020). Musical aesthetics below ground: volcanic action and the geosocial in Sigur Rós’s “Brennisteinn”. Journal of Aesthetics and Culture. ISSN 2000-4214. 12(1). doi: 10.1080/20004214.2020.1761060. Full text in Research Archive
  • Stupacher, Jan; Witek, Maria; Vuoskoski, Jonna Katariina & Vuust, Peter (2020). Cultural familiarity and individual musical taste differently affect social bonding when moving to music. Scientific Reports. ISSN 2045-2322. 10. doi: 10.1038/s41598-020-66529-1. Full text in Research Archive
  • Zelechowska, Agata; Gonzalez-Sanchez, Victor E.; Laeng, Bruno & Jensenius, Alexander Refsum (2020). Headphones or Speakers? An Exploratory Study of Their Effects on Spontaneous Body Movement to Rhythmic Music. Frontiers in Psychology. ISSN 1664-1078. 11(698). doi: 10.3389/fpsyg.2020.00698. Full text in Research Archive
  • Danielsen, Anne & Hawkins, Stan (2020). The Quest of Princian Research. Popular music and society. ISSN 0300-7766. 43(3), p. 231–236. doi: 10.1080/03007766.2020.1757811.
  • Towse, Ruth (2020). Dealing with digital: the economic organisation of streamed music. Media, Culture and Society. ISSN 0163-4437. doi: 10.1177/0163443720919376. Full text in Research Archive
  • Huron, David & Vuoskoski, Jonna Katariina (2020). On the enjoyment of sad music: Pleasurable Compassion Theory and the role of trait empathy. Frontiers in Psychology. ISSN 1664-1078. doi: 10.3389/fpsyg.2020.01060. Full text in Research Archive
  • Støckert, Robin; Bergsland, Andreas; Fasciani, Stefano & Jensenius, Alexander Refsum (2020). Student active learning in a two campus organisation. eLearning and Software for Education. ISSN 2066-026X. 1, p. 612–620. doi: 10.12753/2066-026X-20-080.
  • Danielsen, Anne & Hawkins, Edgar Stanley (2020). “The Right Amount of Odd”: Vocal Compulsion, Structure, and Groove in Two Love Songs from Around the World in a Day. Popular music and society. ISSN 0300-7766. 43(3). doi: 10.1080/03007766.2020.1757814. Full text in Research Archive
  • Hagen, Anja Nylund (2020). Music in Streams: Communicating Music in the Streaming Paradigm . In Filimowicz, Michael & Tzankova, Veronika (Ed.), Reimagining Communication: Mediation (1st Edition). Routledge. ISSN 9781138498914. p. 210–225.
  • Brennan, Matt & Devine, Kyle (2020). The cost of music. Popular Music. ISSN 0261-1430. 39(1), p. 43–65. doi: 10.1017/S0261143019000552.
  • Eriksen, Asbjørn Øfsthus (2020). Benötigen wir eine weitere Durchsicht von Edvard Griegs Gesamtausgabe? Über zwei verschwundene Takte in Lualåt, Op. 73 Nr. 7. Die Musikforschung. ISSN 0027-4801. 73(1), p. 47–54.
  • Harvey, Joshua S; Smithson, Hannah E.; Siviour, Clive R.; Gasper, Giles E. M.; Sønnesyn, Sigbjørn Olsen & McLeish, Tom C. B. [Show all 7 contributors for this article] (2019). A Thirteenth-Century Theory of Speech. Journal of the Acoustical Society of America. ISSN 0001-4966. 146, p. 937–947.
  • Copiaco, Abigail; Ritz, Christian; Abdulaziz, Nidhal & Fasciani, Stefano (2019). Identifying Optimal Features for Multi-channel Acoustic Scene Classification. In Bastaki, Eesa M & Mukhtar, Husameldin (Ed.), 2019 2nd International Conference on Signal Processing and Information Security (ICSPIS). IEEE. ISSN 978-1-7281-3873-2. doi: 10.1109/ICSPIS48135.2019.9045907.
  • Maasø, Arnt & Hagen, Anja Nylund (2019). Metrics and decision-making in music streaming. Popular Communication - The International Journal of Media and Culture. ISSN 1540-5702. doi: 10.1080/15405702.2019.1701675. Full text in Research Archive
  • Vohra, Manohar & Fasciani, Stefano (2019). PYNQ-Torch: a framework to develop PyTorch accelerators on the PYNQ platform. IEEE International Symposium on Signal Processing and Information Technology (ISSPIT). ISSN 2162-7843. doi: 10.1109/ISSPIT47144.2019.9001806.
  • Copiaco, Abigail; Ritz, Christian H; Fasciani, Stefano & Abdulaziz, Nidhal (2019). Scalogram Neural Network Activations with Machine Learning for Domestic Multi-channel Audio Classification. IEEE International Symposium on Signal Processing and Information Technology (ISSPIT). ISSN 2162-7843. doi: 10.1109/ISSPIT47144.2019.9001814.
  • Kjus, Yngvar (2019). The Use of Copyright in Digital Times: A Study of How Artists Exercise Their Rights in Norway. Popular music and society. ISSN 0300-7766. doi: 10.1080/03007766.2019.1698206. Full text in Research Archive
  • Devine, Kyle (2019). Musicology Without Music. In Braae, Nick & Hansen, Kai Arne (Ed.), On Popular Music and Its Unruly Entanglements. Palgrave Macmillan. ISSN 978-3-030-18099-7. p. 15–37. doi: 10.1007/978-3-030-18099-7_2.
  • Eriksen, Asbjørn Øfsthus (2019). Fra pessimisme til sosialistisk realisme. Symfonikeren Nikolaj Mjaskovskij (1881–1950), del 2. Studia Musicologica Norvegica. ISSN 0332-5024. 45(1), p. 75–94. doi: 10.18261/issn.1504-2960-2019-01-07. Full text in Research Archive
  • Mangaoang, Áine (2019). Music and Tourism. In Buckley, John & O'Flynn, John (Ed.), Ceol Phádraig: Music at St Patrick's College Drumcondra, 1875-2016. Peter Lang Publishing Group. ISSN 978-1-78997-622-9. p. 205–222. doi: https%3A/doi.org/10.3726/b16407.
  • Weisethaunet, Hans (2019). Escaping Nordic musical exoticism? Chapter 2. The Nature of Nordic Music. In Howell, Tim (Eds.), The Nature of Nordic Music. Routledge. ISSN 978-1-138-20718-9. p. 20–47. doi: 10.4324/9781315462851-2.
  • O'Flynn, John & Mangaoang, Áine (2019). Sounding Dublin: Mapping Popular Music Experience in the City. Journal of World Popular Music. ISSN 2052-4900. 6(1), p. 32–61. doi: 10.1558/jwpm.34372.
  • Hawkins, Stan & Størvold, Tore (2019). Justin Timberlake's "Man of the Woods": Lumbersexuality, Nature, and Larking Around. In Hawkins, Stan & Burns, Lori A. (Ed.), The Bloomsbury Handbook of Popular Music Video Analysis. Bloomsbury Academic. ISSN 978-1-5013-4233-2. p. 317–336. doi: 10.5040/9781501342363.ch-018.
