Research projects

• A
  • A Comparative Study of Poetry under Censorship in the Iberian Dictatorships (DESCENSURA)
  • A Humanities Hub for the Reimagination of AI (HumAIn)
  • AUTORHYTHM – the role of autophagy in healthy aging
  • Affective Response to Environmental Change in and through Literature (Eco-Emotions)
  • An Archaeology of Creative Knowledge in Turbulent Times (ARCREATE)
  • An Ecological History of Eurasian Art
  • An experiment in the computer-assisted qualitative analysis of medieval historiographical narratives (Coding History)
  • Anthropogenic Soils
  • Artificial Biomimetic systems – the Niche of Islet Organoids
  • Artificial Biomimetic systems – the Niche of Islet Organoids
  • Artificial Intelligence: Human-LLM Communication (AICOM)
  • Assembling Life
  • Attention norms and their role in practical reason, epistemology, and ethics (GoodAttention)

• B
  • Before Copyright (BE4COPY)
  • Being in Concert
  • Bodies in Concert
  • Bodily Entrainment to Audiovisual Rhythms (AMBIENT)
  • Brokering China's Extraversion (BROKEX)
  • Brokering China’s Extraversion: An Ethnographic Analysis of Transnational Arbitration
  • bioRITMO

• C
  • Co-singing gesture and vocal performance across three musical traditions (SongGesture)
  • Construction in the formal sciences (C-FORS)
  • Creative IPR

• D
  • Designing with/out Extractive Materials (deXmat)
  • Dynamic Territory (DynamiTE)

• E
  • EU Kids Online V (EUKO)
  • Ecological Archaeologies of the Afrotropics (EcoArch)
  • Engagement and Absorption
  • Entrainment, social bonding and pleasure
  • Epigraphic Centres of Medieval Scandinavia (EpiCentres)
  • Exploring the ethics of synthetic DNA (WritingLife)
  • e-Infrastructure for video research (eVIR)

• G
  • Global natives? Serving young audiences on global media platforms
  • Greek Heritage in European Culture and Identity
  • Green Growth and Sámi Stakeholders (GREENGROWTH)

• H
  • Home in Crisis (Norway)
  • How do we understand machines that talk to us?

• I
  • Indigenous language resilience: From learners to speakers
  • Integrated technologies for tracking organoid morphogenesis (ITOM)
  • Intensionality and Forcing: A New Model-Theoretic Synthesis (InFors)
  • Interactions Between First, Second and Third Languages (MULTIWRITE)
  • Interactive Robotic System (ZRob)

• L
  • Labor Entanglements across the Atlantic
  • Language Myths: Towards a Global Approach to the Politicization of Ancient Languages
  • Language and culture maintenance in Wilamowice
  • Leadership and popular participation in Asian democracies
  • Literary Games, Poetics and the Early-Modern Novel (JEUX)

• M
  • MIRAGE - A Comprehensive AI-Based System for Advanced Music Analysis
  • Mapping, Modeling, and Perceving the Combinatorics of Groove-based Rhythms (GROOVE)
  • Maritime Goddesses: Transnational Connections, Blue Environments, and Ritual Care in East- and Southeast Asia (MARGO)
  • Mental effort and attention to rhythm, music, and physical activity
  • Minuscule Texts: Marginalized Voices in Early Medieval Latin Culture c. 700–c. 1000 (MINiTEXTS)
  • Modeling Human Happiness (ModHap)
  • Modeling and robots
  • Modes of Modification
  • Multimodal perception of rhythm, time and illusory time
  • Multimodal rhythm in music and dance from West Africa (DjembeDance)
  • Musical Chills
  • Musical Time and Form
  • Musical fragmentation
  • Musical human-computer interaction
  • muScribe: Automated tranScription of muSic

• N
  • Narrative Hierarchies: Minor Characters in Byzantine and Medieval History Writing
  • Neural bases of cognitive control in the human brain (NeuralBases)
  • Neurophysiological Mechanisms of Human Auditory Predictions (AudioPred)
  • New Signs of Antiquity: The Uses of Latin in the Public Culture of Fascist Italy
  • New models of knowledge communication
  • Nordic Sound and Music Computing network (NordicSMC)
  • Norwegian Romantic Nationalisms (NORN)
  • Norwegian diachronic corpus 200–1814 CE (Norchron)

• O
  • Oscillatory mechanisms supporting human cognition
  • Oslo Center for Environmental Humanities (OCEH)

• P
  • Pathways to Possible Presents (CoFutures)
  • Perceiving Representations
  • Photography as a Survival and Diaspora-Building Tool in the Aftermath of 1915 (PoSD-1915 )
  • Predictive and Intuitive Robot Companion (PIRC)

• R
  • Reinvestigating Kalydon's Laphrion Hill
  • Relics of Nature: An Archaeology of Natural Heritage in the High North
  • Responding ethically to the attention crisis (Salient Solutions)
  • Rhythm as an individual ability (INDRA)

• S
  • Science, Knowledge and Sustainability in Cultural Translation (Bodies in Translation)
  • Self-playing Guitars
  • Situated simulations (SitsimLab)
  • Socionatural entanglements in Little Ice Age Norway, 1500-1800 (ClimateCultures)
  • Stories of Heritage
  • SynchInConcert

• T
  • TIME - Timing and Sound in Musical Microrhythm
  • The Afterlives of Natural History
  • The Functional Turn in Music (FUNCTUMUS)
  • The Impact of AI on Political Knowledge, Opinion, and Democracy (KnowAI)
  • The Kantian Foundations of Democracy (KanDem)
  • The Lyrical Making of African Diaspora Futures (Word, Sound and Power)
  • The Mathematization of Nature (MatNat)
  • The Munch Aula Paintings project (MAP)
  • The Survival of Damaged Medieval Polychromed Heritage in the Nordics (POLYCHROME)
  • The emergence and stabilisation of iconicity in human speech (ICONIC)
  • The influence of experts on public policy (INFLUEX)
  • The language of fake news (Fakespeak)
  • The neural basis of temporal prediction
  • The role of attention in communication (AttCom)
  • Towards detecting AI-generated disinformation (NxtGenFake)
  • Transcendence and Sustainability: Asian Visions with Global Promise (Transsustain)
  • Transformations of production technology in the online environment (PLATFORM)
  • Translatability of Oil (TOIL)

• V
  • Values-based regime legitimation in Russia
  • Voices on the Edge: Minuscule Texts in Early Medieval Latin Culture