  • Bradley, Catherine (2019). Choosing a Thirteenth-Century Motet Tenor: From the Magnus liber organi to Adam de la Halle. Journal of the American Musicological Society. ISSN 0003-0139. 72(2), p. 431–492. doi: 10.1525/jams.2019.72.2.431. Full text in Research Archive
  • Fasciani, Stefano & Vohra, Manohar (2019). Towards a High-Performance Platform for Sonic Interaction Interfaces. In Barbancho, Isabel; Tardón, Lorenzo J.; Peinado, Alberto & Barbancho, Ana M. (Ed.), SMC 2019 Proceedings of the 16th Sound & Music Computing Conference. Society for Sound and Music Computing. ISSN 978-84-09-08518-7. p. 97–104. doi: 10.5281/zenodo.3249278. Full text in Research Archive
  • Danielsen, Anne (2019). Glitched and Warped: Transformations of Rhythm in the Age of the Digital Audio Workstation. In Grimshaw, Mark; Walther-Hansen, Mads & Knakkergaard, Martin (Ed.), The Oxford Handbook of Sound and Imagination, Volume 2. Oxford University Press. ISSN 9780190460242. doi: 10.1093/oxfordhb/9780190460242.013.27. Full text in Research Archive
  • London, Justin; Nymoen, Kristian; Langerød, Martin Torvik; Thompson, Marc Richard; Code, David Løberg & Danielsen, Anne (2019). A comparison of methods for investigating the perceptual center of musical sounds. Attention, Perception & Psychophysics. ISSN 1943-3921. 81(6), p. 2088–2101. doi: 10.3758/s13414-019-01747-y. Full text in Research Archive
  • Vuoskoski, Jonna Katariina & Reynolds, Dee (2019). Music, rowing, and the aesthetics of rhythm. The Senses & Society. ISSN 1745-8927. 14(1), p. 1–14. doi: 10.1080/17458927.2018.1525201. Full text in Research Archive
  • Alarcón Diaz, Ximena (2019). Conceptual design for INTIMAL: a physical/virtual embodied system for Relational Listening. The Journal of Somaesthetics (JS). ISSN 2445-6837. 4(2), p. 6–24. doi: 10.5278/ojs.jos.v4i2.2393. Full text in Research Archive
  • Danielsen, Anne; Nymoen, Kristian; Anderson, Evan; Câmara, Guilherme Schmidt; Langerød, Martin Torvik & Thompson, Marc R. [Show all 7 contributors for this article] (2019). Where is the beat in that note? Effects of attack, duration, and frequency on the perceived timing of musical and quasi-musical sounds. Journal of Experimental Psychology: Human Perception and Performance. ISSN 0096-1523. 45(3), p. 402–418. doi: 10.1037/xhp0000611.
  • Solberg, Ragnhild Torvanger & Jensenius, Alexander Refsum (2019). Group behaviour and interpersonal synchronization to electronic dance music. Musicae Scientiae. ISSN 1029-8649. 23(1), p. 111–134. doi: 10.1177/1029864917712345. Full text in Research Archive
  • Mangaoang, Áine (2018). 'Here Lies Love' and the Politics of Disco-Opera. In Scotto, Ciro; Smith, Kenneth M. & Brackett, John (Ed.), The Routledge Companion to Popular Music Analysis: Expanding Approaches. Routledge. ISSN 9781138683112. p. 347–363. doi: 10.4324/9781315544700-24.
  • Lutfi, Aoun & Fasciani, Stefano (2018). Automating the Optimization of Web Interfaces for E-Commerce. In Alja’am, Jihad Mohamad; El Saddik, Abdulmotaleb & Sadka, Abdul Hamid (Ed.), Recent Trends in Computer Applications. Springer Nature. ISSN 978-3-319-89914-5. p. 221–235. doi: 10.1007/978-3-319-89914-5_13.
  • Fasciani, Stefano & Rahman, Habibur (2018). Tangible Virtual Patch Cords. In Park, Tae Hong & Ahn, Doo-Jin (Ed.), Proceedings of the 2018 International Computer Music Conference. The International Computer Music Association. ISSN 0-9845274-7-8. p. 316–321. doi: 2027/spo.bbp2372.2018.060.
  • Fasciani, Stefano (2018). Spectral Granular Synthesis. In Park, Tae Hong & Ahn, Doo-Jin (Ed.), Proceedings of the 2018 International Computer Music Conference. The International Computer Music Association. ISSN 0-9845274-7-8. p. 99–103. doi: 2027/spo.bbp2372.2018.019.
  • Fasciani, Stefano & Wyse, Lonce (2018). Vocal control of sound synthesis personalized by unsupervised machine listening and learning. Computer Music Journal. ISSN 0148-9267. 42(1), p. 37–59. doi: 10.1162/comj_a_00450.
  • Hawkins, Stan & Ålvik, Jon Mikkel Broch (2018). A-ha's "Take on Me": Melody, Vocal Compulsion, and Retroscoping. In Scotto, Ciro; Smith, Kenneth M. & Brackett, John (Ed.), The Routledge Companion to Popular Music Analysis: Expanding Approaches. Routledge. ISSN 9781138683112. p. 77–94.
  • Halmrast, Tor (2018). Attack the Attack. Proceedings of the Institute of Acoustics. ISSN 1478-6095. 40(3), p. 335–346.
  • Akca, Merve (2018). Time course of selective attention for instrumental timbres and human voice. In Ziemke, Tom; Arvola, Mattias; Dahlbäck, Nils & Billing, Erik (Ed.), PROCEEDINGS OF THE 14TH SWEDISH COGNITIVE SCIENCE SOCIETY CONFERENCE. The University of Skövde. ISSN 978-91-983667-3-0. p. 10–11. doi: http%3A/www.swecog.se/conference/2018/Swecog-2018-Proceedings.pdf.
  • Watne, Åshild & Nymoen, Kristian (2018). Der æ so vent å vestoheio. Intonation in a "gammelstev" from Setesdal. Musikk og tradisjon. ISSN 1892-0772. 32, p. 7–30. Full text in Research Archive
  • Eriksen, Asbjørn Øfsthus (2018). «Fra pessimisme til sosialistisk realisme. Symfonikeren Nikolaj Mjaskovskij (1881–1950)», del 1. Studia Musicologica Norvegica. ISSN 0332-5024. 44(1), p. 79–101. doi: 10.18261/issn.1504-2960-2018-01-06. Full text in Research Archive

View all works in Cristin

View all works in Cristin

  • Kraugerud, Emil (2022). Closeness beyond closeness: The technological facilitation of acousmatic hyperintimacy.
  • Özgen, Zafer (2022). Passion of Man, Rule of Law: Hans Werner Henze’s Autobiographical Opera Der Prinz von Homburg. 12th Biennial Conference on Music Since 1900 .
  • Kjus, Yngvar; Brøvig-Hanssen, Ragnhild & Wang, Solveig Margrethe (2022). Encountering new technology: A study of how female creators explore DAWs.
  • Kjus, Yngvar; Brøvig-Hanssen, Ragnhild & Wang, Solveig Margrethe (2022). Getting onto the platforms of music production: How women negotiate the creative opportunities of digital audio workstations.
  • Knævelsrud, Helene; Tjønndal, Anne & Hansen, Kai Arne (2022). #sommerkroppen2022: Hva bør jeg gjøre? . Morgenbladet. ISSN 0805-3847.
  • Oddekalv, Kjell Andreas (2022). On Being a White Norwegian Analysing Rap. Dansk Musikforskning Online. ISSN 1904-237X. DMO Special Issue 2022, p. 115–122.
  • Edwards, Peter (2022). Pønkebadet.
  • Edwards, Peter (2022). Marino Formenti and the transformative concert recital .
  • Danielsen, Anne & Leske, Sabine Liliana (2022). How the brain tracks the precision of a beat bin - musical, behavioral and neurophysiological perspectives.
  • Bradley, Catherine Anne (2022). Perspectives for lost polyphony and red notation around 1300: Medieval motet and organum fragments in Stockholm.
  • Bradley, Catherine Anne (2022). La musique et la liturgie à Notre-Dame.
  • Danielsen, Anne; Câmara, Guilherme Schmidt; Lartillot, Olivier; Leske, Sabine Liliana & Spiech, Connor (2022). Musical rhythm. Behavioural, computational and neurophysiological perspectives.
  • Danielsen, Anne & Jensenius, Alexander Refsum (2022). Presentation of RITMO Research.
  • Danielsen, Anne (2022). Utvikling og ledelse av tverrfaglige forskningssentre - erfaringer fra RITMO SFF.
  • Brøvig-Hanssen, Ragnhild; Johansson, Mats Sigvard; Sandvik, Bjørnar; Jacobsen, Eirik; Aareskjold-Drecker, Jon Marius & Danielsen, Anne (2022). Musical rhythm. Qualitative investigations.
  • Brøvig-Hanssen, Ragnhild (2022). Formidlingsformer i forskning.
  • Edwards, Peter (2022). György Ligeti’s Concerto for Violin and Orchestra: Conceiving Rhythm and Form by Association.
  • al Outa, Amani; Knævelsrud, Helene; Laczkó, Bálint & Jensenius, Alexander Refsum (2022). Winner of RRI-inspired transdisciplinary side quest call. [Internet]. Centre for Digital Life Norway.
  • Jensenius, Alexander Refsum & Platou, Jeanette (2022). Kan kunstig intelligens være kreativ? [Radio]. NRK P2 Arena.
  • Høffding, Simon & Jensenius, Alexander Refsum (2022). MusicLab Copenhagen - en forskningskonsert.
  • Jensenius, Alexander Refsum & Ashley, Kevin (2022). FAIR in Higher Education.
  • Mangaoang, Áine (2022). Prisons of Note: Mapping music in prisons from the periphery (Keynote address).
  • Jensenius, Alexander Refsum & Fasciani, Stefano (2021). University of Oslo - RITMO Centre for Interdisciplinary Studies in Rhythm, Time and Motion. Proceedings of the SMC Conferences. ISSN 2518-3672. 2021-.
  • Funderud, Ingrid; Danielsen, Anne; Endestad, Tor; Jensenius, Alexander Refsum; Leske, Sabine Liliana & Solbakk, Anne-Kristin (2021). Improving working memory in patents with epilepsy by rhythmic sounds.
  • Krzyzaniak, Michael Joseph; Gerry, Jennifer; Kwak, Dongho; Erdem, Cagri; Lan, Qichao & Glette, Kyrre (2021). Fibres Out of Line.
  • Kwak, Dongho; Danielsen, Anne & Jensenius, Alexander Refsum (2021). Music for cells: The human body as a rhythm machine.
  • Lan, Qichao & Jensenius, Alexander Refsum (2021). Collaborative Live Coding with Glicol Music Programming Language.
  • Lan, Qichao & Jensenius, Alexander Refsum (2021). Glicol: A Graph-oriented Live Coding Language Developed with Rust, WebAssembly and AudioWorklet.
  • Bishop, Laura; Gonzalez Sanchez, Victor Evaristo; Laeng, Bruno; Jensenius, Alexander Refsum & Høffding, Simon (2021). Social context affects head motion and gaze in string quartet rehearsal and concert performance.
  • Weisethaunet, Hans (2021). «Samtale med Stian Carstensen – om lytting som kilde til musikalsk kunnskap.» Lanseringsseminar: Å høre hjemme i verden, Litteraturhuset, Oslo.
  • Patel-Grosz, Pritty; Katz, Jonah; Grosz, Patrick Georg; Kelkar, Tejaswinee & Jensenius, Alexander Refsum (2021). From music to dance: the inheritance of semantic inferences.
  • Mangaoang, Áine (2021). Mapping music and nuances in penal exceptionalism from the periphery.
  • Mangaoang, Áine (2021). Singing Restorative Justice: Norwegian Prison Music Exceptionalism?
  • Godøy, Rolf Inge (2021). Impulse-driven rhythm objects.
  • Kraugerud, Emil (2021). Acousmatic intimacy in popular music sound.
  • Devine, Kyle (2021). Den ekologeschen Impakt vum Museklauschteren. [Radio]. radio 100,7 Luxembourg.
  • Devine, Kyle (2021). Streams and Clouds: The Political Ecology of Music in a Digital Era.
  • Devine, Kyle (2021). Decomposed: Political Ecologies of Music — Past, Present, Future.
  • Devine, Kyle (2021). Digital Transformations and Environmental Challenges in Music.
  • Devine, Kyle (2021). Decomposed: Political Ecologies of Music — Past, Present, Future.
  • Devine, Kyle (2021). Political Ecology of Music Workshop.
  • Devine, Kyle (2021). Music and the Green Economy: What Do We Want to Sustain?
  • Devine, Kyle (2021). Recomposed: Sustainability and Musical Culture.
  • Devine, Kyle (2021). Decomposed: The Political Ecology of Music.
  • Devine, Kyle (2021). Decomposed: The Political Ecology of Music.
  • Devine, Kyle (2021). Decomposed: The Political Ecology of Music.
  • Devine, Kyle (2021). How Environmentally Damaging is Music Streaming? [Newspaper]. The New Statesman.
  • Devine, Kyle (2021). NACHHALTIGKEIT IN MUSIKWELT: Music for Future. [Newspaper]. Frankfurter Allgemeine Zeitung.
  • Devine, Kyle (2021). Can Listening to Music Ever Really Be Sustainable? [Newspaper]. Vulture.
  • Devine, Kyle (2021). Decaying Sound, Sounding Decay. Flash Art. ISSN 0394-1493.
  • Devine, Kyle (2021). Pop on a Perilous Planet. [Internet]. Switched on Pop.
  • Devine, Kyle (2021). Is Listening to Music Bad for the Environment? [TV]. Sky News (UK).
  • Kjus, Yngvar (2021). Collective musicking on DAW platforms?
  • Weisethaunet, Hans (2021). “World Music and the World’s Musics”. Seminar lecture, UiA.
  • Kjus, Yngvar (2021). Transformations in the creative roles and modes of music production.
  • Sørbø, Solveig; Solberg, Live Miranda & Kraugerud, Emil (2021). Louien Og Emil Kraugerud Om Musikk Og Nærhet. [Radio]. radiOrakel.
  • Weisethaunet, Hans (2021). Theory and history of Popular Music Studies: Hans Weisethaunet in dialogue with Professor Simon Frith, UK. .
  • Vuoskoski, Jonna Katariina (2021). From compassion to being moved: Social emotions evoked by music.
  • Danielsen, Anne; Langerød, Martin Torvik; Nymoen, Kristian & London, Justin (2021). Genre expertise modulates timing perception and micro-level synchronization to auditory stimuli.
  • Dalgard, Joachim; Lartillot, Olivier; Vuoskoski, Jonna Katariina & Guldbrandsen, Erling Eliseus (2021). Absorption - Somewhere between the heart and the brain.
  • Subramanian, Sidhant; Mittal, Anant; Vuoskoski, Jonna Katariina & Alluri, Vinoo (2021). Music or Lyrics? Individual differences associated with listening strategies.
  • Gram-Nilsen, Elias & Vuoskoski, Jonna Katariina (2021). The influence of the moving image on musical emotions.
  • Vuoskoski, Jonna Katariina (2021). Ny forskningsstudie: Musikk demper korona-fortvilelsen best. [Newspaper]. Aftenposten.
  • Vuoskoski, Jonna Katariina (2021). Episode 89: How Music Can Bridge Cultures. [Internet]. The Science of Happiness Podcast.
  • Weisethaunet, Hans (2021). Sound Studies, seminar presentation/dialogue with professor Jocelyne Guilbault, University of California, Berkeley, digital.
  • Weisethaunet, Hans (2021). Hva er musikkvitenskap? Lecture/dialogue with professor em. Even Ruud.
  • Kjus, Yngvar & Brøvig-Hanssen, Ragnhild (2021). Møter med teknologi: Kvinnelige skaperes utforsking av DAWs.
  • Kjus, Yngvar (2021). Comparing the platforms of cultural production: Music, film, game.
  • Kjus, Yngvar & Spilker, Hendrik Storstein (2021). Liveness in deadly times: How artists in Norway explored the expressive potential of live-streamed concerts at the face of Covid-19 .
  • Weisethaunet, Hans (2021). «Improvisasjon II, lecture. Dialog med Knut Reiersrud.».
  • Weisethaunet, Hans (2021). “Challenges in ethnomusicological fieldwork”.
  • Weisethaunet, Hans (2021). «Jazz og sjangermangfold i høyere norsk musikkutdanning». Musikkhistorieprosjektet ved Norges musikkhøgskole.
  • Zelechowska, Agata; Gonzalez, Victor & Jensenius, Alexander Refsum (2021). Championship of Standstill: A paradigm to study involuntary responses to music with the use of motion capture.
  • Upham, Finn; Zelechowska, Agata; Gonzalez, Victor & Jensenius, Alexander Refsum (2021). Quiet Breathing to Heard Music.
  • Vuoskoski, Jonna Katariina (2021). Deeply Human: Sad Songs. [Radio]. BBC World Service .
  • Hawkins, Stan (2021). Popular Music Books in Process Series - "In Concert: Performing Musical Persona" with Phil Auslander and Stan Hawkins.
  • Bradley, Catherine (2021). Red Notes and New Motets: Fragments from a Medieval Music Book in Stockholm.
  • Bradley, Catherine (2021). Fragments from a Medieval Motet Manuscript in Stockholm: Musical Notation and Lost Polyphony around 1300.
  • Bradley, Catherine (2021). Authorship in the Late Thirteenth-Century Motet: Adam de la Halle and Petrus de Cruce.
  • Kjus, Yngvar (2021). Har internett gjort det vanskeligere å lykkes i musikkbransjen? [Radio]. NRK P2 - Studio 2.
  • Kjus, Yngvar; Hagen, Anja Nylund; Torvund, Olav & Maasø, Arnt (2021). Musikk, opphavsrett og internett.
  • Devine, Kyle (2021). Greening the Net. [TV]. https://www.channelnewsasia.com/news/video-on-demand/greenin.
  • Devine, Kyle (2021). Cloud Illusions. CTM Magazine.
  • Devine, Kyle (2021). Building Back Better. The Wire. 443.
  • Kjus, Yngvar (2021). Strømming gjør det vanskeligere å lykkes i musikkbransjen enn noensinne. [Internet]. www.hf.uio.no/imv/forskning/aktuelt.
  • Bradley, Catherine (2021). Fragments from A Medieval Motet Manuscript in Stockholm: Perspectives for Theory and Analysis.
  • Devine, Kyle (2020). La musique et l'écologie. [Radio]. Radio Télévision Suisse (RTS).
  • Sønnesyn, Sigbjørn Olsen (2020). Egil Kraggerud, De antiquitate regum Norwagiensium (On the Old Norwegian Kings). Edited with translation and commentary (Oslo: Novus Press, 2018). Historisk Tidsskrift (Norge). ISSN 0018-263X. 99(2), p. 160–163.
  • Sønnesyn, Sigbjørn Olsen (2020). Laura Cleaver, Illuminated History Books in the Anglo-Norman World, 1066–1272 (Oxford: Oxford University Press, 2018). Journal of British Studies. ISSN 0021-9371. 59(2), p. 410–411.
  • Sønnesyn, Sigbjørn Olsen (2020). Kven skal vakte etikken til etikkvaktarane sjølve? Khrono.no. ISSN 1894-8995.
  • Swarbrick, Dana; Grinspun, Noemi; Seibt, Beate & Vuoskoski, Jonna Katariina (2020). Food & Paper: Virtually Together: Concerts during the Coronavirus.
  • Devine, Kyle (2020). The Hidden Costs of Streaming Music. [Radio]. Radio New Zealand: Sunday Morning.
  • Devine, Kyle (2020). Classical Music and Climate Change. [Radio]. BBC Radio 3: Music Matters.
  • Devine, Kyle (2020). Decomposed: Political Ecologies of Music.
  • Devine, Kyle (2020). Renewable Heritage: Footprints of the Future.
  • Devine, Kyle (2020). Decomposed: Political Ecologies of Musical Culture.
  • Dybsand, Øyvin (2020). Johan Halvorsen in Leipzig: His Study Time and Later Contacts with C. F. Peters.
  • Smedsrud, Morten Skipenes; Nordmark, Kristin Nagy & Aksnes, Hallgjerd (2020). En reise til musikkens indre. Apollon : Forskningsmagasin for Universitetet i Oslo. ISSN 0803-6926. 30. årgang(3/2020), p. 18–21.
  • Aksnes, Hallgjerd; Fuglestad, Svein & Koksvik, Ingvild (2020). «...alt går så fort og skal være flinkt...»: Affordanser i GIM-programmet The Romantic Piano.
  • Backe Madsen, Lars & Kraugerud, Emil (2020). Holder Bøhler og Northug musikkfaglig mål? Vi har spurt ekspertene. [Newspaper]. Dagens Næringsliv.
  • Vuoskoski, Jonna Katariina (2020). Vad lyssnar folk på i Borgå, Karis och Jakobstad? [Internet]. https://svenska.yle.fi/artikel/2020/12/04/vad-lyssnar-folk-p.
  • Bradley, Catherine (2020). A New Type of Musical Notation ca. 1300: Decoding Red Notes in a Fragment from Stockholm.
  • Hagen, Anja Nylund; Molde, Audun; Nathaus, Klaus & Mitrovic, Minja (2020). Panel: “The Impacts of the Covid-19 crisis on the cultural and creative sectors” .
  • Hagen, Anja Nylund (2020). Kan datamaskiner lage hitmusikk? . [TV]. NRK Nyhetsmorgen.
  • Hagen, Anja Nylund (2020). DDE med direktestrøyma julemusikal. [TV]. Dagsrevyen, NRK1.
  • Weisethaunet, Hans (2020). “Music & Cultural Theory: Ph.d. Seminar-lecture”.
  • Weisethaunet, Hans (2020). «Musikkritikken som felt».
  • Weisethaunet, Hans (2020). «Populærmusikkens historiografi – Norge».
  • Hawkins, Stan (2020). Approaching queerness in popular music.
  • Swarbrick, Dana; Seibt, Beate; Grinspun, Noemi & Vuoskoski, Jonna Katariina (2020). Virtually together: Concerts during the coronavirus.
  • Hawkins, Stan & Stuen, Eivend Augst Westad (2020). Stan Hawkins: Fra samtidskomponist til popforsker. [Newspaper]. KILDEN.
  • Swarbrick, Dana; Seibt, Beate; Grinspun, Noemi & Vuoskoski, Jonna Katariina (2020). Virtually Together: Concerts during the Coronavirus.
  • Swarbrick, Dana; Grinspun, Noemi; Seibt, Beate & Vuoskoski, Jonna Katariina (2020). Quarantine Concerts.
  • Hawkins, Stan (2020). Keynote address: On a Journey to the End of Playfulness: Queerness and Music.
  • Mangaoang, Áine; O'Flynn, John & Ó Briain, Lonán (2020). Made in Ireland booklaunch.
  • Mangaoang, Áine (2020). Creative freedom? The place of music in Norwegian prisons.
  • Mangaoang, Áine & Western, Thomas James (2020). Music, Sound, and Power in Contemporary Places of Detention .
  • Mangaoang, Áine (2020). Music, Sound, and Power in Contemporary Places of Detention: Ethno-Activist Approaches in Ireland, Greece, Norway (panel).
  • Mangaoang, Áine; O'Flynn, John; Ó Briain, Lonán; Jones, Jaime & Dillane, Aileen (2020). Made in Ireland: Notes from a small island (panel).
  • Mangaoang, Áine (2020). Retromania? Problematizing Popular Music Heritage Futures.
  • Mangaoang, Áine (2020). Music video on the margins: Performing citizenship on YouTube.
  • Mangaoang, Áine (2020). "Listen to the song here in my heart”: Beyoncé, YouTube and Signed Songs.
  • Hagen, Anja Nylund (2020). Det store skillet mellom digitale vinnere og tapere. [Internet]. ballade.no.
  • Hagen, Anja Nylund (2020). Ny rapport: - Digitaliseringen i musikkbransjen må profesjonaliseres. [Internet]. KulturPlot.
  • Hagen, Anja Nylund (2020). – Vi kunne vært verdensledende . [Internet]. ballade.no.
  • Hawkins, Stan (2020). "Made in Ireland" book launch - keynote address.
  • Hagen, Anja Nylund; Heian, Mari Torvik; Jacobsen, Roy Aulie & Kleppe, Bård (2020). Norsk musikkbransje – digitale pionerer i ambivalens. ballade.no.
  • Hagen, Anja Nylund (2020). Topper lister: - Helt vilt Norske Delara rager på hitlistene i Tyskland, Sveits og Østerrike. [Newspaper]. Dagbladet.
  • Spilker, Hendrik Storstein; Kjus, Yngvar & Kiberg, Håvard (2020). Nødløsninger med langtidsvirkninger? Artisters og konsertarrangørers erfaringer med strømmekonserter.
  • Kjus, Yngvar (2020). The record contract in flux: Developments in the agreements of artist and label in the time of music streaming.
  • Kraugerud, Emil & Dæhlen, Marte (2020). Hvorfor føles Stein Torleif Bjellas musikk så nær? [Internet]. forskning.no.
  • Bradley, Catherine (2020). Review of Musical Culture in the World of Adam de la Halle. Ed. Jennifer Saltzstein. Revue de musicologie. ISSN 0035-1601. 106(2), p. 491–494.
  • Bradley, Catherine (2020). Scattered Songs in Scandinavia: Fragments from A Medieval Motet Manuscript​ in Stockholm.
  • Bradley, Catherine (2020). New Fragments from a Medieval Motet Manuscript in Stockholm.
  • Bradley, Catherine (2020). Scattered Songs in Stockholm: New Fragments from A Medieval Motet Manuscript.
  • Gonzalez Sanchez, Victor Evaristo; Zelechowska, Agata & Jensenius, Alexander Refsum (2020). MICRO Motion capture data from groups of participants standing still to auditory stimuli (2012).
  • Kjus, Yngvar & Spilker, Hendrik Storstein (2020). Redaktører for spesialnummer om musikk og medier. Norsk Medietidsskrift. ISSN 0804-8452. 27(3). doi: 10.18261/ISSN.0805-9535-2020-03-01.
  • Spilker, Hendrik Storstein; Kjus, Yngvar & Kiberg, Håvard (2020). Nødløsninger med langtidsvirkninger? Artisters og konsertarrangørers erfaringer med direktestrømmete "koronakonserter".
  • Kjus, Yngvar & Spilker, Hendrik Storstein (2020). Lyden av digitalisering: Preludium om musikk og medier. Norsk Medietidsskrift. ISSN 0804-8452. 27(3), p. 1–10.
  • Jensenius, Alexander Refsum; Erdem, Cagri; Kwak, Dongho Daniel; Rahman, Habibur; Glette, Kyrre & Krzyzaniak, Michael Joseph [Show all 7 contributors for this article] (2020). Strings On-Line.
  • Jensenius, Alexander Refsum; Danielsen, Anne & Edwards, Peter (2020). Vi trenger kort og godt mer automagi i Cristin. Khrono.no. ISSN 1894-8995.
  • Jones, Ellis Nathaniel; Mangaoang, Áine & de Boise, Sam (2020). Panel discussion: online participatory music cultures today.
  • Jensenius, Alexander Refsum; Danielsen, Anne & Edwards, Peter (2020). Vi trenger kort og godt mer automagi i Cristin. Uniforum. ISSN 1891-5825.
  • Hagen, Anja Nylund (2020). Krise og kreativitet - musikkbransjen og koronapandemien 2020 .
  • Hagen, Anja Nylund (2020). Artister slipper låter i forkant av album. [Radio]. Nyhetsmorgen, P2.
  • Hagen, Anja Nylund (2020). Strømmetjenestene former hvordan musikk slippes. [TV]. Dagsrevyen, NRK1.
  • Hagen, Anja Nylund (2020). Derfor kommer ny musikk i mye større grad som enkeltsingler. [Internet]. nrk.no.
  • Hagen, Anja Nylund (2020). Festivalsjef: – Strømmekonsertene er kommet for å bli . [Newspaper]. Aftenposten.
  • Kraugerud, Emil (2020). Musikkens intimitet. ballade.no.
  • Hagen, Anja Nylund (2020). Artister sprer musikken sin på TikTok. [TV]. Dagsrevyen, NRK1.
  • Hagen, Anja Nylund (2020). Fra TikTok til strømmetoppen. [Radio]. Nyhetsmorgen, P2.
  • Hagen, Anja Nylund (2020). Forsker tror man vil se flere artister på TikTok . [Internet]. nrk.no.
  • Hawkins, Stan (2020). Keynote IASPM Conference: Staging the Spectacle: The Dandyist Theatrics of Jacques Dutronc.
  • Hagen, Anja Nylund (2020). Krise i musikkbransjen. [Business/trade/industry journal]. musikknyheter.no.
  • Kjus, Yngvar & Hagen, Anja Nylund (2020). Music on (and in) demand: Negotiating and competing in streaming.
  • Hagen, Anja Nylund (2020). De som får folk til å danse sammen. [Internet]. ballade.no.
  • Hagen, Anja Nylund (2020). Norske artister bruker TikTok for å spre musikken sin. [Radio]. NRK P1, Dagens .
  • Hagen, Anja Nylund (2020). TikTok som maktfaktor i musikkbransjen. [Radio]. Studio 2, NRK P2.
  • Støckert, Robin; Bergsland, Andreas; Fasciani, Stefano & Jensenius, Alexander Refsum (2020). Student active learning in a two campus organisation.
  • Weisethaunet, Hans (2020). IMPROVISASJONS-PRAKSIS med Knut Reiersrud. Interview lecture.
  • Weisethaunet, Hans (2020). Writing Music Criticism: A dialogue with Rob Young, editor of Wire magazine.
  • Weisethaunet, Hans (2020). «Georg «Jojje» Wadenius: Blod, svette og tårer». Jazznytt. ISSN 0332-7248. 253(1), p. 42–49.
  • Hawkins, Stan (2020). Maskulinitet er i endring i norsk black metal. [Newspaper]. KILDEN.
  • Hagen, Anja Nylund (2020). Spotifys makt vokser i takt med nye lyttevaner . [Internet]. forskning.no.
  • Hagen, Anja Nylund (2020). Hvilken musikk hører vi på i karantene? [Radio]. NRK P2.
  • Hagen, Anja Nylund (2020). Hva gjør musikere når de ikke kan spille konserter? [Internet]. UiO: Det humanistiske fakultet. Sosiel medier.
  • Hagen, Anja Nylund (2020). Spotifys makt vokser i takt med nye lyttevaner. [Internet]. UiO: Det Humanistiske Fakultet.
  • Hagen, Anja Nylund (2020). Norske musikkforlag: Muligheter og utfordringer.
  • Hagen, Anja Nylund (2020). Bylarm: Å utvikle en artistkarriere i en digital økonomi.
  • Devine, Kyle (2020). Drecksmusik. [Journal]. enorm—Magazin für gesellschaftlichen Wandel.
  • Devine, Kyle (2020). Emissions Possible: Streaming Music Swells Carbon Footprints. [Newspaper]. Al Jazeera.
  • Devine, Kyle (2020). Disco Downer. The Guardian Weekly. ISSN 0958-9996. 202(8), p. 24–25.
  • Devine, Kyle (2020). Carbon Footprints of Music.
  • Devine, Kyle (2020). Rethinking Music Ecosystems.
  • Devine, Kyle (2020). What is the Human and Environmental Cost of Music? [Internet]. New Books in Critical Theory Podcast.
  • Devine, Kyle (2020). The Vinyl Revival is Hurting the Environment, says Canadian Musicologist. [Radio]. Q (CBC Radio One).
  • Devine, Kyle (2020). Nightmares on Wax: The Environmental Impact of the Vinyl Revival. The Guardian. ISSN 0261-3077.
  • Kjus, Yngvar & Spilker, Hendrik Storstein (2020). Introduksjon til seminar om musikk og medier i den digitale tiden.
  • Hawkins, Stan (2020). Keynote Paper: Dandified Personas in Pop Music.
  • Fasciani, Stefano; Jensenius, Alexander Refsum; Støckert, Robin & Xambó, Anna (2020). The MCT Portal: an infrastructure, a laboratory and a pedagogical tool.
  • Kjus, Yngvar (2020). Vil ha opphavsretten ut av lukkede rom. [Business/trade/industry journal]. Ballade.no.
  • Eerola, Tuomas & Vuoskoski, Jonna Katariina (2020). Personality and listeners, The Science and Psychology of Music: From Beethoven at the Office to Beyoncé at the Gym. ABC-CLIO. ISSN 978-1-4408-5771-3.
  • Vuoskoski, Jonna Katariina & Eerola, Tuomas (2020). Personality and musicians, The Science and Psychology of Music: From Beethoven at the Office to Beyoncé at the Gym. ABC-CLIO. ISSN 978-1-4408-5771-3.
  • Zeiner-Henriksen, Hans T. (2019). Analysing the Popular: Corporeal Engagement in the Experience of Music.
  • Mangaoang, Áine (2019). Soundscapes of Utopia: The Place of Music in Norwegian Prisons.
  • Mangaoang, Áine (2019). Hearing Halden: A Case Against Nordic Prison Exceptionalism.
  • Mangaoang, Áine (2019). Book Presentation.
  • Mangaoang, Áine (2019). Dangerous Mediations.
  • Brøvig-Hanssen, Ragnhild & Aareskjold, Jon Marius (2019). Vocal Chops and it's aesthetics.
  • Danielsen, Anne & Nymoen, Kristian (2019). Where is the beat in that note?
  • Halmrast, Tor (2019). Cepstrum for Rhythm Detection.
  • Devine, Kyle; Kraugerud, Emil; Jones, Ellis Nathaniel & Størvold, Tore (2019). First Things First.
  • Jones, Ellis Nathaniel; Kraugerud, Emil; Størvold, Tore & Devine, Kyle (2019). Dragging the Lake.
  • Halmrast, Tor (2019). Oslo I Smug-trioen.
  • Halmrast, Tor (2019). FLUTR.
  • Halmrast, Tor (2019). FLUTR for 24 ch Audio (4 quadro + 20 Ambisonics loudspeakers).
  • Halmrast, Tor (2019). Reverberation Influences the Attack.
  • Weisethaunet, Hans (2019). “Is fieldwork about doing interviews?” NMH (Norwegian Academy of Music) ph.d. seminar, guest lecture.
  • Weisethaunet, Hans (2019). Opponent, ph.d. avhandling, Smith, Erica: Collective Management Organisations (CMOs), Digital Disruption and Small Developing Economies: The Case of the Caribbean Music Industry, UiA.
  • Watne, Åshild & Baur, Eckhard (2019). Jubileumskonsert i Oslo Konserthus med Kampen Janistjar, Wenche Myhre, IMV Vokalensemble m.fl.
  • Hagen, Anja Nylund (2019). Norsk musikkbransje og eksport.
  • Devine, Kyle (2019). Ohne Energie und Arbeit könnte es Streaming nicht geben. [Newspaper]. SPEX—Magazin für Popkultur.
  • Devine, Kyle (2019). Derfor er strømming en miljøversting. [Newspaper]. Dagbladet.
  • Kraugerud, Emil (2019). The acousmatic intimacy of domestic spatialities.
  • Hagen, Anja Nylund (2019). Hva definerer musikken på 2010-tallet? [Radio]. NRK, P2.
  • Hagen, Anja Nylund (2019). Digitalisering som utfordring for kulturindustriene .
  • Hagen, Anja Nylund (2019). Norsk musikk og globale selskaper.
  • Hawkins, Stan (2019). Black Poesis III: What Makes a Hiphop Classic? Panel debate.
  • Devine, Kyle & Brennan, Matt (2019). The Terrifying Miracle of Recorded Sound.
  • Devine, Kyle (2019). Decomposed: Political Ecologies of Jazz and Popular Music.
  • Devine, Kyle & Brennan, Matt (2019). The Terrifying Miracle of Recorded Sound.
  • Devine, Kyle (2019). Decomposed: The Political Ecology of Music.
  • Devine, Kyle (2019). Political Ecologies of Music (and Dance?).
  • Devine, Kyle (2019). Decomposed: The Political Ecology of Music.
  • Devine, Kyle (2019). Decomposed: The Political Ecology of Music.
  • Devine, Kyle (2019). Vinyl: More Sustainable Than You Think?
  • Hagen, Anja Nylund (2019). Norsk musikk i internasjonale markeder. Frokostseminar, Kulturdepartementet: Musikkeksport .
  • Kraugerud, Emil (2019). Intimitet i innspilt musikk.
  • Hagen, Anja Nylund (2019). Superstar economy and the digitalised music industry .
  • Eriksen, Asbjørn Øfsthus (2019). Grieg in Rachmaninoff's music: similarities and influences.
  • Weisethaunet, Hans (2019). ‘Roots’ and ‘Routes’ of Scandinavian Music—Dialogue/lecture with Hallvard T. Bjørgum.
  • Weisethaunet, Hans (2019). The Art Ensemble of Chicago, ECM. Jazznytt. ISSN 0332-7248. 250, p. 58–59.
  • Weisethaunet, Hans (2019). Music Studies and Fieldwork, "World Music Workshop", Agder University.
  • Hawkins, Stan (2019). Introduction: Nordic Study Day.
  • Kraugerud, Emil (2019). Producing intimacy: Siv Jakobsen's Nordic Mellow (2017).
  • Hagen, Anja Nylund (2019). Napster. Store Norske Leksikon (Nettutgaven).
  • Holbrook, Ulf A. S. & Kraugerud, Emil (2019). Distances and proximities in acousmatic spatiality .
  • Vuoskoski, Jonna Katariina & Heid, Markham (2019). Why Listening to Sad Music Makes You Feel Better. [Internet]. https://elemental.medium.com/why-listening-to-sad-music-make.
  • Vuoskoski, Jonna Katariina (2019). Parallels between the cognition of rhythm in sports and music.
  • Vuoskoski, Jonna Katariina (2019). Accounting for inter-individual variance in perceived and felt emotions.
  • Vuoskoski, Jonna Katariina & Layton, Christine (2019). Saturday Breakfast: There is a reason you get pleasure from sad songs. [Radio]. ABC Radio Perth, Australia.
  • Weisethaunet, Hans (2019). Musikk som praksisfelt, musikk som vitenskap og som kulturelt felt.
  • Weisethaunet, Hans (2019). Platepoetikk. ECM 50 år. Bobo Stenson i samtale med Hans Weisethaunet. Nasjonalbiblioteket Seminar.
  • Weisethaunet, Hans (2019). Musikk som kunnskap og dannelse – endringer i det nordiske feltet? Fra blokkfløyte til Chick Corea. Nord-Ed Seminar, UiO.
  • Hagen, Anja Nylund (2019). Tidal. Store Norske Leksikon (Nettutgaven).
  • Hagen, Anja Nylund (2019). Spotify. Store Norske Leksikon (Nettutgaven).
  • Hagen, Anja Nylund (2019). strømmetjenester. Store Norske Leksikon (Nettutgaven).
  • Hagen, Anja Nylund; Sandvik, Eystein; Witek, Julia; Nedrelid, Alma & Hovland, Torkjell (2019). Å bygge en karriere i musikklivet.
  • Kjus, Yngvar; Brøvig-Hanssen, Ragnhild; Askerøi, Eirik; Hartung, Mike; Wergeland Juell, Magnus & Karoliussen, Sara (2019). Musikkprodusentens rolle.
  • Kjus, Yngvar & Brøvig-Hanssen, Ragnhild (2019). Med opphavsrett på studieplanen. [Business/trade/industry journal]. Ballade.no.
  • Eriksen, Asbjørn Øfsthus (2019). Foredrag om Rachmaninov.
  • Hagen, Anja Nylund (2019). Music streaming and data literacy.
  • Bradley, Catherine (2019). Invited Seminar at Conservatoire national supérieur de musique et de danse de Lyon.
  • Weisethaunet, Hans (2019). ‘Criticism and canonisation’, presentation for “Musicking in Twentieth-Century Europe”, De Gruyter’s Verlagshaus, Berlin.
  • Weisethaunet, Hans (2019). “Musical Sound, Place, and Listening,” Invited lecture, “Anthropology of Sound, Acoustemology, and Sensory Transformations Conference”, University of Eastern Finland .
  • Eriksen, Asbjørn Øfsthus (2019). Skazki. Nikolaj Medtner. Gunnar Sama, piano. (Liner notes til CD med klavermusikk av Nikolaj Medtner. 2L-156-SACD. Lindberg Lyd AS).
  • Devine, Kyle (2019). The World Remade. [Internet]. Reasonably Sound (podcast).
  • Hagen, Anja Nylund (2019). Thomas Hayes har signert med Sony, skal gi ut musikk. [Newspaper]. Aftenposten.
  • Vuoskoski, Jonna Katariina & Bjurström, Eelis (2019). Hautaa ystäväsi – Me kuuntelemme kuolemaa ja surkeutta romantisoivia kappaleita ymmärtämättä, että ne voivat vahingoittaa meitä syvästi. [Internet]. https://yle.fi/uutiset/3-10875178.
  • Vuoskoski, Jonna Katariina & Eerola, Tuomas (2019). Trait empathy contributes to the intensity of music-induced emotions: Evidence from self-reports and psychophysiology.
  • Thompson, Marc Richard & Vuoskoski, Jonna Katariina (2019). Everything but the sound: Investigating the relationships between movement features and perceptual ratings of silent music performances.
  • Vuoskoski, Jonna Katariina & Thompson, Marc Richard (2019). The contribution of visual and auditory cues to the perception of emotion in musical performance.
  • Huron, David & Vuoskoski, Jonna Katariina (2019). On the enjoyment of sad music: Pleasurable compassion theory and the role of trait empathy.
  • Rygg Haanaes, Øystein & Bradley, Catherine (2019). Notre-Dame var eit kraftsenter for komposisjon av fleirstemt song i mellomalderen. [Internet]. https://forskning.no/middelalderen-musikk-partner/notre-dame.
  • Bradley, Catherine (2019). Tenor Quotations for Thirteenth-Century Motets: Unexpected Connections with Pedes and Polyphonic Rondeaux.
  • Bradley, Catherine (2019). Choosing a Tenor Quotation for Thirteenth-Century Motets: Unexpected Connections with Pedes and Polyphonic Rondeaux.
  • Bradley, Catherine (2019). Voice in Thirteenth-Century Motets.
  • Bradley, Catherine (2019). Adam de la Halle: Motets and Rondeaux.
  • Bradley, Catherine (2019). Adam de la Halle’s Intergeneric Self Citations.
  • Bradley, Catherine (2019). Polyphony in Medieval Paris: Book Launch.
  • Bradley, Catherine (2019). 'First take your Tenor’: Quoting upon Quotations in Thirteenth-Century Motets.
  • Bradley, Catherine (2019). Analysing Quotational Foundations for Thirteenth-Century Motets.
  • Bradley, Catherine (2019). Choosing a Tenor Quotation for Thirteenth-Century Motets: Unexpedted Connections with Pedes and Polyphonic Rondeau.
  • Bradley, Catherine (2019). Stirps Iesse florigeram in Context: Benedicamus Domino Polyphony in Aquitaine and The Origins of the Motet.
  • Bradley, Catherine (2019). 'First take your tenor’: quoting upon quotations in thirteenth-century motets.
  • Hagen, Anja Nylund (2019). Bokomtale: Engasjement og arrangement - ei utgreiing om konsertarrangørar. Musikkmagasinet Ballade. ISSN 0805-5041.
  • Danielsen, Anne; Nymoen, Kristian & London, Justin (2019). Noise in the click or click in the noise: Investigating probe-stimulus order in P-center estimation tasks.
  • Devine, Kyle; Brennan, Matt & Collinson Scott, Jo (2019). The Cost of Music.
  • Devine, Kyle (2019). The Internet’s Carbon Footprint. [Internet]. IRL: Online Life is Real Podcast.
  • Kraugerud, Emil (2019). Intimacy and extimacy in record production.
  • Kjus, Yngvar (2019). Is streaming streamlining copyright in music? .
  • Hagen, Anja Nylund (2019). En lesning av Engasjement og arrangement: Ei utgreiing om konsertarrangørar.
  • Devine, Kyle (2019). The Slow Violence of Music: An Infrastructural History of Sound Reproduction.
  • Brennan, Matt & Devine, Kyle (2019). Music streaming has a far worse carbon footprint than the heyday of records and CDs—new findings. The Conversation. ISSN 2201-5639.
  • Devine, Kyle (2019). Real Cost of Streaming. [Radio]. Cape Talk (South Africa).
  • Devine, Kyle (2019). Noise pollution: What you need to know about the carbon footprint of streaming music. [Internet]. Canadian Broadcasting Corporation.
  • Devine, Kyle (2019). Streaming Music Shamed for its Inadvertent Carbon Output. [Internet]. Gizmodo.
  • Alarcón Diaz, Ximena; Ospina, Violeta; Villalba, Silvia; Rodriguez, Liliana; Ramirez, Anita & Lema, Calu [Show all 10 contributors for this article] (2019). INTIMAL Multimedia Fanzine Vol. 1/2019.
  • Alarcón Diaz, Ximena (2019). Talk about INTIMAL project in online Seminar.
  • Alarcón Diaz, Ximena (2019). INTIMAL workshop London.
  • Alarcón Diaz, Ximena (2019). INTIMAL Workshop Oslo.
  • Alarcón Diaz, Ximena (2019). INTIMAL Workshop Barcelona.
  • Devine, Kyle (2019). Emissions From Music Consumption Reach Unprecedented High, Study Shows. [Internet]. Pitchfork.
  • Devine, Kyle (2019). Is streaming music worse for the environment than buying CDs and records? [Internet]. Australian Broadcasting Corporation.
  • Alarcón Diaz, Ximena (2019). INTIMAL Long Distance Improvisation (Telematic Sonic Improvisatory Performance). Oslo-Barcelona-London.
  • Hawkins, Stan (2019). Rock Personas and Issues of Vocality.
  • Alarcón Diaz, Ximena (2019). Talk in Mixtur Festival, Barcelona: INTIMAL: Interfaces for Relational Listening. Body, Memory, Migration, Telematics.
  • Alarcón Diaz, Ximena (2019). INTIMAL: a space for relational listening to flow in-between fragments of memory, migration and conflict.
  • Edwards, Peter (2019). Udo Zimmermann's Weiße Rose.
  • Kraugerud, Emil (2019). Domestic intimate space in recorded music.
  • Jensenius, Alexander Refsum; Erdem, Cagri; Zelechowska, Agata; Lan, Qichao; Fuhrer, Julian Peter & Gonzalez Sanchez, Victor Evaristo (2019). Entraining Guitars.
  • Hagen, Anja Nylund (2019). Musikkbransjen er ikke så digital som vi tror. Dagens næringsliv. ISSN 0803-9372. 109(109), p. 31–31.
  • Weisethaunet, Hans (2019). “Challenges in Ethnomusicological Research”. UiA World Music Seminar.
  • Weisethaunet, Hans (2019). Writing Music—‘constructing authenticity’, NTNU seminar.
  • Weisethaunet, Hans (2019). Perspectives on jazz improvisation: A dialogue with bassist Arild Andersen.
  • Weisethaunet, Hans (2019). Interview lecture: A dialogue with Georg «Jojje» Wadenius: Guitar improvisation in the recording studio.
  • Hagen, Anja Nylund (2019). Facing the global music industry: Norwegian responses to the digitalisation of the music industry.
  • Hagen, Anja Nylund (2019). Taylor Swift og musikklansering på Instagram. [Radio]. NRK, P2.
  • Hagen, Anja Nylund & Kjus, Yngvar (2019). Musikkbransjen i strømmingens tidsalder.
  • Hagen, Anja Nylund (2019). Norsk musikk i internasjonale markeder.
  • Clauder, Ingvo; Tveit, Anders; Evensen, Terje & Lossius, Trond (2019). In a Now.
  • Kjus, Yngvar & Hagen, Anja Nylund (2019). Musikkbransjen i strømmetiden.
  • Nymoen, Kristian (2019). Musikalske maskiner.
  • Edwards, Peter (2019). Frahmtiden er ny-klassisk. [Newspaper]. Vårt Land.
  • Weisethaunet, Hans (2019). «Tomasz Stańko: Det siste intervjuet». Jazznytt. ISSN 0332-7248. 249, p. 40–45.
  • Weisethaunet, Hans (2019). Interview lecture: A dialogue with John Surman.
  • Alarcón Diaz, Ximena (2019). Seminario Transdisciplinar: voz, memoria, violencia, comunidad, prácticas artísticas.
  • Vuoskoski, Jonna Katariina (2019). Sound Field (producer: PBS Digital Studios), Episode 2: Why Does Sarah McLachlan’s “Angel” Sound So Sad? [Internet]. https://www.youtube.com/watch?v=SHipCeYasYY.
  • Jensenius, Alexander Refsum; Martin, Charles Patrick; Erdem, Cagri; Lan, Qichao; Fuhrer, Julian Peter & Gonzalez Sanchez, Victor Evaristo [Show all 8 contributors for this article] (2019). Self-playing Guitars.
  • Vuoskoski, Jonna Katariina (2019). Being moved by music: A prosocial emotional response?
  • Hagen, Anja Nylund (2019). Hva betyr digitaliseringen for norsk musikkeksport? [Internet]. Ballade.no.
  • Hagen, Anja Nylund (2019). Anja Nylund Hagen om musikkeksport. [Radio]. Søndagsåpent, NRK P1.
  • Sønnesyn, Sigbjørn Olsen (2018). William of Malmesbury, The Miracles of the Blessed Virgin Mary, ed. R. M. Thomson and M. Winterbottom (Woodbridge: Boydell Press, 2015). Speculum. ISSN 0038-7134. 93, p. 292–294.
  • Zeiner-Henriksen, Hans T. (2018). Structural verticality in electronic dance music.
  • Mangaoang, Áine (2018). Arts in Detention (panel).
  • Mangaoang, Áine (2018). Sounding Contemporary Carceral Cultures.
  • Mangaoang, Áine (2018). Music on the Margins.
  • Mangaoang, Áine (2018). Music in prisons: International perspective.
  • Mangaoang, Áine (2018). Permeable Bars.
  • Mangaoang, Áine (2018). On songs and protest.
  • Mangaoang, Áine (2018). Music and Prisons in Global Perspective (Public Policy Panel sponsored by the SEM board).
  • Weisethaunet, Hans (2018). Dialogue with Skyllstad on his career spanning six decades, on the event of his 90th birthday.
  • Alarcón Diaz, Ximena (2018). Case Study - in The Digital Musician Third Edition, by Andrew Hugill. [Internet]. http://andrewhugill.com/thedigitalmusician/alarcon.html.
  • Alarcón Diaz, Ximena (2018). Nine Colombian women to process memories through intense listening. [Internet]. https://www.hf.uio.no/imv/english/research/news-and-events/n.
  • Lartillot, Olivier; Nymoen, Kristian & Danielsen, Anne (2018). Prediction of P-centers from audio recordings.
  • Weisethaunet, Hans (2018). “Ethnomusicology: tradition and perspectives”, World Music seminar series, Universitetet i Agder.
  • Weisethaunet, Hans (2018). «Jazzimprovisasjon som kommunikasjon», med gjest Arild Andersen.
  • Weisethaunet, Hans (2018). Interview presentation: “In the recording studio” with Georg “Jojje” Wadenius.
  • Weisethaunet, Hans (2018). Opponent, ph.d. sluttseminar: «En fiolin er ikke en fiolin er ikke en fiolin...», Benjamin Rygh, Universitetet i Sørøst-Norge.
  • Alarcón Diaz, Ximena (2018). Telematic Sonic Performance: On Dis-location.
  • Alarcón Diaz, Ximena (2018). Relational Listening: in-between body, memory, migration and telematics.
  • Alarcón Diaz, Ximena (2018). INTIMAL Listening in Dreams online sessions, reflecting on four spheres of migratory memory.
  • Alarcón Diaz, Ximena (2018). Fieldwork: Deep Listening Intensive-MOCAP Lab sessions.
  • Weisethaunet, Hans (2018). «Musikkvitenskapelig teori og metode», presentasjon, Nord universitet .
  • Weisethaunet, Hans (2018). «Kulturanalyse og feltarbeid», Det vitenskapelige ph.d.-programmet, Norges musikkhøgskole.
  • Weisethaunet, Hans (2018). «Jazz som konservatoriefag», invitert foredrag, NMH historieprosjektet - institusjonshistorie .
  • Weisethaunet, Hans (2018). Opponent ph.d. prøvedisputas: Nina Nielsen: “Spreading Darkness: Norwegian Black Metal and Cosmopolitanism”, Norwegian Academy of Music .
  • Weisethaunet, Hans (2018). Opponent, ph.d. avhandling, Camilla Kvaal: «Kryssende musikkopplevelser: En undersøkelse av samspill i en interkulturell musikkpraksis.» Høgskolen i Innlandet, Ph.d. i profesjonsrettede lærerutdanningsfag.
  • Câmara, Guilherme Schmidt (2018). Original concert performance with funk/soul ensemble "Baba Soul & The Professors of Funk", Oslo World Music Festival 2018.
  • Weisethaunet, Hans (2018). “What’s Black Got to do with it? – Soul and Sound in the Southern Studio“, Topographies of Sound International Conference .
  • Nielsen, Nanette; Aksnes, Hallgjerd; Edwards, Peter & Kvalbein, Astrid (2018). Launch for Nanette Nielsen’s book _Paul Bekker’s Musical Ethics_. Introduction and moderation by Hallgjerd Aksnes, panel discussion including: Peter Edwards (University of Oslo), Peter Franklin (University of Oxford), Sarah Hibberd (University of Bristol), Astrid Kvalbein (NMH) and Aksel Tollåli (Oslo).
  • Aksnes, Hallgjerd (2018). Geirr Tveitt and the Teutonic Plague: The History of Effect of Baldur’s Dreams.
  • Løvås, Vebjørn & Aksnes, Hallgjerd (2018). Tredje søndag i advent: julemusikk. [Internet]. Facebook-side for Universitetet i Oslo.
  • Mauno, Hanne; Aksnes, Hallgjerd & Christophersen, Bjørn Morten (2018). O helga natt: Folkets julesang. [Newspaper]. Dagsavisen.
  • Halmrast, Tor (2018). Div. Komposisjone: "Jeg Ser", "Bytrærne".
  • Halmrast, Tor (2018). Akustikk for Pianostemmere.
  • Halmrast, Tor (2018). Sound Theory for Master Students, Electroacoustic Music, Norges Musikkhøgskole.
  • Halmrast, Tor (2018). Basstanker i små rom.
  • Kjus, Yngvar (2018). Negotiating streaming rights: A study of the contracts and negotiations underlying the music streaming economy .
  • Hagen, Anja Nylund (2018). The communication of music in the streaming paradigm .
  • Hagen, Anja Nylund (2018). Industry in change: cultural labour in a globalised and digitalised music industry.
  • Akca, Merve (2018). Time course of selective attention for instrumental timbres and human voice.
  • Bradley, Catherine (2018). Quoting Against the Odds: Connections between Motet Tenors, Pedes, and Polyphonic Rondeaux.
  • Bradley, Catherine (2018). Benedicamus Domino and Musical Creativity in the Middle Ages.
  • Bradley, Catherine (2018). Crafting and Re-Crafting a Thirteenth-Century Motet.
  • Bradley, Catherine (2018). Benedicamus Domino 800-1500.
  • Bradley, Catherine (2018). Musical Creativity in Medieval Paris.
  • Kraugerud, Emil (2018). Intimacy in popular music sound.
  • Dybsand, Øyvin (2018). Johan Halvorsen - «født i 4/4-takt», men uskikket som militærmusiker. In Persen, Niels Kristian (Eds.), I storm og stille (Forsvarets musikk 1818-2018). Forsvarets musikk. ISSN 9788230339275.
  • Jensenius, Alexander Refsum (2018). How I try to do it FAIR.
  • Jensenius, Alexander Refsum (2018). Motion Capture in Music Performance, Perception and Interaction.
  • Jensenius, Alexander Refsum; Sundquist, Jonas Hartford & Eriksen, Siri Øverland (2018). De er studenter ved to universiteter samtidig. [Internet]. Khrono.
  • Kjus, Yngvar (2018). The use of copyright in digital times: A study of how singer-songwriters exercise their rights in evolving music markets.
  • Jensenius, Alexander Refsum (2018). Åpen forskning - et humanistisk-teknologisk perspektiv.
  • Eriksen, Asbjørn Øfsthus & Edwards, Peter (2018). Musikk og humor.
  • Jensenius, Alexander Refsum (2018). Evaluering, merittering og forskningsvurdering.
  • Edwards, Peter (2022). Musikkfaglig sakkyndig vitne rapport. Oslo tingrett og Borgarting lagmannsrett. Lovdata.
  • Zelechowska, Agata (2020). Irresistible Movement: The Role of Musical Sound, Individual Differences and Listening Context in Movement Responses to Music. Oslo 07-Media.
  • Kraugerud, Emil (2020). Come Closer: Acousmatic Intimacy in Popular Music Sound. 07 Gruppen. Full text in Research Archive
  • Zelechowska, Agata; Jensenius, Alexander Refsum; Laeng, Bruno & Vuoskoski, Jonna Katariina (2020). Irresistible Movement: The Role of Musical Sound, Individual Differences and Listening Context in Movement Responses to Music. Universitetet i Oslo. Full text in Research Archive
  • Hagen, Anja Nylund; Heian, Mari Torvik; Jacobsen, Roy Aulie & Kleppe, Bård (2020). Digital ambivalens. Norsk musikk i internasjonale markeder. Universitetet i Oslo, Telemarksforsking. ISSN 978-82-336-0342-7.
  • Eriksen, Asbjørn Øfsthus (2020). Rapport om gjennomgåelse av Edvard Grieg: Samlede verker, bind 1 (1977) og del av bind 2 (1986) . Senter for griegforskning, Universitetet i Bergen. http://grg.uib.no.
  • Gran, Anne-Britt; Linn-Birgit, Kampen Kristensen; Molde, Audun; Hagen, Anja Nylund & Booth, Peter (2020). Krise og kreativitet i musikkbransjen – koronapandemien 2020. BI Centre for Creative Industries.
  • Aubinet, Stéphane (2020). The Craft of Yoiking: Philosophical Variations on Sámi Chants. 07. Full text in Research Archive
  • Størvold, Tore (2019). Dissonant Landscapes: Nature and the Musical Imagination of Iceland. Oslo 07-Media.
  • Kelkar, Tejaswinee (2019). Computational Analysis of Melodic Contour and Body Movement. Oslo 07-Media. Full text in Research Archive

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